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FALL and WINTER 2003 Issue #14 $5 95 FALL and WINTER 2003 Issue #14 $5 95 1 074470 8,51-6 IN THE HEART op THE BEAST PUPPET THEATRE For 29 years... In the Heart of the Beast Puppet and Mask Theatre has been using water, flour, newspaper, paint, and imagination to tell stories that explore and celebrate the human experience and the wonders of the natural world. This year, in addition to our 30th Annual MayDay Parade and Festival on Sunday, May 2,2004, we're producing original, company- generated plays for both family and adult audiences during November 2003 to March 2004. We will also teach puppetry and pageantry to students and teachers, teenagers and youth, b and community members in our · neighborhood and throughout Minnesota through our School and Community Residencies, Small and Large Touring Shows and Programming for Youth. Check our website for more detailed information at hobt.org. Join us for another exciting season! IN THE HEART OF THE BEAST PUPPET AND MASK THEATRE 1500 East Lake Street · Minneapolis, Minnesota 55407 · (612) 721-2535 · www.hobt.org Editor Andrew Periale ~UPPETRY ~NTERNATIONAL 56 Woodland Drive Strafford, NH 03884 film & media the puppet in contemporary theatre, [email protected] issue no. 14 Designer/Assistant Editor Bonnie Periale The Editor's Page 2 Editorial Advisor Leslee Asch SEX & GENDER IN PUPPETRY Historian Ritual Sex by Eileen Blitmenthal . ....... .... 4 John Bell Puppet Seduction in Australia bv Jessica Wilson ... 8 Media Review Editor Natalie Undressed by Michael Nelson . 10 Donald Devel Nosteratu in New York . 11 Advertising Turtles Who Love Too Much bu Warner Blake. 12 Reay Kaplin Madame and Wayland b-V Andrew Periale 13 [email protected] Avenue Q by Rick Lijon 14 Distribution Spooky Puppet Horror Show ... 17 Tricia Berrett Girl Meets Rat by Joan Evans . 18 Advisors Puppets Teach Sex Ed by Donald Deuet . 19 Vince Anthony Norman Frisch Interviews: Meg Daniel Norman Frisch Ronnie Burkett ..20 Stephen Kaplin Paul Zaloom .. 22 Mark Levenson Puppet History Column by John Bell .26 Amanda Maddock Michael Malkin Dassia Posner --- REVIEWS --- Hanne Tierney Amy Trompetter ON STAGE Don Juan review bv Marnie Tierrie,J 30 Puppetry International is a publication of UNIMA-USA, Inc., American Center of the Barber of Seville review by Hanne Tierney . 32 UNION INTERNATIONALE de la BOOKS MARIONNETTE (known as "UNIMA"). Contemporary Wayang review by Andrew Periale . .34 Board of Directors, UNIMA-USA, Inc. Marionette Making review by Andrew Periale . .36 Founding President JlM HENSON President Marianne Tucker FILM & VIDEO Tricia Berrett Bradford Clark Meet the Feebles review by Justin Kaase .. 37 Carol Epstein-Levy Bread & Puppet Documentary reciew by Andrew Periale .38 Kathy Foley Kuang-Yu Fong Kathee Foran Lynne Jennings UNIMA-USA Production , , i Mary Robinette Kowal Michelle O'Donnell c/o Center for Puppetry Arts Terrie Ilaria, Lillian Meier 1404 Spring Street. NW STEINWAY STUDIO Atlanta. GA 30309 USA Kittery, ME Ex-Officio Board Members 404-873-3089 Anthony* www.unima-usa.org General Secretary Vincent Publications Andrew Periale Bonnie Periale Consultants & Leslee Asch *Councilors Cheryl Henson* Allelu Kurten --1 - Michael Nelson ON THE COVER: Roman Paska* NATIONAL Fashionable frog puppet, from Lia Powell Perry Alley Theatre's Chinese ENDOWMENT FOR THE ARTS I.isa Rhodes Take-Out Theatre, by Andrew Periale; costumed by Caleb Bart Roccoberton* * Fullam . ©1999 This project is supported, iii part, by an award Nancy L. Staub photo: B Periale i from the National Endowment for the Arts. Web Guru Donald Devet ©2003- UNIMA-USA PUPPETRY INTERNATIONAL Editor's Page- As a freshman theater student, I remember On the topic of human sexuality, three principal areas in which going down to Greenwich Village to see Jacques Brel is Alive we observed that there were and Well at the Village Gate. On the way into the theater, 1 puppets seem to have been used consistently throughout saw a poster for Kumquats, * which was advertised as the history: as a means of transcending narrowly defined gen- "world's first erotic puppet show." 0/1, Calcutta and Hair der roles, as an expression of the artist's sexuality or sexual were playing on Broadway and, as teenagers, we were all politics, and as an acceptable (more or less) way of having tuned in and turned on to the new sexual openness which sex in public. This is fertile ground. and. as always, we are was everywhere apparent: in our music and manner of dress, only able to scratch the surface here, but scratch we do; in ourcinema and theater-in short, in our hippie/free-speech beneath the gaudy plush of muppet tleece we catch the counterculture and all the mainstream outlets which were heady whiff of germination- of rat lust and dragon lotion. ripping off its outer trappings in order to make a buck. The politics of culture aside, though , I was intrigued by the Kwn- That a puppeteer may play characters quats poster, if only because it flew in the face of my as yet of anY gender is such a common notion that it is rudimentary notions of puppetry: Punch and Judy, Howdy often taken for granted. Every now and then it piques our Doody, Bil Baird, Fireball XL5. The fact that sex and pup- interest: " All those female roles in the bunraku theatre are pets did not strike me as a natural and profoundly signifi- played by men- are they gay?' (No. they're not. but it does cant pairing is proof enough of how little I knew about pup- beg the question: why (lre there no women in the com- petry, or, indeed, about humanity itself, which is- deny it as pany?) John Bell considers the significance of gender iden- we might- all about sex. Longtime readers will know that tity in his survey of sex and puppetry throughout history we have waited a long time for this, having previously ex- [page 261. Of all the well known examples of this in recent plored the puppet's relationship to television, propaganda, times, perhaps nowhere has the illusion been more com- spirituality, technology, traditional cultures and so on. But plete than with Wayland Flowers and Madame [page 131. the implacable force of the phallus implicit in Punch's big stick will not be stilled a moment longer- its time has come! Strange Love, by Perry Alley Theatre with Larry Siegel is made up of three short plays- each dealing with a particular aspect of human relationships. Here, Charles introduces Tempesta to his parasitic conjoined twin, "Junior." Eventually, she ends up in bed with both of them! photos: Richard Termine PUPPETRY INTERNATIONAL 3 No doubt artists who've flouted sexual mores There are other ways in which (either openly or not) have used pup- sex and puppetry have come to- petry as a way of expressing their gether over the years- as a teaching tool, for ideas, sensibilities and so on for instance. Gary Friedman has done very valuable many years. Though not a new phe- work in AIDS education in South Africa, and nomenon, a great deal of important Grey Seal Puppets had a program for middle work has been produced by contem- school sex education [page If)]. We also have a porary gay playwright/puppeteers. number of reviews of films, productions and Norman Frisch has interviewed two books- something for everyone! of puppetry's most celebrated artists- Ronnie Burkett, who speaks of his process of maturation front Canada's "bad boy of puppetry" to one of his country's most respected contempo- rary playwrights [page 201, Paul Za- loom makes a strong case for his gay Punch, and speaks passionately 44 about why "gay" is not synonymous with "queer" Ipage 22]. Puppets seem to be having sex every- Where these days, nowhere more openly (or hilariously) We seem, as a nation, to be inca- than in Broadway's Avenue Q John Bell considers this production, as does the show's puppet designer, Rick Lyon pable of having a frank and open [page 14]. We've included a number of other examples of discussion of human sexuality. recent or current shows in which sex plays a prominent That the desire of many gays and lesbians to marry role: the campy Nofferatu [page 11 ], the haunting Dark at or serve in the military is so contentious should be the Top of the Stairs [ page 8 ], the enchanting Natalie [page proof enough of this. The absolutely shameful 101 and others . Joan Evans also recalls her Rice and prevalence of hate crimes against sexual non-con- Do/ores, a scathing social commentary which she calls formists, the sexual abuse of children, the Catholic "your basic girl meets rat story" [page 18]. Puppets, though, ban against women entering the priesthood, legisla- have been having sex in public view for a long time- in tion against public support of birth control. are just fertility rituals, tales of the gods, and as a way of skirting a few of the many examples of how repressed, fear- taboos. Eileen Blumenthal gives us a sneak peek at her ful and psychically injured we are as a people. Pup- upcoming book in her consideration of the ritual uses of petry is a force for good in this arena. By "holding puppetry, for which there is evidence right back to prehis- the mirror up to nature," our puppet artists allow us torie times [page 4]. to look at our excesses, our phobias, our suppressed desires. insecurities, foibles and occasional tri- umphs, and to give us a good laugh, or a good cry, in the process. And that is how healing begins. *Directed by Nick Col)pola and featuring the well- reviewed Wayland Flowers and Madame, 1971.
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