Tom Thomson: the Mystery Lingers While the Beauty Continues to Captivate by Robert Britnell

Total Page:16

File Type:pdf, Size:1020Kb

Tom Thomson: the Mystery Lingers While the Beauty Continues to Captivate by Robert Britnell B8 — THE MUSKOKA SUN: Thursday, July 26, 2007 Tom Thomson: the mystery lingers while the beauty continues to captivate By Robert Britnell ne July day in 1917, OTom Thomson pad- dled his canoe into a lake in Algonquin Park. Somehow he met his demise. Ninety years later on a July day in 2007, his memory lives on not only in the mystery of what transpired on that fateful “Muskoka’s Carriage Door Specialist” day but also in his art- work. Boathouse • Residential • Commercial For most of the Working with Ace Boat Lifts of Muskoka Canadian public, Tom Thomson is the foremost to co-ordinate lifts and doors. painter of Canadian art. Most makes and models of steel, insulated But he is more than that. steel or wood doors with Liftmaster openers. His life as much as his Free estimates anywhere work expresses something on the Muskoka Lakes! essential and true about We Beat Home Depot’s the national character. Installed Price Self-sufficient, if not positively a loner, Thom- BLACK SPRUCE and Maple, 1915. For quality products and reliable service son is a compelling call Jaye LaChanse enigma and his death in a When, 90 years ago, his attorney general found the and his paintbox to Phone (705) 644-1343 Fax (705) 764-1253 frigid lake a beguiling body was found in Canoe skeleton to be that of a Algonquin Park. mystery. As information Lake with a bruise on the native Canadian. Thomson only spent his and theories based on temple and a fishing line Thomson was 39 and a summers in Algonquin THURSDAY NIGHT Thomson’s life proliferate, wrapped around one leg, it bachelor at his death. Park, where his base camp the real Tom Thomson was hard to accept that he Some evidence was was at Canoe Lake. Inner-NUTT CONCERT SERIES becomes even more elusive might have tripped, hit his advanced that Thomson Although he grew up on a MUSIC FESTIVAL behind the myth. His head on a rock or a canoe had planned to marry farm, he belonged to what 2007 death remains a mystery, and drowned. The rangers Winnie Trainor whose was then an urban society. Great Canadian Music • Great Canadian Artists • Feeding the Spirit and the Soul but what is even more par- remembered that the night family’s cottage just hap- For the open lake country, All events 8:00 p.m. adoxical is the meteoric before his death, he had pened to be next door to he had a love and great July 26th — Sean Cotton Doors open nature of his career. It quarrelled with a man by the Belcher’s. Trainor’s empathy that he carried Aug. 2nd — Pat Robitaille 7:30 p.m. tends to be overlooked the name of Martin nephew evidently has let- with him during the win- ~~~~~~~ that Thomson carved out Belcher Jr., a cottager ters from Thomson to his ter months spent in his Rosseau Memorial for himself a pre-eminent alleged to have pro- aunt that provide proof of shack located in the back- Aug. 9th — David Leask Community Hall Victoria St., place in Canadian art over German sympathies. Su- this. Current theories pro- yard of the Studio Aug. 16th — Gordie Tentrees Rosseau a mere five years. Some spicions of murder were mote the possibility that Building in Rosedale Aug. 23rd — Bob Snider consider him to be the voiced. A cottager re- this young woman may Valley near Davenport and TICKETS $15.00 inspiration behind the ported the apparition of a have been carrying Yonge in Toronto. J.E.H. Aug. 30th — Dala Subject to availability per concert. seminal Group of Seven. canoeist on the lake and Thomson’s illegitimate Macdonald recalls the Sept. 6th — Evalyn Parry Inquiries at: This tall canoeist, born Lawren Harris, a theo- child. Factor in some time that Thomson ar- [email protected] in 1877 near Claremont, rived at work one morning Sept. 13th — Steeling Time or 705-641-8833 Ontario, who walked and with a canoe paddle in Ticket Sales Centres paddled into the heart of hand. He seated himself Huntsville - Cripple Creek Music • Utterson - Utterson General Store Algonquin Park and came beside the photographic Rosseau - Rosseau Bulk Food & Variety • Bracebridge - AJ’s Roadhouse out with a new image of tank and began paddling Parry Sound - Mill St. Pub & Restaurant the national soul, has cer- away with a dreamy look tainly become an icon of in his eye. It would seem Canadian art. In a series of that that the park had *COTTAGE & HOME CONSTRUCTION almost primal-like paint- become his muse. *RENOVATIONS & REPAIRS ings such as West Wind, Mark Robinson, one of The Jack Pine, Spring Ice, the park’s rangers in 1917, *INTERIOR FINISHING Northern River and was a leading exponent of Northern Lights, he caused NORTHERN LIGHTS, 1915 the murder theory and it is *DECKS & RETAINING WALLS Canadians to merge in the this man’s remembrances maple and the northern sophist and one of the romantic interest by one that became the core of *DOCKS & BOATHOUSES wilderness. original Group of Seven Martin Belcher whose cot- Judge Little’s book. *BARGE SERVICES Tom Thomson was the members, proclaimed it tage just happened to Drowned or murdered? artist as the outdoorsman. was the spirit of Tom neighbour Trainor’s cot- Martin Belcher had been Let us take care of your home or A role later emulated by Thomson. It is of no sur- tage and the plot, as they listed as a deserter by cottage construction & repairs while many now well-known prise that out of this grew say, thickens. American authorities. And Canadian artists, includ- the Tom Thomson mys- Thomson had spent it was Belcher and his sis- you relax and enjoy life in Muskoka. ing most of the members tery. Eventually a book some time working at his ter Bessie who were out on of the famous Seven. with this name was writ- brother George’s commer- Canoe Lake on July 8, Quality & Service Among the rangers of ten by William T. Little. cial art studio in Seattle, 1917, the day Thomson Algonquin Park, where he William Little was a before returning to Tor- died. It was they who Come First painted from 1914 to judge of the provincial onto and eventually get- reported seeing Thomson’s 1917, Thomson gained family court in Toronto. ting a job with the art firm canoe abandoned off respect as a canoeist, In 1956, he and three of Grip Publishing Wapomeo Island. Mark swimmer and a proficient other Thomson admirers Limited, where his co- Robinson considered it Building Contractors fisherman. Awed cottagers dug up the site of the workers included J.E.H. rather “fishy” that spoke of the way his artist’s original grave at MacDonald, Arthur Lis- Thomson set out at 1:30 Gravenhurst 687-4782 moods changed with the Canoe Lake; they found a mer, Fred Varley and p.m. and the Belchers did- or call 687-7780 weather, of his restlessness skeleton they said was Frank Carmichael . all n’t see his canoe until 3 as a storm brewed, his Thomson’s and argued to become future Group p.m., being only a half flashing eyes when the that his corpse had not members. He also worked mile down the lake. The the lightning came. All of been removed to the fam- with Thomas Maclean, suspicion was peculiarly these things as well as his ily plot at Leith, Ontario who was one of the first illogical: Thomson’s canoe muskoka sun paintings have made him, as everyone thought. A artists to paint in the should have been spotted for many people, the first panel of medical experts north country and who sooner only if Belcher Muskoka’s favourite summer newspaper authentic native son. assembled by the Ontario first introduced Thomson Cont. on page 9.
Recommended publications
  • Colours in the Storm Script 2012
    COLOURS IN THE STORM Northern River, 1915 Tom Thomson National Gallery of Canada A Gallery Of Scenes And Songs On The Life Of Tom Thomson by Jim Betts COLOURS IN THE STORM Scene/Cast/Song Breakdown ACT 1 .............................................................................................................................................................. 1 PART 1 - PINEWOOD ARMS TO HOLD ME ............................................................................................... 1 Scene 1 - Where Once We've Felt The Colours ...................................................................................... 1 WILD MARY, THOMSON, COMPANY ......................................................................................................... 1 "Algonquin" ................................................................................................................................................... 1 Scene 2 - The Ghost Story ...................................................................................................................... 2 COMPANY ........................................................................................................................................................ 2 Scene 3 - The Frozen Waterfall .............................................................................................................. 4 THOMSON, (COMPANY behind) .................................................................................................................... 4 Scene 4 - An Ordinary Man ...................................................................................................................
    [Show full text]
  • Tom Thomson's Paintings Are Frequently Reproduced As Icons of Canadian Nationalism
    'OURIDEAL OF AN ARTIST': TOMTHOMSON, THE IDEAL OF MANHOODAND THE CREATIONOF A NATIONALICON (1 9 17-1 947) by Ross DOUGLASCAMERON A thesis submitted to the Department of History in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada September, 1 998 Copyright 6 Ross Douglas Carneron, 1998 National Library Bibliothèque nationale I*B of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Wwa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial'extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Tom Thomson's paintings are frequently reproduced as icons of Canadian nationalism. His best known works, such as "A Northern River," "The Jack Pine," and "The West Wind," have been reproduced in such various forms as postage starnps, coins, coasters and posters.
    [Show full text]
  • 11 Canadian Landscape Artists Retrace Tom Thomson’S Steps in Canada’S Great North 100 Years After His Untimely and Mysterious Death
    UNTAMED THINGS 11 Canadian Landscape Artists retrace Tom Thomson’s steps in Canada’s Great North 100 years after his untimely and mysterious death. “What is honored in a country is cultivated there.”- Plato Thomson Memorial Plaque at Canoe Lake 2017 SPONSORSHIP PACKAGE Untamed Things HOW YOU CAN BE A PART OF CANADIAN HISTORY AND CELEBRATE TOM THOMSON’S LEGACY One hundred years ago, July 8, 1917, Tom Thomson died on Canoe Lake. His death is still shrouded in mystery, but what remains clear is his profound influence on Canadian art and most specifically plein air landscape painting. Tom Thomson ABOUT THE TRIPS AND SHOW A group of 11 bush trekking plein air painters calling themselves “Untamed Things” Untamed Things will be retracing the steps of Tom Thomson one hundred years after the untimely and mysterious death of the favourite Canadian painter. –– ARTISTS –– Canoe Lake, Tea Lake and Smoke Lake just to name a few of the locations on the 2017 schedule. Mark Berens Algonquin Park looks much as it did 100 years ago as Thomson paddled around producing hundreds of the small 8 x 10 inch sketches on panels before retreating to the Lonny Doherty studio building in Rosedale, Toronto for the winter to work up some larger canvases. Low rolling hills, iconic pines, reflecting waters and vast wild skies from the melting of Jonathan Houghton the spring ice to the vibrant autumn colours. Paul Mantrop To be there, is like stepping into the paintings themselves. You assume that Thomson David Marshak must have taken some liberties to capture such vibrant colours but it really is like that up there.
    [Show full text]
  • Tom Thompson 1877-1917
    Tom Thompson 1877-1917 “Force compressed in a small framework - snow, trees and water are central elements in his vocabulary.” 1 Canadian Art and Architecture ARCH 2036 Spring Flood Fig. 1, Thompson, Tom, "Spring Flood," Oil on Panel, 1917 1917, In The McMichael Canadian Art Collection, by J. Winter 2020 Oil on panel Blodgett, pg 32, Scarborough McGraw Hill Ryerson Rebecca Jacob and Grace Wilson 21.0 x 26.8 cm LTD., 1989.. Professor: Terrance Galvin 1 Joan Murray, Tom Thompson: The Last Spring, (Toronto: Dundurn Press, 1994), 8. Presentation Outline ● Tom Thompson; a brief biography ● Canada’s artistic landscape in the early 1900’s ● Algonquin Park: the unexplored north country wilderness ● Interpretation of collected works: early and late ● Devotion to the landscape: A long lasting impact in Canadian Art Snow in the Woods 1916 Fig. 2, Thompson, Tom, "Snow in the Woods," Oil on Panel Oil on Panel, 1916, In The McMichael Canadian 21.9 x 27.0 cm Art Collection, by J. Blodgett, pg 31, Scarborough McGraw Hill Ryerson LTD., 1989.. Tom Thomson: a brief biography The Facts: ● Born near Claremont, Ontario, on August 5, 1877. Raised in Leith, near Owen Sound ● Exposure to the outdoors ● Later in life lived between Algonquin park and Toronto ● No formal art training ● Died July 8, 1917 at Canoe Lake Fig. 3, (top left)Tom Thompson,, In Canoe Lake: Algonquin Park, by S. Bernard Shaw, pg 92, Burnstown: General Store Publishing House., 1996. Fig. 4, (right) Tom Thompson,, In Canoe Lake: Algonquin Park, by S. Bernard Shaw, pg 99, Burnstown: General Store Publishing House., 1996.
    [Show full text]
  • Mdtt Guide.Pdf
    1 2 THE MYSTERIOUS DEATH OF TOM THOMSOn STUDY GUIDE 1 Consider the cover design of TheMysterious Death of Tom Thomson.Ataglance the image may appear to be rough-hewn, but consider that wood engraving is a predominantly 19th-century printmaking technique that requires the artist to create images with a burin manipulated on the end-grain of polished blocks of hardwood, in this case, maple. This is not, particularly,easy to accomplish. Tomissmoking a pipe, and holding a co}ee in his hand. He is wearing a toque, and suspenders, maybe. He appears to be smiling, and he is outdoors, close to a lake. Would any of your students be able to identifythe tree on the left as a Jack-pine? Have any of your students ever been to Algonquin Park? or, speci~cally,toCanoe Lake? Can we assume that Tom is often happy to be outdoors, in the bush? Is there some other detail in the image that I have missed? The focus of this Study Guide is Visual Literacy. Let ’s start by considering the ~rst couple of images as they appear on pages three to six in The Mysterious Death of Tom Thomson,and then the two that followthe copyright page. ... 2 Compare this engraved portrait with the archival photograph reproduced on page 14. What ’s di}erent? 3 Tommay have enrolled in evening classes at the Central Ontario School of Art and Design in Toronto. What is there in this image that suggests an evening setting? 4 THe MYsTeRious DeaTH oF ToM THoMson A WORDLESS nARRATIVE TOLD In OnE HUnDRED AnD nInE WOODBLOCK EnGRAVInGS GEORGE A.
    [Show full text]
  • Only Canadian Appearance Painting Canada: Tom Thomson and the Group of Seven at the Mcmichael Canadian Art Collection for Ten We
    Only Canadian Appearance Painting Canada: Tom Thomson and the Group of Seven at the McMichael Canadian Art Collection for ten weeks only November 3, 2012 to January 6, 2013 This special exhibition, featuring the works of Tom Thomson and the Group of Seven, makes its triumphant return to Canada following a very successful European tour September 27, 2012, Kleinburg, ON – The McMichael Canadian Art Collection in conjunction with London’s Dulwich Picture Gallery and the National Gallery of Canada (NGC) are pleased to announce the most impressive exhibition dedicated to Tom Thomson and the Group of Seven ever to travel to Great Britain and Europe will return to Canada for an exclusive engagement at the McMichael Canadian Art Collection, from November 3, 2012 to January 6, 2013. Painting Canada: Tom Thomson and the Group of Seven is organized by the National Gallery of Canada and Dulwich Picture Gallery, in collaboration with the National Museum of Art, Architecture and Design, Oslo, and the Groninger Museum, the Netherlands, with the generous support of the McMichael Canadian Art Collection, the Art Gallery of Ontario, and other lenders. The Canadian galleries are lending some of the country’s most iconic paintings, and a significant number of rarely seen works are coming from private collections. Dr. Victoria Dickenson, McMichael Executive Director & CEO, said, “It is a great privilege to be able to exhibit Painting Canada at the McMichael. The art of Tom Thomson and the Group of Seven is at the core of the McMichael’s collection, and this outstanding exhibition lets us appreciate the artists’ mastery and vision from a fresh perspective, thanks to curator Ian Dejardin’s unique insights.
    [Show full text]
  • Photographs of Canadian Art Collection CA OTAG SC039
    E.P. Taylor Research Library & Archives Description & Finding Aid: Photographs of Canadian Art Collection CA OTAG SC039 Prepared by Gary Fitzgibbon, 2013 Revised by Gary Fitzgibbon, 2016 317 Dundas Street West, Toronto, Ontario M5T 1G4, Canada Reference Desk: 416-979-6642 www.ago.net/research-library-archives Photographs of Canadian Art collection Photographs of Canadian Art collection Dates of creation: [189-?]–1985, predominant 1920–1965 Extent: 4,125 photographs 227 pictures Custodial history: Materials now constituting the Photographs of Canadian Art collection were obtained by curators at the Art Gallery of Toronto, now the Art Gallery of Ontario, between the 1920s and 1985 in the course of acquiring works of art and arranging exhibitions for the gallery. The photographs were assembled during this period by staff in the library and archives of the gallery as a curatorial resource. Scope and content: Collection consists of a single series of copy prints (of paintings, drawings and prints), and photos of sculptures and other works of art and architecture, chiefly by 19 th - and 20 th -century Canadian artists and architects, arranged in alphabetical order by surname, with photos of works by unknown artists at the end of the series. The collection comprises 646 artists and architects, and includes some reproductions of works of art, chiefly clippings. Many of the works of art reproduced in the photographs are in the permanent collection of the Art Gallery of Ontario. Notes: Source of title proper: Title of the collection is based on its contents. Titles of files and items (at the item level of description) are from envelopes in which the photos were originally contained.
    [Show full text]
  • Painting Canada List of Works
    LIST OF WORKS in order of display Tom Thomson’s Sketch Box Tom Thomson Before 1913 Sketch for The Jack Pine Wood 1916 6.5 x 30.5 × 27 cm (closed, including metal fittings Oil on wood panel and leather handles) 21 × 26.7 cm National Gallery of Canada, Ottawa (ST34) The Weir Foundation, RiverBrink, Queenston, Ontario, purchase 1947 (982.65) Tom Thomson The Opening of the Rivers, sketch for Spring Ice Tom Thomson 1915 The Jack Pine Oil on composite wood-pulp board 1916 21.6 × 26.7 cm Oil on canvas National Gallery of Canada, Ottawa, bequest of Dr. 127.9 × 139.8 cm J.M. MacCallum, Toronto, 1944 (4662) National Gallery of Canada, Ottawa, purchase 1918 (1519) Tom Thomson Spring Ice Tom Thomson 1916 Burnt Land Oil on canvas 1915 72 × 102.3 cm Oil on canvas National Gallery of Canada, Ottawa (1195) 54.6 × 66.7 cm National Gallery of Canada, purchase 1937 (4299) Tom Thomson Maple Woods, Bare Trunks Tom Thomson 1915 Burnt Country, Evening Oil on wood 1914 21.3 × 26.6 cm Oil on plywood National Gallery of Canada, Ottawa, bequest of Dr. 21.5 × 26.6 cm J.M. MacCallum, Toronto, 1944 (4682) National Gallery of Canada, bequest of Dr. J.M. MacCallum, Toronto, 1944 (4661) Tom Thomson Maple Woods, Bare Trunks Tom Thomson (originally entitled The Hardwoods) The Pointers Winter 1915–16 1916–17 Oil on canvas Oil on canvas 81 × 87 cm 101 × 114.6 cm Private collection Hart House Permanent Collection, University of Toronto, purchase 1928–29 Tom Thomson The West Wind Tom Thomson Winter 1916–1917 Evening, Canoe Lake Oil on canvas Winter 1915–16 120.7 × 137.9 cm Oil on canvas Art Gallery of Ontario, Toronto, gift of the Canadian 41.3 × 51.5 cm Club of Toronto, 1926 (784) The Thomson Collection, Art Gallery of Ontario, Toronto (69248) Tom Thomson Tom Thomson Blue Lake, sketch for In the Northland Tamaracks Autumn 1915 1915 Oil on wood Oil on wood panel 21.7 × 26.9 cm 21.3 × 26.7 cm National Gallery of Canada, Ottawa, bequest of Dr.
    [Show full text]