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ELLINGTON 3Days ... un festival, trois spectacles thématiques, seize musiciens d’exception et des invités. Voir la bande annonce : http://www.laurent-mignard.com/index.php?id=88 ELLINGTON FRENCH TOUCH Dimanche 21 avril – 17h30 Duke Ellington et la France, une histoire d’amour ! Invité sur la scène de l’Européen, le Duke témoigne, s’adresse au public, présente des inédits, dirige l’orchestre, communique ses valeurs ... Un grand spectacle mêlant musique, danse, chansons, comédie musicale et video. Répertoire : Standards et chansons françaises, extraits de Paris Blues, Turcaret, Degas Suite, Goutelas Suite Invités : Nicolle Rochelle (voc), Pierre Richard (voc), Duke Ellington MULTICOLORED DUKE Lundi 22 avril – 20h30 Duke Ellington ambassadeur des peuples ! Mêlant l'esprit du blues à l’invention orchestrale la plus raffinée, la musique du Duke emprunte les chemins l’universalité. Amérique noire, Afrique, Amérique du Sud, Proche et Moyen-Orient, Asie… une palette sonore exceptionnelle pour rendre hommage aux peuples du monde. Répertoire : Standards, Harlem Suite, Liberian Suite, Afro- Bossa, Far East suite, Latin American Suite, Afro-Eurasian Eclipse … Invités : Victoria Abril (voc), Jean-Jacques Milteau (har), Jorge Pardo (fl) DUKE LADIES Mardi 23 avril – 20h30 Les femmes au cœur de l’œuvre du Duke … Des parfums capiteux (Perfume Suite) aux standards ancrés dans la mémoire (Sophisticated Lady, Satin Doll …), le Duke leur a rendu hommage, dressé des portraits, et cultivé de précieuses collaborations en leur offrant des arrangements sur-mesure. Répertoire instrumental et vocal : Standards, The Tattoed Bride, extraits de Perfume Suite, Girl’s Suite, Queen Suite, New Orleans Suite, Sacred Concert … Invitées : Nicolle Rochelle, Sylvia Howard, Rebecca Cavanaugh (voc), Aurore Voilqué (vln) Les musiciens : Didier Desbois (as, cl), Aurélie Tropez (as, cl), Fred Couderc (ts, cl, fl), Carl Schlosser (ts, fl), Olivier Defays (ts), Philippe Chagne (bs), Claude Egea (tp), Sylvain Gontard (tp), Jérôme Etcheberry (tp), Richard Blanchet (tp), Fidel Fourneyron (tb), Michaël Ballue (tb), Jerry Edwards (tb), Philippe Milanta (p), Bruno Rousselet (b), Julie Saury (dm), Laurent Mignard (dir) L’Européen - 5 Rue Biot 75017 Paris Réservations : 01 43 87 97 13 ou www.leuropeen.info tarifs 35 € / 25 € (pass 3j : 75 € / 55 €) Infos / photos / vidéos / presse … www.laurentmignard.com L’agence Musicale – 14 rue Parmentier 92140 Clamart [email protected] - booking / presse : [email protected] .

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The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St.
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The Highest Note in the Century Since His Birth, Duke Ellington Has Been the Most Important Composer of Any Music, Anywhere Blumenthal, Bob
Document 1 of 1 The highest note In the century since his birth, Duke Ellington has been the most important composer of any music, anywhere Blumenthal, Bob. Boston Globe [Boston, Mass] 25 Apr 1999: 1. Abstract The late Duke Ellington, whose 100th birthday will be celebrated on Thursday, disliked the word "jazz." As he famously remarked, the only subsets of music he recognized were good and bad. Rather than stress categorical distinctions, Ellington preferred to celebrate artists and works that were, in another of his oft-quoted phrases, "beyond category." The magnitude of Ellington's legacy should be clear to all who can hear, and even to those who can only count. Just look at the numbers. From 1914, when he wrote "Soda Fountain Rag" as an aspiring pianist in his native Washington, D.C., until shortly before his death, on May 24, 1974, Ellington was responsible for nearly 2,000 documented compositions. From 1923, when he first gained employment in New York for his Washingtonians at Barron Wilkins's Harlem nightclub, he kept an orchestra together through boom andbust. The notion of writing for specific individuals as part of an ensemble reached its highest form of expression with Ellington. Rather than simply creating music for a three-piece trombone section, he crafted lines that fit the plungered growl of Joe "Tricky Sam" Nanton, the fluency of Lawrence Brown, and the warmth of Jual Tizol's valved instrument; and he applied this practice to every chair in the band. This led Ellington to collect musicians whose "tonal personality" (another favor-ite image) inspired him, ratherthan those who might simply blendinto an undifferentiated orchestral mass.
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The Development of Duke Ellington's Compositional Style: a Comparative Analysis of Three Selected Works
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2001 THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Eric S. Strother University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Strother, Eric S., "THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS" (2001). University of Kentucky Master's Theses. 381. https://uknowledge.uky.edu/gradschool_theses/381 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Edward Kennedy “Duke” Ellington’s compositions are significant to the study of jazz and American music in general. This study examines his compositional style through a comparative analysis of three works from each of his main stylistic periods. The analyses focus on form, instrumentation, texture and harmony, melody, tonality, and rhythm. Each piece is examined on its own and their significant features are compared. Eric S. Strother May 1, 2001 THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS By Eric Scott Strother Richard Domek Director of Thesis Kate Covington Director of Graduate Studies May 1, 2001 RULES FOR THE USE OF THESES Unpublished theses submitted for the Master’s degree and deposited in the University of Kentucky Library are as a rule open for inspection, but are to be used only with due regard to the rights of the authors.
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2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
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Kompositioner Af Duke Ellington - Et Supplement
Kompositioner af Duke Ellington - et supplement Af Erik Wiedemann I I en artikel i Musik & Forskning 11 1985-861 har jeg opridset en række problemer i forbindelse med et forskningsprojekt om Duke Ellingtons kom positioner. Heraf fremgår bl.a. at den eneste offentliggjorte større værkfor• 2 tegnelse er den der findes i Ellingtons selvbiografi, Music Is My Mistress , suppleret af et appendix i Mercer Ellingtons (og Stanley Dance's) bog om faderen, Duke Ellington In Person. An Intimate Memoir. 3 I artiklen blev det nævnt at de to værkfortegnelser er baserede på en udskrift fra den amerikan ske ophavsretsorganisation ASCAP (Ameriean Society of Composers, Authors & Publishers), en pendant til det danske Koda. Denne udskrift, som ikke er offentligt tilgængelig, er det siden, ved Mercer Ellingtons hjælp, lykkedes mig at få fra ASCAP. I et følgebrev fra ASCAP siges det at udskriften er »a list of works which is main tai ned on an informal basis by ASCAP as a courtesy to our writer member (or the estate). This list does not purport to be complete or updated inasmuch as our files are main tained alphabetically by title of composition rather than by writer or publish er.«4 Man kan altså formode at en række yderligere Ellington-kompositioner er registreret hos ASCAP. Desværre har jeg ikke hidtil kunnet få tilladelse til at undersøge disse registre. ASCAP er grundlagt i 1914 og var frem til 1939, da en konkurrerende organisation, BMI (Broadcast Mu~ic, Ine.), blev oprettet, den eneste bety dende organisation af sin art i USA.5 Af ASCAP-udskriften fremgår bl.a.
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An Evening with the Duke
An Evening with the Duke The University Musical Society presents Duke Ellington and His Orchestra in a Special Benefit Concert SATURDAY EVENING, NOVEMBER 11, 1972, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN Mood Illdigo Mood ltldigo Sophisticatfd Lady Sophisticated Lady Solitllde Solitude I Lei A SOllg Go I Let A Song Go Out of My Hearl Out of My Heart DOIl't Get Around Don't Get Aroulld Milch A Ilymore Much Altymore I Got It Bad I Got It Bad Do N otMltg Til l'au Do Nothing Til You Hear From Me Hear From Me I'm Beginllillg to I'm Begilm ing to See Ihe Ligltt See the Light I'm Just A Lucky The Ann Arbor and University community I'm Just A Lucky So-alld-So welcomes Duke Ellington and his colleagues. So-and-So Just Squeeze Me Just Squeeze Me Satill Doll Their cooperation in making this evening pos Satin Doll Blac k alld Tall sible for the benefit of the University Musical Black ana Tall Fantasy Fantasy Creole Love Call Society is deeply appreciated. Creole Love Call The Mooche The Mooche Rockill' ill Rhythm Rockill' in Rhythm Warm Valley Warm Valley C Jam Bllles C Jam Blues III a Mellotone 111 a Mellotone Happy-Go-Lucky Happy-Go-Lucky Local Special Benefit Committee Local Afro-Bossa Afro-Bossa Black, Browll and Black, Brown alld Beige Sarah G. Power, Chairman Beige The Liberiall Suite Mary S. Palmer, Hazen J. Schumacher, Jr., The Liberian Suite The Perfume Suite The Perfume Suite Deep SOltth Suite Lois U.
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First Page of a Research Paper in MLA Format First Page of a List of Works Cited in MLA Format
First page of a research paper in MLA format First page of a list of works cited in MLA format Double-space ½” ½” 1” Double-space 1” Josephson 1 Josephson 15 Laura N. Josephson Works Cited Professor Bennett Brindle, Reginald Smith. “The Search Outwards: The Orient, Jazz, Archaisms.” The New 1” Humanities 2710 Music: Avant-Garde since 1945. New York: Oxford UP, 1975. 133-45. Print. 1” 8 May 2003 Burnett, James. “Ellington’s Place as a Composer.” Gammond 141-55. Print. Ellington’s Adventures in Music and Geography Duke Ellington. Estate of Mercer K. Ellington. 2002. Web. 3 June 2002. Indent ½” In studying the influence of Latin American, African and Asian music on modern Duke Ellington’s Washington. Public Broadcasting System. 2000. Web. 3 June 2002. American composers, music historians tend to discuss such figures as Aaron Copeland, Ellington, Duke. The Afro-Eurasian Eclipse. 1971. Fantasy. 1991. LP. George Gershwin, Henry Cowell, Alan Hovhaness, and John Cage (Brindle; Griffiths 104-39; ---. Black, Brown and Beige. 1965. RCA Bluebird, 1988. LP. Hitchcock 173-98). They usually overlook Duke Ellington, whom Gunther rightly calls “one ---. The Far East Suite. 1965. RCA, 1995. LP. of America’s great composers” (318), probably because they are familiar only with ---. The Latin American Suite. 1969. Fantasy. 1990. LP. Ellington’s popular pieces, like “Sophisticated Lady,” “Mood Indigo,” and “Solitude.” Still ---. The Liberian Suite. LP. Philips. 1947. LP. little known are the ambitious orchestral suites Ellington composed, several of which, such Indent ½” Gammond, Peter, ed. Duke Ellington: His Life and Music. 1958. New York: Da Capo, 1977.
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Guide to the Felix Grant Collection
Guide to the Felix Grant Collection NMAH.AC.0410 Ben Nicastro and Scott Schwartz 1996 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical/Historical note.............................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Felix Grant Collection, [sound recordings] NMAH.AC.0410 Collection Overview Repository: Archives Center, National Museum of American History Title: Felix Grant Collection, [sound recordings] Identifier: NMAH.AC.0410 Date: 1935-1985 Creator: Grant, Felix, 1918-1993 Ellington, Duke, 1899-1974 Extent: 4.3 Cubic feet (6 boxes) Language: English . Summary: Collection consists of 128 albums featuring
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Something Apart Yet an Integral Part
King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Matlin, D. (2021). 'Something Apart, Yet an Integral Part': Duke Ellington's Harlem and the Nexus of Race and Nation. Modern Intellectual History. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
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Grant Kicks Off FSU's Project of Building Sustainable Energy
For and about FSU people A publication of the FSU Division of Communications and Media Relations Volume 49, Number 28, April 29, 2019 Copy deadline: noon Wednesday, Candis Johnson at [email protected] Student Research Showcased in Undergraduate Symposium at FSU Student research and experiential learning projects will be the focus of FSU’s annual Undergraduate Research Symposium on Friday, May 3, from 11 a.m. to 2 p.m. in the Lane University Center. The symposium provides participants the opportunity to present their work to their peers and share experiences across disciplines. All three academic colleges will be represented for the first time this year. The event is free and open to members of the public, who may come at any time during the three-hour window. The symposium will feature the work of 248 students who were mentored by 52 members of the faculty or staff across all three colleges and 15 departments. The poster presentations, oral presentations and physical displays will represent work completed during 2018 and 2019. Some of the wide variety of topics to be covered will include a skills assessment of regional workforce among employers and employees, a conservative treatment of a rare type II odontoid fracture, inventories of amphibians and reptiles, a presentation on ignorance in interracial relationships, community colleges vs. universities, drone construction and remote sensing applications, the history of Deep Creek Lake, revealing the geometry of spiral galaxies using fourier transforms and much more. Students will be stationed at their research displays in Lane Manicur Hall to explain their findings to interested individuals.
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Duke Ellington
FROM: AMERICAN BALLET THEATRE 890 Broadway New York, New York 10003 (212) 477-3030 DUKE ELLINGTON Duke Ellington, born April 29, 1899 in Washington, D.C., was an American pianist who was the greatest jazz composer and bandleader of his time. One of the originators of big-band jazz, Ellington led his band for more than half a century, composed thousands of scores and created one of the most distinctive ensemble sounds in all Western music. Ellington grew up in a secure middle-class family in Washington, D.C. His family encouraged his interests in the fine arts, and he began studying piano at age seven. He became engrossed in studying art during his high-school years, and he was awarded, but did not accept, a scholarship to the Pratt Institute, Brooklyn, New York. Inspired by ragtime performers, he began to perform professionally at age 17. Ellington first played in New York City in 1923. Later that year he moved there and, in Broadway nightclubs, led a seXtet that grew in time into a 10-piece ensemble. The singular blues-based melodies; the harsh, vocalized sounds of his trumpeter, Bubber Miley (who used a plunger [“wa-wa”] mute); and the sonorities of the distinctive trombonist Joe (“Tricky Sam”) Nanton (who played muted “growl” sounds) all influenced Ellington’s early “jungle style,” as seen in such masterpieces as “East St. Louis Toodle-oo” (1926) and “Black and Tan Fantasy” (1927). Extended residencies at the Cotton Club in Harlem (1927–32, 1937–38) stimulated Ellington to enlarge his band to 14 musicians and to expand his compositional scope.
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Ð”Ñžðº Ð•Ð»Ð¸Ð½ð³ñ‚Ñšð½ ÐÐ»Ð±Ñƒð¼ ÑÐ¿Ð¸ÑÑšðº (Ð
Ð”ÑŽÐº Ð•Ð»Ð¸Ð½Ð³Ñ‚ÑŠÐ½ ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„Ð¸ÑÑ ‚Ð° & Ð³Ñ€Ð°Ñ„Ð¸Ðº) https://bg.listvote.com/lists/music/albums/duke-ellington-%26-john-coltrane- Duke Ellington & John Coltrane 2473088/songs Such Sweet Thunder https://bg.listvote.com/lists/music/albums/such-sweet-thunder-833545/songs Black, Brown and Beige https://bg.listvote.com/lists/music/albums/black%2C-brown-and-beige-3640656/songs https://bg.listvote.com/lists/music/albums/duke-ellington-meets-coleman-hawkins- Duke Ellington Meets Coleman Hawkins 3716164/songs Dance to the Duke! https://bg.listvote.com/lists/music/albums/dance-to-the-duke%21-5215314/songs https://bg.listvote.com/lists/music/albums/first-time%21-the-count-meets-the-duke- First Time! The Count Meets the Duke 5453893/songs Ellington '55 https://bg.listvote.com/lists/music/albums/ellington-%2755-5365430/songs Liberian Suite https://bg.listvote.com/lists/music/albums/liberian-suite-6541181/songs Masterpieces by Ellington https://bg.listvote.com/lists/music/albums/masterpieces-by-ellington-6785409/songs Ellington '66 https://bg.listvote.com/lists/music/albums/ellington-%2766-5365407/songs It Don't Mean a Thing If It Ain't Got That https://bg.listvote.com/lists/music/albums/it-don%27t-mean-a-thing-if-it-ain%27t-got- Swing that-swing-6091720/songs Blues in Orbit https://bg.listvote.com/lists/music/albums/blues-in-orbit-886050/songs Duke Ellington Presents... https://bg.listvote.com/lists/music/albums/duke-ellington-presents...-5312769/songs The Duke Plays Ellington https://bg.listvote.com/lists/music/albums/the-duke-plays-ellington-7731175/songs Swinging Suites by Edward E.
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