the good the bad and the queen download The Good, The Bad And The Queen - The Good, The Bad And The Queen (2007) Artist : The Good, The Bad And The Queen Title : The Good, The Bad And The Queen Year Of Release : 2007 Label : Virgin/Parlophone/Honest Jon's Records Genre : Brit Pop, Indie Rock Quality : Mp3 320 / Flac (tracks) Total Time : 42:54 Total Size : 107/285 Mb WebSite : Album Preview. 01. History Song 02. 80's Life 03. Northern Whale 04. 05. Herculean 06. Behind The Sun 07. The Bunting Song 08. Nature Springs 09. A Soldier's Tale 10. Three Changes 11. 12. The Good, The Bad & The Queen. ’s supergroup The Good, the Bad, and the Queen have released “Gun To The Head” and an accompanying video ahead of their comeback album . Organ, bassoon, recorder, and a British Invasion-style ensemble pop hook lend the song a cheery boardwalk shine, undercut by Albarn’s knotty lyrics of conspiratorial and repressive governance. Like that for the LP’s title track, the video centers a man dressed as a ventriloquist puppet, supported in this case by puppet backup singers. Booze & Glory. Booze & Glory - (2013) Skinhead Crew [320] 1. London Skinhead Crew 2. The Day I´m In My Grave 3. Paradise 4. Maybe 5. Avram Grant 6. On Our Way To Wembley 7. Back Where We Belong 8. Come On Your Irons (acoustic) 9. England Will Never Change 10. Friends 11. Working Hard, Dressing Smart. Booze & Glory - London Skinhead Crew - Singles Collection (2013) 1. London Skinhead Crew 2. The Day I´m In My Grave 3. Paradise 4. Maybe 5. Avram Grant 6. On Our Way To Wembley 7. Back Where We Belong 8. Come On Your Irons (acoustic) 9. England Will Never Change 10. Friends 11. Working Hard, Dressing Smart. VA – Oi! The Super Heroes (2012) 01 – Agent Bulldog – du har svaren 02 – Gimp Fist – which side are you on 03 – Booze & Glory – the day i’m in my grave 04 – The Sandals – droga przez zycie. VA - Oi! Ain't Dead (2012) The Old Firm Casuals 01. You Better Start Runnin’ 02. I Remain 03. Love Street Kid. Razorblade 04. Back Once More 05. Demolition Man 06. Fighting The System. The Corps 07. Talk Is Over 08. Know The Code 09. Making Enemies 10. Burning The Candle. Booze & Glory 11. Friends 12. England Will Never Change 13. Working Hard, Dressing Smart 14. It Was Our World. Booze & Glory - London Skinhead Crew - Singles Collection (2013) (flac) 1. London Skinhead Crew 2. The Day I´m In My Grave 3. Paradise 4. Maybe 5. Avram Grant 6. On Our Way To Wembley 7. Back Where We Belong 8. Come On Your Irons (acoustic) 9. England Will Never Change 10. Friends 11. Working Hard, Dressing Smart. Booze and Glory - 2011 - Trouble Free CD.7z Ссылка: http://rusfolder.net/files/38441924. Booze and Glory - 2010 - Always On The Wrong Side.7z Ссылка: http://rusfolder.net/files/38441925. xen0m0rph,чё та нет у них о россии ничего BOOZE & GLORY TOUR NEWS. Jan 24, 2014 Eindhoven, Holland (w/ Razorblade) Jan 25, 2014 Liege, Belgium (w/ Razorblade) Feb 08, 2014 Vienna, Austria (w/ Saints & Sinners) Apr 12, 2014 Berlin, Germany (Punk & Disorderly Fest) Apr 26, 2014 Wroclaw, Poland (Tattoo Convention) May 03, 2014 Lille, France (Zikenstock Fest) Jun 14, 2014 London, England Jul 26, 2014 Waldlauberscheim, Germany (BOTS Fest) Aug 08, 2014 Torgau, Germany (Endless Summer Fest) Aug 30, 2014 Niedergorsdorf, Germany (Spirit Fest) http://www.step1music.com/product_info.php. roducts_id=1514. Этот топик читают: Кажется, ваш браузер устарел, это может вызвать проблемы при авторизации. The Good, The Bad And The Queen. Tracklist: 01. Introduction (0:13) 02. Merrie Land (4:46) 03. Gun to the Head (4:19) 04. Nineteen Seventeen (3:43) 05. The Great Fire (3:56) 06. Lady Boston (4:19) 07. Drifters & Trawlers (2:34) 08. The Truce of Twilight (4:22) 09. Ribbons (2:52) 10. The Last Man to Leave (2:38) 11. The Poison Tree (3:40) для цельного восприятия добавил ранее выложенные видео на 2 первые песни с пластинки. усаживайтесь поудобней и приятного просмотра. The Good The Bad & The Queen - Merrie Land. “And especially from every shire's end of England; the holy blissful martyr for to seek, that them had helped them when they were weak”. So begins Merrie Land, the second album by the ‘supergroup’ (a horrible phrase) of Damon Albarn, afrobeat legend , Clash bassist Paul Simonon and Verve/Blur side-man , which technically doesn’t have a name but is usually referred to as The Good, The Bad and the Queen. The quote comes from Geoffrey Chaucer’s fourteenth century book The Canterbury Tales, a contemporary examination of all the strata of English life. It’s clear from the outset that Albarn has his mind in a similar place. While Allen and Simonon give the album its skittish, dubby musical backbone, this is very much Albarn’s record; the whole thing drips with the melancholy Englishness he loves so much, both in the evocative imagery of the lyrics (““Are we green, are we pleasant. We’re a shaking wreck where nothing grows””) and the end-of-the-pier organ that fuses with the rhythm section’s afro-dub and Tong’s sparse guitar to create something moody, distinctive and quite, quite beautiful. King Gizzard And The Lizard Wizard. 01. Robot Stop (05:22) 02. Big Fig Wasp (04:54) 03. Gamma Knife (04:21) 04. People-Vultures (04:45) 05. Mr Beat (04:56) 06. Evil Death Roll (07:14) 07. Invisible Face (03:01) 08. Wah Wah (02:54) 09. Road Train (04:18) King Gizzard & The Lizard Wizard ​– 2015.Quarters! 01. The River (10:10) 02. Infinite Rise (10:10) 03. God Is In The Rhythm (10:10) 04. Lonely Steel Sheet Flyer (10:10) King Gizzard And The Lizard Wizard ​– 2015.Paper Mâché Dream Balloon. 01. Sense (03:30) 02. Bone (02:16) 03. Dirt (02:50) 04. Paper Mâché Dream Balloon (02:39) 05. Trapdoor (02:38) 06. Cold Cadaver (02:43) 07. The Bitter Boogie (04:29) 08. N.G.R.I (Bloodstain) (02:25) 09. Time = Fate (02:26) 10. Time = $$$ (02:04) 11. Most Of What I Like (03:17) 12. Paper Mâché (02:29) King Gizzard And The Lizard Wizard ​– 2015.Live at Bowery Ballroom (June 19 2015) 01. I'm In Your Mind (03:37) 02. I'm Not In Your Mind (02:33) 03. Cellophane (03:11) 04. I'm In Your Mind Fuzz (02:59) 05. Gamma Knife (04:45) 06. Hot Water (03:18) 07. Hot Wax (03:26) 08. Robot Stop (05:45) 09. The River (09:57) 10. Muckraker (03:28) 11. Evil Devil (07:26) 12. Danger Money (02:13) 13. Am I In Heaven (16:53) 14. Pill (03:06) King Gizzard And The Lizard Wizard ​– 2014.Oddments. 01. Alluda Majaka (03:34) 02. Stressin' (02:56) 03. Vegemite (02:45) 04. It's Got Old (02:58) 05. Work This Time (04:36) 06. ABABCD (00:17) 07. Sleepwalker (03:46) 08. Hot Wax (03:29) 09. Crying (02:56) 10. Pipe-Dream (01:01) 11. Homeless Man In Adidas (03:24) 12. Oddments (00:25) The Good, the Bad & the Queen. Around the turn of the millennium -- just after the release of Blur's moody sixth album, 13 -- Damon Albarn began to quietly back away from the very concept of fronting a rock band, turning his attention to a series of collaborative projects that soon overshadowed his main gig. First there was the electro-bubblegum group , which afforded Albarn the opportunity to masquerade behind a cartoon, a move that allowed him to let his music speak louder than his fame, a method that he found irresistible as he began to do several projects similar to this, including a voyage to Africa documented on Mali Music, along with other less-publicized forays into soundtracks. In this context, the post-Graham Coxon Blur albumThink Tank seemed less like a band effort than another conceptual project directed by Albarn instead of the work of a band, which is what all these new-millennium projects were at their core, including the Good, the Bad & the Queen, a quartet comprised of himself, Clash bassist Paul Simonon, Verve guitarist Simon Tong, and Tony Allen, Fela Kuti's drummer, who was name-checked in Blur's "," and whose eponymous 2007 album is produced by , who previously collaborated with Albarn on Gorillaz's second album, 2005's Demon Days. A flurry of pre-release activity compared The Good, the Bad & the Queen to Blur's 1994 masterpiece , as it represents a conscious return to Albarn writing songs specifically about London at a particular point in time. Thematically accurate though this may be, it is also misleading, suggesting that Albarn is also returning to the bright, colorful, clever guitar pop that made his reputation -- something akin to Coxon's reclamation of that sound on his excellent recent solo , Happiness in Magazines and Love Travels at Illegal Speeds. That couldn't be farther from the truth, as The Good, the Bad & the Queen is deliberately drained of color and mired in moodiness. If Parklife exuberantly captured the giddiness of the mid-'90s, as fashions and politics changed, ushering in New Labor, Britpop, and new lad culture, The Good, the Bad & the Queen captures how all that optimism has calcified into weary cynicism, as the endless opportunities of the '90s have given way to a warring world that seems to lack any center or certainty. So, in that sense, it is a cousin to Parklife in how it captures a national mood, but in sheer sonic terms, the closet antecedent of Albarn's is Demon Days, which traced out an apocalyptic vision despite its insistent pop hooks. Which isn't to say that The Good, the Bad & the Queen is a Gorillaz album in disguise, nor should Simonon's presence suggest that this is the second coming of ; if anything, GBQ suggest the Specials at their most haunted, which is hardly uncharacteristic of Damon, who has always used "Ghost Town" as a blueprint whenever he's wanted to get spooky. Despite these echoes of the past -- and there are other echoes, too, arriving in Simonon's thundering dub bass, Tong's spectral guitars, Allen's nimble rhythms, and Albarn's vaudevillian piano and carnivalesque organ -- The Good, the Bad & the Queen is most certainly its own distinctive thing, the product of five iconoclastic musicians working a theme endlessly, relentlessly, and inventively, producing music that plays more like a movie than an album. Early on, as "History Song" eases into view on a circular acoustic guitar phrase, it establishes an alluring, dank, and artfully dour mood that the band continually expands and explores without ever letting the gloom lift. But for as dark as this is, GBQ never sounds despairing -- it's wearily resigned, as Albarn and his bandmates prefer to luxuriously wallow in the murk instead of finding a way out of it. There's a comfort in its melancholy, particularly in how the album glides from one elegantly doleful song to another, but at times the album almost sounds too samey, with no individual song emerging from the whole. Part of the reason for this is Danger Mouse's production: it's as subtle and clever as ever, but built largely in the post-production -- to the extent that he'll mix out Allen for large stretches of the album just for the aural effect. He's orchestrated a unified, dramatic album -- it's a tapestry of impeccable, sorrowful, yet sultry soundscapes -- but given the pedigree of this band, it's hard not to wish that the album offered more of the quartet just playing, gussied up with no effect. Nevertheless, as an album The Good, the Bad & the Queen is singularly effective, bringing the roiling melancholy undercurrent of Demon Days to the surface and creating a murky, mud-streaked impressionistic rock noir that's sinisterly seductive in its gloom.