By The: SOCIOLOGY of LITERATURE REVIEW AND

Total Page:16

File Type:pdf, Size:1020Kb

By The: SOCIOLOGY of LITERATURE REVIEW AND perpustakaan.uns.ac.id digilib.uns.ac.id SOCIOLOGY OF LITERATURE REVIEW AND VALUE CHARACTER EDUCATION WORKS IN NOVEL AROK DEDES PRAMOEDYA ANANTA TOER SCIENTIFIC ARTICLES Prepared to Meet Most Peryaratan Achieve Degree of Master Master of Education Indonesian by The: By: Fitria Nurkholis S841302009 GRADUATE EDUCATION INDONESIAN FACULTY OF TEACHER TRAINING AND EDUCATION ELEVEN UNIVERSITY MARCH SURAKARTA 2015 commit to user perpustakaan.uns.ac.id digilib.uns.ac.id commit to user perpustakaan.uns.ac.id digilib.uns.ac.id SOCIOLOGY OF LITERATURE REVIEW AND VALUE CHARACTER EDUCATION WORKS IN NOVEL AROK DEDES PRAMOEDYA ANANTA TOER 1 Fitria Nurkholis , St. Y. Slamet2, Nugraheni Eko Wardani3 [email protected] Abstract. The purpose of this research is (1) to describe and explain the background of Arok Dedes novelist Pramoedya Ananta Toer. (2) Describe and explain the socio-cultural background of the people that are contained in the novel Arok Dedes Pramoedya Ananta Toer. (3) Describe the educational value contained in the novel character Arok Dedes work Pramoedya Ananta Toer. This study is a qualitative research literature and is not associated with a place to study. Source of research data in the form of a novel Arok Dedes and informants that the readers. Data collection techniques using literature and engineering techniques note, namely reading, recording, analysis of documents and interviews. Test the validity of the data using triangulation of data, methodological, and theoretical. The data analysis technique used is interactive analysis that includes three components: data reduction, data presentation, and then the conclusion. Data reduction is always done, if the conclusion is less, then the collected data back to seek support a conclusion that has been developed and also a deepening effort data. Results of the study include: (1) Background novelist Arok Dedes; Pramoedya Ananta Toer, eldest son father and mother Oemi Mastoer Saidah. Her father, who was born on January 5, 1896 is derived from the people close to the religion of Islam, such as clear from the name of his parents, Imam Badjoeri and Sabariyah. Some of his works, among others; Beach Girl, Earth Man, Child of All Nations, Mute's Soliloquy, Arok Dedes, Drama Mangir, Larasati, Footsteps, Greenhouse, Not Market Night; (2) socio-cultural background include: employment, language, housing, customs and habits, ethnicity, religion, trust and confidence; (3) Analysis of Arok Dedes using a novel approach to the sociology of literature are the values of character education that stand out among others is demonstrated by His Holiness religious Belakangka, monks and priests to pray as an expression of gratefulness to the creator. Hard work shown by the attitude of the gold miners. Curiosity shown by the attitude Arok asked to find something that is not yet known. Friendly and communicative demonstrated by showing the attitude Arok Dedes attention to the attitude. Fond of reading shown by the attitude Dedes who take the time to learn to read. Social care shown by Dedes, who assist fire victims. The responsibility shown by Ken Arok be Akuwu Tumapel new. He is responsible for all that happens in Tumapel. Peace love shown by Arok who has suspended riot and create win in Tumapel. Keywords: Values Character Education, Arok Dedes, Sociology of Literature 1Mahasiswa Program Studi S2 (Magister) Pendidikan Bahasa Indonesia, Program Pascasarjana UNS 1Dosen Program Studi Pendidikan Bahasa Indonesia, Program Pascasarjana UNS (Pembimbing 1) 1Dosen Program Studi Pendidikan Bahasa Indonesia, Program Pascasarjana UNS (Pembimbing 2) 1 commit to user perpustakaan.uns.ac.id digilib.uns.ac.id INTRODUCTION Literary works such as novels, entitled Arok Education in schools is no longer Dedes Tere works Pramoedya Ananta Toer, enough just to teach students reading, writing, seems to be a strategic intermediary to realize and arithmetic, then pass the exam and later got the goal of imparting education to students a good job. Schools must mapu educate learners because of the character of the novel that to be able to decide what is right and wrong. contains the values that should be straightened Schools also need to help parents to find a existence. Through novel entitled Arok Dedes, purpose in life every learner (Hidayatullah, kids early can do if the flavor, if the inner, and 2010: 25). In accordance with the above if the mind is intensely thus indirectly the opinion, it can be concluded that education is children have positive attitudes and habits implemented in schools is expected to develop through the process of appreciation and the ability to think as well as forming the creativity through literature. character of learners who baikuntuk achieve life Selection of novel Arok Dedes, goals in life. motivated by a desire to understand the value of Literary work was born in the middle of character education contained in the novel. the community as a result of the author's Novel Arok Dedes has a positive value that is imagination as well as reflections of social the explanation of student character education phenomena in the vicinity. Therefore, the values contained in the story so that it can be a presence of a literary work is a part of people's role model or input for the audience. Novel lives. Author as an individual subject trying to Arok Dedes work Pramoedya Ananta Toer produce his world view (vision du monde) to chosen because it has several advantages in the subject of collective. Significance terms of both content and language. In the elaborated individual subject to the social novel, entitled Arok Dedes Pramoedya Ananta reality around him shows a literary work is Toer this work, a novel that tells the complex rooted in a particular culture and a particular political romance with the interior of the community. The existence of such a literary historical background of the Javanese work, making it can be positioned as a socio- kingdoms. Tells about the first coup in the cultural documents (Jabrohim, 2003: 59) archipelago. Java-style coup. Cunning coup but When education is valued only hunt and ingenious. Bloody but true killer chest clapping solely concerned with the academic realm, thus enjoy high regard. Involves a military ignoring the moral issues and magnanimity. movement, spreading prejudice from within, 2 commit to user perpustakaan.uns.ac.id digilib.uns.ac.id confront between friends, and heating the people close to the religion of Islam, redoubt. Actors work like a ghost. Even if the such as clear from the name of his motion is known, but there is no valid evidence parents, Imam Badjoeri and for the authorities to get rid of it. Sabariyah. b. Educational Background RESEARCH METHODS The original name was Pramoedya This study is a qualitative research Ananta Pramoedya Mastoer, as it is literature and is not associated with a place to written in a collection of short stories study. Source of research data in the form of a entitled semi-autobiographical story novel Arok Dedes and informants that the of Blora. Small Pram even not so readers. Data collection techniques using brilliant in the lesson at school. Three literature and engineering techniques note, times is not a grade in elementary namely reading, recording, analysis of school, making his father considered documents and interviews. Test the validity of himself as a stupid child. As a result, the data using triangulation of data, after graduating elementary school methodological, and theoretical. The data who lived under harsh teaching his analysis technique used is interactive analysis own father, the father, Mr. Mastoer, that includes three components: data reduction, refusing to submit to MULO (junior data presentation, and then the conclusion. Data high school). He also continued his reduction is always done, if the conclusion is education at the school telegraph less, then the collected data back to seek (Radio Vakschool) Surabaya at the support a conclusion that has been developed expense of his mother. and also a deepening effort data. c. Work Author Pramoedya Ananta Toer has RESULTS AND DISCUSSION produced several works of literature A. Research are as follows; Beach Girl (1962), 1. Background Novel Author Arok Dedes a. Family History Earth of Mankind (1980), Children of Pramoedya Ananta Toer, eldest son All Nations (1981), The Mute's father and mother Oemi Mastoer Soliloquy (1995), Arok Dedes Saidah. Her father, who was born on (1999), Drama Mangir (2000), January 5, 1896 is derived from the Larasati (2000), Footsteps (2001), 3 commit to user perpustakaan.uns.ac.id digilib.uns.ac.id Greenhouse (2000), not Market Night novel because it is a romance novel (2002). with a political background, especially inland empire Java East Java. 2. Socio-Cultural Background Kutaraja, the capital Tumapel, a. The Work immersed in cold transition. Communities in the country In homes custody, the kemit Tumapel under Kediri kingdom still busy discussing the majority work as gold miners, ceremony brahmacarya. The farmers, and ranchers. whole country learned of the ceremony, that Paramesywari After dinner he was led down Ametung stumps are children the ledges. Thousands of of the village Brahmin MPU women are gold pan of sand Parwa Panawijil. Everyone times ten thousand sources knows the brahmin did not get tribute saga each year to the recognition of the Divine Kediri. He knows his job now Belakangka, it is also not is panning for gold. His eyes permitted to receive students. did not look at the gold, but in The only official student who the sparkling water play is a child-singular: Dedes around with to shine. (Toer, (Toer, Arok Dedes, 2009: 17). Arok Dedes, 2009: 50). d. Customs and Habits b. Language In the novel Arok Dedes In the novel Arok Dedes used Pramoedya Ananta Toer is a novel ancient Javanese language and also that tells the story of the ancient inserted terms of Java language Javanese kingdom.
Recommended publications
  • Guide to the Asian Collections at the International Institute of Social History
    Guide to the Asian Collections at the International Institute of Social History Emile Schwidder & Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Emile Schwidder Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Stichting beheer IISG Amsterdam 2012 2012 Stichting beheer IISG, Amsterdam. Creative Commons License: The texts in this guide are licensed under the terms of the Creative Commons Attribution-Noncommercial 3.0 license. This means, everyone is free to use, share, or remix the pages so licensed, under certain conditions. The conditions are: you must attribute the International Institute of Social History for the used material and mention the source url. You may not use it for commercial purposes. Exceptions: All audiovisual material. Use is subjected to copyright law. Typesetting: Eef Vermeij All photos & illustrations from the Collections of IISH. Photos on front/backcover, page 6, 20, 94, 120, 92, 139, 185 by Eef Vermeij. Coverphoto: Informal labour in the streets of Bangkok (2011). Contents Introduction 7 Survey of the Asian archives and collections at the IISH 1. Persons 19 2. Organizations 93 3. Documentation Collections 171 4. Image and Sound Section 177 Index 203 Office of the Socialist Party (Lahore, Pakistan) GUIDE TO THE ASIAN COLLECTIONS AT THE IISH / 7 Introduction Which Asian collections are at the International Institute of Social History (IISH) in Amsterdam? This guide offers a preliminary answer to that question. It presents a rough survey of all collections with a substantial Asian interest and aims to direct researchers toward historical material on Asia, both in ostensibly Asian collections and in many others.
    [Show full text]
  • Asia Society Presents Music and Dance of Yogyakarta
    Asia Society Presents Music and Dance of Yogyakarta Sunday, November 11, 2018 7:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is approximately ninety minutes with no intermission In conjunction with a visit from Hamengkubuwono X, the Sultan of Yogyakarta in Indonesia, Asia Society hosts a performance by the court dancers and musicians of Yogyakarta. The Palace of Karaton Ngayogyakarta Hadiningrat is the cultural heart of the city. From generation to generation, the Sultans of Yogyakarta are the traditional governors of the city and responsible for passing on art and culture heritage. The entire royal family is involved in preserving these art forms, and the troupe must perform with a member of the royal family present. The dances from Yogyakarta will be accompanied by gamelan music native to Java. Program Golek Menak Umarmaya Umarmadi Dance Masked Dance Fragment (Wayang Wong) “Klana Sewandana Gandrung” Bedhaya Sang Amurwabhumi About the forms: Golek Menak The golek menak is a contemporary example of the seminal influence exerted by the puppet theater on other Javanese performing arts. This dance was inspired by the stick–puppet theater (wayang golek), popular in the rural area of Yogyakarta. Using the three dimensional rod-puppets, it portrays episodes from a series of stories known as menak. Unlike the high-art wayang kulit (shadow puppets), it is a village entertainment, and it did not flourish at the court. As a dance drama, golek menak focuses on imitating this rod-puppet theater with amazing faithfulness. Human dancers realistically imitate the smallest details of puppet movement, right down to the stylized breathing of the puppets.
    [Show full text]
  • Teaching Tales from Djakarta.Pdf (636.2Kb)
    2 Table of Contents Introduction…………………………………………………………………….………… 3 Notes on Teaching Tales from Djakarta ………………………………………………… 5 Biography ………………………………………………………………………………... 8 History ………………………………………………………………………...……...… 11 Critical Lenses ……………………………………………………………………..…... 18 Social Realism ………………………………………………….……………… 18 Colonial and Postcolonial Theory.…………………………………………..….. 21 The National Allegory ……………………………………………………….… 26 Nostalgia ……………………………………………………………...….….…. 30 Study Guide …………………………………………………………………….……… 33 Bibliography & Resources ………………………………………………………..……. 43 List of Images 1. Pramoedya, 1950’s From A Teeuw, Modern Indonesian Literature. Courtesy of KITLV . Used by permission 2. Pramoedya, 1990’s From Indonesia, 1996.Courtesy of Benedict R. O’G. Anderson and Cornell Southeast Asia Program Publications. Used by permission. 3. Indo-European woman and her children, presumably in Bandoeng Courtesy of KITLV. Used by permission. 4. Ketjapi player in Jakarta Courtesy of KITLV. Used by permission. 5. G.E. Raket and his girlfriend, presumably in Batavia Courtesy of KITLV. Used by permission. 6. Prostitute with child camping in and underneath old railway carriages at Koningsplein-Oost [East King's Square] in Jakarta Courtesy of KITLV. Used by permission 3 Introduction Pramoedya Ananta Toer has long been one of the most articulate voices coming from decolonized Indonesia. A prolific author, Pramoedya has written short fiction, novels, histories, and social and cultural commentary about his native land. He is frequently mentioned as a leading candidate for the Nobel Prize in Literature. Pramoedya’s perennial candidacy for this award is almost certainly based on his epic tetralogy about the birth of Indonesian nationalism, the Buru quartet. In these novels, which tell the story of Raden Mas Minke, a native journalist and founding member of several political and social organizations in the Indies, Pramoedya draws a vivid picture of the colonial period: approximately 1900-1915.
    [Show full text]
  • A Comparative Study of Pramoedya Ananta Toer's
    COLONIAL IDENTITIES DURING COLONIALISM IN INDONESIA: A COMPARATIVE STUDY OF PRAMOEDYA ANANTA TOER’S CHILD OF ALL NATIONS AND MULTATULI’S MAX HAVELAAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By LETYZIA TAUFANI Student Number: 054214109 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i ii iii “Nothing is more dangerous than an idea especially when we have only one.” Paul Claudel iv This Undergraduate Thesis Dedicated to: My Daughter Malia Larasati Escloupier and My Husband Cédric v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma: Nama : Letyzia Taufani Nomor Mahasiswa : 054214109 Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul: COLONIAL IDENTITIES DURING COLONIALISM IN INDONESIA: A COMPARATIVE STUDY OF PRAMOEDYA ANANTA TOER’S CHILD OF ALL NATIONS AND MULTATULI’S MAX HAVELAAR Beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, mengalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalty kepada saya selama tetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini yang saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal : 1 Desember 2008 Yang menyatakan (Letyzia Taufani) vi ACKNOWLEDGEMENTS I would like to thank and express my greatest gratitude to all of those who gave me guidance, strength and opportunity in completing this thesis.
    [Show full text]
  • Pramoedya Ananta Toer (1953)
    Pramoedya Ananta Toer (1953) [Reprinted from A . Teeuw, Modern Indonesian Literature (The Hague: Nijhoff, 1967)] PERBURUAN 1950 AND KELUARCA GERILYA 1950* Pramoedya Ananta Toer Translated by Benedict Anderson I've been asked: what is the creative process for me, as a writer? This is not an easy question to answer. Whether "formulated" or not, the creative process is always a very private and personal experience. Each writer will have his own ex­ perience, again whether "formulated" or not. I've been asked to detail the creative process which produced the novels Perburuan [The Fugitive] and Keluarga Gerilya [Th e Guerrilla Family]. Very well. I'll answer— even though there's no real need for other people to know what goes on in my private kitchen. My willingness to respond in this instance is based purely on the public's right to some comparisons . to limit undue onesidedness. 1948. I was 23 at the time— a pemuda who believed wholeheartedly in the nobil­ ity of work— any kind of work— who felt he could accomplish^ anything, and who dreamed of scraping the sky and scooping the belly of the earth: a pemuda who had only just begun his career as a writer, publicist, and reporter. As it turned out, all of this was nullified by thick prison walls. My life was regulated by a schedule determined by authorities propped up by rifles and bayonets. Forced labor outside the jail, four days a week, and getting cents for a full day's labor. Not a glimmer of light yet as to when the war of words and arms between the Re­ public and the Dutch would end.
    [Show full text]
  • Kajian Feminisme Dalam Novel “Bumi Manusia” Karya Pramoedya Ananta Toer
    Jurnal Simki Pedagogia, Volume 4 Issue 2, 2021, Pages 159-168 Available online at: https://jiped.org/index.php/JSP ISSN (Online) 2599-073X Kajian Feminisme dalam Novel “Bumi Manusia” Karya Pramoedya Ananta Toer Ajeng Ayuning Tyas [email protected] Program Studi Pendidikan Bahasa dan Sastra Indonesia Universitas PGRI Wiranegara Received: 10 07 2021. Revised: 24 07 2021. Accepted: 03 08 2021. Abstract : The problem in this research is how the structural elements in the novel Bumi Manusia by Pramoedya Ananta Toer and how socialist feminism forms in the novel Bumi Manusia by Pramoedya Ananta Toer. The purpose of writing this scientific paper is to describe the structural elements in Pramoedya Ananta Toer's novel Bumi Manusia and to describe the form of socialist feminism in Pramoedya Ananta Toer's novel Bumi Manusia. The method used in this scientific work is a qualitative descriptive method. The data in this study are written text data related to the structural elements and forms of socialist feminism in the novel Bumi Manusia by Pramoedya Ananta Toer. The source of the data in this research is the novel Bumi Manusia by Pramoedya Ananta Toer. Data collection uses reading and note-taking methods. The result of this research is that there are structural elements (themes, characterizations, setting, plot, point of view, and mandate) and socialist feminism in Pramoedya Ananta Toer's novel Bumi Manusia. Keywords : Socialist feminism, Novel bumi manusia Abstrak : Masalah yang ada dalam penelitian ini adalah bagaimana unsur struktural pada novel Bumi Manusia karya Pramoedya Ananta Toer dan bagaimana bentuk feminisme sosialis dalam novel Bumi Manusia karya Pramoedya Ananta Toer.
    [Show full text]
  • Pramoedya Ananta Toer Translated by Harold Merrill
    BLORA Pramoedya Ananta Toer Translated by Harold Merrill Saudara! Do you know what every prisoner longs for? You must know! Getting out— regaining one's freedom, living among friends, relatives, and fellow human beings. For you, maybe these words "getting out" don't arouse any impressions whatsoever. But for pris- oners and former prisoners, how sweetly stirring these words are. They have the same magical power as the national anthem. And today, saudara, how happy I am. Why shouldn't I be? The guards came running into camp. The jailer was summoned. And all that little commotion was simply for my own happiness. Here's what happened, saudara. The jailer returned from the camp office and yelled, "Pram!" I yelled back in response. And he went on, "You're being released. Gather together all your gear." Like a crow being pelted with rocks, a screech came from my mouth, Okay, okay." I ran into my cell and packed up my clothes, bedding, and eating utensils. Friends rushed in urging me to exchange clothes. And there were also many who stood at the door with lustreless eyes. There were those who congratulated me and there were others who grumbled about their own fates. And I was touched. Naturally, there are moments when human beings will be touched no matter how materialistic they are. Especially when I walked to the camp office and they held up clenched fists, yelling feebly, "Freedom! Freedom! Don't forget the prison! Don't forget the struggle." Then the piercing shout that I won't ever forget for as long as I live, "Cheese tastes good, bung.1 And condensed milk makes you blind!"2 And I couldn't respond to them one by one.
    [Show full text]
  • Women on the Margins : an Alternative to Kodrat?
    WOMEN ON THE MARGINS AN ALTERNATIVE TO KODRAT? by Heather M. Curnow Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. University of Tasmania, Hobart School of Asian Languages and Studies October 2007 STATEMENTS OF OrtiONALITY / AUTHORITY TO ACCESS Declaration of otiginahtY: ibis thesis contains no material which has been acep ted for a degree or diploma by the University or any other institutions, except by way of hackground information and duly acknowledged in the thesis, and to the best of the candidate's knowledge and belief, no material previously published or written by another person, except- uthere due actabowledgement has been made in the text of the thesis. Statement of Authority of access: This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. ,C70 11leather Cuniow Date: A,5 hit tibigki ittool ABSTRACT: WOMEN ON THE MARGINS During New Order Indonesia (1966 — 1998) women's roles were officially defined by the Panca Darma Wanita (The Five Duties of Women). Based on traditional notions of womanhood, these duties were used by the Indonesian State to restrict women's activities to the private sphere, that is, the family and domesticity. Linked with the Five Duties was kodrat wanita (women's destiny), an unofficial code of conduct, loosely based on biological determinism. Kodrat wanita became a benchmark by which women were measured during this period, and to a large extent this code is still valid today. In this thesis, I have analyzed female characters in Indonesian literature with specific identities that are on the periphery of this dominant discourse.
    [Show full text]
  • Representasi Simbolisme Wanita Jawa Dari Arca Prajnaparamitha Pada Karya Seni Batik Post- Modern
    Proceeding: International Conference on Art, Design, Education, and Cultural Studies (ICADECS) 2019 (ISSN : 2686-617X) Universitas Negeri Malang, Malang, Jawa Timur, Indonesia Representasi Simbolisme Wanita Jawa dari Arca Prajnaparamitha pada Karya Seni Batik Post- Modern 1st Okta Viviana A. Nusantari Art and Design Department State University of Malang Malang, Indonesia [email protected] Abstract—Prajnaparamitha is a statue form of the sebagai makhluk yang feminim, atau matriarki penuh Bodhisattwadewi from ancient Java which famous as a misteri, namun terdapat asumsi bahwa wanita adalah representation of Ken Dedes. This statue was estimated makhluk yang memiliki sifat lembut, sabar, elok , dan from the 13th century in the era of Singhasari Kingdom. beberapa sifat kefeminiman lain yang jarang ditunjukkan Prajnaparamitha statue is one of the best masterpieces as a wanita. Apabila berpijak pada persepsi filosofis yang classic figurative statue in Hindu-Budha Indonesia which menempatkan peran wanita sekadar sebagai kanca can represents Javanese women who is graceful and full of wingking (istri yang pekerjaannya cuma di dapur dan symbolic value of women’s life in Java land. The statue’s sumur), isi-sining omah (istri sebagai pelengkap dalam visual characteristics and historical-philosophy values that rumah tangga ) tersebut sesungguhnya sangat contained in it has to be the idea of Javanese women’s life bertentangan dengan kearifan masyarakat Jawa symbolism representation in post-modern batik artwork. (Adji&Achmad, 2018:12). In this research, the art method of creation that is Wanita Jawa pada masa Hindu-Buddha tampak adopted in the process of making post-modern batik memiliki posisi yang sama dengan kaum pria. Tengok saja artwork is a theory from SP.
    [Show full text]
  • RESEARCH NOTES Javanese Names During the Height Of
    KEMANUSIAAN Vol. 20, No. 2, (2013), 81–89 RESEARCH NOTES Javanese Names during the Height of the Hindu-Buddhist Kingdoms in Java: An Ethnolinguistic Study SAHID TEGUH WIDODO Universitas Sebelas Maret, Indonesia. [email protected] Abstract. Javanese names have undergone numerous developments throughout the course of human civilisation. The study of names is an important means of discovering the desires, cultural tastes and lifestyles of the Javanese from one period to another. This study used a qualitative descriptive research method. The data for the research were obtained from Indonesian historical sources, the story of Babad Tanah Jawa, epigraphs and selected informants. The techniques used to collect the data were content analysis and interviews with a number of historical and language experts. The analysis resulted in a description of the development of the form and structure of Javanese names. Based on the historical context, these names were strongly influenced by the Sanskrit language of the centuries- old Hindu and Buddhist traditions in India. The influence of the ancient Javanese language on Javanese names began to appear at the beginning of the Javanese Hindu era, along with a decline in the Hindu-Buddhist influence in Java. This influence was marked by the appearance of elements in names that do not exist as syllables in Sanskrit. This phenomenon indicates an acculturation of the Javanese, Hindu and Buddhist cultures. Ancient Javanese influences are still found today in modern Javanese names, such as in the use of the names Dyah, Jaya, Dewi/Devi, Wardhana, Arya and Rangga. Keywords and phrases: name, Javanese, Hindu, Buddhist, Sanskrit Introduction The height of the Hindu and Buddhist era in Java was marked by the establishment of large kingdoms and a high level of civilisation.
    [Show full text]
  • Site Setup Patirtan Watugede Singosari, Malang, Indonesia As a Spiritual Tourism Object
    ! " Site Setup Patirtan Watugede Singosari, Malang, Indonesia As a Spiritual Tourism Object Junianto1, Rosalia Niniek Sri Lestari2*, A. Tutut Subadyo2 (1)History of Architecture Lab. Magister Architecture, University of Merdeka Malang. (2)Building and Env. Science Lab., Department of Architecture, University of Merdeka Malang. Corresponding Author: [email protected] ABSTRACT Patirtan site is an ancient cultural relic, associated with the ritual bath with holy water. Patirtan Watugede site in Singosari Malang, is one of the ancient kingdom of Singhasari, which is a big kingdom in East Java. Spiritual tourism activities at temple sites and Patirtan sites in East Java and Malang Raya continue to increase. On the other hand, some Patirtan sites evolved into tourist destinations, undergoing uncontrolled development renovations. Utilization and development in the area of partial Patirtan sites, tend to contradict the concept of conservation. Through the historical approach, then analyzing the physical character and function of Watugede's Patirtan site, as well as the value of society's preference, can be formulated the concept of Patirtan Area Arrangement as a tourist destination spiritual. There are findings of the main elements used as a spiritual tourism activity on these Patirtan sites, namely: water source, meditation area, ritual ceremonial courtyard and building site Patirtan. Formulation of Concept The arrangement and development of Patirtan website as a spiritual tourism object is done descriptively, with the implementation of Draft Drawing. The concept of Arrangement and development of Watugede's Patirtan site as a spiritual tourism object was found as a result of research, by examining the phenomenon of Patirtan site in Malang Regency, which is related to the utilization, preservation of physical element, socio-culture, economy and environment.
    [Show full text]
  • Pramoedya Ananta Toer and China: the Transformation of a Cultural Intellectual
    PRAMOEDYA ANANTA TOER AND CHINA: THE TRANSFORMATION OF A CULTURAL INTELLECTUAL Hong Liu As one of the most prominent writers in Indonesia, Pramoedya Ananta Toer has been at the center of a number of valuable studies which carefully document his intellectual journey and his place in modern Indonesian cultural history.* 1 It has been generally agreed that the years between 1956 and 1959 were crucial in the evolution of Pramoedya's cultural and political thinking. In an effort to trace the causes of this change, the existing literature focuses almost exclusively on Indonesia's turbulent domestic political transformation and its impact on Pramoedya; very little attention * This is an expanded version of a chapter from my doctoral dissertation, "'The China Metaphor': Indonesian Intellectuals and the PRC, 1949-1965" (Ohio University, 1995). I am indebted to William H. Frederick for his constructive and thorough comments. Charles Alexander, Donald Jordan, Benedict Anderson, Chen Xiaru, Go Gien Tjwan, Kent Mulliner, Kohar Rony, Yong Mun-Cheong, and Tsing Yuan have been helpful in shaping my understanding of the complex questions relating to China in Indonesia, for which I am grateful. Financial support for my overseas research was provided by a fellowship from the Center for International Studies at Ohio University and a grant from the Southeast Asian Council of the Association for Asian Studies, both funded by the Henry Luce Foundation. I alone, of course, am responsible for the views expressed here and any remaining errors. 1 See for example, Bahrum Rangkuti, Pramoedya Ananta Toer dan Karja Seninja (Jakarta: Gunung Agung, 1963); Savitri Scherer, "From Culture to Politics: The Writings of Pramoedya Ananta Toer" (PhD diss., Australian National University, 1981); Mohamad Zamri bin Shaari, "Sebuah Analisa Kebahasaan terhadap Bumi Manusia Karya Pramoedya Ananta Toer" (PhD diss., Universitas Nasional Indonesia, 1985); and A.
    [Show full text]