DOCSLIB.ORG

Contents Career

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contents Career Moon Chae-won (born November 13, 1986) is a South Korean actress. Her historical war movie War of the Arrows was the highest grossing Korean film in 2011. She won Best New Actress in both the Grand Bell Awards and the Blue Dragon Film Awards in 2011. She also won the Top Excellence Actress Award (Best Actress Award) in 2011 KBS Drama Awards. Moon Chae Won also received Best Dressed of The Year from Korea's Lifestyle Awards 2011.[1] In 2012, she was appointed as an honorary prosecutor representing prosecutors in South Korea. Moon won her second Top Excellence Actress Awards in 2012 KBS Drama Awards for her role in The Innocent Man. Moon has an upcoming medical drama, Good Doctor, where she plays a pediatric surgeon opposite Joo Won. Contents • 1 Career o 1.1 2007-2010: Career beginnings o 1.2 2011: Career breakthrough o 1.3 2012-present • 2 Filmography o 2.1 Television drama o 2.2 Film o 2.3 Music video appearance • 3 Endorsements • 4 Awards and recognition o 4.1 Awards o 4.2 Social contribution • 5 References • 6 External links Career 2007-2010: Career beginnings Moon Chae-won at the Golden Disk Awards 2008 Moon studied Western Painting at the Chugye University for the Arts.[2] She debuted in the teen drama "Mackerel Run" as key actress with Lee Min Ho in 2007. Moon then made her first movie debut in supporting role as Lee Eun Shil in teen movie "My School's E.T", starring Lee Min Ho. Although Moon successfully portrayed both teen characters, she only received attention when she acted in Painter of the Wind. There, Moon played a beautiful gisaeng Jeong Hyang who falls for Moon Geun-young's character Shin Yoon Bok, who passes herself of as a man. Moon's partnership with Moon Geun-young as screen lover was so appealing that they both won the SBS 2008 Best Screen Couple Awards by receiving the highest popular vote. For the first time in Korean drama history, two actresses for their seemingly lesbian love became the Best Screen Couple. In 2009, Moon played a privileged Yoo Seung Mi in a popular Korean drama Brilliant Legacy [3] and the bright and energetic girl-next-door Yeo Ui Joo in My Fair Lady.[4] Moon also made a cameo appearance in the last episode of “Road Number One” as an army medical doctor Min Young Jin. September 2010 marks the turning point of Moon's career. In an International internet voting that lasted more than 2 months, Moon won the highest popular vote of 71,294 among all nominated actresses in Asia for her supporting role in Brilliant Legacy. Her majority vote doubled that of Han Hyo-joo, the lead actress in Brilliant Legacy. It was the first time a supporting actress won such an honor in the film industry. Moon was then invited to join a famous film agency Barunson Entertainment in October 2010. Immediately, Moon was given the lead role in It's Okay, Daddy's Girl, where Moon played the character of Eun Chae-ryung, an immature girl with her father wrapped around her finger, who later transforms into a mature professional woman after her family faced tragedy. Moon received a nomination for the Best Actress in the SBS Drama Awards for the role. 2011: Career breakthrough In February 2011, Moon cancelled her vacation trip to Spain after she is offered to act in the movie War of the Arrows, a sole lead female character Ja-In. Moon took up serious archery and horse riding lessons with all the lead male actors in this movie. Moon received positive reviews from western viewers when the movie was aired in the London Korean Film Festival and US cinemas. Right after Moon finished filming War of the Arrows in June, she started filming in the KBS drama The Princess' Man where Moon played Lee Se-ryung. At the beginning of the drama, Moon received some negative critiques on her speech in period drama. To Moon, it was the hardest blow in her acting career. Yet, with Moon's strong will, along with the support from her best friends, Moon Geun-young, Han Hyo-joo and her senior, Son Ye-jin, she was determined to do her best to turn around the critics' views. At the same time, War of the Arrows started in screening with huge success. Within 3 days, it received over one million viewership. The media was subsequently desperate to interview the sole lead actress, but Moon turned down all interview requests to focus on her role as Se-Ryung in the drama The Princess' Man. She did not rest for days to draw herself into the sad stage of Se-Ryung. Moon's improved acting won her applause from critics, and outstanding viewership to place The Princess' Man among one of the dramas with the highest rating in 2011. Two documentary films appeared to study the success and history of this drama. With outstanding performances in both works in 2011, Moon received special attention from the public. She posed as a beautiful yet strong woman in War of the Arrows, and brought out a different character in The Princess' Man Her charm earned her popularity among viewers especially the male audiences, the public, media and film critics. Moon then won Best New Actress awards in both the prestigious 48th Daejong Film Awards/Grand Bell Awards and the 32nd Blue Dragon Film Awards for her performance in War of the Arrows. Another notable award that Moon won in 2011 is the Top Excellence Actress Award in KBS Drama Awards 2011 for her performance in The Princess' Man. On December 5, 2011, Moon won the most prominent 9th Korean LifeStyle Awards as "2011 Best Dress Awards". Korean Lifestyle Awards is an annual award which aims to honor groups and individuals that lead Korea’s contemporary lifestyle trend. The winners of this awards were selected after a three-step screening process ― an online survey on the Donga TV website; a second evaluation by professionals from the related industries; and a final screening. Moon's both movie War of the Arrows and TV drama The Princess' Man had given a boost to Korean traditional dress Hanbok industry in 2011, which made her a trend setter in Korea fashion industry. On the same day, Korean fashion brand SI Clothing announced that the corporate had signed a 2-year contract with Moon to be the exclusive spokesperson from 2012 to 2013, enhancing the prominent status of Moon in Korean fashion industry. On December 6, 2011, Moon won the Diamond category for Actress in 3rd Asian Jewelry Awards, which is the top honor for Korean popular entertainers. Fame and success continue to flow onto this young talented actress. However, Moon remains modest and alert with all the success. She emphasizes her love for films and desire to continue to act as long as she could "It will take a long time to make people feel affection towards the actress Moon Chae Woon, but I feel very good as the characters whom I played in the previous works were greatly loved. I will appear in many other good works in the future to become an actress who deserves people's positive evaluation saying, 'It is good to see her often on TV' rather the evaluation saying, 'Here she is again.'".[5]Off work, Moon often leaves messages on her DC and Daum internet cafe to interact and keep a close contact with her fans. 2012-present After the success of War of Arrows and The Princess' Man, Moon was afraid that she would be stereotyped as historical actress. Therefore, she's determined to challenge herself in modern genre for her comeback project.[6] Six months after Moon completed The Princess' Man, she picked a melodrama, The Innocent Man [7] as her comeback project in April 2012, starring opposite Song Joong-ki. According to Moon, she chose The Innocent Man because "When choosing projects, there are two things that I look at. The first is that the melodramatic parts should be distinct and the second is that I have a preference for deep things, so a melodrama with love-hate relationships is good. If not, the character can’t be passive and if it’s the first time I’m acting as a certain type of character, it shouldn’t overlap with other characters I’ve done before. If there’s only one thing I’m satisfied with, I regard it as a ‘choice’ and if I’m satisfied with both things, I regard it as an ‘opportunity’. I chose Nice Guy because I liked the melodramatic parts, but I also liked the character, so I decided in a short amount of time. Since it was a work from Lee Kyung Hee-nim, I had a lot of faith in the project. In that situation, I decided within a few minutes."[8] The drama received high ratings and critical acclaim through which her acting skills were much appreciated for its layered performance. Moon proved herself to able to carry both historical and modern genre equally well and win KBS Top Excellence Awards two years in a row.[9][10] In late May 2013, Moon picked a new drama role in Good Doctor as Cha Yoon Seo alongside Joo Won. The reason why Moon picked this drama is because she always been interested to appear in a medical project and she felt how the writer wanted to convey a kind of humane warmth and hope.[11][12] It is known that Moon often undertake extensive research before going into a shoot.
Load more

Recommended publications
  • To Higher Heights
    Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut.
    [Show full text]
  • Korean Television Dramas, Romance, Erotics, and Race
    UNIVERSITY OF CALIFORNIA Los Angeles Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Gender Studies by Min Joo Lee 2020 © Copyright by Min Joo Lee 2020 ABSTRACT OF THE DISSERTATION Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race by Min Joo Lee Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2020 Professor Purnima Mankekar, Chair In this dissertation, I examine the gendered and racial politics of women’s transnational sex tourism. I draw on thirteen months of ethnographic fieldwork with women from Europe and North America who travel to South Korea to form intimate relations with South Korean men in a phenomenon known as Hallyu tourism. Hallyu (also known as the Korean Wave) is a transnational phenomenon whereby people from all over the world consume South Korean popular culture including music, films, and television programs. In my dissertation, I focus on the transnational popularity of romantic South Korean television dramas and how they generate erotic desires in their viewers for South Korean men. I build on interdisciplinary debates in the fields of Gender Studies, Asian Studies, and Media Studies to examine the racial, gendered, and sexual politics of the Hallyu tourists’ erotic desires and their intimate relationships with South Korea men. I argue that these transnational relationships of intimacy produce racialized ii discourses of South Korean masculinity emerging at the intersection of South Korean cultural conceptions of gender and transnational discourses of race. Furthermore, I suggest that these intimate encounters between South Korean men and “Western” female Hallyu tourists compel us to reconfigure binary conceptions of West versus East, national versus transnational, sex versus romance, and masculine versus feminine.
    [Show full text]
  • Education for Refugees, an Investment for Humanity's Future
    2019 Autumn The UN Refugee Agency (UNHCR) is a United Nations organization with a mandate to protect refugees and seek durable solutions for them. Vol.34 Scan to read mobile version Education for Refugees, An Investment for Humanity s Future ’ Refugee Protection Campaign Global Shelter Campaign 03 ─ Shelters are an essential element for refugees. They need a place to stay to NOBODY rebuild their lives. In 2016, UNHCR launched the Global Shelter Campaign as part of its commitment to providing solid and safe shelters to refugee families UNHCR(United Nations High Commissioner for Refugees, ) 유엔난민고등판무관사무소 LEFT OUTSIDE like Machumi’s, a Burundian refugee woman living in Tanzania. Now, three years on, we have raised almost US$24 million (equivalent to KRW 29 bil. —all UNHCR UN A월 l계au관rel형 w상rea은th symboliz이es 유UN엔H총CR회 is로 m부an터da임te무d b를y t부he여 U받ni은ted Na기tio구ns임 G을eneral Assembly thanks to your generous support and contributions! Impact of the Glob al Shelter Campaign* Source: Update on the Impact of the Shelter Campaign (May 2019) UNHCR T사h람e p형er상so은n s난ym민bo을liz비es롯 pe한rsons of con의ce모rn든 to보 UN호H대C상R 자를 Lebanon We helped repair over 7,900 building units since the beginning UNHCR . S두he손lte형rin상g 은hands symb의oliz난es민 U보NH호C노R s력 c과om의mi지tm를en상t a징nd합 e니ffo다rts to protect refugees and persons of concern. Ukraine of the shelter campaign in 2016. ’ We assisted with More than 39,000 familities home repairs have benefited from safer and for over 33,000 improved living conditions. returnees and internally displaced people since 2016. Iraq Kenya We delivered 5,400 emergency Contents Cover Story Over 2,200 specially-adapted tents, 21,700 shelter kits, as well shelters have been provided as 1,700 refugee housing units** Rwanda to support the lives of more to 7,000 refugee families in Central and Refugee Protection Campaign We offered training to over than 11,000 refugees who 2018.
    [Show full text]
  • Find PDF # South Korean Television Drama
    LCFONI58EGNH # Book # South Korean television drama South Korean television drama Filesize: 7.08 MB Reviews I actually started reading this article ebook. I actually have read and i also am certain that i will likely to go through once again again in the future. You are going to like just how the article writer compose this ebook. (Mariane Kerluke) DISCLAIMER | DMCA N37PIG9QSLDB ^ Book ~ South Korean television drama SOUTH KOREAN TELEVISION DRAMA Reference Series Books LLC Dez 2011, 2011. Taschenbuch. Book Condition: Neu. 245x187x7 mm. This item is printed on demand - Print on Demand Neuware - Source: Wikipedia. Pages: 139. Chapters: Salut D'Amour, Spring Waltz, Dae Jo Yeong, Boys Over Flowers, Korean drama, Yi San, What's Up Fox, Princess Hours, Mom's Dead Upset, Likeable or Not, Papa, Hur Jun, The Phoenix, My Lovely Sam Soon, List of La Dolce Vita episodes, Delightful Girl Choon-Hyang, King of Baking, Kim Takgu, Emperor of the Sea, I'm Sorry, I Love You, Love Truly, Endless Love soundtracks, Prosecutor Princess, We are Dating Now, Time Between Dog and Wolf, A Good Day For The Wind To Blow, A Love to Kill, Daughters-in-Law, City of Glass, Brilliant Legacy, The King of Legend, Wife Returns, Super Junior Mini-Drama, Gourmet, Autumn in My Heart, The World That They Live In, Winter Sonata, Mystery 6, Family's Honor, The Last Scandal of My Life, Dal-Ja's Spring, DramaFever, Beethoven Virus, Golden Bride, Summer Scent, Wonderful Life, Queen Seondeok, Rooop Room Cat, Which Star Are You From, Sang Doo! Let's Go to School, The Snow Queen, Magic
    [Show full text]
  • Showboxatcannes 2011
    SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap.
    [Show full text]
  • Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
    International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world.
    [Show full text]
  • Chapter 2. Analysis of Korean TV Dramas
    저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer Master’s Thesis of International Studies The Comparison of Television Drama’s Production and Broadcast between Korea and China 중한 드라마의 제작 과 방송 비교 August 2019 Graduate School of International Studies Seoul National University Area Studies Sheng Tingyin The Comparison of Television Drama’s Production and Broadcast between Korea and China Professor Jeong Jong-Ho Submitting a master’s thesis of International Studies August 2019 Graduate School of International Studies Seoul National University International Area Studies Sheng Tingyin Confirming the master’s thesis written by Sheng Tingyin August 2019 Chair 박 태 균 (Seal) Vice Chair 한 영 혜 (Seal) Examiner 정 종 호 (Seal) Abstract Korean TV dramas, as important parts of the Korean Wave (Hallyu), are famous all over the world. China produces most TV dramas in the world. Both countries’ TV drama industries have their own advantages. In order to provide meaningful recommendations for drama production companies and TV stations, this paper analyzes, determines, and compares the characteristics of Korean and Chinese TV drama production and broadcasting.
    [Show full text]
  • Viu Clinches Regional Deal with CJ ENM on Highly Anticipated Korean
    Viu clinches regional deal with CJ ENM on highly anticipated Korean romance drama series Encounter, starring Song Hye Kyo and Park Bo Gum Continues its streak of offering the most extensive premium Korean dramas and variety shows across Asia PCCW (SEHK:0008) HONG KONG, November 5, 2018 — Viu, a leading pan-regional OTT video service by PCCW Media Group, announces a regional deal with South Korea’s entertainment conglomerate CJ ENM on the highly anticipated new romance K- drama series Encounter, acquiring its exclusive OTT rights in Asia. The drama will be premiered on November 28, 2018 in Korea and will be streamed on Viu in Hong Kong, Malaysia, Indonesia, the Philippines, Singapore and Thailand, fully subtitled in local languages and as fast as four hours after telecast in Korea. Produced by Korea’s top drama production house, Studio Dragon, a subsidiary of CJ ENM, which has made numerous hit series including What’s Wrong with Secretary Kim, Goblin and Bride of the Water God, Encounter boasts an all-star team with a renowned cast, director and script writer. The lead actress and actor of Encounter are prominent hallyu (“Korean wave”) celebrities Song Hye Kyo, best known for her leading role in the pre-eminent series Descendants of the Sun, and Park Bo Gum, famous for Reply 1998 and Love in the Moonlight. Helming the show is director and producer, Park Shin Woo, who also directed Jealousy Incarnate, as well as script writer Yoo Young Ah, from My Annoying Brother, Bel Ami and Entertainer. Ms. Janice Lee, Managing Director of PCCW Media Group, said, “Our strategic collaboration with CJ ENM has grown since the launch of Viu to now cover 13 markets in Southeast Asia and the Middle East.
    [Show full text]
  • Informational Materials
    - t------------ - -- - !I ::·- .J_ -. ~ - ; Received by NSD/FARA Registration Unit 03/26/2018 9:51 :59 AM - ON KOREA 2018: ACADEMIC PAPER SERIES Volume 11 Received by NSD/F ARA Registration Unit 03/26/201.8 9:51 :59 AM Received by NSD/FARA Registration Unit 03/26/2018 9:5 I :59 AM - KEI EDITORIAL BOARD KEI Editors: Kyle Ferrier Contract Editor: Gimga Group Design: Gimga Group The Korea Economic Institute is registered under the Foreign Agents Registration Act as an agent of th_e Korea Institute for International Economic Policy, a public corporation · established by the Government of the Republic of Korea. This material is· filed with the D_epartment of Justice, where the required registration statement is available for public inspection. Registration does not indicate U.S. government approval of the contents of this do_cumerit. KEI is not engaged in the piactice bf law, does not render legal services, and is not a lobbying organization. The views expressed in this publication are those of the. authors. While this monograph is part of the overall program of the Korea Economic Institute endorsed by its Officers, Board of Directors, and Advisory Council, its c_ontents do not necessarily reflectthe views of individual members of the Board or of the Advisory Council. Copyright© 2018 Korea Economic.Institute of-America www,keia.org Printed in the United States of America. ISSN 1937-9196 Received by NSD/F ARA Registration :unit 03/26/2018 9:51 :59 AM Received by NSD/F ARA Registration Unit 03/26/2018 9:51:59 AM - CONTENTS KEI Board of Directors ....................................................
    [Show full text]
  • The Best of Korean Cinema Returns to London
    THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them.
    [Show full text]
  • Joo Won: 'Bỏ Túi' Ngay Bộ Áo Trắng (2012), Và Hiện Tại Là Viên Cảnh Sát 'Vô Cảm' Tiếng Đã Phá Sản Do Nợ Nần Chồng Chất
    Thuong Mai Week-End Bạn có thể scan mã QR trên để truy cập CUOÁI TUAÀN 1911 trang báo điện tử của chúng tôi. October 10, 2020 Khách hàng cũng có thể xem quảng cáo 10515 Harwin Dr., Suite 100-120, Houston, TX 77036 (goùc Harwin Dr. @ Corporate Dr.) rao vặt của mình ngay trực tuyến tại Tel: 713-777-4900 * 713-777-8438 * 713-777-VIET * 713-777-2012 * Fax.: 713-777-4848 www.thevietnampost.com Website: thevietnampost.com * E-mail: [email protected] 3015 Carolina St, 2nd floor, Houston, TX 77004 TRUNG TÂM ĐIỀU TRỊ SUY GIÃN TĨNH MẠCH - Baûo Laõnh Thaân Nhaân, - Giaáy Chöùng Nhaän Lao Ñoäng, TRIEÄU CHÖÙNG & CAÙCH ÑIEÀU TRÒ GIAÕN TÓNH MAÏCH - Taát caû caùc loaïi Thò Thöïc/ Thay ñoåi tình traïng Ñieàu Trò Suy Giaõn Tónh Maïch - Di Truù B1/B2, K, F-1, A,U), CAÙC GIÃN TĨNH MẠCH SƯNG PHÙ DA SẠM MÀU LỞ LOÉT - Gia Haïn Tình Traïng Di Truù, Ñieàu Trò Thoaùt Vò TRIEÄU - Nhaäp Tòch, SSA, Toaø AÙn Di Truù CHÖÙNG Phaãu Thuaät Tuùi Maät GIAÕN - Ly Dò, Laäp Di Chuùc TÓNH Phaãu Thuaät Daï Daøy, Tröïc Traøng MAÏCH Phaãu Thuaät Tuyeán Giaùp - Say Röôïu Khi Laùi Xe, - Taát Caû Caùc Vuï Hình Söï Nếu bạn có cảm giác chân nóng, ngứa, nổi gân xanh, dễ mệt mỏi, áp lực, co thắt, thay đổi màu da, sưng, khô, loét, v.v ... ÑIEÀU TRÒ BAÈNG PHÖÔNG PHAÙP NOÄI SOI OÅ BUÏNG Đừng chờ đợi, hãy đến gặp chúng tôi ngay! Laøm giaûm ñau vaø ruùt ngaén thôøi gian hoài phuïc - Xe Hôi Laøm seïo ít hôn sau phaãu thuaät - Thöông Tích Caù Nhaân NHÖÕNG LÔÏI ÍCH CUÛA ÑIEÀU TRÒ SUY GIAÕN TÓNH MAÏCH Gaây meâ cuïc boä ngay taïi vaên phoøng Noùi Tieáng Vieät, xin goïi: Ñi laïi ngay sau khi ñieàu trò ÑIEÀU TRÒ SUY GIAÕN TÓNH MAÏCH HAÀU HEÁT Tina Phaïm Ext.112 Khoâng ñeå laïi seïo hay söng phuø ÑEÀU ÑÖÔÏC CAÙC COÂNG TY BAÛO HIEÅM HOÃ TRÔÏ Cell: 832-752-3220 TIEÁNG ANH TIEÁNG VIEÄT Tröôùc Sau Phaãu Phaãu 281-318-1362 * 281-899-8856 Thuaät Thuaät Not Certified by Texas Board of Legal Specialization Beänh Vieän Thanh Vaân Chuùng toâi chuyeân ñaûm traùch CHUYEÂN KHOA PHAÃU THUAÄT THAÅM MYÕ 33 G-H-F Nguyeãn Bænh Khieâm, P.ÑaKao, Q.1, Tp.
    [Show full text]
  • Fbf2cdbd9c7b47cabacb2dfc1163
    FILM INFORMATION English Title Cast THE TARGET RYU Seung-ryong / LEE Jin-uk / YU Jun-sang / KIM Sung-ryoung Original Title Presented by 표적 (PYO JEOK) CJ Entertainment Director Production CHANG Barunson / Yong Film Genre Release Date Action / Crime / Thriller April 30, 2014 Language Runtime Korean 101min 32sec Country of Production Technical Info Republic of Korea Screen Ratio: 2.35:1 / Format: DCP / Color / Shot on Digital 2K INTRODUCTION /Case No.49283/ 23:00, 21 March. 10:34, 22 March. Murder at the Myungjin Building. A fight breaks out between a detective and Dr. Lee Victim pronounced dead at the scene. while transferring Baek to the CT room. Lee flees with Baek and is suspected of being an accomplice. 23:10, 21 March. A car accident in front of the Myungjin Building. 11:00, 22 March. Victim is identified as the suspect in the murder case, The case is transferred to Song Kee-chul, Baek Yeo-hoon. He is transferred to a nearby hospital. Senior Inspector of the Regional Investigations Unit. 09:30, 22 March. A team from the Central Police Department is dispatched to the hospital and investigates Lee Tae-jun, A DANGEROUS 36-HOUR the doctor treating Baek. PURSUIT BEGINS NOW T H E T A R G E T 3 FILM SYNOPSIS SHORT SYNOPSIS An ex-mercenary framed for the murder of a renowned industrialist and an ordinary doctor desperate to save his abducted pregnant wife embark on a dangerous 36-hour quest. LONG SYNOPSIS Once a skilled mercenary, Yeo-hoon now leads a normal life. One day he goes on an errand and enters an office to discover a man murdered.
    [Show full text]