A Guide to Ensuring You Have the Traditional Mass at Your Funeral
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Singing in Latin.Pages
Why are we singing in Latin??? There are about 20 sets of Mass parts in Latin that were used commonly before the Mass was translated into the vernacular. The Sanctus and Agnus Dei that we are currently singing are from Mass XVIII, commonly used as Requiem Masses (funerals). The somberness and simplicity of this setting pairs well with the penitential season of Lent. Many of the other settings have more Joyful or uplifting qualities, so we shouldn’t Just associate singing in Latin with penance! Despite Latin being a dead language, the Catholic Church has retained it to this day as the official language of the Holy See and the Roman Rite. All liturgical documents, rites of the Church, and even official statements given by the Vatican are first published in Latin, and then translated into other languages for use throughout the world. So, why do we sing in Latin? It’s a layered answer. Given what I’ve already said, singing in Latin connects us to the Universal Church on a deeper level. It also tips a hat to our heritage of four centuries of praying the Mass in Latin – a tradition many “pre-Vatican II Catholics” remember. Now, you’re right in assuming that many parishes dropped the use of Latin after Vatican II. The Vatican II documents were interpreted and implemented differently in the United States than in other countries. While we saw an attitude of “out with the old, in with the new” here in the US, many other countries understood that one of the council’s goals was to retain the rich heritage of the Church, including the way churches were designed and decorated, the use of Latin, and so on. -
July 29Th, 2018
O SEVENTEENTH SUNDAY IN ORDINARY TIME JULY 29, 2018 Why a change in the Altar arrangement? I was visiting my parents and my father asked me what is this Benedictine altar arrangement and why are you changing it now? I have only known the liturgy since it’s reform after Vatican II. So first of all this is not some nostalgia of the Mass of my childhood. I have been inspired by the New Evangelization to consider seriously what we are doing to pass on the faith and why our youth are leaving the Christian faith and embracing secular society. How do we turn to Jesus and show them the way? This year I hope we can focus on the Liturgy as our source and summit. When the Liturgy was reformed it was promulgated in Latin and with the Priest was in unison with the people mediating the sacrifice of the Mass to God. It was special permission given to the conference of Bishops from Rome to allow: 1. Vernacular Masses and 2. To face the people. While both of these changes were embraced and became the norm of practice there were unexpected consequences from both of these changes. The Benedictine Arrangement is a compromise to continue the norm of facing the people while refocusing the Priest on the Sacrifice offered to God. The Ad orien- tum (facing East symbolically) through the placement of candles and cross is to refocus our hearts on our hope, the Sacrifice of Jesus. As a Christian community, we are all facing ad orientem (i.e. -
The Latin Mass Society
Ordo 2010 Compiled by Gordon Dimon Principal Master of Ceremonies assisted by William Tomlinson for the Latin Mass Society © The Latin Mass Society The Latin Mass Society 11–13 Macklin Street, London WC2B 5NH Tel: 020 7404 7284 Fax: 020 7831 5585 Email: [email protected] www.latin-mass-society.org INTRODUCTION +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Omnia autem honeste et secundum ordinem fiant. 1 Cor. 14, 40. This liturgical calendar, together with these introductory notes, has been compiled in accordance with the Motu Proprio Rubricarum Instructum issued by Pope B John XXIII on 25th July 1960, the Roman Breviary of 1961 and the Roman Missal of 1962. For the universal calendar that to be found at the beginning of the Roman Breviary and Missal has been used. For the diocesan calendars no such straightforward procedure is possible. The decree of the Sacred Congregation of Rites of 26th July 1960 at paragraph (6) required all diocesan calendars to conform with the new rubrics and be approved by that Congregation. The diocesan calendars in use on 1st January 1961 (the date set for the new rubrics to come into force) were substantially those previously in use but with varying adjustments and presumably as yet to re-approved. Indeed those calendars in use immediately prior to that date were by no means identical to those previously approved by the Congregation, since there had been various changes to the rubrics made by Pope Pius XII. Hence it is not a simple matter to ascertain in complete and exact detail the classifications and dates of all diocesan feasts as they were, or should have been, observed at 1st January 1961. -
What Is “Ad Orientem”? Why Is the Priest Celebrating with His When We All Celebrate Facing East, the Us to God
What is “Ad Orientem”? Why is the priest celebrating with his When we all celebrate facing East, the us to God. Look where he’s pointing, not back to us? He isn’t. He could only ‘have priest is part of the people, not separated at the one pointing. his back to us’, if we were the center of from them. He is their leader and Facing East reinforces the mystery his attention at Mass. But we aren’t, God representative before God and we are of the Mass. We have become so is. The priest is celebrating looking east, all one, together in our posture. Think familiar with the actions of the priest; in anticipation of the coming of Jesus. about all those battle we sometimes forget Remember the words of the Advent images of generals the great mystery at the hymn, People Look East? “People, look on horseback—they heart of it: that the priest East. The time is near of the crowning of are facing with their exercises his priesthood the year. Make your house fair as you are troops, not facing in Jesus Himself and it able, trim the hearth and set the table. against them. Just so, is Jesus really and truly People, look East and sing today: Love, the priest is visibly present both standing as the guest, is on the way.” part of the people and the priest and on the altar We have become so familiar to Mass clearly acts in persona as the sacrifice. When celebrated with the priest facing us that Christi capitis, “in the the priest bends low over we have forgotten that this is a relatively person of Christ the the elements and then new innovation both historically and head,” when we all face elevates, first the host and liturgically and actually something that the same direction. -
The Divine Office
THE DIVINE OFFICE BRO. EMMANUEL NUGENT, 0. P. PIRITUAL life must be supplied by spiritual energy. An efficient source of spiritual energy is prayer. From Holy Scripture we learn that we should pray always. li In general, this signifies that whatever we do should be done for the honor and glory of God. In a more restricted sense, it requires that each day be so divided that at stated in tervals we offer to God acts of prayer. From a very early period it has been the custom of the Church, following rather closely the custom that prevailed among the Chosen People, and later among the Apostles and early Christians, to arrange the time for her public or official prayer as follows: Matins and Lauds (during the night), Prime (6 A.M.), Tierce (9 A.M.), Sext (12M.), None (3 P.M.), Vespers (6 .P. M.), Compline (nightfall). The Christian day is thus sanc tified and regulated and conformed to the verses of the Royal Psalmist: "I arose at midnight to give praise to Thee" (Matins), "Seven times a day have I given praise to Thee"1 (Lauds and the remaining hours). Each of the above divisions of the Divine Office is called, in liturgical language, an hour, conforming to the Roman and Jewish third, sixth, and ninth hour, etc. It is from this division of the day that the names are given to the various groups of prayers or hours recited daily by the priest when he reads his breviary. It is from the same source that has come the name of the service known to the laity as Sunday Vespers, and which constitutes only a portion of the Divine Office for that day. -
Dominican Rite Practicum
LSFT 2405 Dominican Rite Practicum Prepared by the Instructor 2020 Dominican School of Philosophy and Theology Fall 2020 LSFT 2405 First Meeting: Saturday, 9/5, SAP Library, 7:30 pm Dominican Rite Practicum Instructor: Fr. Augustine Thompson O.P. Office Hours: TBA at St. Albert’s Priory Course Description This course is a 1.5 unit graded liturgical practicum open to Dominican friar students, normally after residency year, best in the year of deaconal or priestly ordination. The goal is to acquire the ability to celebrate Low Mass and Missa Cantata according to the traditional Dominican Rite in Latin. The outcome will be a correct and fluid "dry Mass" celebration of the Dominican Rite Low Mass and of the Missa Cantata. These two exercises will in equal parts provide the two graded "exams" of the course. The format will be a practicum in which students perform the rite under the direction of the instructor. Admission to the Class Dominican friars who would like to be admitted to the class need to arrange an interview with the instructor. At the interview they will be asked to recite from memory the texts found on the next page. This memorization is not-negotiable and will serve to prove that the student is ready to undertake the heavy memorization element of the class. As this class is only open to Western Dominican Province student brothers it will be held at St. Albert’s with social distancing. Required Books and Materials William R. Bonniwell, ed., Dominican Ceremonial for Mass and Benediction (1946; rpt. Oakland: Dominican Liturgy Publications, 2012), $22.75, order at: http://www.lulu.com/shop/william-r-bonniwell-op/dominican-ceremonial-for-mass-and-b enediction/hardcover/product-21602438.html Dominican Altar Boys' Manual According to the Rite of the Order of Preachrs (1945; rpt. -
ARTICLES Liturgical Music: the Medium and the Message | Fr
SACRED MUSIC Volume 142, Number 4 Winter 2015 EDITORIAL Sing the Mass | William Mahrt 3 ARTICLES Liturgical Music: The Medium and the Message | Fr. Richard Cipolla 7 Mystery in Bruckner’s Eighth Symphony | Daniel J. Heisey O.S.B. 18 A Brief History of the Ward Method and the Importance of Revitalizing Gregorian Chant and The Ward Method in Parochial School Music Classrooms | Sharyn L. Battersby 25 DOCUMENT Words of Thanks of Pope Emeritus Benedict XVI on the Occasion of the Conferral of a Doctorate honoris causa by John Paul II Pontifi cal University of Krakow and the Krakow Academy of Music | Pope Benedict XVI 47 REPERTORY In paradisum, the Conclusion of the Funeral Mass | William Mahrt 50 REVIEW Johann Sebastian Bach: Sämtliche Orgelwerke, Volumes 1 & 2: Preludes and Fugues |Paul Weber 53 COMMENTARY Black | William Mahrt 57 NEWS CMAA Annoucements 59 SACRED MUSIC Formed as a continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America since its inception in 1965. Offi ce of Publication: 12421 New Point Drive, Richmond, VA 23233. E-mail: [email protected]; Website: www.musicasacra.com Editor: William Mahrt Managing Editor: Jennifer Donelson Editor-at-Large: Kurt Poterack Typesetting: Judy Thommesen Membership & Circulation: CMAA, P.O. Box 4344, Roswell, NM 88202 CHURCH MUSIC ASSOCIATION OF AMERICA Offi cers and Board of Directors President: William Mahrt Vice-President: Horst Buchholz Secretary: Mary Jane Ballou Treasurer: Adam Wright Chaplain: Rev. -
2020-11-01 Gregorian Chant, Preliminary
All Souls’ Day (Transferred from November 2) Sunday, November 1, 2020, 5:00 p.m. ALL SOULS’ DAY/ALL SOULS’ REQUIEM The tradition of observing November 2 as a day of commemoration began in the tenth century as a complement to All Saints’ Day, November 1. The traditional service of remembering the dead — whether on this day or during an actual funeral — is called a Requiem, the first word of the Latin text, meaning “rest.” The solemnity of the liturgy and the beauty of the music help us to mourn with hope. Thus we are encouraged to trust ever more in God’s gift of eternal life through the death and resurrection of our Lord Jesus Christ. THE GREGORIAN CHANT REQUIEM The oldest musical setting of the Requiem is the version in Gregorian Chant (plainsong, melody only, no harmony). Created sometime in the first millennium A.D., it does have one “new” movement, the Dies irae, dating from no later than the 1200s. The Dies irae melody has been quoted in non-Requiem music by Hector Berlioz, Franz Liszt, Sergei Rachmaninoff, and Camille Saint-Saëns, among others. Some composers of Requiem settings have omitted the Dies irae text, either because of its length or because of its expression of fear, guilt, and judgment. Regarding the latter issue, Jesus, his apostles, and his Hebrew prophets do indeed declare a day of reckoning, and fear is a legitimate human feeling, expressed in the Psalms and in the Prophets. However, God’s grace can ease our fear, and — through the Holy Spirit’s ministry — can offset it by giving us confidence in Christ’s merit rather than our own. -
Introitus: the Entrance Chant of the Mass in the Roman Rite
Introitus: The Entrance Chant of the mass in the Roman Rite The Introit (introitus in Latin) is the proper chant which begins the Roman rite Mass. There is a unique introit with its own proper text for each Sunday and feast day of the Roman liturgy. The introit is essentially an antiphon or refrain sung by a choir, with psalm verses sung by one or more cantors or by the entire choir. Like all Gregorian chant, the introit is in Latin, sung in unison, and with texts from the Bible, predominantly from the Psalter. The introits are found in the chant book with all the Mass propers, the Graduale Romanum, which was published in 1974 for the liturgy as reformed by the Second Vatican Council. (Nearly all the introit chants are in the same place as before the reform.) Some other chant genres (e.g. the gradual) are formulaic, but the introits are not. Rather, each introit antiphon is a very unique composition with its own character. Tradition has claimed that Pope St. Gregory the Great (d.604) ordered and arranged all the chant propers, and Gregorian chant takes its very name from the great pope. But it seems likely that the proper antiphons including the introit were selected and set a bit later in the seventh century under one of Gregory’s successors. They were sung for papal liturgies by the pope’s choir, which consisted of deacons and choirboys. The melodies then spread from Rome northward throughout Europe by musical missionaries who knew all the melodies for the entire church year by heart. -
Versus Populum Peragi Possit, Quod Expedit Ubicumque Possibile Sit
Fr. Z's Blog Once named: What Does The Prayer Really Say? – Commentary on Catholic issues & slavishly accurate liturgical translations – by Fr. John Zuhlsdorf o{]:¬) QUAERITUR: Justify ad orientem worship in light of GIRM 299 Posted on 22 April 2009 by Fr. John Zuhlsdorf From a reader: I’m a student at ___, studying Psychology and Theology. First off, IMy name’s __, and I’d like to thank you for your blog. I’ve learned a lot that I’ve been able to share with my friends about the Sacred Liturgy. The topic of ad orientam worship seems to come up a lot on your blog. Personally, I would prefer that Holy Mass be celebrated that way, but while studying the GIRM (I was in the seminary for a 3 semesters) I ran across paragraph 299: “The altar should be built apart from the wall, in such a way that it is possible to walk around it easily and that Mass can be celebrated at it facing the people, which is desirable wherever possible…”. You speak a lot about following the rubrics and the GIRM, saying mass the way Holy Mother Church commands us to. You’ve cited the GIRM to encourage things like chalice veils. How can you reconcile your endorsement of ad orientam worship in the Ordinary Form with your insistence on “Say the Black, Do the Red”? Not attacking you of course, Father, just wondering what your rationale is? I have written about GIRM 299 several times. Here is a good link to one entry: What Does GIRM 299 Really Say? The short answer is that you have been duped, probably on purpose. -
The Rites of Holy Week
THE RITES OF HOLY WEEK • CEREMONIES • PREPARATIONS • MUSIC • COMMENTARY By FREDERICK R. McMANUS Priest of the Archdiocese of Boston 1956 SAINT ANTHONY GUILD PRESS PATERSON, NEW JERSEY Copyright, 1956, by Frederick R. McManus Nihil obstat ALFRED R. JULIEN, J.C. D. Censor Lib1·or111n Imprimatur t RICHARD J. CUSHING A1·chbishop of Boston Boston, February 16, 1956 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION ANCTITY is the purpose of the "new Holy Week." The news S accounts have been concerned with the radical changes, the upset of traditional practices, and the technical details of the re stored Holy Week services, but the real issue in the reform is the development of true holiness in the members of Christ's Church. This is the expectation of Pope Pius XII, as expressed personally by him. It is insisted upon repeatedly in the official language of the new laws - the goal is simple: that the faithful may take part in the most sacred week of the year "more easily, more devoutly, and more fruitfully." Certainly the changes now commanded ,by the Apostolic See are extraordinary, particularly since they come after nearly four centuries of little liturgical development. This is especially true of the different times set for the principal services. On Holy Thursday the solemn evening Mass now becomes a clearer and more evident memorial of the Last Supper of the Lord on the night before He suffered. On Good Friday, when Holy Mass is not offered, the liturgical service is placed at three o'clock in the afternoon, or later, since three o'clock is the "ninth hour" of the Gospel accounts of our Lord's Crucifixion. -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there.