List Sr. Asst. Traffic Manager for Exam-13.03.16

Total Page:16

File Type:pdf, Size:1020Kb

List Sr. Asst. Traffic Manager for Exam-13.03.16 KOLKATA PORT TRUST KOLKATA DOCK SYSTEM Notice for Recruitment to the post of Sr. Asst. Traffic Manager (Class-I Post) in Traffic Department Admit Cards have since been issued to the candidates (as per list below ) for appearing at written examination to be held on 13.03.2016 at 10.00 a.m. at the venue printed at the Admit Cards. If any of the listed candidates does not receive Admit Card by 11.03.2016, he/she may collect provisional Admit Card from the Recruitment Cell, to be operated temporarily at the Information & Facilitation Centre in the Ground Floor of Kolkata Port Trust at 15, Strand Road, Kolkata – 700 001 on 12.03.2016 (Saturday) from 11.00 A.M. to 03.00 P.M, personally or through any authorized representative, on submission of a print of the relevant page showing his/her name in the list, identity proof, address proof and proof of date of birth (DOB) of the candidate. Secretary (I/C) List of candidates Sl. Roll No. No. Candidate’s Name Father’s Name DOB 1 671130 A K M SAMSUL ALAM DIN MOHAMMAD DAFADAR 06011983 2 671708 A SENTHIL KUMAR 29051987 3 670935 A.K.M TARIKUL HASSAN GOLAM MOSTAFA 08031990 4 670996 AATISH YADAV PARVEEN YADAV 07051987 5 670350 ABA ALAMGIR RAHAMAN AMIRUL HOQUE 20091990 6 670029 ABANINDRA NATH DAS MADHUSUDAN DAS 24071987 7 671436 ABBAS ALI SK JOYNAL SK 05121991 8 671123 ABDUL BARIK KHALILUR RAHAMAN 08121989 9 671305 ABDUL OMAR FARUK SEKH ABDULLA 17041989 10 671497 ABDUL SADDAM MULLICK ABDUL SATTAR MULLICK 21061991 11 670162 ABHAY SHANKAR JHA DEO KUMAR JHA 10031990 12 670197 ABHIJEET ANAND AJOY KUMAR JHA 28031989 13 671365 ABHIJIT DAS KARMAKAR SUNIL DAS KARMAKAR 29041983 14 670308 ABHIJIT GHOSH GAUTAM GHOSH 28121986 15 670594 ABHIJIT GHOSH LATE SAMBHUNATH GHOSH 04041988 16 671134 ABHIJIT GHOSH JAGANNATH GHOSH 10101996 17 670825 ABHIJIT POYRA SRI ARJUN POYRA 18031986 18 671255 ABHIJIT PRAMANIK ASHOK KUMAR PRAMANIK 29111993 19 671637 ABHIJIT ROY RANJIT ROY 24041991 20 670725 ABHIJIT SENGUPTA ALOKE SENGUPTA 14021992 21 670365 ABHIMANYU GHALAY SUREN GHALAY 09101992 22 671002 ABHIMANYU MEHTA MUKESH MEHTA 05041991 23 670636 ABHINABA MODAK JAYDEB MODAK 27061993 24 671806 ABHINAV DUBEY RATNESH KUMAR DUBEY 09071988 25 670771 ABHIRUP BHATTACHARYA DR PRABIR BHATTACHARJEE 17071989 26 670758 ABHIRUP SEN AMIYA KUMAR SEN 21031988 27 671193 ABHISEK DEY ACHINTYA DEY 29111987 28 671136 ABHISEK GHOSH SANKAR GHOSH 01011995 29 671111 ABHISHEAK GHOSH SUKUMAR GHOSH 12111991 30 670867 ABHISHEK CHAKRABORTY ALOKE CHAKRABORTY 29061992 31 670874 ABHISHEK CHATTERJEE DIPAK KUAMR CHATTERJEE 22081993 32 671635 ABHISHEK DAS PRADIP KUMAR DAS 08091992 33 670551 ABHISHEK GANGULY LATE BHRAMAR KANTI GANGULY 02041988 34 670889 ABHISHEK KUMAR ANIL KUMAR SINGH 09111990 35 671083 ABHISHEK KUMAR BHAGWAN SAH 28121992 36 670119 ABHISHEK MAJUMDAR MOLOY MAJUMDAR 06021988 37 670550 ABHISHEK MANDAL AHIS KUMAR MANDAL 21071989 38 670222 ABHISHEK NAYAK BALABHADRA NAYAK 29041992 39 671734 ABHISHEK PATANWAR PADUMAN LAL PATANWAR 23101989 40 670450 ABHISHEK PATHAK SHARDA NAND PATHAK 11011986 41 671627 ABHISHEK ROY LATE ASIT ROY 20051990 42 670953 ABHISHEK SHRMA MANJU SHARMA 24091991 43 671783 ABHISHEK SINGH OM DUTT SINGH 20071989 44 670948 ABINASH DASH SURESH CHANDRA DASH 24041989 45 670830 ABINASH MONDAL BABLU MONDAL 17111987 46 670125 ABIR CHAKRABORTY LATE AMRENDRA SH CHAKRABORTY 24091990 47 670261 ABUL FARAK SK ASRAF SK 06041991 48 671367 ACHINTYA KAR MATHUYR KAR 12041990 49 671578 ADITI CHOUDHURY ISWAR CHANDRA CHOUDHURY 01031988 50 670652 ADITI PAL TAPAN PAUL 07031992 51 670733 ADITYA BHOWMICK NAYAN CHANDRA BHOWMICK 21041989 52 671821 ADITYA KUMAR ARJUN PRASAD CHAKRAVARTI 18021992 53 670688 ADITYA SARKAR BASUDEV SARKAR 31071991 54 671757 ADITYA SINGH SHRI RANBIR SINGH 15041989 55 671706 ADITYAN RAMAKRISHNAN 05121993 56 670659 ADRIK BANERJEE DEBASHISH BANERJEE 20101993 57 670476 ADULAL JANA HARIHAR JANA 27031994 58 671748 AFROJ KHAN NURUDDIN KHAN 29041991 59 671530 AHANA CHONGDAR ASIT KUMAR CHONGDAR 26051989 60 671749 AISHWARYA SAHU TULARAM SAHU 29121992 61 670009 AJEET KUMAR BIBHUTI PRASAD KAPRI 15051992 62 670163 AJEET KUMAR DULICHAND 15101987 63 671797 AJI8T SINGH BHARDWAJ SH KRISHAN KUMAR SHARMA 01041986 64 671784 AJIT KUMAR MAURYA SHAKUNTALA DEVI 03051990 65 671321 AJOY BASAK PRAFULLA KUMAR BASAK 19041988 66 670426 AJOY BHATTRACHARYA AMIT BHATTACHARYA 01081991 67 671167 AJOY DAS MOHIT DAS 07021989 68 670093 AKASH CHOWDHURY BIRESWAR CHOWDHURY 27091991 69 671781 AKASH DEEP SUNIL KUMAR SONKAR 15021993 70 671553 AKASH MAZUMDER SURESH CHANDRA MAZUMDER 01041989 71 671789 AKASH SONI RAMSWAROOP SONI 12101991 72 670084 AKHILENDU PATRA ARUNENDU PATRA 16021990 73 671315 AKLHLAQUE ALAM MOHAMMAD RIYAZUL HAQUE 01011990 74 670970 AKSHAY VERMA LALITESWAR PRASAD VERMA 28071992 75 671096 ALINA PATRA PRADIP KUMAR PATRA 20071990 76 670202 ALOK KUMAR SATYENDRA KUMAR SHARMA 25011991 77 670950 ALOK PRADHAN SRINIBAS PRADHAN 27101991 78 671778 ALOK RASTOGI SHANKER SWAROOP RASTOGI 08061992 79 671762 ALOK SINGH U.N. SINGH 04081991 80 670427 AMALENDU ADHIKARI ASOK KUMAR ADHIKARI 20031987 81 670364 AMALES GOBINDA GHOSH LATE KAMANA GOBINDA GHOSH 27121986 82 670090 AMAR NATH CHATTOPADHYAY SAILEN CHATTOPADHYA 12051986 83 671006 AMAR NATH GUPTA' CHANDRA PRAKASH GUPTA 29031987 84 671053 AMARJEET KUMAR SURENDRA PRASAD SINGH 11101988 85 670506 AMARTA BIJOY KARAK NIKHILESH KARAK 21091991 86 670668 AMARTYA CHONGDAR ASIT KR CHONGDAR 07071991 87 670999 AMIT ANAND MADAN JHA 10091989 88 671684 AMIT ARYA MOTILAL ARYA 08061983 89 671541 AMIT BAIDYA ASIT BARAN BAIDYA 17101984 90 671562 AMIT BHADRA UTTAM KLUMAR BHADRA 01111992 91 671505 AMIT BHATTACHARJEE ASHOKE BHATTACHARJEE 15051989 92 671090 AMIT DEBNATH AMULLYA DEBNATH 12121987 93 670295 AMIT DHALI KASHI NATH DALAI 18121992 94 671258 AMIT GHOSH BASUDEB GHOSH 28031986 95 671639 AMIT GHOSH HARIDAS GHOSH 24091987 96 670983 AMIT KESARAWANI ONKAR NATH GUPTA 19011993 97 670001 AMIT KUMAR A P SINGH 01061987 98 670966 AMIT KUMAR OM PRAKASH GUPTA 14021987 99 671801 AMIT KUMAR 13071987 100 670408 AMIT KUMAR DHARA BIJOY DHARAM 12011992 101 670020 AMIT KUMAR GHOSH AMAL KUMAR GHOSH 21011991 102 670965 AMIT KUMAR SRIVASTAVA JAI PRAKASH SRIVASTAVA 03121989 103 671326 AMIT PAL GADADHAR PAL 08051989 104 671798 AMIT SAINI NAVRANG LAL SAINI 15071992 105 670579 AMIT SANPUI KSHUDIRAM SANPUI 24081988 106 671758 AMIT SUDHAKAR PRABHU 22101994 107 670432 AMIT UTTHASINI ANIL KR. UTTHASINI 22041991 108 670911 AMIT.K.K CHOYIKUTTY.K.K 21031991 109 671451 AMIYA PRASAD GHOSH TARAK NATH GHOSH 03021986 110 671722 AMJAD ALI ALI AMEER 04031987 111 670167 AMRIT KUMAR RAM KISHOR JAISWARA 02021989 112 671007 AMRIT MAHAPATRA AMIYA MAHAPATRA 10031992 113 670852 AMRITA MONDAL TAPASH KUMAR MONDAL 03091989 114 671496 AMRITA PATRA ASIT PATRA 26121988 115 671403 ANAL TRIPATHI BARIDHI BARAN TRIPATHI 29041992 116 671281 ANAMIKA PAUL SHAMBHU NATH PAUL 13011992 117 670136 ANANDA CHOWDHURY MANOJ CHOWDHURY 28101987 118 670096 ANANYA HALDER DR. BINOY HALDER 29091988 119 671682 ANANYA NANDA MANAS KUMAR NANDA 01121990 120 670116 ANANYA ROY INDRASISH BANERJEE 20061988 121 670880 ANARGHYA SARKAR ANINDYA KUMAR SARKAR 01031988 122 670111 ANEEK BAIDYA DHANAPATI BAIDYA 16101993 123 671704 ANEESH PB PM BALAN 16011992 124 670039 ANGSHUMAN MANDAL SANATAN KR MANDAL 02021990 125 670304 ANIKET BHATTACHAIRJEE DEBASIS BHATTACHAIRJEE 23121987 126 670990 ANIL DHAWAN RAVINDER KUMAR DHAWAN 23051990 127 670955 ANIL KUMAR BISWAL ARTTATRAN BISWAL 10061986 128 670444 ANIMESH DAS LATE KSHUDIRAM DAS 13101989 129 671203 ANIMESH KANTI GHOSH LT JOYDEB GHOSH 06031995 130 671267 ANIMESH MODAK AMULYA KUMAR MODAK 20091983 131 671020 ANIMESH PRAMANIK RATAN CHANDRA PRAMANIK 31121991 132 670282 ANINDA SEN GUPTA ACHINTYA SEN GUPTA 17041986 133 670597 ANINDITA NANDI ASIM NANDI 07031987 134 671385 ANINDYA SAMANTA JOYDEV SAMANTA 17031990 135 670638 ANIRBAN BISWAS NILRATAN BISWAS 12011990 136 670710 ANIRBAN CHAKRABORTY ALOKE RANJAN CHAKRABORTY 05021987 137 671034 ANIRBAN MONDAL MEGHNAD MONDAL 11121989 138 671181 ANIRBAN ROY ASHIM ROY 20021992 139 670341 ANIRBAN SARKAR ASOKE KR. SARKAR 07011991 140 670048 ANIRUDDHA CHAKRABORTY KANTI LAL CHAKRABORTY 22091989 141 670324 ANIRUDDHA CHATTERJEE LATE TAPAN CHATTERJEE 25091992 142 671499 ANISH BARAN SAHU ANIL BARAN SAHU 14041993 143 671653 ANITA YADAV SACHIN YADAV 20091985 144 671010 ANJAN DAS NIRANJAN DAS 20111987 145 670813 ANJAN DEBNATH KARTICK DEBNATH 24021989 146 670362 ANJNEY KUMAR RAI SURYA NARAYAN RAI 25051986 147 670306 ANKIK MAHATA ALOK MAHATA 01011994 148 670973 ANKIT KUMAR DUBBY AMARESH CHANDRADUBBY 16111993 149 670721 ANKITA GHOSH SUBHASH KUMAR GHOSH 20061990 150 670289 ANKITA SARDAR DHANANJAY SARDAR 15051993 151 671695 ANKITA SHAW AJAY KUMAR SHAW 03031993 152 670968 ANKUR UPADHYAY 16091987 153 670271 ANKUSH BANERJEE AMAL BANERJEE 03031989 154 671239 ANNIE BHATTACHARJEE UMA SANKAR BHATTACHARJEE 25041989 155 671689 ANOJ KUMAR PANDEY ANIL PANDEY 10071990 156 670900 ANOOP.S SIVASANKARA PILLAI K 30051991 157 670761 ANSU KUMARI VIJAY KUMAR SINGH 16121989 158 671519 ANTARA MAITY RANJAN KUMAR MAITY 01051991 159 670098 ANTARA MUKHERJEE AMAL MUKHERJEE 22061992 160 670986 ANUJ KUMAR SINGH SURENDRA PRATAP SINGH 05111988 161 671303 ANUP BHADRA ATAL BHADRA 05061988 162 671183 ANUP DAS CHITTA RANJAN DAS 30041984 163 671185 ANUP DAS CHITTARANJAN DAS 30041984 164 670712 ANUP KOLEY AMALESH KOLEY 17051990 165 670645 ANUP SAMANTA NETAI SAMANTA 14091987 166 670646 ANUP SAMANTA NETAI SAMANTA 14091987 167 670455 ANUPAM GHORAI AJOY KUMAR GHORAI 10061990 168 670785 ANUPAM GHOSH MANASH GHOSH 29041988 169 671113 ANUPAM GHOSH SUKUMAR GHOSH 11051986 170 671043 ANUPAM KUMAR PRABHUNANDAN PRASAD
Recommended publications
  • ANNIVERSARY SPECIAL Millenniumpost.In
    ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha.
    [Show full text]
  • Appellate Jurisdiction
    Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Friday, 9th of July, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HON'BLE JUSTICE I. P. MUKERJI 3 On 09-07-2021 1 1 HON'BLE JUSTICE ANIRUDDHA ROY DB - II At 11:00 AM HON'BLE JUSTICE HARISH TANDON 28 On 09-07-2021 2 4 HON'BLE JUSTICE SUBHASIS DASGUPTA DB-III At 11:00 AM HON'BLE JUSTICE SOUMEN SEN 16 On 09-07-2021 3 57 HON'BLE JUSTICE HIRANMAY BHATTACHARYYA DB - IV At 11:00 AM HON'BLE JUSTICE SOUMEN SEN 17 On 09-07-2021 4 66 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB-IV At 11:00 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 09-07-2021 5 68 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB - V At 11:00 AM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 30 On 09-07-2021 6 74 HON'BLE JUSTICE SUVRA GHOSH DB-VI At 11:00 AM HON'BLE JUSTICE ARINDAM SINHA 4 On 09-07-2021 7 80 HON'BLE JUSTICE BISWAJIT BASU DB-VII At 11:00 AM 5 On 09-07-2021 8 HON'BLE JUSTICE ARIJIT BANERJEE 89 SB At 11:00 AM 8 On 09-07-2021 9 HON'BLE JUSTICE DEBANGSU BASAK 94 SB II At 11:00 AM 9 On 09-07-2021 10 HON'BLE JUSTICE SHIVAKANT PRASAD 116 SB - III At 11:00 AM 13 On 09-07-2021 11 HON'BLE JUSTICE RAJASEKHAR MANTHA 124 SB - IV At 11:00 AM 7 On 09-07-2021 12 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 150 SB - V At 11:00 AM 26 On 09-07-2021 13 HON'BLE JUSTICE SHEKHAR B.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Ritajyoti Bandyopadhyay: Archiving from Below
    Archiving from Below: The Case of the Mobilised Hawkers in Calcutta by Ritajyoti Bandyopadhyay University of California, Berkeley and Jadavpur University Sociological Research Online 14(5)7 <http://www.socresonline.org.uk/14/5/7.html> doi:10.5153/sro.2008 Received: 17 Mar 2009 Accepted: 4 Oct 2009 Published: 30 Nov 2009 Abstract In the last two decades or more, critical scholarship in the human sciences has been commenting on different aspects of the 'archive'. While much has been said on the archive of the state, especially in the historiography of colonial South Asia, very little is known about the archival functions of political parties, movements, grassroots community organisations, and trade unions that are involved in the governance of populations in the post-colonial state. The paper argues that archival claims lie at the heart of negotiations between the state and population groups. It looks at the archival function of the Hawker Sangram Committee (HSC) in Calcutta to substantiate the point. Following Operation Sunshine (1996), a move by the state to forcibly evict hawkers from some selected pavements of Calcutta, in order to reclaim such 'public' spaces, a mode of collective resistance developed under the banner of the HSC. The HSC has subsequently come to occupy a central position in the governance of the realm of pavement-hawking through the creation and maintenance of an archival database that articulates the entrepreneurial capacity of the 'poor hawker' and his ability to deliver goods and services at low-cost. The significance of the HSC's archive is that, it enables the organisation to form a moral and rational critique of the exclusionary discourses on the hawker, mostly propagated by a powerful combination of a few citizens' associations, the judiciary and the press.
    [Show full text]
  • BPL LIST-KOLKATA MUNICIPAL CORPORATION 004 ULB Name :KOLKATA MC ULB CODE: 79 Ward
    BPL LIST-KOLKATA MUNICIPAL CORPORATION Ward No: 004 ULB Name :KOLKATA MC ULB CODE: 79 Member Sl Address Name of Family Head Son/Daughter/Wife of BPL ID Year No Male Female Total 1 11/H/5 PAIK PARA ROW KOL 37 ABHIJEET RUDRA BANAMALI RUDRA 3 1 4 1 2 61/3 B T ROAD ABHIJIT THAKUR T THAKUR 3 2 5 2 3 1/H/29 SARBAKHAN ROAD ABHIRAM MAITI LT NAGENDRA NATH MAITI 2 3 5 3 4 B/1/H/5 R.M.RD,KOL-37 ADALAT RAI LATE BABULAL RAI 3 1 4 4 5 18 DUMDUM ROAD ADHIR BARUI LATE ABINAS BARUI 1 2 3 5 6 SABAKHAN ROAD KOL-37 1/H/11 SABAKHAN ROAD KOL-37 ADHIR CHANDRA KARMAKAR LT PALAN CH KARMAKAR 4 2 6 6 7 1/B/H/1 UMAKANTA SEN LANE,KOL-30 ADHIR HALDER LATE SITA NATH HALDER 5 1 6 7 8 21/39 DUM DUM ROAD ADHIR SARKAR LT.ABHYA SARKAR 3 2 5 8 9 DEWAN BAGAN 11/H/5 PAIK PARA RD. AJAY DAS LT BISWANATH DAS 2 2 4 9 10 RANI HARSHAMUKHEE ROAD 49/H/1B RANI HARSHAMUKHEE ROAD AJAY YADAV LT SANKAR PRASAD YADAV 1 3 4 10 11 R.M. ROAD KOL-37 13/3 R.M. ROAD KOL-37 AJIM AKHTAR LT NABIR RASUL 2 4 6 11 12 GOSHALA 26/59 DUMDUM ROAD,KOL-2 AJIT BALMIKI LATE DHARMA BALMIKI 3 2 5 12 13 9/4 RANI BRUNCH ROAD KOL 2 AJIT DEY LT ANANTA DEY 1 3 4 13 14 1/B UMAKANTA SEN LANE AJIT KR.
    [Show full text]
  • Journal of Bengali Studies
    ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies.
    [Show full text]
  • Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
    1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O.
    [Show full text]
  • Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
    No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.
    [Show full text]
  • Setting the Stage: a Materialist Semiotic Analysis Of
    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
    [Show full text]
  • SEAGULL Theatre QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements
    2 Acknowledgements 3 Introduction 7 ‘My kind of theatre is for the people’ KUMAR ROY 37 ‘And through the poetry we found a new direction’ SHYAMAL GHO S H 59 Minority Culture, Universal Voice RUDRAPRA S AD SEN G UPTA 81 ‘A different kind of confidence and strength’ Editor AS IT MU K HERJEE Anjum Katyal Editorial Consultant Samik Bandyopadhyay 99 Assistants Falling in Love with Theatre Paramita Banerjee ARUN MU K HERJEE Sumita Banerjee Sudeshna Banerjee Sunandini Banerjee 109 Padmini Ray Chaudhury ‘Your own language, your own style’ Vikram Iyengar BI B HA S H CHA K RA B ORTY Design Sunandini Banerjee 149 Photograph used on cover © Nemai Ghosh ‘That tiny cube of space’ MANOJ MITRA 175 ‘A theatre idiom of my own’ AS IT BO S E 197 The Totality of Theatre NIL K ANTHA SEN G UPTA 223 Conversations Published by Naveen Kishore 232 for The Seagull Foundation for the Arts, Appendix I 26 Circus Avenue, Calcutta 700017 Notes on Classic Playtexts Printed at Laurens & Co. 9 Crooked Lane, Calcutta 700 069 234 Appendix II Notes on major Bengali Productions 1944 –-2000 S T Q SEAGULL THeatRE QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements Most of the material collected for documentation in this issue of STQ, had already been gathered when work for STQ 27/28 was in progress. We would like to acknowledge with deep gratitude the cooperation we have received from all the theatre directors featured in this issue. We would especially like to thank Shyamal Ghosh and Nilkantha Sengupta for providing a very interesting and rare set of photographs; Mohit Chattopadhyay, Bibhash Chakraborty and Asit Bose for patiently answering our queries; Alok Deb of Pratikriti for providing us the production details of Kenaram Becharam; Abhijit Kar Gupta of Chokh, who has readily answered/ provided the correct sources.
    [Show full text]
  • Brechtian Adaptations in Bengali Group Theatre: Nuances and Controversies
    ISSN 2319-5339 IISUniv.J.A. Vol.4(1), 1-10 (2015) Brechtian Adaptations in Bengali Group Theatre: Nuances and Controversies Sib Sankar Abstract Adaptations of Foreign plays in the native tongue had been one of the most contentious issues which concerned Bengali theatre during the last half of the previous centuries even though such adaptations have always been an integral part of its colonial legacy. During the last five decades of the previous century, almost all the major plays of Brecht have been performed in Bengal and by and large the Bengali (alternative) theatre spectators have evinced a remarkable interest in the Brechtian productions. But, rather surprisingly, even by the end of the previous century, Bengali theatre practitioners could not evolve a set of workable principles/methodologies which would appeal to the idiosyncratic ‘taste’ of the native spectators without violating the fundamentals of ‘Dialectical/ Epic Theatre’. In the following few pages of this article, I would like to devote my attention into exploring the issues and concerns regarding the adaptation of Bertolt Brecht’s plays in Bengal. Keywords : adaptation, Dialectical/Epic theatre, native/foreign, familiarization It is very difficult to translate Brecht and make him a success in this country, as people have found out repeatedly. It cannot be otherwise… Utpal Dutt 2009, 24 I think the right approach to adapt Brecht to different peoples of different countries. But to do this, one has to make changes, alteration, even additions to Brecht… Shekhar Chatterjee 1982, 142 Adaptation of foreign language plays in Bengali theatre is a phenomenon which is inextricably linked with it from the time of its inception.
    [Show full text]
  • International Journal of English and Studies (IJOES) an International Peer-Reviewed English Journal Vol-1, Issue-2, 2019 ISSN: 2581-8333
    SP Publications International Journal Of English and Studies (IJOES) An International Peer-Reviewed English Journal www.ijoes.in Vol-1, Issue-2, 2019 ISSN: 2581-8333 ______________________________________________________ ORIGIN OF INDIAN DRAMA: A SHORT INTRODUCTION ______________________________________________________________________________ Mr. Jitendrasinh Parmar1 Dr. Ishita Sharma2 Bhagwan Mahavir College of Science & Technology, Surat Gujarat, India ______________________________________________________________________________ Abstract: Any study of Indian drama begins with Sanskrit drama, which is purely of Indian origin. The word “Natya” often been translated as “Drama”. The Sanskrit word for play (Nataka) and actor (Nata) are from the root “Nat” which is the prakrit form of Sanskrit “Nrutya” meaning to dance. A Sanskrit drama always opens with a namely or benediction, usually addressed to Ganesh or Shiva for the prosperity of the audience by “Sutradhar” or director. Bharata is historically thought-about to be the daddy within the history of Indian drama. The history of Indian drama is deeply unmoving in classical Indic theatre, which is the earliest existing form of drama and theatre. Key Words: Drama, Indian, Sanskrit, Theatre, History, Natak. Introduction: Drama is that the branch of humanities within which stories square measure acted mistreatment combos of speech, gesture, music, dance and sound. Indian drama and theatre has a vivid history. The history of Indian drama is charming, enigmatic and unbelievable. India has AN autochthonous dramatic tradition, and remains stay unaffected from any foreign influence. Hindu drama was not borrowed or an imitation of any other, but it is the product of native genius. Origin of Indian Drama: History of Indian drama is made with Vedas and Indian epics and has step by step modified with time and remains unaffected by any foreign influence.
    [Show full text]