Rachel Lee Goldenberg

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Rachel Lee Goldenberg Rachel is an Emmy award-winning producer, director and writer. She directed and co-wrote one of HBO Max’s first original film features, UNPREGNANT, starring Haley Lu Richardson and Barbie Ferreira. Based on the 2019 novel of the same name by Ted Caplan and Jenni Hendriks, the film follows a pregnant teenager who's decision to get an abortion leads her on a 1000 mile hilarious road trip to New Mexico over three days with her ex-best friend, where they discover sometimes the most important choice you’ll make in life is who your friends are. The film was produced by Greg Berlanti, Sarah Schechter and Erik Feig and released on the platform September 10th. Goldenberg most recently directed the 2020 film VALLEY GIRL, MGM’s musical remake of the 1983 cult classic, that The Hollywood Reporter called “A totally bitchin' guilty pleasure.” She can next be seen directing MINX, an upcoming comedy pilot from HBO Max, which will follow an earnest young feminist (Ophelia Lovibond) who joins forces with a low-rent publisher to create the first erotic magazine for women. Previously, Goldenberg has directed a number of television episodes and feature-length films including episodes of THE MINDY PROJECT, LOOKING FOR ALASKA, I'M SORRY, DIVORCE, EVERYTHING’S GONNA BE OKAY, MAN SEEKING WOMAN, and notably, the meta Lifetime feature A DEADLY ADOPTION starring Will Ferrell and Kristen Wiig. In 2014, while serving as the White House liaison for Funny or Die, she won a Primetime Emmy award for producing BETWEEN TWO FERNS with President Obama. Her directing work at FoD includes SNACKPOCALYPSE starring Michelle Obama; MARY POPPINS QUITS with Kristen Bell (promoting minimum wage increase) and MODERN OFFICE starring Christina Hendricks (advocating workplace equality for women), to name just a few. She began her career directing B movies for a Roger Corman-esque company called The Asylum, where she was able to delve into many different genres and earn her 10,000 hours. She currently resides in Los Angeles. .

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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
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Bridesmaids by Annie Mumolo & Kristen Wiig
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“Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say,
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arcade OCTOBER 10 2008 • 12 the ｾｵ･ｳｴ fo-r the top 10 comedic pe-rsonalities Derrick Tou s senior staffwriter This year's pursuit for the funniest comedic personalities was long, hard and filled with surprises. After searching and scouring You Tube and IMDb for days, a large list of funny people was created. After cutting said list from a group of hopefuls that included Bon-Qui- Qui, the creatarrrs of Pirate Facebook, and whoever has been setting off the Wall, Phelps and Irby fire-alarms, the following 10 comedians and comediennes were selected for keeping us rolling on the floor and slapping our knees. 1. Tina Fey No surprise here. Tina Fey is a maverick filled with that maverick energy, but she's got more to her name than the best Sarah Palin impression this side of Alaska. Governor Palin herself described the Weekend Update host and star of "Baby Mama" as "a ｨｯｯｴｾ As the first female head writer of"Satur- day Night Live" and the creator of the hit NBC show "30 Rock," Fey has garnered five Emmys in the past two years as well as several hottest woman nomi· nations. Although male fans across the nation were disappointed when Fey traded her naughty secretary black-rimmed glasses for Palin lenses, she remains on the top of the current comedic scene. 2. Conan O'Brien Probably today's most prominent comedic writer and funniest male personality, Conan O'Brien earns the number two spot. A former writ- er for "Saturday Night Live" and "The Simpsons," Conan has hosted his "Late Night" show for over 12 years; however, the magna cum laude graduate of Harvard will replace Jay Leno next year as the face of late night tele\;sion and will most likely celebrate with his famous string dance.
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