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Trine Dyrholm Est
FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY TRINE DYRHOLM EST UN FILM DE SUSANNA NICCHIARELLI KINOVISTA ET NEW STORY PRÉSENTENT UNE PRODUCTION VIVO FILM AVEC RAI CINEMA ET TARANTULA EN COPRODUCTION AVEC VOO ET BE TV ÉCRIT & RÉALISÉ PAR SUSANNA NICCHIARELLI AVEC TRINE DYRHOLM, JOHN GORDON SINCLAIR, ANAMARIA MARINCA, SANDOR FUNTEK FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY 2017 · ITALIE / BELGIQUE · 93 MINUTES · COULEUR · VOST ANGLAIS SORTIE LE 18 AVRIL 2018 DISTRIBUTION RELATIONS PRESSE KINOVISTA NEW STORY BOSSA-NOVA | Michel Burstein 34, rue Saint Dominique 7-9, rue des Petites Écuries 32, bd St Germain 75007 Paris 75010 Paris 75005 Paris 01 44 59 60 15 01 82 83 58 90 01 43 26 26 26 [email protected] [email protected] [email protected] www.kinovista.com www.new-story.eu www.bossa-nova.info SYNOPSIS Entre Paris, Prague, Nuremberg, Manchester, la campagne polonaise et le littoral romain, Nico, 1988 est un road movie dédié aux dernières années de Christa Päffgen, plus connue sous le nom de « Nico ». À PROPOS DE NICO PAR SUSANNA NICCHIARELLI La musique de Nico était âpre, mais c’était de loin l’une des productions avons relevé le défi qu’elle puisse toucher le public. Avec Trine comme musicales les plus intéressantes et exigeantes de son époque : elle a créé avec les autres comédiens, notamment John Gordon Sinclair, j’ai utilisé un style unique alliant recherches personnelles, expérimentations et ironie, le regard des partenaires de Nico, du manager aux membres du groupe, refusant obstinément de se soucier du succès commercial. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue. -
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AFTER THE FIRE ROCK FAMILY TREE REGENERATION 67-69 UNANIMITY (1) 69 BARRY JOHN MARTIN MICK PETER BRIAN TONY WAKEFORD RUSSELL WARD PACKHAM BANKS LINGS WOOD gtr/vox gtr/vox bass drums gtr/vox bass drums UNANIMITY (2) 69-71 THE PEOPLE BAND 71 PETER BRIAN TONY RUTH PAULINE JOHN NORMAN BANKS LINGS WOOD EDWARDS FILBY RUSSELL HALSALL gtr/vox/key bass drums vox vox gtr/vox drums STREET PEOPLE PAGEANT 71 AFTER THE FIRE (1) 71 ISHMALE & ANDY 71 JOHN NORMAN DAVE RUTH PETER JOHN IAN RUSSELL HALSALL ? EDWARDS BANKS LEECH ADAMSOM ANDY IAN gtr/vox drums vox key/vox bass drums PIERCY SMALE gtr/vox gtr/vox AGAPE 72 PAULINE JOHN JOHN GLYN FILBY RUSSELL BOSHER JONES vox gtr/vox bass drums NARNIA 73 PAULINE JOHN TIM KENNETH PETER FILBY RUSSELL HATWELL DIXON BANKS vox gtr/vox bass drums key AFTER THE FIRE (2) 73 STARSHIP 73-76 PETER IAN ANDY STEVE MICK ROB JOHN BANKS ADAMSOM PIERCY SMITH FREER RUSSELL RUSSELL key/vox drums gtr/vox bass drums vox/acc gtr gtr/vox AFTER THE FIRE (3) 75 PETER IAN ROBIN ANDY BANKS ADAMSOM CHILDS PIERCY key/vox drums bass gtr/vox Ivor's previous bands include Judgement Rock 73, AFTER THE FIRE (4) 77 Snatchback 75 and St Elmo's Fire 75. PETER IVOR NICK ANDY BANKS TWIDELL BATTLE PIERCY key/vox drums bass gtr/vox AFTER THE FIRE (5) 77 PETER IVOR TIM ANDY BANKS TWIDELL HATWELL PIERCY key/vox drums bass gtr/vox AFTER THE FIRE (6) 77 PETER IVOR ANDY BANKS TWIDELL PIERCY key drums gtr/vox AFTER THE FIRE (7) 78 JOHN PETER IVOR ANDY lRelease of Signs of Change on Rapid Records 1978 RUSSELL BANKS TWIDELL PIERCY gtr key drums bass/vox AFTER -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip. -
THEATRE ORGAN BOMBARDE, the Official Pub Lication of the American Threatre Organ Enthu 11 but in a Bike Shop?
TheatreOrgan Bombarde JOURNAL of the AMERICAN THEATRE ORGAN ENTHUSIASTS HI! AT.OE. lets sing along Wurlitzer Theatre Organ I 111:11111 fl11, II . I IMIII I ! I I The modern Theatre Console Organ that combines the grandeur of yesterday with the electronic wizardry of today. Command performance! Wurlitzer combines the classic Horseshoe Design of the immortal Mighty Wurlitzer with the exclusive Total Tone electronic circuitry of today. Knowledge and craftsmanship from the Mighty Wurlitzer Era have produced authentic console dimensions in this magnificent new theatre organ. It stands apart, in an instru ment of its size, from all imitative theatre organ • Dual system of tone generation • Authentic Mighty Wurlitzer Horseshoe Design designs. To achieve its big, rich and electrifying • Authentic voicing of theatrical Tibia and tone, Wurlitzer harmonically "photographed" Kinura originating on the Mighty Wurlitzer pipe organ voices of the Mighty Wurlitzer pipe organ to • Four families of organ tone serve as a standard. The resultant voices are au • Two 61-note keyboards • 25-note pedal keyboard with two 16 ' and thentic individually , and when combined they two 8' pedal voices augmented by Sustain blend into a rich ensemble of magnificent dimen • Multi-Matic Percussion @ with Ssh -Boom ®, Sustain , Repeat , Attack , Pizzicato, and sion. Then, to crown the accomplishment, we Bongo Percussion incorporated the famous Wurlitzer Multi-Matic • Silicon transistors for minimum maintenance Percussion ® section with exclusive Ssh-Boom ® • Reverb, Slide, Chimes, and Solo controls • Electronic Vibrato (4 settings) that requires no special playing techniques, • Exclusive 2 speed Spectra -Tone ® Sound Pizzi ca to Touch that was found only on larger pipe in Motion • Two-channel solid state amplifiers, 70 watts organs, Chimes and Slide Control .. -
Abba to Zappa by Gijsbert Hanekroot
Hong Kong, 8th January 2018 Press Release for immediate Release !www.bluelotus-gallery.com FROM ABBA TO ZAPPA 70s legendary rock stars photographed by Dutch photographer ’Gilbert’ Gijsbert Hanekroot 16 February – 10 March 2019, Grand Opening: Friday 15 February, 6–9 pm New Address! Blue Lotus Gallery, 28 Pound Lane, Sheung Wan, Hong Kong + Featuring a selection of ‘Vinyl Hero’ Paul Au’s famous vinyl collection David Bowie John Lennon & Yoko Ono Lou Reed Ahoy, Amsterdam, 1976 Selfridges, Oxford Street, London, 1971 Amsterdam, 1972 Links and credits: Please insert below links when publishing this story: Link for online event: https://www.bluelotus-gallery.com/new-events/fromabbatozappa Link for Facebook event: https://www.facebook.com/events/239253516968994/ Link to the book available: https://www.bluelotus-gallery.com/shop/book-gijsbert-hanekroot-abba-to-zappa Optional Links: Link to Artist’s page on our website: https://www.bluelotus-gallery.com/#/gilbert/ Link to Atist’s website: http://gijsberthanekroot.com Link to images: https://www.dropbox.com/sh/ckl7gm062a1bgua/AADI5sZuDA0AsJzPV8r7u3qVa?dl=0 Credit photos: Artist Name + Title + Place + Year, courtesy of Blue Lotus Gallery The artist will be in Hong Kong and available by appointment for interviews between 14-18 Feb or over email/phone before or after above-mentioned dates. For further inquiries please contact: Christina Jensen [email protected] Eunice Lam [email protected] Blue Lotus Gallery, 28 Pound Lane, Sheung Wan, HK !1 of !4 Hong Kong, 8th January 2018 Press Release for immediate Release !www.bluelotus-gallery.com SHORT VERSION: Gijsbert Hanekroot, or ‘Gilbert’ as better known amongst the rock stars he photographed, will have his debut exhibition in Hong Kong at Blue Lotus Gallery, showing his grainy black and white photographs of 1970s rock legends in their prime including David Bowie, Mick Jagger, Patti Smith, Neil Young, BB King and other A-list artists who changed music forever. -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
1 the Absent Presence of Progressive Rock in the British Music Press, 1968
The absent presence of progressive rock in the British music press, 1968-1974 Chris Anderton and Chris Atton Abstract The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding progressive rock were deployed in popular culture in the past, especially within the music press. To recover the historical place of the music and its critical reception, we present an analysis of three British weekly music papers of the 1960s and 1970s: Melody Maker, New Musical Express and Sounds. We find that there appears to be relatively little consensus in the papers studied regarding the use and meaning of the term ‘progressive’, pointing to either multiple interpretations or an instability of value judgments and critical claims. Its most common use is to signify musical quality – to connect readers with the breadth of new music being produced at that time, and to indicate a move away from the ‘underground’ scene of the late 1960s. 1 Introduction Beginning in the 1990s there has been an upsurge of academic interest in the genre known as progressive rock, with the appearance of book-length studies by Edward Macan (“Rocking”) and Bill Martin (“Music of Yes”, “Listening”), to which we might add, though not strictly academic, Paul Stump. The 2000s have seen further studies of similar length, amongst them Paul Hegarty & Martin Halliwell, Kevin Holm-Hudson (“Progressive”, “Genesis”) and Edward Macan (“Endless”), in addition to scholarly articles by Jarl A. Ahlkvist, Chris Anderton (“Many-headed”), Chris Atton (“Living”), Kevin Holm-Hudson “Apocalyptic”), and Jay Keister & Jeremy L. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Buntgemischt 7356 Titel, 19,2 Tage, 43,26 GB
Seite 1 von 284 -BuntGemischt 7356 Titel, 19,2 Tage, 43,26 GB Name Dauer Album Künstler 1 Hey, hey Helen 3:15 ABBA - ABBA - 1975 (LP-192) ABBA 2 Eagle 5:48 The Album - ABBA -1977 (LP-192) ABBA 3 Take a chance on me 4:00 The Album - ABBA -1977 (LP-192) ABBA 4 One man, one woman 4:34 The Album - ABBA -1977 (LP-192) ABBA 5 The name of the game 4:53 The Album - ABBA -1977 (LP-192) ABBA 6 Move on 4:39 The Album - ABBA -1977 (LP-192) ABBA 7 Thank you for the music 3:47 The Album - ABBA -1977 (LP-192) ABBA 8 I wonder 4:31 The Album - ABBA -1977 (LP-192) ABBA 9 When i kissed the teacher 3:01 Arrival - ABBA - 1976 (LP) ABBA 10 Dancing queen 3:51 Arrival - ABBA - 1976 (LP) ABBA 11 My love, my life 3:51 Arrival - ABBA - 1976 (LP) ABBA 12 Knowing me, knowing you 4:01 Arrival - ABBA - 1976 (LP) ABBA 13 Money money money 3:06 Arrival - ABBA - 1976 (LP) ABBA 14 That's me 3:16 Arrival - ABBA - 1976 (LP) ABBA 15 Why did it have to be me 3:19 Arrival - ABBA - 1976 (LP) ABBA 16 Tiger 2:54 Arrival - ABBA - 1976 (LP) ABBA 17 The winner takes it all 4:56 Golden Love Songs 15 - I'll Write A Song For You (RS) ABBA 18 Fernando 4:15 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 19 S.O.S. 3:22 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 20 Ring ring 3:07 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 21 Nina, pretty ballerina 2:53 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 22 Honey honey 2:57 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 23 So long -
A History of the Astoria Cinema and Rainbow Theatre, Finsbury Park
FROM COLMAN TO COSTELLO A HISTORY OF THE ASTORIA CINEMA AND RAINBOW THEATRE, FINSBURY PARK The Finsbury Park Astoria, later renamed the Rainbow Theatre, began life as an ‘atmospheric’ cinema in 1930, bringing entertainment and luxury to a densely populated part of Islington, north London. The Astoria’s opening feature film was Condemned starring Ronald Colman, who was one of the era’s most popular screen idols. By the 1960s the Astoria had developed a dual role both as a picture house and as a music venue. The Beatles, The Rolling Stones, Nat ‘King’ Cole, Sarah Vaughan, Frank Sinatra and Jimi Hendrix all played there. Its final picture show in September 1971 featured a double bill of Gorgo and the Boulting Brothers’ Twisted Nerve. However, the building was not to remain dark for long and, a little over six weeks later, at time when many cinema theatres throughout Britain were being converted to use as bingo halls or being demolished, the Astoria reinvented itself. In November 1971, and rebranded as the Rainbow Theatre, it was to become legendary as a rock music venue, attracting some of the biggest names in contemporary and popular music. The Who, Frank Zappa, Pink Floyd, David Bowie, Miles Davis, Rory Gallagher, Queen, Liza Minnelli, The Jacksons and Bob Marley all performed at the Rainbow. Notable acts from the decade’s burgeoning reggae, punk and new wave scenes also appeared on the theatre’s famous stage. Elvis Costello headlined the final concert at the Rainbow in December 1981. In spite of being designated Grade II-listed status for its architectural importance, the building’s future remained undecided for many years. -
Rock Against Racism Large Print Exhibition Guide with Notes by Syd Shelton
ROCK AGAINST RACISM LARGE PRINT EXHIBITION GUIDE WITH NOTES BY SYD SHELTON Jubilee Street, Stepney, London 1977 The photograph was taken during the celebrations of Queen Elizabeth II Silver Jubilee as a statement of reaction to Britain’s multiculturalism. The Foster family, Lewisham, London June 1977 The Metropolitan Police staged dawn raids on 30 homes in New Cross and Lewisham. 21 young people were arrested, including 16 year old Christopher Foster. They were accused of being involved in muggings. Christopher’s father, David Foster, was instrumental in the establishment of the ‘Lewisham 21 Defence Committee’ to support those arrested. The headquarters of the campaign was the front room of the Foster family home. Jubilee Street, Stepney, London 1977 Lewisham, London, 13 August 1977 Lewisham youth show off the braid ripped from a flag of the National Front ‘Honour Garde’. New Cross Road, Lewisham, London 13 August 1977 National Front marchers. Lewisham, London 13 August 1977 Demonstrators taking part in what has been known as the ‘Anti-Anti Mugging March’ in response to the National Front’s ‘Anti- Mugging March’. Some 5,000 local people and anti-racist activists occupied New Cross Road. A quarter of the Metropolitan police, together with their entire mounted division, were deployed as escort to the National Front demonstration. New Cross, London 13 August 1977 Long after the National Front had been bussed out of the area, riot shields were used against protesters for the first time in mainland Britain. Lewisham, London 13 August 1977 National Front demonstrators. New Cross Road, Lewisham, London 13 August 1977 Police charge anti-racist demonstrators.