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Stefan Zweig Collection: Music, Literary and Historical Manuscripts (1538-1936) (Zweig MS 1-218) Table of Contents

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Stefan Zweig Collection: Music, Literary and Historical Manuscripts (1538-1936) (Zweig MS 1-218) Table of Contents British Library: Western Manuscripts Stefan Zweig Collection: Music, literary and historical manuscripts (1538-1936) (Zweig MS 1-218) Table of Contents Stefan Zweig Collection: Music, literary and historical manuscripts (1538–1936) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 1 Publications....................................................................................................................................... 1 Zweig MS 1–131 Stefan Zweig Collection: Music manuscripts ([1671–1999]).......................................... 2 Zweig MS 132–200 Stefan Zweig Collection: Literary and historical manuscripts ([1542–1940])............... 159 Zweig MS 201–205 Stefan Zweig Collection: Printed books and music ([1538–1873])............................. 212 Zweig MS 207–215 Stefan Zweig Collection: Manuscripts formerly on loan to the British Library as Music Loan 95 (1800–1980)................................................................................................. 217 Key Details Collection Area British Library: Western Manuscripts Reference Zweig MS 1-218 Creation Date 1538-1936 Extent and Format 205 items Languages of Material Danish; English; French; German; Latin; Italian; Norwegian; Russian; Spanish; Swedish Access Conditions Restrictions to access apply please consult British Library staff Title Stefan Zweig Collection: Music, literary and historical manuscripts (1538-1936) Scope and Content Comprising items collected by Stefan Zweig and by his immediate heirs, with a number presented to Zweig by the writers. All manuscripts are autograph unless otherwise stated. A number of the music manuscripts from the collection were formerly placed on loan in the British Library, the Mozart manuscripts as British Library Music Loan 42, the Bach manuscripts as Loan 65, and other music manuscripts, including the Wagner material, as Loan 77. Arrangement Arranged as follows: A. Music Manuscripts: Zweig MS 1-131. B. Literary and Historical Manuscripts: Zweig MS 132-200 (see also Zweig MS 206). C. Printed Books and Music: Zweig MS 201-205. Provenance Legal Status Not Public Record(s) Immediate Source of Presented by the Trustees of the Stefan Zweig Collection, 9 May 1986. Acquisition Publications See O. W. Neighbour, 'The Stefan Zweig Collection', in The Musical Times, June 1986, reprinted in part in the programme book of the first British Library Stefan Zweig Series (1987), where a summary list of the collection is also given. Page 1 2021-08-21 Zweig MS 1-131 Stefan Zweig Collection: Music manuscripts ([1671-1999]) Collection Area British Library: Music Collections Reference Zweig MS 1-131 Creation Date [1671-1999] Extent and Format 131 items Languages of Material English; French; German; Italian; Norwegian; Latin; Russian; Spanish Access Conditions Restrictions to access apply please consult British Library staff Title Stefan Zweig Collection: Music manuscripts ([1671-1999]) Scope and Content Music manuscripts from the collection of Stefan Zweig. Legal Status Not Public Record(s) Zweig MS 1 Johann Sebastian Bach: Cantata for the 19th Sunday after Trinity, `Wo soll ich fliehen hin?' (words after Johann Collection Area British Library: Music Collections Reference Zweig MS 1 Creation Date [1724] Extent and Format 1 volume (12 folios) Languages of Material German Access Conditions Restrictions to access apply please consult British Library staff Title Johann Sebastian Bach: Cantata for the 19th Sunday after Trinity, `Wo soll ich fliehen hin?' (words after Johann Heermann), for four voices and instruments (BWV 5) ([1724]) Physical Characteristics 375 x 423mm. ff. 10r and v ruled with staves but otherwise blank; ff. 1v, 2v, 11r and v, and 12r and v blank. Structure: wrappers consisting of 2 nested bifolia, enclosing 2, 2, 2, 2. All staves individually ruled, with between 22 and 25 staves to each page; see Neue Bach-Ausgabe, I/24, Kritischer Bericht, ed. Matthias Wendt (Kassel: Bärenreiter Verlag, 1991), pp. 126-8 for detailed list. Watermark: ff. 1 and 12, a crowned eagle surmounting a letter R, countermark ‘HALLE’; ff. 2-11, crescent moon with a face = Weiss no. 96 (Katalog der Wasserzeichen in Bachs Original Handschriften). Individual bifolia are at present encased in perspex sheets. Former Internal Reference Loan 65.1 Scope and Content Autograph full score. Written in brown ink on systems of two to ten staves. Headed (f. 3r) `J[esu]. J[uva]. Do[m]i[ni]ca 19 post Trinit. Wo soll ich fliehen hin? Concerto'. With revisions throughout also in Bach's hand (listed in detail in Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Kassel: Bärenreiter Verlag, 1954- ), I/24, Kritischer Bericht, pp. 128-136), apparently made for a later performance. The seven sections of the cantata occupy the following folios: ff. 3r-5v. [1.] Chorus. In the lowest of the four systems on f. 3r the viola part is written partly on the same stave as the second violin and partly on a separate stave drawn freehand in the lower margin. At the end the instrumental parts are marked ‘DC' for a repeat of the introduction, and the vocal parts are marked with 18 bars rest. Page 2 2021-08-21 f. 5v. [2.] ‘Recit’. ff. 5v-6v. [3.] ‘Aria’. In the lowest system on f. 6v the basso continuo part is written on an extra stave drawn freehand in the lower margin. Marked ‘DC’ at end. f. 7r. [4.] ‘Recit.’. ff. 7r-9r. [5.] ‘Aria’. The tromba and basso continuo parts for bars 5-6 are sketched on two otherwise empty staves at the bottom of f. 7r, which ends at bar 4 of the aria. The first half of bar 56 (an instrumental passage) is written across the lower margin of f. 8v on five separately drawn short staves, with the indications ‘Tr:’, ‘Viol i’, ‘Violin 2’, ‘Viola’ and ‘Cont’; the second half of the bar follows in score on f. 9r. Marked ‘DC’ at end. f. 9v. [6.] ‘Recit’. f. 9v. [7.] ‘Choral’. The continuo line is figured in nos. 2-4, 6, and 7 only, and in each case this has been added in another hand. There are two wrappers designed completely to enclose the four bifolia of Bach’s manuscript. The inner wrapper (ff. 2, 11) is of the same paper type and has on f. 2r in ink in the hand of Johann Andreas Kuhnau ‘Dom: 19 post Trinit: / Wo soll ich fliehen hin? Weil ich [etc.] / á 4 Voc: / Tromba / 2 Hautbois / 2 Violini / Viola / con / Continuo / di Sign: / J. S. Bach’. The title is repeated in ink in an unknown hand on f. 1r of the second, outer, wrapper (ff. 1, 12), which is of coarse blue paper, apparently dating from the time when the manuscript was in the possession of Wilhelm Friedemann Bach. Dürr concludes that the cantata was written for performance on 15 Oct. 1724, and that the evidence of a supplementary organ part indicates that the revisions marked by Bach into Zweig MS 1 date from 1732/5. Kinsky attributes the outer wrapper to Carl Friedrich Zelter, and there are some similarities with his hand. Legal Status Not Public Record(s) Custodial History Wilhelm Friedemann Bach at the composer’s death; Carl Philipp Heinrich Pistor (d. 1847), Berlin; Ernst Friedrich Karl Rudorff; given by the last by 1888 to Joseph Joachim; purchased for Heyer Collection, Cologne at auction by firm of C.G. Boerner, [Leipzig], 8 and 9 May 1908 (all from Neue Bach-Ausgabe, I/24, Kritischer Bericht, ed. Matthias Wendt (Kassel: Bärenreiter Verlag, 1991)); purchased by Zweig at third Heyer sale, Henrici, Berlin, 29 Sept. 1927 (Zweig’s record card, Add. MS 73167, f.1, which includes a printed extract from the Henrici sale cat.); British Library, Loan 65.1 from 1975 to 1986. Published: Johann Sebastian Bach’s Werke (Leipzig: Breitkopf & Härtel, [1851- 1926]), vol. i (1851), pp. 125-50; Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Kassel: Bärenreiter Verlag, 1954- ), I/24 (1990), pp. 133-72. Reproduced: f. 3r, Georg Kinsky, Musikhistorisches Museum von Wilhelm Heyer in Cöln. Katalog (Cologne, 1916), pl. xiii; British Library Zweig Concert Series programme book 1987, p. 4, and 1996, p. 6; Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Kassel: Bärenreiter Verlag, 1954- ), I/24, p. X; f. 3r, Oliver Matuschek, Ich kenne den Zauber der Schrift (Vienna: Inlibris, 2005), p. 355; ff. 3r, 8v-9r, Arthur Searle, The British Library Stefan Zweig Collection: catalogue of the music manuscripts (London: The British Library, 1999), plates I-II. Bibliography: Georg Kinsky, Musikhistorisches Museum von Wilhelm Heyer in Cöln. Katalog (Cologne, 1916), pp. 100-1; Alfred Dürr, Zur Chronologie der Leipziger Vokalwerke J.S. Bachs (2nd revised edition, Kassel, 1976), esp. p. 75; Wisso Weiss, with Yoshitake Kobayashi, Neue Bach-Ausgabe, IX/1, Katalog der Wasserzeichen in Bachs Original Handschriften (1985), pp. 72-3; Neue Bach-Ausgabe, I/24, Kritischer Bericht, ed. Matthias Wendt (Kassel: Bärenreiter Verlag, 1991), pp. 125-61; Oliver Matuschek, Ich kenne den Zauber der Schrift (Vienna: Inlibris, 2005), p. 354. Page 3 2021-08-21 Zweig MS 2 Johann Sebastian Bach: Cantata ‘Herr Gott, dich loben alle wir’ (BWV 130): viola part ([1724]) Collection Area British Library: Music Collections Reference Zweig MS 2 Creation Date [1724] Extent and Format 1 volume (1 folio) Languages of Material German Access Conditions Restrictions
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