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“Mission: Impossible – Rogue Nation” Movie
Alibaba Pictures to Invest in Paramount Pictures’ “Mission: Impossible – Rogue Nation” Movie Beijing, China, ---- 24 June 2015 - Alibaba Pictures Group Limited (SEHK code: 1060; "Alibaba Pictures"; the "Company") announced today that it has signed an agreement with Paramount Pictures Corporation (“Paramount Pictures”), under which Alibaba Pictures will invest in its first Hollywood blockbuster Mission: Impossible – Rogue Nation, and become an official partner for the promotion of the movie in China. Alibaba Pictures and Paramount Pictures will collaborate in the areas of online ticketing, merchandising and promotion of the movie. The investment in Mission: Impossible – Rogue Nation is the start of Alibaba Pictures’ international journey as the Company continues to explore collaborative opportunities with more movie studios overseas. Alibaba Pictures has established a presence in Los Angeles to pursue investment and other forms of collaboration in Hollywood, the hub for the global film industry. The cooperation with Paramount Pictures is a strong alliance that has deep synergies for both parties. It also reflects Alibaba Pictures’ commitment to developing and distributing high-quality content to moviegoers. By integrating Alibaba Group’s big data technology, understanding of the Chinese consumers and overarching e-commerce ecosystem, Alibaba Pictures looks to tailor high-impact, integrated promotional campaigns for Mission: Impossible - Rogue Nation, to effectively engage China’s hundreds of millions of moviegoers. Alibaba Group’s Taobao Movie, an application that allows online ticketing and advance seat selection, will be one of the major ticketing platforms for Mission: Impossible - Rogue Nation. Taobao Movie also interlinks with Alibaba Group’s mobile shopping app Mobile Taobao with significant user bases, and a related third-party online payment platform Alipay, which provides consumers with various access to Taobao Movie to buy tickets. -
HUELL HOWSER Wednesday, February 23, 2011 (Lunch Speaker) Topic: TBD
HUELL HOWSER Wednesday, February 23, 2011 (Lunch Speaker) Topic: TBD When Huell Howser moved to Los Angeles in 1981 from his home state of Tennessee to become a reporter for KCBS-TV in Los Angeles, he had no idea he’d fall in love…with California. His enthusiasm for his new home inspired the idea for the television series that started it all, California’s Gold. Huell had a simple idea: if he traveled the state with an open heart and an open mind, a microphone and a camera, he would uncover a treasure of California stories. "We operate on the premise that TV isn’t brain surgery. People’s stories are what it’s all about," says Howser. "If you have a good story, it doesn’t have to be overproduced. I want our stories to reveal the wonders of the human spirit and the richness of life in California, including its history, people, culture and natural wonders." A native of Tennessee, Huell began his television career at WSM-TV in Nashville after receiving his B.A. degree from the University of Tennessee, serving on the staff of a United States Senator and a stint in the U.S. Marine Corps. Howser later joined WCBS-TV in New York City as host of a magazine-style series. He then came to Los Angeles in 1981 to work as a reporter for KCBS-TV. Huell joined public television station KCET/Los Angeles in 1987 to produce "Videolog," a series of short programs featuring the stories of people from all walks of life. -
April 7-9, 2017 Gplb.Com 1
APRIL 7-9, 2017 GPLB.COM 1 2 TOYOTA GRAND PRIX OF LONG BEACH Dear Members of the Media: Welcome to the Roar by the Shore…the 43rd Toyota Grand Prix of Long Beach. We've designed this media guide to assist you throughout the weekend, whether it be to reference historical data, information on this year's event or information and statistics on our six weekend races. It also includes a section on transportation, hotels and restaurants to make your stay in Long Beach more efficient and enjoyable. Our three-day weekend is packed with activities on and off the track. In addition to the racing, two concerts will take place: on Friday night at 6:45 p.m., the Tecate Light Fiesta Friday concert will feature popular Mexican rock band "Moderatto," while on Saturday night, "SMG Presents Kings of Chaos Starring Billy Idol, Billy Gibbons and Chester Bennington" will entertain the Grand Prix crowd at the Rock-N-Roar Concert. The Lifestyle Expo, located in the Long Beach Convention & Entertainment Center, will see more than 180,000 Grand Prix fans walk through multiple times. Our annual media luncheon takes place on Thursday, April 6, and will feature drivers from many of the racing series that will be here over the weekend. Media interested in attending should contact us. If you have any questions or particular needs surrounding the Toyota Grand Prix of Long Beach, please do not hesitate to contact our Public Relations Department at (562) 490-4513 or [email protected]. Our website, gplb.com, can be accessed at any time to find the latest news and information about the Grand Prix, plus the website's Media Center area has downloadable, hi-resolution photos for editorial use. -
Mutual Watching and Resistance to Mass Surveillance After Snowden
Media and Communication (ISSN: 2183-2439) 2015, Volume 3, Issue 3, Pages 12-25 Doi: 10.17645/mac.v3i3.277 Article “Veillant Panoptic Assemblage”: Mutual Watching and Resistance to Mass Surveillance after Snowden Vian Bakir School of Creative Studies and Media, Bangor University, Bangor, LL57 2DG, UK; E-Mail: [email protected] Submitted: 9 April 2015 | In Revised Form: 16 July 2015 | Accepted: 4 August 2015 | Published: 20 October 2015 Abstract The Snowden leaks indicate the extent, nature, and means of contemporary mass digital surveillance of citizens by their intelligence agencies and the role of public oversight mechanisms in holding intelligence agencies to account. As such, they form a rich case study on the interactions of “veillance” (mutual watching) involving citizens, journalists, intelli- gence agencies and corporations. While Surveillance Studies, Intelligence Studies and Journalism Studies have little to say on surveillance of citizens’ data by intelligence agencies (and complicit surveillant corporations), they offer insights into the role of citizens and the press in holding power, and specifically the political-intelligence elite, to account. Atten- tion to such public oversight mechanisms facilitates critical interrogation of issues of surveillant power, resistance and intelligence accountability. It directs attention to the veillant panoptic assemblage (an arrangement of profoundly une- qual mutual watching, where citizens’ watching of self and others is, through corporate channels of data flow, fed back into state surveillance of citizens). Finally, it enables evaluation of post-Snowden steps taken towards achieving an equiveillant panoptic assemblage (where, alongside state and corporate surveillance of citizens, the intelligence-power elite, to ensure its accountability, faces robust scrutiny and action from wider civil society). -
Central America and the Bitter Fruit of U.S. Policy by Bill Gentile
CLALS WORKING PAPER SERIES | NO. 23 Central America and the Bitter Fruit of U.S. Policy by Bill Gentile OCTOBER 2019 Pullquote Bill Gentile in Nicaragua in the mid-1980s / Courtesy Bill Gentile Bill Gentile is a Senior Professorial Lecturer and Journalist in Residence at American University’s School of Communication. An independent journalist and documentary filmmaker whose career spans four decades, five continents, and nearly every facet of journalism and mass communication, he is the winner of two national Emmy Awards and was nominated for two others. He is a pioneer of “backpack video journalism” and the director, executive producer, and host of the documentary series FREELANCERS with Bill Gentile. He teaches Photojournalism, Foreign Correspondence, and Backpack Documentary. TheCenter for Latin American & Latino Studies (CLALS) at American University, established in January 2010, is a campus- wide initiative advancing and disseminating state-of-the-art research. The Center’s faculty affiliates and partners are at the forefront of efforts to understand economic development, democratic governance, cultural diversity and change, peace and diplomacy, health, education, and environmental well-being. CLALS generates high-quality, timely analysis on these and other issues in partnership with researchers and practitioners from AU and beyond. A previous version of this piece was published by the Daily Beast as a series, available here. Cover photo: Courtesy Bill Gentile 2 AU CENTER FOR LATIN AMERIcaN & LATINO STUDIES | CHAPTER TITLE HERE Contents -
165Th University of Notre Dame Commencement and Mass Program University of Notre Dame
Notre Dame Law School NDLScholarship Commencement Programs Law School History 5-15-2010 165th University of Notre Dame Commencement and Mass Program University of Notre Dame Follow this and additional works at: http://scholarship.law.nd.edu/commencement_programs Part of the Law Commons Recommended Citation University of Notre Dame, "165th University of Notre Dame Commencement and Mass Program" (2010). Commencement Programs. Paper 3. http://scholarship.law.nd.edu/commencement_programs/3 This Program is brought to you for free and open access by the Law School History at NDLScholarship. It has been accepted for inclusion in Commencement Programs by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. Schedule of Events THURSDAY, MAY 13 4 – 5:30 p.m. SENIOR HISTORY RECEPTION 9 p.m. for graduating majors, their guests, and faculty SENIOR CLASS PRAYER SERVICE AND LAST VISIT Short program to begin at 4:30 p.m. TO THE BASILICA AND GROTTO North Dining Hall — Gold Room Basilica of the Sacred Heart — Grotto of Our Lady of Lourdes 4 – 6 p.m. FRIDAY, MAY 14 ECONOMICS FACULTY RECEPTION FOR ECONOMICS MAJORS 9 – 11 a.m. hosted by the Department of Economics MINOR IN EUROPEAN STUDIES RECOGNITION Morris Inn — Tent BREAKFAST hosted by the Nanovic Institute for European Studies 4 – 6 p.m. by invitation only DEPARTMENT OF PSYCHOLOGY RECEPTION Morris Inn — Donors’ Room for graduating seniors, their guests, and faculty Stepan Center 11 a.m. – 1 p.m. DEPARTMENT OF ROMANCE LANGUAGES AND 4:30 – 6 p.m. LITERATURES AWARDS CEREMONY KELLOGG INSTITUTE FOR INTERNATIONAL Washington Hall — Auditorium STUDIES AWARDS CEREMONY AND RECEPTION For graduating Latin American studies minors and 11 a.m. -
2KSWIN WWE2K19 PC Online
IMPORTANT HEALTH WARNING: PHOTOSENSITIVE SEIZURES A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. Product Support: http://support.2k.com Please note that WWE 2K19 online features are scheduled to be available until May 31, 2020 though we reserve the right to modify or discontinue online features without notice. 2 KEYBOARD CONTROLS ACTION KEY WAKE UP TAUNT 1 TOGGLE SIGNATURE / FINISHER 2 TAUNT OPPONENT 3 TAUNT CROWD 4 PAUSE ESC DISPLAY CURRENT TARGET C FRONT FACELOCK / GRAPPLE DOWN ARROW IRISH WHIP / PIN RIGHT ARROW SIGNATURE / FINISHER -
Citizen Snowden
International Journal of Communication 11(2017), 843–857 1932–8036/20170005 Citizen Snowden ENGIN ISIN1 Queen Mary University of London, UK EVELYN RUPPERT Goldsmiths University of London, UK What kind of citizenship has Snowden performed? Apparently, it is not American citizenship because American authorities attempted to try him for treason and he became a stateless fugitive. After requesting political asylum in 21 countries, he was eventually granted temporary asylum in Russia. Neither states nor international organizations recognized his act as an act of citizenship. Did Snowden perform a citizenship that is yet to come? Did he perform an international citizenship? The issue of rights usually recognized in the literature on the debate about Snowden’s act concerns its content such as the practices of states spying on their citizens. This article focuses on the act itself as making digital rights claims that do not yet exist in law. We argue that just as Snowden’s act disrupted surveillance practices that evermore traverse national borders, it also called for digital rights and responsibilities that traverse national legal orders. Keywords: citizenship, performativity, international politics, digital rights I believe in the principle declared at Nüremberg in 1945: “Individuals have international duties which transcend the national obligations of obedience. Therefore individual citizens have the duty to violate domestic laws to prevent crimes against peace and humanity from occurring.” —Edward Snowden, Moscow Declaration2 Engin Isin: [email protected] Evelyn Ruppert: [email protected] Date submitted: 2016–03–29 1 We would like to thank two anonymous reviewers for their two rounds of comments that were incredibly helpful for strengthening our argument. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues
Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues Jesús Muñoz Morcillo1*, Klemens Czurda*, Andrea Geipel**, Caroline Y. Robertson-von Trotha* ABSTRACT: This article provides an overview of the web video production context related to science communication, based on a quantitative analysis of 190 YouTube videos. The authors explore the main characteristics and ongoing strategies of producers, focusing on three topics: professionalism, producer’s gender and age profile, and community building. In the discussion, the authors compare the quantitative results with recently published qualitative research on producers of popular science web videos. This complementary approach gives further evidence on the main characteristics of most popular science communicators on YouTube, it shows a new type of professionalism that surpasses the hitherto existing distinction between User Generated Content (UGC) and Professional Generated Content (PGC), raises gender issues, and questions the participatory culture of science communicators on YouTube. Keywords: Producers of Popular Science Web Videos, Commodification of Science, Gender in Science Communication, Community Building, Professionalism on YouTube Introduction Not very long ago YouTube was introduced as a platform for sharing videos without commodity logic. However, shortly after Google acquired YouTube in 2006, the free exchange of videos gradually shifted to an attention economy ruled by manifold and omnipresent advertising (cf. Jenkins, 2009: 120). YouTube has meanwhile become part of our everyday experience, of our “being in the world” (Merleau Ponty) with all our senses, as an active and constitutive dimension of our understanding of life, knowledge, and communication. However, because of the increasing exploitation of private data, some critical voices have arisen arguing against the production and distribution of free content and warning of the negative consequences for content quality and privacy (e.g., Keen, 2007; Welzer, 2016). -
August 07 Email Links.Pmd
August 2007 Volume 18 No. 8 Newsletter of the Puget Sound Miata Club The Oldest Miata Club in the World PSMC’s NW Gathering Sunday, Aug. 26, 2007, 10 AM - 3 PM Inside August Coop’s Miata in Maple Valley 2-3 Hosted by your PSMC Board Cost: $15.00 per car & driver Miatacross $10.00 per passenger Mt. Baker / LeMay This year’s party of parties, PSMC’s Great Northwest Gathering, will be taking place on Event Schedule 4-5 Sunday, August 26th, 2007 at Coop’s Miata in Maple Valley. This year, we have a great after- 10:00 AM: Gates open South Bend noon all lined up for you. 10 AM - 2 PM: Games, Vendors & Around Town For those who love to show off their pretty little Booths will be open roadsters, the CONCOURS D’ELEGANCE will Caddell be held from 10:00 AM to 2:00 PM. Judging 11:00 AM: Concours judging will take place promptly at 11:00 AM, so if you 6-7 are entering, please arrive early enough to have 11:30 AM: Lunch will be served your cars registered, parked and ready for the 2:00 PM: Concours Awards, Game Hurricane Ridge judges. Awards will be presented at 2:00 PM prizes and door prizes when the winners of the Miata Stock Class, will be given out Autocross Miata Modified Class and People’s Choice are announced. 3:00 PM: End of the event 8-9 Along with The Dent Guy to take care of those Autocross nasty parking lot dings (and others), Roger Cantaloupe will be on hand to replace/repair your windshields. -
Australia's Screen Future Is Online: Time to Support Our New Content Creators
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart (2017) Australia’s screen future is online: time to support our new content cre- ators. The Conversation, August, pp. 1-5, 2017. [Article] This file was downloaded from: https://eprints.qut.edu.au/122374/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-No Derivative Works 2.5 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// theconversation.com/ australias-screen-future-is-online-time-to-support-our-new-content-creators-82638 Academic rigour, journalistic flair Australia’s screen future is online: time to support our new content creators August 21, 2017 5.21am AEST RackaRacka, a sketch channel on YouTube, have been called Australia’s most successful content creators.