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Com Unicación 171-172 c o m u n i c a c i ó n 1 7 1 - 1 7 2 E 2 7 1 - 1 7 1 o i r a s r e v i n A º N • 5 1 0 2 e r t s e m i r t º 4 y º 3 • n ó i c a c i n u m o c e d s o n a l o z e n e v s o i d u t s Director Marcelino Bisbal Suscripción (4 números al año) Editores adjuntos Venezuela: Bs. 700,ºº Consejo de Redacción Suscripción solidaria: Bs. 1.400,ºº Número suelto: Bs. 500,ºº Consejo editorial Jesús María Aguirre Forma de pago: VÍCTOR HUGO IRAZÁBAL Marcelino Bisbal En Venezuela Agrivalca Canelón • Pagando en nuestras oficinas Andrés Cañizález • Depositando, a nombre de: Un artista conectado al país Gustavo Hernández Fundación Centro Gumilla, Carlos Delgado Flores en la siguiente cuenta: Humberto Valdivieso Banesco Francisco A. Pellegrino Cta. Cte. Nº 0134-0413-59-413101041-4 Víctor Hugo Irazábal es un artista en trán - Honegger Molina sito, un andariego impenitente. Ha explorado José Martínez-de-Toda Para suscripciones del exterior Carlos Correa contactar a la administración mundos físicos y conceptuales, lo ha hecho Luis Carlos Díaz del Centro Gumilla desde la sensibilidad y el pensamiento analítico. Consejo Fundacional En los años sesenta, setenta y ochenta del siglo José Ignacio Rey Centro Gumilla José Martínez-de-Toda Edificio Centro Valores, veinte estuvo vinculado a las vanguardias y Francisco Tremontti ¦ local 2, esquina Luneta, grupos experimentales de Venezuela. también Altagracia. Apartado 4838 Jesús María Aguirre al diseño gráfico, oficio que junto a la docencia César Miguel Rondón Caracas, Venezuela ZP 1010. Marcelino Bisbal Teléfonos: 564.9803 - 564.5871 lo ha acompañado hasta el día de hoy. En los Ignacio Ibáñez ¦ Fax: 564.7557 años noventa del siglo pasado reforzó en su Epifanio Labrador Redacción Comunicación: proceso creativo y de investigación plástica algo [email protected] Colaboradores que siempre estuvo latente en él: la inmersión del presente número Redación SIC: [email protected] en el ecosistema natural y espiritual del país. Laura Helena Castillo El trabajo de Víctor Hugo Irazábal favorece Margarita D’Amico Unidad de Documentación: el encuentro directo con la diversidad Luis M. Romero [email protected] Irazábal es un viajero cuyos mapas no coinciden de la naturaleza y la cultura. Su obra nunca Walter Federico Gadea Administración: Nelesi Rodríguez [email protected] con las divisiones geográficas y políticas es el desenlace o el producto final de una Mariela Matos Suscripciones: evidentes, o con las categorías antropológicas investigación, siempre es un “hacerse”. Blas Fernández suscripció[email protected] habituales. Si bien ha afirmado: “Mi obra está Fedosy Santaella obra y proceso, en este maestro, no deben José de Llano Depósito Legal conectada al país. Yo estoy conectado al país”, diferenciarse. Están unidos por atributos Yanira Hernández pp 197502 DF851 no encontramos en sus trabajos una mímesis inseparables de su práctica estética: el movi - William Peña ISSN: 0251-3153 Antonio Pasquali fiel de la superficie de ese territorio que miento y la constancia. En ellos el universo Tiziana Polesel Comunicación no comparte llamamos Venezuela. La relación no es obvia. necesariamente las opiniones se hace y deshace. Sus obras registran ciclos Yraida Sánchez Hay que adentrarse en la bitácora de sus viajes Reinaldo J. Hernández vertidas en los artículos firmados biológicos y sagrados a la vez: “El arte debe que expresan, como es obvio, Andreína Elena Aponte Domínguez buscando las vibraciones del espacio y no los ser un proceso de tradición y renovación al la opinión de sus autores. hitos. Él privilegia la síntesis de las formas mismo tiempo. Vasos comunicantes”. Irazábal Revisión Los textos publicados Marlene García en la sección de Estudios de sin olvidar su conexión con la totalidad del no es un creador, es un explorador. Sabe Asesor Gráfico la Revista son arbitrados. cosmos, la abstracción derivada de imaginarios escuchar y entender los discursos del cosmos Víctor Hugo Irazábal La revista Comunicación pictóricos ancestrales, los colores en deuda con olvidados por la mayoría de los seres humanos. de la Fundación Centro Gumilla Diseño de portada procesos biológicos y espirituales, y los concep - Eso lo hace un artista indispensable. y de separata “Frágil” está indizada en la base de Datos Clase “A” de la Fundación Venezolana Marvic Ruiz tos que guardan en sí memorias múltiples, de promoción del investigador, al igual que Fotografías de separata “Frágil” en Latindex (Catálogo de revistas) significados transversales y antiguas sabidurías. Humberto Valdivieso Nana Ruiz Visite nuestra página en la web: Producción Editorial http://www.gumilla.org Bimedia 21 Diseño Editorial Impresión Ex Libris J-00138912-1 c o m u n i c a c i ó n 1 7 1 - 1 7 2 E 2 7 1 - 1 7 1 o i r a s r e v i n A º N • 5 1 0 2 e r t s e m i r t º 4 y º 3 • n ó i c a c i n u m o c e d s o n a l o z e n e v s o i d u t s Director Marcelino Bisbal Suscripción (4 números al año) Editores adjuntos Venezuela: Bs. 700,ºº Consejo de Redacción Suscripción solidaria: Bs. 1.400,ºº Número suelto: Bs. 500,ºº Consejo editorial Jesús María Aguirre Forma de pago: VÍCTOR HUGO IRAZÁBAL Marcelino Bisbal En Venezuela Agrivalca Canelón • Pagando en nuestras oficinas Andrés Cañizález • Depositando, a nombre de: Un artista conectado al país Gustavo Hernández Fundación Centro Gumilla, Carlos Delgado Flores en la siguiente cuenta: Humberto Valdivieso Banesco Francisco A. Pellegrino Cta. Cte. Nº 0134-0413-59-413101041-4 Víctor Hugo Irazábal es un artista en trán - Honegger Molina sito, un andariego impenitente. Ha explorado José Martínez-de-Toda Para suscripciones del exterior Carlos Correa contactar a la administración mundos físicos y conceptuales, lo ha hecho Luis Carlos Díaz del Centro Gumilla desde la sensibilidad y el pensamiento analítico. Consejo Fundacional En los años sesenta, setenta y ochenta del siglo José Ignacio Rey Centro Gumilla José Martínez-de-Toda Edificio Centro Valores, veinte estuvo vinculado a las vanguardias y Francisco Tremontti ¦ local 2, esquina Luneta, grupos experimentales de Venezuela. también Altagracia. Apartado 4838 Jesús María Aguirre al diseño gráfico, oficio que junto a la docencia César Miguel Rondón Caracas, Venezuela ZP 1010. Marcelino Bisbal Teléfonos: 564.9803 - 564.5871 lo ha acompañado hasta el día de hoy. En los Ignacio Ibáñez ¦ Fax: 564.7557 años noventa del siglo pasado reforzó en su Epifanio Labrador Redacción Comunicación: proceso creativo y de investigación plástica algo [email protected] Colaboradores que siempre estuvo latente en él: la inmersión del presente número Redación SIC: [email protected] en el ecosistema natural y espiritual del país. Laura Helena Castillo El trabajo de Víctor Hugo Irazábal favorece Margarita D’Amico Unidad de Documentación: el encuentro directo con la diversidad Luis M. Romero [email protected] Irazábal es un viajero cuyos mapas no coinciden de la naturaleza y la cultura. Su obra nunca Walter Federico Gadea Administración: Nelesi Rodríguez [email protected] con las divisiones geográficas y políticas es el desenlace o el producto final de una Mariela Matos Suscripciones: evidentes, o con las categorías antropológicas investigación, siempre es un “hacerse”. Blas Fernández suscripció[email protected] habituales. Si bien ha afirmado: “Mi obra está Fedosy Santaella obra y proceso, en este maestro, no deben José de Llano Depósito Legal conectada al país. Yo estoy conectado al país”, diferenciarse. Están unidos por atributos Yanira Hernández pp 197502 DF851 no encontramos en sus trabajos una mímesis inseparables de su práctica estética: el movi - William Peña ISSN: 0251-3153 Antonio Pasquali fiel de la superficie de ese territorio que miento y la constancia. En ellos el universo Tiziana Polesel Comunicación no comparte llamamos Venezuela. La relación no es obvia. necesariamente las opiniones se hace y deshace. Sus obras registran ciclos Yraida Sánchez Hay que adentrarse en la bitácora de sus viajes Reinaldo J. Hernández vertidas en los artículos firmados biológicos y sagrados a la vez: “El arte debe que expresan, como es obvio, Andreína Elena Aponte Domínguez buscando las vibraciones del espacio y no los ser un proceso de tradición y renovación al la opinión de sus autores. hitos. Él privilegia la síntesis de las formas mismo tiempo. Vasos comunicantes”. Irazábal Revisión Los textos publicados Marlene García en la sección de Estudios de sin olvidar su conexión con la totalidad del no es un creador, es un explorador. Sabe Asesor Gráfico la Revista son arbitrados. cosmos, la abstracción derivada de imaginarios escuchar y entender los discursos del cosmos Víctor Hugo Irazábal La revista Comunicación pictóricos ancestrales, los colores en deuda con olvidados por la mayoría de los seres humanos. de la Fundación Centro Gumilla Diseño de portada procesos biológicos y espirituales, y los concep - Eso lo hace un artista indispensable. y de separata “Frágil” está indizada en la base de Datos Clase “A” de la Fundación Venezolana Marvic Ruiz tos que guardan en sí memorias múltiples, de promoción del investigador, al igual que Fotografías de separata “Frágil” en Latindex (Catálogo de revistas) significados transversales y antiguas sabidurías. Humberto Valdivieso Nana Ruiz Visite nuestra página en la web: Producción Editorial http://www.gumilla.org Bimedia 21 Diseño Editorial Impresión Ex Libris J-00138912-1 Nº 171-172 | Estudios venezolanos de comunicación • Centro Gumilla Edición aniversaria Perspectiva Crítica y Alternativa • Integrantes de la Red Iberoamericana de Revistas de Comunicación y Cultura 4 ¡PENSAMOS INSISTIR! AULA INVERTIDA Marcelino Bisbal 82 Mitos del aula sin muros en Venezuela 8 Los cuarenta años del círculo Gustavo Hernández Díaz de la insistencia 90 ¿De qué se habla cuando se habla Laura Helena Castillo de e-learning? Retos y oportunidades José de Llano / Yanira Hernández PRESENTE CONTINUO ARQUITECTURAS DE RED 14 Reinventando futuros.
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