Pigment Color Charts

Total Page:16

File Type:pdf, Size:1020Kb

Pigment Color Charts PIGMENT COLOR CHARTS Permanent Cosmetics, Paramedical Procedures & Skin Rejuvenation (919) 637-2554 www.fabulouslyflawlessnc.com | [email protected] 5640 Six Forks Road, Suite 203, Raleigh, NC 27609 824 2nd Avenue NW, Hickory, NC 28601 - Redefining You - PIGMENT COLOR CHART (919) 637-2554 www.fabulouslyflawlessnc.com | [email protected] 5640 Six Forks Road, Suite 203, Raleigh, NC 27609 824 2nd Avenue NW, Hickory, NC 28601 EASY GUIDE TO COLORS Unlike body tattoos, our faces are exposed to the environment... You cannot predict with certainty sun, skincare creams, acids and lotions. Anti-aging preparations how a color will heal in the skin or that enhance collagen turnover and diminish wrinkles and get rid fade over time. Our colors contain inorganic and or - of brown spots all affect our cosmetic tattoos. No one knows for ganic pigments with bases and blends containing the desired char - sure everything that causes changes in color. acteristics of our customers. Some customers only want MRI safe colors which means no iron oxide black. So these colors may have an organic base or inorganic green blended with yellows, reds and Kolorsource colors have been derma - blacks. All pigment colors fade at different rates so you will need to tologist tested and awarded the cate - monitor these changes and adjust them if they heal gray, red, gory of “hypoallergenic”. We cannot greenish or even blue or purple. We can offer you the best mixing guarantee there will never be an allergic reaction but there has not and fixing colors for your clients. Take good before, just after and been a documented case since production began in 1995 by Helen healed photos over time. Snow of Scottsdale, Arizona. : The Fitzpatrick Scale of Skin Types is a reflection expect different colors in different skin from the exact same pig - FITZ PLUS ment. Other colors that affect our tattoo pigments are collagen of how skin responds to the sun. Melanin contributes color to the which is gray or white, blood vessels - red or blue- and underlying skin and is located in the basal layer of the epidermis. Melanin has a fat (yellow) and veins lying just below the dermis. You are always protective effect on the underlying dermis. Melanin absorbs light looking through a layer of color which may or may not contain and acts like a blanket over any color in the dermis, including our melanin. tattoo pigments. Melanin can be black, brown or blue and you can Note: Heat, friction and laser will darken TiO2 (white) pigment present in lip and some brow colors. Disclaimer: Spot Test Re - quired. Do not mix Kolorsource with other pigment brands. Not for use in people with skin diseases cb= Carbon black (Rosacea, Psoriasis, Skin cancer of any kind. The FDA Magnetic content Symbols; (-) MRI Safe does not approve any colorants for tattooing or perma - (+) Contains Ferromagnetic pigment (black) nent makeup. March 1, 2016 Rev. SEE PIGMENT SMEARS ORG = Organic BLND : Blend GR :green base ONLINE AT KOLORSOURCE.COM. No chemical additives. Our colorants are dispersed in Kosher glycerin, ethanol and sometimes a little propylene glycol. Order Toll free 888-452-4946 www.kolorsource.com FITZ PLUS Scale 4233 5+ 3+ 1+ 1+ 3334 4 2 3+ 4+ WHO IS FITZPATRICK? TYPE IV Dark brown hair, green, hazel, brown eyes. FITZ PLUS TYPES I-VI Slow to burn, tans easily. High risk for trauma, heat & TYPE I Red & Blonde hair, Blue Eyes, Burns easily, chemically caused pigmentation & moderate risk for all never tans, freckles, very fair skin, MC1R gene risk. High other pigmented skin conditions. High risk for scarring risk for skin cancer, may scar if slow to heal. Higher po - & moderate risk for visible vascular damage. tential for vascular damage. TYPE V Dark and black hair, Brown & dark Brown eyes. TYPE II Fair sandy red hair, green or blue eyes, burns May never burn. Veright high risk for trauma, heat & easily, tans with difficulty, some freckles. MC1R gene chemically caused pigmentation & lower risk solar pig - risk. mented skin conditions. High risk for scarring (keloid) & moderate risk for visible vascular damage. TYPE III Brown, fair, sandy hair, green, hazel, blue eyes. Slow to burn, will tan. May have MC1R gene risk. TYPE VI Black hair, dark brown eyes. May never burn. High risk for all pigmented skin conditions, moderate Very high risk for trauma, heat & chemically caused pig - risk for skin cancer, higher potential for scarring & mod - mentation & lower risk for solar pigmented skin condi - erate risk for visible vascular damage. tions. Very high risk for scarring (keloid) & moderate risk for visible vascular damage. THOMAS B. FITZPATRICK MD The Fitzpatrick scale (also Fitzpatrick skin typing test; or Fitzpatrick phototyping scale) is a numerical classification schema for human skin color. It was developed in 1975 by Thomas B. Fitzpatrick , a Harvard dermatologist, as a way to estimate the re - sponse of different types of skin to ultraviolet (UV) light.[1] It was initially developed on the basis of skin and eye color, but when this proved misleading, it was altered to be based on the patient's reports of how their skin responds to the sun; it was also ex - tended to a wider range of skin types.[2][3][4] The Fitzpatrick scale remains a recognized tool for dermatological research into human skin pigmentation. Type I (scores 0–6) always burns, never tans (pale white; blond or red hair; blue eyes; freckles). Type II (scores 7–13) usually burns, tans minimally (white; fair; blond or red hair; blue, green, or hazel eyes) Type III (scores 14–20) sometimes mild burn, tans uniformly (cream white; fair with any hair or eye color) Type IV (scores 21–27) burns, always tans well (moderate brown) Type V (scores 28–34) very rarely burns, tans very easily (dark brown) Type VI (scores 35–36) Never burns, never tans (deeply pigmented dark brown to darkest brown) https://en.wikipedia.org/wiki/Fitzpatrick_scale FITZ PLUS TYPE 1 FITZ PLUS TYPE 1 Red & Blonde hair, Blue Eyes, Burns easily, never tans, freck - les, very fair skin, MC1R gene risk. High risk for skin cancer, may scar if slow to heal. Higher potential for vascular damage. BROW COLORS 9908 + Blonde NuBrown N 114 ++ Bronz N/W 9199 ++ Cashmere 9371 + Golden Girl Nubrown™ W 9205 + Goldilocks W 44 - Honey NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-7 6800 + Strawberry Blonde BLND W ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 2 FITZ PLUS TYPE 2 Fair sandy red hair, green or blue eyes, burns easily, tans with diffi - culty, some freckles. MC1R gene risk. BROW COLORS 863 - Auburn NuBrown W 9908 + Blonde NuBrown N 114 ++ Bronz N/W 9371 + Golden Girl Nubrown™ W 9205 + Goldilocks W 44 - Honey NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-7 6800 + Strawberry Blonde BLND W ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 3 BROW COLORS FITZ PLUS TYPE 3 Brown, fair, sandy hair, green, hazel, blue eyes. Slow to burn, will tan. May have MC1R gene risk. High risk for all pig - mented skin conditions, moderate risk for skin cancer, higher potential for scarring & moderate risk for visible vascular damage. BROW COLORS 863 - Auburn NuBrown W 864 - Bombay NuBrown mb 893 - Brazi mb ORG 45 - Dream NuBrown™ mb C 9907 + Medium NuBrown™ mb N 3-4 867 - Soft Brunet 983 + WARM NuBrown Reddish Brown mb 9937 + Xpreso NuBrown mb N 3-5 ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9205 + Goldilocks 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 4 Dark brown hair, green, hazel, FITZ PLUS TYPE 4 brown eyes. Slow to burn, tans easily. High risk for trauma, heat & chemically caused pigmentation & moderate risk for all other pigmented skin conditions. High risk for scarring & moderate risk for visible vascular damage. BROW COLORS 863 - Auburn NuBrown W 9938 - Brunet NuBrown 8478 ++ Burnt Toast mb C 45 + Dream NuBrown™ mb N4-5 9939 + Fudge NuBrown W ADDITIVES: MIXING COLORS 844 - B2B Medium 4400 - Bubblegum 9167 - Neutral Flesh 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 5 BROW COLORS FITZ PLUS TYPE 5 Dark and black hair, Brown & dark Brown eyes. May never burn. Veright high risk for trauma, heat & chemically caused pigmentation & lower risk solar pigmented skin conditions. High risk for scarring (keloid) & moder - ate risk for visible vascular damage. Beyonce BROW COLORS 9640 ++ Almost Black mb 9938 - Brunet NuBrown N 8478 ++ Burnt Toast mb 9156 ++ Chocolate Mousse 9937 + Xpreso NuBrown W 9178 + Spanish Eyes W ADDITIVES: MIXING COLORS 839 - B2B Dark 9110 - Red Brow Mix BLND N/W 1047 - WARMUP FITZ PLUS TYPE 6 FITZ PLUS TYPE 6 Black hair, dark brown eyes. May never burn. Very high risk for trauma, heat & chemically caused pigmentation & lower risk for solar pigmented skin condi - tions. Very high risk for scarring (keloid) & moderate risk for visible vascular damage. BROW COLORS 9640 ++ Almost Black mb 840 - Black Ice mb 9938 - Brunet NuBrown N 8478 ++ Burnt Toast mb 9156 ++ Chocolate Mousse 9937 + Xpreso NuBrown W 9178 + Spanish Eyes W ADDITIVES: MIXING COLORS 839 - B2B Dark 9110 - Red Brow Mix BLND N/W 1047 - WARMUP DERMATOLOGIST TESTED HYPOALLERGENIC PIGMENTS Colors you can trust. W = WARM N = NEUTRAL C=COOL T= TRANSLUCENT O=OPAQUE Original Kolorsource Girl by Richard Hanna NuBrowns do not turn pink B brows orangey. Since 2008 E eyeliner L lips 892 - Almond Brow ORG MIX T 166 ++ Blackberry 843 SMARTLIP Asian Peach 843 - ORG W 9640 ++ Almost
Recommended publications
  • COMMERCIAL PRINTING GUIDE a Guide to Color Reproduction and Print Quality for The
    COMMERCIAL PRINTING GUIDE A guide to color reproduction and print quality for the GENERAL INFORMATION The Jackson Hole News&Guide strongly suggests that a high-end page layout program be used for file creation. These include, but are not limited to, Quark XPress and Adobe InDesign. These programs allow vector & raster elements to be used, and each to be recognized, by the systems used, including RIPS and preflight software. Creating files completely in raster applications such as Photoshop, may result in vector elements being downsampled by one of the processes used. The Jackson Hole News&Guide, as is customarily the case with newspapers, does not have true bleed pages (Double Truck pages do use ‘gutter’ space, so an exception to this rule). The dimensions given will always be for the ‘live’ area. PDFs are the preferred file format. The preferred job option setting Press Quality. DOT GAIN/LOSS DOT GAIN The Jackson Hole News&Guide is in line with the industry standards regarding dot gain for offset printing. This is not a linear increase and may vary from 20% to 30% depending on tonal range. The important items to remember are: 1) Images will generally print darker than what you see on the monitor. 2) B/W gain will be limited to Black, while process color images gain on all 4 colors. 3) Shadow detail will generally be lost. 4) Dot gain from ‘unwanted’ colors will change the hue of a color. Unwanted colors are those colors not used to create the primary color wanted; for example, cyan is the unwanted color in red, magenta is the unwanted color in yellow, etc.
    [Show full text]
  • Baby Lock Color Conversion Chart
    Tacony_quickguide_37-コピー 05.7.6 9:01 AM ページ 37 Baby Lock Color Conversion Chart R.A. R.A. Isacord Madeira Madeira Sulky Sulky Güetermann No. Color Name Polyester Rayon Polyester Polyneon Rayon Polyester Rayon Dekor Country Embr. 1 Pink 5523 2223 *0180 1921 1121 1224 1108 *4830 155 085 2 Dusty Rose 5675 2155 1816 1108 3 Petal Pink 7701 2255 1015 4 Light Pink 9030 1860 5 Light Coral 9078 1915 1148 6 Ginger Jar 9080 2170 1115 7 Heather Mist 9070 1755 8 Champagne 9063 2051 9 Dark Mauve 9015 2153 1119 10 Heather 9164 2152 11 Neon Pink 5711 1948 12 Comfort Pink 9077 1119 5435 13 Mountain Rose 5795 2373 1315 14 Cherry Pink 5544 2244 15 Carnation 5537 2509 1188 16 Salmon 9073 2553 1840 1018 17 Shrimp 5546 1154 18 Dark Coral 9065 2246 19 Bitteroot 7709 2277 20 Burgundy 5549 2249 2022 1182 1169 21 Warm Wine 5796 2622 1782 1309 22 Russet 5552 2123 1781 23 Plum 9055 2498 1389 24 Maroon 5676 2115 1919 25 Royal Crest 9162 5400 26 Hot Pink 5560 5385 27 Ruby 5797 1183 28 Dark Fuchsia 5804 2504 *2300 1984 1383 1533 1533 *4810 126 107 29 Carmine 5561 *2419 2300 1986 *1081 1511 *1511 5315 158 807 30 Dark Pink 9161 1994 4810 31 Deep Rose 9168 *2508 2520 1721 *1117 1154 1307 *4941 024 086 32 Begonia 5528 1117 33 Azalea 7712 2220 34 Rubine Red 9012 1186 4740 35 Strawberry 5732 2320 1910 36 Devil Red 7706 2507 1906 1986 37 Candy Apple Red 5807 1805 1081 38 Hollyhock Red 9006 2267 1912 1311 39 Toasty Red 9002 2418 1902 1181 40 Wild Fire 5567 4700 41 Red 5678 2505 2101 1637 *1037 1037 *1037 *4740 149 800 42 Jockey Red 5581 1747 43 Radiant Red 5566 2219 561 4731
    [Show full text]
  • The Color Episode
    Ask Gamblin - The Color Episode Antrese: Robert and Scott, thank you so much for being on the show. Robert Gamblin: It's great to be here. Thanks for having us back, Antrese. Scott Gellatly: Great to be here. Absolutely. Antrese: I'm super excited to have you guys on to answer these questions about color. And our first one is from James, and James has heard that modern oil paints actually have too much pigment as compared to traditional historic pigments. What are your thoughts on this? Robert Gamblin: Antrese, I love this question. I'm really glad that James brought it up. It gives us a chance at the beginning of this conversation to sort of put everything into kind of a historical perspective. It's true. The formula of today's colors have more pigment in them than at any time in the history of oil painting. That's true. Now the formula for the colors of today and the colors from historical periods. Both of those reflect what is expected of them. Now 200 years ago, or more, color was made and used in very close proximity. Perhaps it was made and used in the same room. The color was made to the texture that it was going to be used at. Robert Gamblin: So there was no need to make that paint any stiffer than the, very smooth painting that was done at that time paints were paintings were generally thinner than they are today. Multiple layers, those layers with very thin. And so the paint was made exactly to how the painter was going was going to use them.
    [Show full text]
  • Blick Art Materials
    ® BACK TO SCHOOL FREE SHIPPING up to on orders of $49 or more. % See page 55 for details. 65off new ™ ENTER OUR 2ND ANNUAL Mixed Media Contest plus — ENTER TO WIN Mixing Colors $500 IN ART SUPPLIES! as low as See inside back $ 83 cover for details. 10 half gallon See page 3. DickBlick.com 800.447.8192 w w ™ Look what's for the classroom! Try the new Mixing Colors! paints Great for Teaching Color Theory See page 18 for more Blick canvas. NEW! See page 41 for Blickrylic AS LOW AS more Gelli Arts Plates. Customer-Rated $10.83 HALF GALLON NEW! save up to save Primary Red 30% Primary Yellow 50% NEW! Primary Blue Blick® Super Value Canvas Packs Gelli Arts™ Gel Printing Plate Class Pack No one does super value like Blick! Our new canvas packs are easy on Ideal for classrooms, these revolutionary printing plates look and feel classroom budgets and come in popular sizes. They feature pure cotton like a gelatin monoprinting plate — yet they're durable, reusable, and ™ ™ duck canvas stretched on a 5/8" profile kiln-dried wood frame. Pre- store at room temperature. Flexible and easy to use, they're always ready Blickrylic Mediums Blickrylic Student Acrylics primed with three coats of acid-free acrylic gesso, they're ready to paint! for printing and clean up with soap-and-water, gel hand sanitizer, or Blickrylic Mediums are non-toxic and can be mixed Blickrylic is true acrylic paint, priced for the budget-minded. Because it's extremely NUMBER SIZE REG SALE 10/EA baby wipes.
    [Show full text]
  • Preparing and Creating an Artwork Packaging File Oona Casalegno 25.9.2019
    Preparing and creating an artwork packaging file Oona Casalegno 25.9.2019 @LAMKfi Artwork creation • Understanding the basics of printing methods is the basis of the packaging artwork design Source: https://pxhere.com/en/photo/127132 Structural design • Understanding the basics of materials, structures, production methods and logistics is the basis of the structural development of packaging Source: https://pxhere.com/en/photo/1449019 Printing methods • Choosing the right printing method is in relation to targeted quality, material and volume • Printing method (and prinitng house) affects on what kind of design is suitable for the packaging artwork Source: http://www.aivan.fi/portfolio/premium-packaging-range-for-fiskars/ Process colours • CMYK is a common colour system used for printing • C = Cyan • M = Magenta • Y = Yellow • K = Black (Key colour) CMYK Source: https://i.pinimg.com/originals/ed/29/45/ed294592d68d016dd9aa202cde3b4509.jpg Spot colours • Spot colours are solid colours • They are mixed according to a unique ink mixing formula • Most common spot colour system is Panthone matching system (PMS) Source: Wikipedia Same colours in different systems Black • The most important colour for printing • 200% TAC (Total Ink Coverage) is app. limit of the colour amount • If too much ink is used on poor quality paper this may cause the paper to fall apart. • Excessive amounts of ink may not have a chance to fully dry before the printed result • Use 0,0,0,100 black for texts Source: Wikipedia Photoshop black • C86 M85 Y79 K100 (default of
    [Show full text]
  • 2 Color Sunburst 3 Color Sunburst Aged Cherry Sunburst Amber Lager Burst
    2 COLOR SUNBURST 3 COLOR SUNBURST AGED CHERRY SUNBURST AMBER LAGER BURST BENGAL TIGER YELLOW BENGAL TIGER WHITE BING CHERRY TRANS BLACK BLACK HOLOFLAKE BLOOD SPLATTER BLUE SPARKLE BURGUNDY MIST MET. BURNT CHERRY BURST CAMO CANDY APPLE RED CANDY GREEN CANDY TANGERINE CHARCOAL FROST MET CHLORINE COBALT BLUE METALLIC COPPER CRIMSON RED TRANS DAKOTA RED DAPHNE BLUE DESERT SAND EERIE DESS SWIRL EMERALD GREEN TRANS FERRARI RED FIESTA RED FROST GOLD GHOST FLAME BLACK GHOST FLAME BLUE GHOST FLAME RED GHOST FLAME GREEN GOLD SPARKLE GRAFFITI YELLOW GRAVEYARD GREEN SPARKLE GUN METAL GREY ICE BLUE METALLIC INCA SILVER IVORY LIGHTNING SKY LIME GREEN METALLIC MAGENTA SPARKLE MERCEDES BLUE MIDNIGHT BLUE MIDNIGHT PURPLE MIDNIGHT WINE NATURAL (QUILT MAPLE) NATURAL (FLAME MAPLE) NATURAL (MAHOGANY) NEON GREEN NEON ORANGE NEON PINK NEON YELLOW OCEAN TURQUOISE OLYMPIC WHITE ORANGE SPARKLE ORION SILVER PEWTER PILE O SKULLS PLATINUM PINK POLKA DOT PURPLE METALLIC PURPLE SPARKLE QUICKSILVER RED SPARKLE ROOT BEER TRANS SAGE GREEN METALLIC SEAFOAM GREEN SHATTERED GLASS SHELL PINK SHERWOOD GREEN SHORELINE GOLD SILVER SPARKLE SLIME GREEN SANKESKIN COPPER SNAKESKIN GREY SNAKESKIN RED SNOW WHITE SOLAR SONIC BLUE SUNSET ORANGE TRANS SURF GREEN SWIRL (BLUE) SWIRL (BLUE) TAOS TURQUOISE TEAL GREEN METALLIC TENNESEE ORANGE TOBACCO BURST TRANS BLACK TRANS BLUE TRANS GREEN TRANS RED VANILLA SHAKE VIOLIN BURST .
    [Show full text]
  • For Best Results - Build Your File in Our Template
    nextdayflyers.com 800-251-9948 Illustrator® For best results - build your file in our template 1. Open the template Please note the safety zone, trim edge A and bleed areas. If this box comes up click continue (fig. A) 2. Build the front side of your file Click on the “Build File Here” layer and create your B card on this layer (fig. B) B As you cover the instructions the guides will show safety zone and final trim. Artwork that is to be trimmed must go to the document edge. All placed images MUST be in CMYK and not in RGB. ALL colors MUST be PROCESS. NO spot colors as these can delay your order. 3. Delete instructions layer before saving Select the Instructions layer and then click on the C trash can icon at the bottom of the palette to delete this layer (fig. C) Please make sure the safety zone, trim edge and bleed areas are all correct. 4. Save your file per these instructions D a. Click File > Save As (fig. D) Continued on page 2 nextdayflyers.com p1 nextdayflyers.com 800-251-9948 Illustrator® b. Rename the file to a_filename.pdf (be sure to change the word “filename” to the actual name of your card) (fig. E) E c. Click Format > Adobe PDF (pdf) > Save (fig. F) F d. In the Save Adobe PDF window choose the Adobe PDF Preset Press Quality and make the following adjustments: Compatibility: Acrobat 4 (PDF 1.3) (fig. G) G Advanced: Transparency Flattener Preset; High Resolution (this will be grayed out if PDF 1.3 is not selected or your file has no transparency).
    [Show full text]
  • The Duncan to Mayco Conversion Chart
    TO CONVERSION CHART CC135 Lake Blue .......................UG72 Wedgewood Blue CC203 Neon Chartreuse ....................UG218 Pear Green CC136 Marlin Blue ...........................UG94 Pansy Purple CC204 Neon Orange......................UG85 Orange Sorbet CC137 Regency Purple.....................UG87 Regal Purple CC205 Neon Green ............................UG218 Pear Green CC140 Morocco Red .................................UG10 Crimson CC206 Neon Red .................................UG208 Fame Red AG401 Marbled Celadon ...................EL131 Turtle Shell CC141 Light Yellow .........................UG46 Bright Yellow AG402 Turquoise Haze ...................EL136 Lapis Lagoon CC142 Canary Yellow ......................UG46 Bright Yellow AG403 Ocean Mist ...............................EL103 Sea Spray CC143 Yellow Orange ..................UG203 Squash Yellow AG404 Winter Fog ...........................EL124 Stormy Blue CC144 Burnt Orange ...................UG203 Squash Yellow AG405 Smoke Stack ..........................EL101 Oyster Shell CC145 Indian Red ..................................UG31 Chocolate CN012 Bright Straw* ............................SC24 Dandelion AG406 Aged Moss .........................EL125 Sahara Sands CC146 Purple ........................................UG93 Wild Violet CN022 Bright Saffron* ..........................SC24 Dandelion AG408 Oyster Shell ................... EL140 Toasted Almond CC148 Deep Turquoise .......................UG19 Electra Blue CN052 Bright Tangerine* ...........SC50 Orange Ya Happy AG409
    [Show full text]
  • Color Name Robison Anton (Rayon)
    Color Name Robison Anton (Rayon) In order to find a specific # or color, click on the “Edit” menu above, click on “Find” type in desired search (ex: Mint Green or 502) then click on “Next” continue to click on next until you find your match. FU01 Black/White 79000 Zebra FU02 Pink/White 79020 Baby Pink FU03 Pink/Turquoise FU04 Orange/Yellow 79062 Mandarin Yellow FU05 Blue/Peach FU06 Orange/Black FU07 Green/Wine 79080 Holiday Season FU08 Green/Blue 79053 Mistletoe FU09 Lime/Blue 79052 Irish Green FU10 Lime/Orange FU11 Brown/Tan 79070 Bear Brown FU12 Lt. Brown/Sand FU13 Coral/Sand FU14 Ocean/Lt. Blue 79040 VanGogh Blue PF0001 Neon Radiance PF0002 Firefly PF0003 Neon Red 2508 Rosewood PF0004 Indian Orange PF0005 Neon Orange PF0006 Neon Pink PF0007 Oriental Blue 2435 Blue Horizon PF0008 Bermuda Pink 2261 Ruby Glint PF0009 Safety Yellow PF0010 Neon Citron PF0011 Chalcedony Yellow 2462 Sunflower PF0013 Viridine Green 2320 ErinGreen PF0014 Milori Green PF0017 Dreamsicle 2330 Golden poppy PF0018 Navahoe Orange 2468 Texas Orange PF0023 Shocking Pink 2259 Wild Pink PF0055 Prestine Blue 2220 Blue PF0074 Medieval Teal 2444 Dark Teal PF0083 Raspberry Rhapsody 2507 Candy Apple Red PF0101 Pale Pink 2243 Light Pink PF0102 Light Pink 2223 Pink PF0103 Pink 2373 Pink Mist PF0104 Rosetta 2393 Rose PF0105 Laurel Pink 2244 Rose Cerise PF0106 Dark Pink 2228 Begonia PF0110 Pale Peach 2413 Flesh PF0111 Light Peach 2377 Bisque PF0116 Peach Blossom 2519 Petal pink PF0117 Misty Pink 2374 Emily Pink PF0123 Pink Mist 2599 Pink Bazaar PF0125 Bright Pink 2259 Wild Pink
    [Show full text]
  • COLOR SELECTION High Gloss Colors Matte Finish Colors Choosing a Color Is a Very Personal Decision, So QUICKIE and ZIPPIE Give You More Options
    POWER CHAIR SHROUD COLORS & COLOR SELECTION High Gloss Colors Matte Finish Colors Choosing a color is a very personal decision, so QUICKIE and ZIPPIE give you more options. From subtle to eye-catching, we offer the Apple Green Copper Silver Matte Black widest spectrum of possibilities. Explore our collection to find the look that suits you! Special Edition White Candy Apple Red High Gloss Black Yellow Digital Camo Available exclusively on QUICKIE 7 R, 7RS and Q7 NextGEN KOLORFUSION ™ Candy Blue Midnight Blue American Flag Woodland Camo Desert Camo Mossy Oak Camouflage Stars and Stripes Candy Purple Pearl Pink Pink Camo Grunge Skulls Zebra* Color match your * Black Zebra Kolorfusion ™ pattern is available on any base color. JAY ® J3 Back to your Shown here on Candy Blue base color. Quickie ® chair! Carbon Fiber Pearl White ©01.2016 Sunrise Medical (US) LLC Available for order MK-100168 Rev. B through JAY Your Way ™ customizations Customer Service: 800.333.4000 www.SunriseMedical.com FRAME COLORS Sparkle Silver, Red Anodized Package Zebra Kolorfusion ™ Glow paint shown in the dark High Gloss Colors Matte Finish Colors Aztec Gold Candy Red Rootbeer Titanium Color Paint Black Electric Blue Sparkle Silver Matte Black Black Cherry Evergreen Sunrise Orange Matte Black Cherry Black Opal Glow Yellow Matte Purple ANODIZED PARTS Blue Opal Green Apple Refer to product order form for anodized part options. Matte Electric Blue Candy Blue Hot Sparkle Pink Black Titanium Grey Gold Blue Matte Evergreen NOTES: Print processes cannot accurately represent paint finishes. Actual colors may vary. Candy Purple Mauve Pink Colors and patterns may vary based on type of chair or frame material.
    [Show full text]
  • File Supply Guide
    ALL NEW VERSION FILE 2 SUPPLY GUIDE Everything you NEED to know before sending files to us 1 WE WANT YOUR FILES TO PRINT PERFECTLY We want the same thing that you want. We want your graphic files ignore the to print without fuss and look like you meant them to. We’ll be honest rules and with you – of the small number of jobs that don’t print as expected, it could be the overwhelming majority are from files supplied to us. Even if you’re fatal a seasoned professional and are used to supplying files for print, please read this guide anyway – our process is likely to be different from what you’re used to. It usually takes our designers around three months with us to acquire the knowledge and understanding to correctly create graphic files for our print process. Whatever your print and design experience, whether you’re a novice or seasoned professional, please read this guide in full before you start designing – it’s the best way to ensure that you don’t suffer any unnecessary delays, costs and heartache. Supplying files for print without following this guide is a lot like driving without following traffic laws. If you follow the law, your journeys are more likely to be safe. Start bending the rules and there’s a greater risk of accidents occurring. Ignore the rules and it could be fatal! If you follow this guide, your file should print like a breeze. Please call us before you start work on anything big or complicated – it’ll save tears later.
    [Show full text]
  • CLASSIC RAYON 100% Viscose
    CLASSIC RAYON 100% viscose While every attempt is made to reproduce thread colors accurately, colors on your monitor or print out may not precisely match thread colors. Color names are for your reference only. When ordering please refer to each color by color number. 1013 Peach Blush 1111 Evening Mist 1015 Desert Bloom 1031 Frosted Lavender 1317 Blush Pink 1235 Crocus 1220 Conch Shell 1320 Purple Heart 1307 Raspberry Punch 1388 Plum 1485 Electric Red 1319 Iris 1039 Brick Red 1488 Dark Magenta 1038 Barn Red 1310 Magenta 1114 Pink Petal 1321 Bubble Gum Pink 1115 Powder Puff 1121 Candy Heart 1315 Pink Grapefruit 1309 Dahlia 1148 Rustic Pink 1109 Pink Rose 1384 Merlot 1110 Fuchsia 1385 Garnet 1383 Pink Pansy 1182 Mulberry 1187 Orchid 1281 Radish 1234 Hibiscus 1184 Scarlet Rose 1117 Flamingo Pink 1154 Lipstick Rose 1183 Cranberry 1107 Honeysuckle 1389 Bordeaux 1014 Bermuda Sand 1034 Vintage Rose 1120 Baby Pink 1119 English Rose 1116 Cotton Candy 1035 Burgundy 1108 Pink Carnation 1386 Eggplant 1354 Watermelon 1356 Pink Pearl 1081 Azalea 1141 Mauve 1186 Ruby Slipper 1382 Colonial Rose 1381 Ripe Raspberry 1236 Plum Brandy 3 4 CLASSIC RAYON 100% viscose While every attempt is made to reproduce thread colors accurately, colors on your monitor or print out may not precisely match thread colors. Color names are for your reference only. When ordering please refer to each color by color number. 1261 Lavendula 1198 Moonstone 1266 Regal Blue 1030 Light Periwinkle 1166 Hanukkah Blue 1364 Storm Sky Blue 1466 Sailor Blue 1365 Dusty Plum 1335 Dark Periwinkle
    [Show full text]