Pigment Color Charts

PIGMENT COLOR CHARTS

Permanent Cosmetics, Paramedical Procedures & Skin Rejuvenation

(919) 637-2554 www.fabulouslyflawlessnc.com | [email protected] 5640 Six Forks Road, Suite 203, Raleigh, NC 27609 824 2nd Avenue NW, Hickory, NC 28601

- Redefining You - PIGMENT COLOR CHART

(919) 637-2554 www.fabulouslyflawlessnc.com | [email protected] 5640 Six Forks Road, Suite 203, Raleigh, NC 27609 824 2nd Avenue NW, Hickory, NC 28601 EASY GUIDE TO COLORS

Unlike body tattoos, our faces are exposed to the environment... You cannot predict with certainty sun, skincare creams, acids and lotions. Anti-aging preparations how a color will heal in the skin or that enhance collagen turnover and diminish wrinkles and get rid fade over time. Our colors contain inorganic and or - of brown spots all affect our cosmetic tattoos. No one knows for ganic pigments with bases and blends containing the desired char - sure everything that causes changes in color. acteristics of our customers. Some customers only want MRI safe colors which means no iron oxide black. So these colors may have an organic base or inorganic green blended with yellows, reds and Kolorsource colors have been derma - blacks. All pigment colors fade at different rates so you will need to tologist tested and awarded the cate - monitor these changes and adjust them if they heal gray, red, gory of “hypoallergenic”. We cannot greenish or even blue or purple. We can offer you the best mixing guarantee there will never be an allergic reaction but there has not and fixing colors for your clients. Take good before, just after and been a documented case since production began in 1995 by Helen healed photos over time. Snow of Scottsdale, Arizona.

: The Fitzpatrick Scale of Skin Types is a reflection expect different colors in different skin from the exact same pig - FITZ PLUS ment. Other colors that affect our tattoo pigments are collagen of how skin responds to the sun. Melanin contributes color to the which is gray or white, blood vessels - red or blue- and underlying skin and is located in the basal layer of the epidermis. Melanin has a fat (yellow) and veins lying just below the dermis. You are always protective effect on the underlying dermis. Melanin absorbs light looking through a layer of color which may or may not contain and acts like a blanket over any color in the dermis, including our melanin. tattoo pigments. Melanin can be black, brown or blue and you can

Note: Heat, friction and laser will darken TiO2 (white) pigment present in lip and some brow colors. Disclaimer: Spot Test Re - quired. Do not mix Kolorsource with other pigment brands. Not for use in people with skin diseases cb= Carbon black (Rosacea, Psoriasis, Skin cancer of any kind. The FDA Magnetic content Symbols; (-) MRI Safe does not approve any colorants for tattooing or perma - (+) Contains Ferromagnetic pigment (black) nent makeup. March 1, 2016 Rev. SEE PIGMENT SMEARS ORG = Organic BLND : Blend GR :green base ONLINE AT KOLORSOURCE.COM.

No chemical additives. Our colorants are dispersed in Kosher glycerin, ethanol and sometimes a little propylene glycol. Order Toll free 888-452-4946 www.kolorsource.com FITZ PLUS Scale

4233

5+ 3+ 1+ 1+

3334

4 2 3+ 4+ WHO IS FITZPATRICK?

TYPE IV Dark brown hair, green, hazel, brown eyes. FITZ PLUS TYPES I-VI Slow to burn, tans easily. High risk for trauma, heat & TYPE I Red & Blonde hair, Blue Eyes, Burns easily, chemically caused pigmentation & moderate risk for all never tans, freckles, very fair skin, MC1R gene risk. High other pigmented skin conditions. High risk for scarring risk for skin cancer, may scar if slow to heal. Higher po - & moderate risk for visible vascular damage. tential for vascular damage. TYPE V Dark and black hair, Brown & dark Brown eyes. TYPE II Fair sandy red hair, green or blue eyes, burns May never burn. Veright high risk for trauma, heat & easily, tans with difficulty, some freckles. MC1R gene chemically caused pigmentation & lower risk solar pig - risk. mented skin conditions. High risk for scarring (keloid) & moderate risk for visible vascular damage. TYPE III Brown, fair, sandy hair, green, hazel, blue eyes. Slow to burn, will tan. May have MC1R gene risk. TYPE VI Black hair, dark brown eyes. May never burn. High risk for all pigmented skin conditions, moderate Very high risk for trauma, heat & chemically caused pig - risk for skin cancer, higher potential for scarring & mod - mentation & lower risk for solar pigmented skin condi - erate risk for visible vascular damage. tions. Very high risk for scarring (keloid) & moderate risk for visible vascular damage. THOMAS B. FITZPATRICK MD The Fitzpatrick scale (also Fitzpatrick skin typing test; or Fitzpatrick phototyping scale) is a numerical classification schema for human skin color. It was developed in 1975 by Thomas B. Fitzpatrick , a Harvard dermatologist, as a way to estimate the re - sponse of different types of skin to ultraviolet (UV) light.[1] It was initially developed on the basis of skin and eye color, but when this proved misleading, it was altered to be based on the patient's reports of how their skin responds to the sun; it was also ex - tended to a wider range of skin types.[2][3][4] The Fitzpatrick scale remains a recognized tool for dermatological research into human skin pigmentation.

Type I (scores 0–6) always burns, never tans (pale white; blond or red hair; blue eyes; freckles). Type II (scores 7–13) usually burns, tans minimally (white; fair; blond or red hair; blue, green, or hazel eyes) Type III (scores 14–20) sometimes mild burn, tans uniformly (cream white; fair with any hair or eye color) Type IV (scores 21–27) burns, always tans well (moderate brown) Type V (scores 28–34) very rarely burns, tans very easily (dark brown) Type VI (scores 35–36) Never burns, never tans (deeply pigmented dark brown to darkest brown) https://en.wikipedia.org/wiki/Fitzpatrick_scale FITZ PLUS TYPE 1 FITZ PLUS

TYPE 1 Red & Blonde hair, Blue Eyes, Burns easily, never tans, freck - les, very fair skin, MC1R gene risk. High risk for skin cancer, may scar if slow to heal. Higher potential for vascular damage.

BROW COLORS 9908 + Blonde NuBrown N 114 ++ Bronz N/W 9199 ++ Cashmere 9371 + Golden Girl Nubrown™ W 9205 + Goldilocks W 44 - Honey NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-7 6800 + Strawberry Blonde BLND W

ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP

FITZ PLUS TYPE 2 FITZ PLUS

TYPE 2 Fair sandy red hair, green or blue eyes, burns easily, tans with diffi - culty, some freckles. MC1R gene risk.

BROW COLORS 863 - Auburn NuBrown W 9908 + Blonde NuBrown N 114 ++ Bronz N/W 9371 + Golden Girl Nubrown™ W 9205 + Goldilocks W 44 - Honey NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-7 6800 + Strawberry Blonde BLND W

ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 3 BROW COLORS FITZ PLUS TYPE 3 Brown, fair, sandy hair, green, hazel, blue eyes. Slow to burn, will tan. May have MC1R gene risk. High risk for all pig - mented skin conditions, moderate risk for skin cancer, higher potential for scarring & moderate risk for visible vascular damage.

BROW COLORS 863 - Auburn NuBrown W 864 - Bombay NuBrown mb 893 - Brazi mb ORG

45 - Dream NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-4 867 - Soft Brunet 983 + WARM NuBrown Reddish Brown mb 9937 + Xpreso NuBrown mb N 3-5

ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9205 + Goldilocks

9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP

FITZ PLUS

TYPE 4 Dark brown hair, green, hazel, FITZ PLUS TYPE 4 brown eyes. Slow to burn, tans easily. High risk for trauma, heat & chemically caused pigmentation & moderate risk for all other pigmented skin conditions. High risk for scarring & moderate risk for visible vascular damage.

BROW COLORS 863 - Auburn NuBrown W 9938 - Brunet NuBrown 8478 ++ Burnt Toast mb C 45 + Dream NuBrown™ mb N4-5 9939 + Fudge NuBrown W

ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 5 BROW COLORS FITZ PLUS

TYPE 5 Dark and black hair, Brown & dark Brown eyes. May never burn. Veright high risk for trauma, heat & chemically caused pigmentation & lower risk solar pigmented skin conditions. High risk for scarring (keloid) & moder - ate risk for visible vascular damage. Beyonce

BROW COLORS 9640 ++ Almost Black mb 9938 - Brunet NuBrown N 8478 ++ Burnt Toast mb 9156 ++ Chocolate Mousse 9937 + Xpreso NuBrown W 9178 + Spanish Eyes W

ADDITIVES: MIXING COLORS 839 - B2B Dark 9110 - Red Brow Mix BLND N/W 1047 - WARMUP

FITZ PLUS TYPE 6 FITZ PLUS

TYPE 6 Black hair, dark brown eyes. May never burn. Very high risk for trauma, heat & chemically caused pigmentation & lower risk for solar pigmented skin condi - tions. Very high risk for scarring (keloid) & moderate risk for visible vascular damage. BROW COLORS 9640 ++ Almost Black mb 840 - Black Ice mb

9938 - Brunet NuBrown N 8478 ++ Burnt Toast mb 9156 ++ Chocolate Mousse 9937 + Xpreso NuBrown W 9178 + Spanish Eyes W

ADDITIVES: MIXING COLORS 839 - B2B Dark 9110 - Red Brow Mix BLND N/W 1047 - WARMUP DERMATOLOGIST TESTED HYPOALLERGENIC PIGMENTS

Colors you can trust. W = WARM N = NEUTRAL C=COOL T= TRANSLUCENT O=OPAQUE Original Kolorsource Girl by Richard Hanna NuBrowns do not turn pink B brows orangey. Since 2008 E eyeliner L lips

892 - Almond Brow ORG MIX T 166 ++ Blackberry 843 SMARTLIP Asian Peach 843 - ORG W 9640 ++ Almost Black mb 6190 ++ Blackjack 9957 - Ash Blonde NuBrow Ash/Green GR 617 SMARTLIP Profound Red 617 BLND CO - Black Ice cb ORG 863 - Auburn NuBrown GR W 840 1059 BLACKOUT BLND 742 SMARTLIP Red 742 Favorite BLND CN 844 - B2B Medium: ORG Color Corrector + - Black Silk cb ORG 827 - BB Black Brown ORG Color Corrector mb 321 760 SMARTLIP 760 Dark Cinnamon ORG CT + Black Suede 9908 + Blonde NuBrown GR N 409 846 SMARTLIP 846 Rich Peach ORG - 864 - Bombay Brown mb 839 - B2B DARK: Fix blue eyeliner 148 SMARTLIP 148 Royal Red BLND 893 - Brazil Brown ORG C 9138 - Brown Eyes 8938 Awesome + BLND W0 5-7 114 ++ Bronz N/W 8478 ++ Burnt Toast -brows/eyeliner 9111 ++ Brown Abyss (heals pink/purple) W 9179 - Hazel Khaki 9883 Baby Lips & Areola - NO 9938 - Brunet NuBrown GR C - JADE Eyeliner GR 872 9155 Beets Me - ORG CT 1-7 ++ Burnt Toast 112 + Kaviar™ Translucent Black 8478 8941 Berry Cool - ORG NT 1-6 9199 ++ Cashmere 8475 ++ Licorice 988 Chocolate KISS GR W/N 3590 ++ Mink 423 Brandy, Dark Lip MIX Beware purple lip 9156 ++- Chocolate Mousse 9268 + Moss 9204 Candy Apple - BLND NO 1-6 895 - Choklat Dark ORG C 6570 + Navy Blue ORG 3312 - Coco NuBrown mb GR 9142 Divine Wine - BLND CO - 9210 ++ Coffee N 1-6 9922 NuBlack-eyeliner/brows 9196 Girls Night Out - BLND CO 9781 - Pitch Black cb ORG 9113 ++ Dark Beechwood (green brown) 639 - Purple Suede 8946 Hoochie Mama - ORG NO 1-8 969 ++ Dark Brown #5 mb - Raven (was Brunet) 9905 + Deep NuBrown GR C 842 9177 Hula Girl - BLND NO 1-6 945 - Simply Green GR 45 - Dream NuBrown™ GR mb C 9134 Kiss Me - BLND NO 1-7 + Spanish Eyes 9939 - Fudge Nubrown™ mb GR C 9178 9866 Lip Primer - NO 1-10 9371 + Golden Girl Nubrown™ GR W 8477 ++ Storm 9205 + Goldilocks W Sh shadow smokeye™ smudgy 9267 Matte Mauve - BLND CO 1-4

44 - Honey NuBrown™ mb GR C 0173 - Blue Moon: Shadow 9133 Naturelle - BLND NO 1-4 194 ++ Ja’Mocha Golden Taupe C 9644 + Blue: Smudgy 9269 Pixie - BLND NO 1-6 9270 ++ Java N/C 9646 + Brown: Smudgy 9136 ++ Koa 472 - Brown Sugar 8947 Pomegranate - ORG NO 1-8 + GR 9907 Medium NuBrown™ mb N 3-7 0177 + Copper Mist: Shadow 8942 Red Pepper - ORG WT 3-6 332 - Olive NuBrown anti-orange GR 0170 - Gold Dust: Shadow 9746 Red Sunset - ORG WO 1-6 9906 + Rich NuBrown™ GR N 9647 + Grape: Smudgy 9389 - Smoke Original Cool Dark Gray N 8945 Salmon Paté ORG -WO 1-10 9645 + Green Smudgy 867 - Soft Brunet GR 9197 Sassy - BLND CO 0174 - Jade Mist: Shadow 828 - StaBrown™ DARK Cool Brown mb - Mauve Mist 9202 Surfer Girl - BLND NO 1-5 829 - StaBrown™ MED Neutral Brown 0172 + Pewter (heals greenish) 830 - StaBrown™ MEDIUM + Yellow 9648 9198 Tutti Frutti - ORG NO 1-8 - Plum Mist: Shadow 6800 + Strawberry Blonde BLND W 0176 8940 Very Berry - ORG CT 1-8 9718 - Strawberry Brown BLND W 945 - Simply Green SMOKEYE™GR 302 - Taupe 1 Soft NuBrown GR N 1-3 9389 - Smoke Original: Shadow 8944 Wine Cooler - ORG CO 1-8 303 - Taupe 2 Rich NuBrown GR N 1-3 - Smoke Warm: Shadow 901 Kolorsource™, NuBrown™ , StaBrown™, and 299 - Taupe 3 Gray Blonde NuB GR 1-3 cb= Carbon black SmartLip™are tradenames and brand names of + WARM NuBrown Reddish GR mb Magnetic content Symbols; (-) MRI Safe Linda H DixonMD. Dermatologist tested. Hy- 983 901 Warm SMOKE Med Gray + Eyes N (+) Contains Ferromagnetic pigment (black) poallergenic. Spot test required in hairline. ORG = Organic BLND: Blend GR:green 1047 - WARMUP for some NuBrowns W 9937 + Xpreso NuBrown mb GR N 5-8 Order Toll free 888-452-4946 www.kolorsource.com Kolorsource Easy Label Guide A color Use By Date LOT # A Areola for every purpose B Brows F flesh colors E Eyeliner 9236 - Dark Hawaiian Name L Lips 9166 - Hawaiian Flesh M Mixing 9167 - Neutral Flesh T Tattoo Modifier Color - Pale Flesh 8950 Use F Flesh - Peach Flesh Code 9237 C Correct 9788 - Perfect Flesh Sh Shadow 8949 - Pink Flesh Made in USA Product # Sm Smokey 8951 - Yellow Flesh Modifier colors (-) Control Blue, Green and Red brows M mixing colors Color Use Code(s) 6955 - Blooper MIX A areola colors 9104 - Bluejeans MIX ORG BABY LIPS/AREOLA For very fair clients with soft, pale 9883 areola color. Use to soften border of inner color Nude 445 - Brown Lip/Areola MIX Lip Mix. - Bubblegum MIX [corrects green] 4400 NUDE LIP/AREOLA MIX Best areola color in most 9101 163 - Camelot MIX women. Lighten with Neutral Flesh OR Bubblegum. 9106 - Canary MIX BLND 9167 NEUTRAL FLESH Use for highlighting above nipple and 9103 - Envy MIX ORG to tint colors to lighter color. 9105 - Flax 11 MIX 8954 AREOLA CREME Very Pale areola color for highlights. 9114 - Gold Digger MIX - Golden Coral MIX ORG 9107 8952 AREOLA RED 9101 - NUDE Lip/Areola MIX - Off White MIX AREOLA PINK More color than appears through 9108 9247 9102 - Pansy MIX 1/4 oz ORG the bottle. Nice soft pink color. - Red Brow MIX or alone BLND AREOLA CHOCOLATE (+++) 9110 8953 Darkest Areola color 9100 - Whisper MIX BronZ Gold Brown Warm to Neutral, A pure golden 9406 Orange Ice MIX 1/4 oz ORG 114 brown with no dark undertones. 961 Red Ice MIX 1/4 oz ORG 962 Yellow Ice MIX 1/4 oz ORG 9133 NATURELLE Warm, natural areola color. C-T additives, modifiers, corrective 9134 KISS ME Add as final color over NUDE. 838 - B2B Modifier Light Rub Only ORG 844 - B2B Modifier Med fix brows ORG 4400 BUBBLEGUM Warms/lightens colors. 905 - B2B Modifier Medium Dark ORG 472 Brown Sugar Use to shadow beneath areola (half 839 - B2B Modifier Dark fix blues ORG moon). Good mixing color. 9206 - Blue/Gray/Green Brow FIX: Iron Oxide Perfect Flesh Use to highlight nipple and also helpful 9788 for a mixing color. Good for blending & softening 335 - Blue Eyeliner FIX: Iron Oxide outer border of areola. 9641 - Green Toner FIX (control orange) GR 9207 - Pink Brow FIX for pink/orange Note: Heat, friction and laser 1047 - WARMUP: add to NuBrown colors will darken TiO2 (white) pig - ment present in lip and some brow colors. Disclaimer: Spot Test Required. Do not mix Kolorsource with other pigment brands. Not for use in people with skin diseases (Rosacea, Psoriasis, Skin cancer of any kind. The FDA does not ap - Order Tel 888-452-4946 • Fax 800-238-1203 prove any colorants for tattooing or permanent makeup. March 1, 2016 Rev. www.kolorsource.com • [email protected] SEE PIGMENT SMEARS ONLINE AT KOLORSOURCE.COM. PIGMENT COLOR CHART

(919) 637-2554 www.fabulouslyflawlessnc.com | [email protected] 5640 Six Forks Road, Suite 203, Raleigh, NC 27609 824 2nd Avenue NW, Hickory, NC 28601  Color Identification Chart© (CIC)

The CIC chart is provided as a guide to color selection for the applicable service being provided. The Eyebrow and Modifier/Corrector sections have additional temperature and light-to-dark information with an associated temperature chart* and light-to-dark scale** located at the conclusion of the Modifier/Corrector section.

Notwithstanding the attention to accuracy and detail provided, how a color example appears is dependent upon the color settings on computer monitors and if printed, the color settings on the printer. When used for an applicable permanent cosmetic service, colors are also subject to being greatly influenced by the skin undertone of the client; the artist’s technique and the needle grouping used.

This is the appropriate place to mention an important LI product; Soft FX. By adding different amounts of Soft FX, the full strength properties of each color listed on the CIC can be modified to concentration preference. Information regarding the proper use of Soft FX is located at the completion of the CIC following the Fitzpatrick Scale.

The CIC consists of many pages covering all groups of LI pigment colors. Each CIC page is numbered. If you wish to print only a specific group, select the applicable group's page(s) on the print selection option of your printer menu.

View the Color Identification Chart Anywhere! Download and install the Kindle app for your cell phone or tablet.

1. Open the PDF file from an email or webpage on your device. 2. Tap somewhere on the pdf page. 3. A toolbar opens at the top of the page Open in... Kindle. 4. Your pdf file will be now be saved and open in your reader app.

The CIC is a living document. LI is constantly working to provide its valued customers the latest technology in permanent cosmetic pigments.

© Copyright 2003-2014 LI Pigments. Latest Revision: 7/10/2014 ALL RIGHTS RESERVED. Reproduction or transmission of content in whole or in part by any person who is not an authorized LI Pigments Distributor or active customer is prohibited without permission from LI Pigments.

Page 1 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

EYELINER COLORS

Color Temp Base Comments Traditional Eyeliner Colors (Light to Dark) Charcoal Cool Black & White A true charcoal color. (119) Inorganic A good choice for “minimum commitment” eyeliner. A good option for male eyelash enhancement. Looks great on people with light blue or gray eyes.

Add Onyx to darken. Add Taupe to create a soft charcoal color (suitable for eyeliner or eyebrows). Steel Gray Cool Gray & Black A charcoal color with a brown influence. (122) Inorganic This is a great color; charcoal but with a brown undertone.

Ebony Brown Cool Black & Brown A rich dark brown-chocolate eyeliner. On cooler skin undertones, (104) Contains a this color may heal to appear brown-black. “Must-have” small amount of red. While still cool and Appropriate for Fitzpatrick skin types I-V and all eye colors. dark, this makes this Add Black Magic or Onyx to darken. color less cool than Black Magic Can also be used to obtain a beautiful rich dark chocolate eyebrow (see the Eyebrow Colors section of the CIC). This is a Inorganic definite favorite and there are many ways to use this color.

Black Magic Cool Black A soft brown-black eyeliner color with subtle brown undertones. (103) Inorganic “Must-have” This eyeliner color is appropriate for most Fitzpatrick skin types and eye colors.

Add Onyx to darken. Blend in 1/3 Halo Khaki or Halo Forest for a beautiful tone as an accent eyeliner for clients with hazel or green eyes.

Onyx Cool Black A beautiful rich black eyeliner and eyelash enhancement color. (102) Inorganic “Must-have” Appropriate for all Fitzpatrick skin types. Will offer dramatic contrast against light eye colors.

Due to the intense blackness of this pigment, consider adding a very small amount of Un-Gray or Caribbean Mod for clients with very cool eyelid undertones. This will maintain the blackness of the pigment in the skin.

Page 2 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Ultra Black Cool Black A rich black blend of 1/2 carbon black and 1/2 black iron oxide. (109) Inorganic & Organic See Note of Use in the upper eyelash line avoiding inner and outer canthus Caution (corners) of the eye. Avoid using on lids where capillaries and blood vessels are visible.

Note of Caution: This product contains carbon black. Migration risks are higher with carbon black. Recommended only for use by experienced artists. Midnight Black Cool Black A carbon black eyeliner or eyelash enhancement color. (115) Organic See Note of This black-black will offer dramatic contrast against any eye color. Caution

Use in the upper eyelash line avoiding inner and outer canthus (corners) of the eye. Avoid using on lids where capillaries and blood vessels are visible.

Note of Caution: This product is carbon black. Migration risks are higher with carbon black. Recommended only for use by experienced artists. Fashion Eyeliner Colors (Light to Dark) Highliner Cool Pink & White A light, almost white color with a pink undertone. (420) Inorganic

See Note of Use for the “French Eyeliner” effect (Highliner placed directly Caution above black or dark brown eyeliner).

Highliner is not to be used for any other purpose than the “French Eyeliner” technique. This eyeliner technique is not popular in the U.S.

Note of Caution: Once the dark eyeliner naturally fades, the white highliner will remain. Be advised, this could be problematic. Advise the client accordingly before using this product.

This color is not offered by all Distributors.

Page 3 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Ocean Blue Cool Blue A fashion blue-teal eyeliner color. (803) Inorganic & Organic Intense in color; consider blending with other pigment colors.

Works well for people with green or blue eyes as an accent eyeliner above a black eyelash enhancement.

Favorite Combinations: Blend with Jade for a deep teal color. Blend with Taupe for a muted soft color. Blend with Charcoal for a slate- blue smoky effect. Jade Cool Green & Blue A fashion green eyeliner color. (703) Inorganic Works well for people with green or blue eyes above a black eyelash enhancement.

Favorite Combinations: Blend with Taupe for a sage color. Blend with Charcoal for a smoky liner. Darken with Ebony Brown or Black Magic. Smoky Marine Cool Violet & Blue A fashion blue eyeliner color with a smoky appearance. (827) Inorganic

Rich Sapphire Cool Blue A deep blue fashion eyeliner color with subtle violet undertones. (814) Contains a small amount of violet Works well on people with brown or blue eyes.

Inorganic & Use above a black eyelash enhancement for accent. This is a Organic beautiful accent color. Wash (dilute with Soft FX) for a stunning

sapphire halo color.

Amethyst Cool Violet & Blue A deep eggplant-purple eyeliner color. (825) Inorganic & Organic This is a beautiful color and can look fabulous against dark eyes on Fitzpatrick I-IV skin types.

Rich Velvet Cool Violet & Black A deep violet-black eyeliner color. Primarily black with subtle (802) Inorganic & violet tones. Organic

This is a beautiful color and can look fabulous against dark eyes on Fitzpatrick I-IV skin types.

Page 4 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Eyeliner Halo Colors (Light to Dark) Eyeliner Halos are subtle colors most often used as To use as a halo over a top eyelid eyeliner: Once soft, shaded, powder effects above top eyelid you have tattooed the eyeliner, the selected halo eyeliners. May also be used as an eyeliner color, color is tattooed directly above the upper eyelid however, the end result will be very subtle compared eyelash enhancement or top eyelid eyeliner and to more intense standard eyeliner colors. It may also blended down onto the liner top edge. For be used as subtle lower eyeliners. eyelash enhancements, place the halo color adjacent to the eyelash line to enhance a darker enhancement color. Color Temp Base Comments Halo Khaki Cool More Neutral Yellow & Green A subtle khaki color. (725) Inorganic Use above black upper eyelash enhancement, brown or black eyeliner. May also be used for lower eyeliner (heals very light).

Use on Fitzpatrick I-V skin types. Beautiful contrast to hazel or green eyes. Add a small amount of Black Magic to darken.

Favorite Combinations: Blend in Halo Forest to darken or Halo Taupe to make smokier. Halo Taupe Cool Cool Yellow & Green A subtle taupe color. (272) Inorganic Use above black upper eyelash enhancement, brown or black eyeliner. May also be used for lower eyeliner.

Use on Fitzpatrick I-III skin types. Beautiful contrast to all eye colors.

Favorite Combination: Add a small amount of Charcoal to darken. Add to any other halo color for a slate/smoky result. Halo Denim Cool Blue & Green A subtle denim color. (120) Inorganic & Organic Use above black upper eyelash enhancement and black eyeliner. May also be used for lower eyeliner.

Use on Fitzpatrick I-IV skin types. Beautiful contrast to blue or gray eyes.

Favorite Combinations: Add a small amount of Ocean Blue to deepen or brighten. Add a drop of Ebony Brown to darken. Add Charcoal for a slate/smoky blue result.

Page 5 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Halo Forest Cool Green A subtle forest green color. (724) Inorganic Use above black upper eyelash enhancement, brown or black eyeliner. May also be used for lower eyeliner. Use on Fitzpatrick I-V skin types. Beautiful contrast to hazel or green eyes.

Favorite Combination: Add a small amount of Black Magic to darken. Add Halo Khaki To lighten as needed. Halo Brown Cool Warm Yellow & Orange A subtle brown color. (271) Inorganic & Organic Use above black upper eyelash enhancement, brown or black eyeliner. May also be used for lower eyeliner.

Use on Fitzpatrick I-V skin types. Beautiful contrast to all eye colors.

Favorite Combination: Add a small amount of Black Magic to darken.

Page 6 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

EYEBROW COLORS Color L-D/Temp Base Comments Pre-Neutralized Eyebrow Colors: Because LI eyebrow colors are pre-neutralized, LI recommends no more than two eyebrow colors blended together to create a third color, or one eyebrow color blended with one of the appropriate modifiers to accommodate the temperature of a particular skin undertone.

Note: From a formulation perspective, the medium to dark eyebrow colors listed below may also be used as a consideration for top and/or bottom eyeliner, as appropriate based on the client’s eyeliner color requests. Slightly Cool to Very Cool Blonde and Brown Eyebrow Colors (Light to Dark) Sahara L-D 1+ Cool Yellow & Green A very light blonde color. Often used to lighten other (266) Cool -2 Inorganic & Organic colors.

Appropriate for most Fitzpatrick I-II skin types. May use to lighten other blondes and medium browns.

Favorite Combinations: Add Brève to darken. Add Autumn Gold or Auburn for light to medium strawberry blonde. Add Olive Mod for a beautiful ash blonde. Brève L-D 2 Warm Yellow & Green A well balanced light to medium blonde color for (261) Cool -1 Inorganic & Organic Fitzpatrick I-III skin types. Brève has a slightly warmer “Must-have” base than Crème Latte. Darker than Sahara with some warmth added Lighten with Sahara or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Brève and Autumn Gold. Brève and Hazelnut. Brève and Pecan or Taupe. Brève and Crème Latte. Crème Latte L-D 2+ More Neutral Yellow & Green A beautiful well balanced neutral to slightly cool blonde (262) Cool -2 Inorganic & Organic color for Fitzpatrick I-III skin types. Slightly cooler and “Must-have” darker than Brève. This is one of LI’s most popular Cooler and slightly darker than Brève and versatile colors.

Lighten with Sahara or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Crème Latte and Brève. Crème Latte and Hazelnut. Crème Latte and Olive Mod.

Page 7 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Latte L-D 3 Cool Yellow & Green A well balanced medium blonde eyebrow color. (235) Cool -2 Inorganic & Organic Slightly darker than Crème Latte. Slightly darker than Crème Latte Use on Fitzpatrick I-IV skin types.

Lighten with Sahara, Brève or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Latte and Hazelnut. Latte and Cappuccino. Cappuccino L-D 3+ Cool Yellow & Green A well balanced medium brown. Slightly cooler than (212) Cool -2 Inorganic Hazelnut (see the More Neutral Eyebrow Colors Darker than Latte section of the CIC).

Use on Fitzpatrick III–V skin types.

Lighten with Sahara Brève, Crème Latte or Lighten Up. Darken with Mochaccino, Navajo Brown or Cocoa. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Cappuccino and Latte. Cappuccino and Mochaccino. Mochaccino L-D 3+. More Neutral Yellow & Green A well balanced rich medium brown, slightly darker (290) Cool -2 Inorganic than Hazelnut and lighter than Cocoa. Darker than Hazelnut. Lighter than Cocoa Use on Fitzpatrick III–V skin types. A very popular color.

Lighten with Crème Latte, Latte, Cappuccino or Lighten Up. Darken with Cocoa, Navajo Brown or Dark Toffee. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Mochaccino and Autumn Gold. Mochaccino and Cocoa. Cocoa L-D 4 Cool Yellow & Green A medium to dark elegant brown color. Darker and (204) Cool -3 Inorganic cooler than Mochaccino. “Must-have” Darker than Mochaccino Use on Fitzpatrick III-V skin types. Heals cooler than it appears in the bottle.

Lighten with Cappuccino, Latte, Hazelnut or Lighten Up. Darken with Dark Toffee or Ebony Brown. For additional warmth add Un-Gray or Autumn Gold.

Favorite Combinations: Cocoa and Autumn Gold (an absolutely stunning combination). Hazelnut and Cocoa. Cocoa and Blonde.

Page 8 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Dark Toffee L-D 4+ Black & Brown This is a rich dark brown color with warmth added. (203-1) Cool -4 Contains a small amount of yellow/orange which makes “Must-have” Use alone on Fitzpatrick III-VI skin types (may need to Darker than Cocoa this color less cool than Navajo Brown, but is still a add Un-Gray depending on the coolness of the skin). cool darker color When blended with a substantial amount of a warmer or more neutral color, Dark Toffee may be used on Inorganic & Organic lighter Fitzpatrick skin types. This is depended on how much warmer or more neutral the added color is, and how much is added.

Lighten with Cappuccino, Hazelnut or Mochaccino. Darken with Navajo Brown, or Espresso or Ebony Brown only when appropriate due to the darkness of the canvas. For additional warmth add Un-Gray, Grey Vanish, Autumn Gold or Blonde.

Favorite Combinations: Blends beautifully with Autumn Gold, Sandalwood, Cappuccino or Hazelnut. Navajo Brown L-D 5 Cool Yellow & Green A beautiful brown that is cooler than Cocoa and lighter (295) Cool -5 Contains a small amount of than Espresso. red which makes this color Darker and cooler than Dark Toffee less cool than Espresso, but is still a cool darker color This color heals to a dark brown for Fitzpatrick III-V skin types. Navajo Brown contains a small amount of Inorganic red in the base formula. It is however, a cool eyebrow

color, but not as cool as Espresso.

Lighten with Cappuccino, Hazelnut, Mochaccino or Lighten Up. Darken with Espresso or Ebony Brown. For additional warmth, add Un-Gray, Grey Vanish, Autumn Gold or Blonde.

Favorite Combination: Navajo Brown and Autumn Gold.

Page 9 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Espresso L-D 5+ Black & Brown A dark brown with a hint of charcoal (smoky brown) (203) Cool -5 Inorganic eyebrow color. Espresso contains no warmth additives “Must-have” and heals like a charcoal brown. Because of the Cooler than Navajo Brown charcoal influence, this color will heal darker than Navajo Brown.

Use on Fitzpatrick IV-V skin types. Exceptional color for a client who requests a dark eyebrow without any warmth. Mix with Hazelnut for this type of client to avoid having a brow too cool or warm. On some skin types can heal to appear a smoky black.

Lighten with Cappuccino or Hazelnut. Darken with Dark Toffee or Ebony Brown. For additional warmth add Un-Gray or Autumn Gold.

Favorite Combinations: Use to darken Hazelnut, Mochaccino or Cocoa. Add a drop or two to darken Taupe. Hazelnut and Espresso is a beautiful combination. Ebony Brown L-D 6 Black & Brown This is a very dark black-brown color. (104) Cool -6 Contains a small amount of red. While still cool and dark, “Must-have” On Fitzpatrick V-VI skin types this color may heal to Cooler and darker than this makes this color less cool Espresso than Black Magic the appearance of a rich black.

Inorganic Add Black Magic only when appropriate due to the

darkness of the canvas. The darker the eyebrow canvas, the cooler the canvas and appropriate amounts of Un-Gray or Grey Vanish should be

considered as an additive to avoid a “too cool” healed eyebrow.

For additional warmth add Un-Gray, Grey Vanish or Autumn Gold.

Can also be used to obtain a beautiful rich dark chocolate eyeliner (see the Eyeliner Colors section of the CIC). This is a definite favorite and there are many ways to use this color.

Favorite Combinations: Ebony Brown may be used to darken mid-range brown eyebrow colors. Ebony Brown as an additive to darken is advised to be used in very small quantities. This is a strong pigment and a small amount goes as long way. Ebony Brown and Sandalwood or Ebony Brown and Hazelnut are both stunning combinations. Taupe/Gray Cool Eyebrow Colors (Light to Dark)

Page 10 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Pecan L-D 3 More Neutral Yellow & Green A light taupe eyebrow color with subtle brown (210-1) Cool -2 Inorganic undertones. See Note Lighter than Taupe A stunning light taupe for Fitzpatrick I-III skin tone clients who have white, gray or salt and pepper scalp hair without the benefit of substantial amounts of natural eyebrow hair. Also an excellent choice for clients who have white, gray or salt and pepper natural eyebrow hair.

Pecan is also a good choice for the client with blonde scalp hair, with or without light blonde natural eyebrow hair, who desires an ashy light taupe eyebrow. Lighten with Sahara or Lighten Up. To darken add Taupe, Eskimo Gray or Charcoal in small amounts.

Select another color if a warmer pigment or result is desired. This color is quickly becoming very popular.

Note: Less brown color undertones will be evident on the ruddier (reddish and pinkish) skin types. The result will appear grayer.

Favorite Combinations: Blends well with Brève or Crème Latte to achieve a light ash blonde.

Page 11 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Taupe L-D 3+ Green & Cool Yellow A true taupe eyebrow color with brown undertones. (224) Cool -3 Inorganic This color is a great performer which can be used See Note alone on moderately cool skin undertones. “Must-have” Darker and cooler than Pecan A good color choice for Fitzpatrick I-III skin tone clients who have white, gray or salt and pepper scalp hair without the benefit of natural eyebrow hair. Or, a client who has gray or salt and pepper natural eyebrow hair. This may be too dark of a background color for clients who have a significant amount of white bushy natural eyebrow hair. Use appropriately.

Taupe also works for blondes who want a medium taupe eyebrow. Best Taupe ever with long stretches between touchups. When used on ruddy skin types (reddish or pinkish appearance) consider adding Grey Vanish or 24 Carat Mod to prevent the color from healing too cool.

Lighten with Sahara or Lighten Up. Darken with Espresso, Eskimo Gray or the Charcoal pigment listed in the CIC Eyeliner Colors section. If a warmer pigment is desired, consider a warmer color.

Note: Less brown undertones will be evident on the ruddier (reddish and pinkish) skin types. The result will appear grayer.

Favorite Combinations: Blends well with Hazelnut, Cappuccino, Sahara, Brève and Crème Latte. An endless range of blondes may be created when Taupe is blended with Sahara. Eskimo Gray L-D 4 Black & White A very dark taupe-to-charcoal appearing color when (106) Cool -4 Inorganic healed. Can be used alone on moderately cool skin Darker and cooler than tones. Taupe

Ideal eyebrow color for Fitzpatrick I-III skin tone senior clients with “more pepper than salt” scalp hair and natural eyebrow hair color. These clients may be accustomed to wearing a darker gray or charcoal eyebrow pencil.

When used on ruddy skin types (reddish or pinkish appearance) consider adding Grey Vanish or 24 Carat Mod to prevent the color healing too cool.

Lighten with Pecan, Taupe or Lighten Up. Darken with Charcoal (eyeliner pigment - see Eyeliner Colors section of the CIC). If a warmer pigment is desired consider a warmer color. More Neutral Eyebrow Colors (Light to Dark)

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 Color Identification Chart© (CIC)

Sandalwood L-D 3 More Neutral Yellow & This is a medium brown color that may also be (260) More Neutral 0 Green appropriate for darker blonde requests. Inorganic & Organic Slightly lighter than Hazelnut A good color, recommended for Fitzpatrick III-V skin types with dark blonde or medium brown hair.

Lighten with Brève or Lighten Up. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts).

Favorite Combinations: Add Auburn as needed for dark auburn brows. Add Olive Mod or Espresso to add coolness. Hazelnut L-D 3 More Neutral Yellow & A well balanced universal medium brown color. (236) More Neutral 0 Green Slightly warmer than Sandalwood; but is still “Must-have” Contains a small amount of red considered a more neutral color.

Inorganic A good color for most Fitzpatrick III-V skin types. A stand-alone; great right out of the bottle color. A very popular eyebrow color.

Lighten with Sahara, Brève, Crème Latte or Lighten Up. Darken with Cocoa, Navajo Brown or Ebony Brown (small amounts). For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold.

Favorite Combinations: Add Auburn as needed for dark auburn brows. Add Ebony Brown, Cocoa or Navajo Brown to darken as needed. Add Olive Mod or Espresso to add coolness. Warm Brown Eyebrow Colors (Light to Dark) Blonde L-D 3 Warm Yellow & Orange A lighter warm blonde color. (259) Warm +2 Inorganic & Organic Lighter and less warm Good for use on Fitzpatrick I-IV skin types, although it than Autumn Gold may provide less contrast on a Fitzpatrick IV skin type.

Lighten with Sahara, Brève, Crème Latte or Lighten Up. Darken slightly with Hazelnut or Autumn Gold. If a warmer color is desired, consider another warm color such as Autumn Gold. A beautiful color that is quickly becoming a favorite. Very versatile.

Favorite Combinations: Blonde and Hazelnut. Blonde and Cocoa. Blonde and Navajo Brown.

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 Color Identification Chart© (CIC)

Autumn Gold L-D 3 Red & Warm Yellow A medium warm brown color. (234) Warm +3 Inorganic & Organic “Must-have” Good for use on Fitzpatrick I-VI skin types. When Darker and warmer than Blonde used on Fitzpatrick V-VI skin tone types will produce a very light soft “barely there” eyebrow.

Lighten with Sahara, Brève or Lighten Up. For additional warmth add Auburn or Grey Vanish. This is a great color. Add Gold Yellow for more golden tones.

Favorite Combinations: Autumn Gold and Cocoa is a beautiful blend. Autumn Gold and Brève. Autumn Gold and Hazelnut. Milk Chocolate L-D 3+ More Neutral Yellow & Red A beautiful, warmer, medium-to-medium dark brown (205-1) Warm +3 Inorganic eyebrow color (depending on the canvas). Slightly darker than Autumn Gold May be applied directly on the cooler undertones of Fitzpatrick IV-VI. May also be a good choice for Fitzpatrick III if a darker, warmer eyebrow is desired.

Lighten with Brève or Lighten Up. Darken with Warm Brown, Cocoa, Dark Toffee or Ebony Brown (in small amounts). For additional warmth add Grey Vanish.

Favorite Combinations: This is a beautiful color when used alone or may be added to Hazelnut to warm up, or Warm Brown to darken. Warm Brown L-D 4 Warm Yellow & Green A soft, natural, warm medium brown color. (233) Warm +3 Inorganic & Organic “Must-have” Good for use on Fitzpatrick III-IV skin types. Slightly darker than Sandalwood Lighten with Brève or Lighten Up. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts). For additional warmth add Grey Vanish. A very popular color and can be used directly on cool undertones.

Favorite Combinations: This is a stunning color when used alone or may be blended with Hazelnut, Autumn Gold or Sandalwood.

Page 14 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Auburn L-D 4 Red & Orange A beautiful auburn eyebrow color that age well. (223) Warm +4 Inorganic Warmer and darker than Good for Fitzpatrick I-III skin types with cooler to Warm Brown extremely cool skin undertones.

Lighten with Brève, Blonde or Autumn Gold. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts).

Favorite Combinations: Blend with Sahara for a light strawberry blonde. Blend with Autumn Gold for a medium strawberry blonde. Blend with Hazelnut for a medium to dark Auburn. Blend with any eyebrow color to add warmth.

MODIFIER/CORRECTOR COLORS Color L-D/Temp Base Comments More Neutral and Warm Modifier/Corrector Colors (Light to Dark) For lips only - Signifies pigments which contain colorants that are not to be used near the eye or eyebrow area. NON-Violets L-D 2 More Neutral Yellow A more neutral yellow (without green or orange (303) More Neutral 0 Inorganic bias) used to neutralize purple or violet brows. “Must-have”

Add to eyebrow colors as needed to increase the more neutral yellow in the formulation.

Do not use this to correct purple lips; this color is intended for eyebrows only.

Yellow Gold L-D 2 Warm Yellow A golden yellow. (311) Warm +2 Inorganic

See Note Can be used to lighten or to increase the golden tones in eyebrow colors.

Corrects purple and gray eyebrows.

Note: This yellow contains more white than 24 Carat Mod; use sparingly.

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 Color Identification Chart© (CIC)

24 Carat Mod L-D 2 Warm Yellow A warm vibrant yellow. This color has a warm (321) Warm +3 Inorganic yellow (orange appearing) base. Do not use alone.

Use to warm up blonde and light-to-medium brown eyebrow colors. Can add a small amount to eyebrow formulations to add warmth, golden tones and to avoid a “too cool” healed result.

Also used to correct (neutralize) faded lighter gray eyebrows. Since this color is a mild yellow with a medium opacity, it normally will not correct stubborn, dark gray or darker blue eyebrows.

See Grey Vanish or Un-Gray to correct stubborn dark gray or blue eyebrows. Grey Vanish L-D 3 Warm Yellow & Orange A warm color formulated specifically for the Warm +4 Inorganic (639) correction of light-to-medium gray and blue

“Must-have” eyebrows on Fitzpatrick I-III skin types. Use Gray Vanish on light-to-medium gray or blue eyebrows to achieve a soft brown.

A lighter golden version of Un-Gray.

May also be used to add warmth to lighten light-to- medium eyebrow colors (see Brève through Mochaccino eyebrow colors). May also be used as a precautionary measure to prevent the same range of eyebrow pigments healing “too cool” on Fitzpatrick I-III skin types. UN-Gray L-D 3 Orange A warm pumpkin color. (604) Warm +5 Inorganic

“Must-have” Formulated specifically for the correction of stubborn dark gray; charcoal gray; or stubborn darker blue brows.

May be used alone if the gray or blue is dark and dense. Use as a 50% additive to the target color if the stubborn gray or blue is sheer in the skin and is not dark and dense.

Add to any mid-range to dark eyebrow colors (see Cocoa through Ebony Brown eyebrow colors) for additional warmth. Not recommended as an additive to blondes or lighter brown shades.

May add a very small amount of Un-Gray to black eyeliner colors for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin.

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 Color Identification Chart© (CIC)

Neon Orange Mod L-D 4 Orange & Warm Yellow A bright orange color. Corrects (neutralizes) blue (NOM) Warm +5 Organic and purple lips. This modifier color is for lips only.

(610)

“Must-have” Blend into any lip color before tattooing for added For lips only “insurance” against a lip color healing too cool.

Not to be used for eyebrow or eyeliner correction.

Caribbean Mod L-D 4+ Red & Warm Orange A very deep red-orange color. (528) Warm +4 Inorganic & Organic

Corrects (neutralizes) green and blue eyebrows (consider Un-Gray first before choosing this color). Use when Un-Gray is not quite enough.

Also use to correct (neutralize) blue or gray eyeliners.

If aged eyeliner has shifted to blue undertones and brown is desired, the artist may apply Caribbean Mod and then apply Ebony Brown at the same appointment. It should be noted however, waiting for any correction to heal first before a target color is applied is considered the best technique for optimum results.

May also be used as an additive to black eyeliner for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin. Copper L-D 5 Warm Yellow & Red A dark copper color. (209-1) Warm +4 Inorganic & Organic

Use to warm up eyebrow colors on clients with cool undertones. Recommended for darker skin undertones.

An opaque (not sheer) color modifier.

Cool Modifier/Corrector Colors (Light to Dark) Desert Beige Mod L-D 1 White & Pink A light beige color. (414) Cool -3 Inorganic

Only used with Areola Use to lighten other Areola colors. colors

Never blend with eyebrow, eyeliner or lip colors to lighten.

Never use over misplaced pigment. No color

tattooed over another color will ever “erase” a mistake.

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 Color Identification Chart© (CIC)

Lighten Up! L-D 1+ More Neutral Yellow & A light beige-brown color. (273) Cool-1 Green Inorganic May use to go over an eyebrow that has healed a bit too dark; this color is capable of lightening the eyebrow a couple of shades.

Lighten Up may also be used to blend with any eyebrow pigment to lighten it. Yellow Olive Mod L-D 2 Cool Yellow An ochre yellow color with green undertones. A (313) Cool -3 Inorganic modifier that is used to correct (neutralize) salmon

or mauve eyebrows.

Corrects (neutralizes) red, purple, purple-mauves and salmon-mauve eyebrows.

The yellow within this color formulation targets and neutralizes the purple and the green within this color formulation targets and neutralizes the red/orange. Brow Mod L-D 3 Green A light ash-brown color. (707) Cool -3 Inorganic

“Must-have” As a modifier use to correct (neutralize) red, orange or pink eyebrows on Fitzpatrick I-III skin types.

Use as an eyebrow color to obtain a light taupe, blonde or light ash-brown eyebrow on cool skin undertones for Fitzpatrick II-III skin types.

On warm undertones (peaches and cream), use as an eyebrow color to obtain a light brown.

May blend Brow Mod and Olive Mod together as needed.

Use to modify any pigment which has an orange or red base to avoid orange or red results.

Use as an additive in mixtures to correct (neutralize) eyebrow, eyeliner and areola procedures that have shifted to a reddish-pink.

Page 18 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

Olive Mod L-D 4 Green/ Cool Yellow A medium ash-brown color. This is a very versatile (706) Cool -4 Inorganic color.

“Must-have” Use to correct (neutralize) red, orange or pink eyebrows on Fitzpatrick II-III skin types.

Use as an eyebrow color to obtain a medium ash-brown eyebrow on cool skin undertones for

Fitzpatrick II-III skin types. On warm undertones (peaches and cream), use as an eyebrow color to obtain a medium brown. May blend Olive Mod and Brow Mod together as needed.

Use to modify any pigment which has an orange or red base to decrease the red influence.

Blend with Jade for soft green eyeliner combined with black upper eyelash enhancement.

May add a very small amount to adjust black eyeliner for clients with red-violet eyelid undertones.

Page 19 of 32 www.LiPigments.com

 Color Identification Chart© (CIC)

* Eyebrow and Modifier/Corrector Color Temperature Scale

+1 barely warm +2 slightly warm +3 warm +4 extremely warm +5 warmest

0 Neutral; more neutral than other eyebrow colors - does not have a strong bias towards warm or cool.

-1 barely cool -2 slightly cool -3 cool -4 very cool -5 extremely cool -6 coolest

The Color Temperature Scale referenced above refers to the primary base of the eyebrow or modifier pigment leaning toward cool or warm. Please note that all results are dependant not only on the color chosen, but the skin undertone of the client; the needle configuration used; and the technique employed. Each of those elements all play a very important role in the outcome of how warm or cool a color appears when healed. As an example, a color rated as a -3 cool, tattooed into a very cool skin undertone with a single needle, employing the hairline stroke technique can ultimately heal to appear as a -5 extremely cool. After accessing your client’s skin undertone and taking in consideration the technique being applied, adding warmth to prevent any ashing out is the artist’s responsibility. How much warmth depends on all the above factors.

Neutral signifies no substantial temperature bias. However, all color results are dependent upon skin undertones.

Cool and warm designations indicate the basic temperature bias of the pigment's undertone.

A temperature designation does not necessarily indicate absolute cool or warm properties; rather that the primary bias leans toward either cool or warm. There are different degrees of cool and warm. Some pigments may be only slightly cool or warm, whereas others may be very cool or warm. Each artist must work with LI Pigments and the client's individual skin undertones to determine the appropriate temperature bias of the correct pigment selection for each client. ______

**Eyebrow and Modifier/Corrector Color Light to Dark (L-D) Scale

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LIP COLORS Color Temp Base Comments Lips Colors: Lip color procedures are not recommended for Fitzpatrick VI Skin Types. Note: Although a lip formula may contain warm ingredients, because all lips have a cool undertone (some more than others), a lip color that is designated as “warm” will likely heal less warm than the formulation appears prior to the procedure. Achieving a “warm” lip is very challenging; the client’s lips must be very pale to achieve this. Warmer ingredients are offered in selected formulations to help prevent a “too cool” healed lip appearance, not necessarily to achieve a healed orange appearance. Even considering a pale lip canvas, the artist nor the client may not see a noticeably orange appearance when healed. For lips only - Signifies pigments which contain colorants that are not to be used near the eye or eyebrow area. Pinks (Light to Dark) Rose Petal Cool Red & Warm A soft semi-opaque rose lip color. (522) Yellow For lips only Inorganic & Organic A very soft natural lip color.

Blends beautifully with Pink.

Pink Cool Orange & Pink A cool opaque lighter pink color used to (908) Inorganic create a natural lip line or full lip.

(formerly Areola Pink) “Must-have” This is the same formulation as Pink in the Areola Colors section of the CIC.

A very popular color for creating a natural lip and to enhance natural vermillion lip

borders. Add to more natural appearing lip colors to increase opacity. Montana Pink Cool Pink A soft mauve-pink lip color. (921) Organic & Inorganic Add a small amount of Neon Orange Mod to avoid a “too cool” healed lip color.

Pink Orchid Cool Red & Pink An intense deep pink lip color with red (588) Inorganic & undertones. Organic See Note of Caution For lips only Note of Caution: Darker lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Artists familiar

with layering “insurance” colors into lip formulas will enjoy beautiful results. Novice artists should seek formula advice and specialized training in advanced lip procedures and pigment blending before using darker lip colors.

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Strawberries and Cream Cool Pink & Red A bright semi-opaque pink color with red (520) Inorganic & undertones. For lips only Organic

This is one of the prettiest stand-alone colors.

Raspberry Crème Cool Red & Pink A bright pink-red lip color. (590) Inorganic & See Note of Caution Organic Note of Caution: Darker lip colors were For lips only developed to meet the needs of well trained,

experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Artists familiar with layering “insurance” colors into lip formulas will enjoy beautiful results. Novice artists should seek formula advice and specialized training in advanced lip procedures and pigment blending before using darker lip colors. Wine/Plum (Light to Dark) Burgundy Wine Cool Red & Violet A wine lip color. Not recommended for use (535) Inorganic & on clients with a natural dark vermillion. Organic See Note of Caution For lips only Note of Caution: Darker lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Artists familiar

This color is not offered by all Distributors.

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Soft Plum Cool Violet A plum lip color. Do not use alone on virgin (558) Inorganic & lips. This is a very intense color and may Organic See Note of Caution heal very cool (bluish) if lip color has not For lips only been sufficiently layered with “insurance” colors/modifiers etc.

Note of Caution: Darker lip colors were developed to meet the needs of well trained,

This color is not offered by all Distributors. Mauve (Light to Dark) Mauve (formerly Areola Red) Cool Orange & Cool An opaque true mauve lip color. (529) Yellow “Must-have” Inorganic Add to Autumn or Candy Apple Red for a brick-red lip liner or fill. Add to Indian Earth with a small amount of Ruby Red for red- wine lip color.

Add to reds to increase opacity.

This is the same formulation as Mauve in the Areola Colors section of the CIC. Country Mauve Cool Red & Pink A semi-opaque medium brown-mauve lip (515) Inorganic & color. Organic

Orange/Peach (Light to Dark) Mango Warm Pink & Orange A neutral-to-warm, sheer coral lip color. (609) Inorganic & Organic “Must-have” Blends well with any lip color to brighten. For lips only

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Autumn (formally Autumn Red) Warm Red & Orange A warm brick-red lip color. (510) Inorganic & Organic “Must-have” Add Mango for vibrancy or Ruby Red to For lips only darken. Add Neon Orange Mod as insurance against the color healing too cool on cooler natural lip tones.

Darkenalf Warm Red & Pink A mauve lip color. Don’t be confused by the (516) Inorganic & warm appearance in the bottle; this color For lips only Organic heals cooler than it appears.

Page 24 of 32 www.LiPigments.com

Reds (Light to Dark) Valentine Kiss Cool Red A reddish-pink lip color. (555) Inorganic & For lips only Organic

Candy Apple Red Warm Red & Warm A bright semi-opaque red with some warmth (505) Yellow added. For lips only Inorganic & Organic The most popular “go to” lip color. Beautiful as a stand-alone color.

Use to warm up any cooler lip color.

Ruby Red Cool Red & Violet A sheer red lip color. (504) Organic

“Must-have” Blend with any lip color to darken. Used For lips only alone, this color will be very sheer and show the undertone of the natural lip color when healed.

Blend with Mauve (formerly Areola Red) for a more opaque red. Blend with Brown (formerly Areola Brown) for terra cotta. Earth Tones (Light to Dark) Nectar Cool Orange A copper-brown lip color. (557) Inorganic & See Note of Caution Organic Note of Caution: Darker lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Artists familiar with layering “insurance” colors into lip formulas will enjoy beautiful results. Novice artists should seek formula advice and specialized training in advanced lip procedures and pigment blending before using darker lip colors. Indian Earth Cool Russet & Pink A brownish-pink opaque color. (527) Inorganic & “Must-have” Organic Blend with Darkenalf for beautiful brown- mauve. Add Mango to brighten. Add Neon Orange Mod as insurance against a “too cool” healed lip color.

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AREOLA COLORS Color Temp Base Comments Areola Colors Highlighters (Light Flesh Tones) Through Brown Areola Colors (Light to Dark) Nude Areola Cool Pink A light flesh pink nipple areola color. (412) Inorganic

For highlighting 3D work or add as a lightener for matching extremely light areolas.

Sand Areola Cool Pink A light to medium pink/beige flesh nipple areola color. (411) Inorganic

For highlighting 3D work or add as a lightener for matching extremely light areolas.

Honey Areola More Neutral Pink A soft, neutral base color. (408) Inorganic

For blending with other colors or matching light areolas.

Flesh Areola Slightly Cool Pink A soft, light-medium, pink-beige areola color. (407) Inorganic

Beige Areola Slightly Warm Brown A light brown (beige) areola color. (formerly Areola Inorganic Beige) (416)

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Caramel Areola Slightly Warm Brown A light, slightly warm, brown areola color. (252) Inorganic

A good base color for 3D areola work.

Light Brown Warm Brown A light brown areola color. Inorganic Areola (formerly

Bisque) A good base color for 3D areola work. (421)

Medium Brown Slightly cool Brown A medium brown areola color. Areola Inorganic

(222) Use on darker skin or to create depth for 3D work or for matching a darker nipple.

Dark Brown Cool Brown A dark brown areola. Areola Inorganic

(220) Use on darker skin or to create depth for 3D work.

Pinks (Light to Dark) Blush Areola Cool Pink A light pink areola color. (formerly Areola Inorganic

Blush) Use for light areola areas when working with the pink family (906) or pink/brown blends; or to soften intensity of darker areola cool colors.

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Pink (formerly Slightly Warm Pink A pink areola color. Areola Pink) Inorganic (908) Can be lightened with Blush Areola for a pink 3D areola base color.

This is the same formulation as Pink in Lip Colors section of the CIC.

Mauve (formerly Cool Pink A true mauve areola color. Areola Red) Inorganic (529) This is the same formulation as Mauve in the Lip Colors section of the CIC.

Rose Areola Cool Pink A medium-to-dark pink nipple color. (904) Inorganic

Can be softened for areola.

Old Rose Areola Slightly Warm Pink A dark reddish-pink nipple color. (923) Inorganic Can be softened for areola.

Berry Ice Tea Cool Pink A dark red-pink nipple and areola color. Areola Inorganic (919) Can be softened for areola or used straight for defining pink- based 3D areolas.

Pink and Brown Blends (Light to Dark) Pink Sand Areola Cool Pink & Brown A pink-brown nipple and areola color. (492) Inorganic Use to add coolness to an areola mixture or as an areola base when a blended color is desired.

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Light Salmon Slightly Cool Pink & Brown A slightly cool pink-brown (with a salmon bias) areola color. Areola Inorganic (418)

Mocha Areola Slightly Warm Pink & Brown A warm brown and pink areola color. (419) Inorganic Use to obtain a warmer brown with pink undertones areola color.

Brown Areola Slightly Cool Pink & Brown A medium-dark brown areola color with pink undertones Inorganic (formerly Areola Brown) For darker nipple and areola areas where some pink is (238) needed.

Lighten with Areola or Desert Beige Mod.

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FITZPATRICK SCALE – Useful as a guide when referenced in the “Comments” sections. Fitzpatrick I Highly sun sensitive.

Always burns, never tans.

Example: Fair Red Heads w/ Freckles. Very cool, and some extremely cool in skin undertone temperature. Fitzpatrick II Very sun sensitive.

Easily burns, rarely tans.

Example: Fair complexion, fair haired Caucasians. Fitzpatrick II skin types may be warm or cool. Note: Although it is possible to have a peaches and cream (warm) Fitzpatrick II client, 99.99% of Fitzpatrick II clients are cool. Fitzpatrick III Sun sensitive.

May burn, but will turn into golden tan.

Example: Some Caucasians and Asians (Far Eastern descent). Although most Fitzpatrick III skin types are typically more neutral (Asian skin – Far Eastern descent) to cool, some warm skin undertones do exist. Note: Although it is possible to have a peaches and cream (warm) Fitzpatrick III client, 99.99% of Fitzpatrick III clients are either more neutral (Asian skin – Far Eastern descent) or cool. Fitzpatrick IV Low sun sensitivity.

May burn, but will quickly turn to dark brown tan.

Example: Mediterranean with olive skin tone, some Asians (Far Eastern descent) with yellow-green undertones. Fitzpatrick IV skin types are considered cool. Fitzpatrick V Low-to-no sun sensitivity.

Very rarely burns, tans dark quickly.

Example: Latinos, Middle Eastern and some people of darker skin of African descent. Fitzpatrick V skin types are considered cool. Fitzpatrick VI No sun sensitivity.

Doesn’t burn. The skin is deeply pigmented.

Example: Dark to black skin. Fitzpatrick VI is considered to be an extremely cool skin undertone.

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Soft FX is a specialized solution formulated for artists who choose to dilute (and therefore lessen the concentration) of any of the colors listed on the CIC to create artistic variations of density and dimension.

Eyeliner: Create a multi-dimensional eyelash enhancement/eyeliner effect. Use full strength pigment in the lash line (eyelash enhancement procedure). To achieve a soft, smoky eyeliner (above the lash line) dilute the same color for the eyeliner.

Note of Caution: Carbon blacks have a much higher risk of migration. Diluting carbon black does not lessen this risk. LI recommends only experienced artists use carbon blacks whether full strength or diluted.

Eyebrows: Useful when the client has natural eyebrow hair and prefers a soft, powdery background as opposed to a more noticeable appearance. Dilute the eyebrow pigment to the desired concentration to create a soft powdery healed eyebrow.

Lips: To create a borderless full lip appearance; use Soft FX to dilute the lip pigment to the desired concentration and tattoo the vermillion border. This technique is used when the client does not prefer a defined healed lip line.

Areola: Dilute the areola pigment to the desired concentration to create a soft powdery foundation. To add depth and dimension, layer the same pigment color, full strength concentration, over the diluted pigment.

Soft FX Instructions:

• Always shake bottles thoroughly (30 seconds) before each use. • Place the appropriate amount of pigment color needed into the pigment cap. • Fill the remainder of the pigment cap with the desired amount of Soft FX. The amount of pigment versus the amount of the Soft FX will be determined by the preferred result. The more Soft FX used the more transparent and powdery the pigment will heal. • Blend thoroughly (30 seconds) before use. • It is recommended to stir occasionally, especially if working slower.

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Aqua & Velvet Instructions:

• Always shake pigment bottles very well before each use. • Best way to shake is to remove cap, place a clean gloved finger or clean paper towel over opening and shake for at least 30 seconds. • Do not blend different pigment brands together; it is critical to follow this rule. • Always prevent cross-contamination by never dispensing color from bottle into pigment cup at contaminated workstation. Never handle bottles with contaminated hands. • Securely cap bottles immediately after dispensing color.

Unopened containers of pigments have a shelf life from 5-10 years from the date of manufacturing if kept in a cool, dry place and not exposed to any extreme temperatures or UV rays. Based on product ingredients the appropriate expiration date is given. For more information, please contact your Authorized Aqua & Velvet Distributor.

Opened containers should be discarded after one year (12M). This is an international standard that LI adheres to for all locations. Ref: PAO (point after opening) symbol (open container) on the product label. Pigment bottles should be annotated on the date of opening.

Please address any questions or concerns to your Authorized Aqua & Velvet Distributor

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