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Theofficialorgan of Thebbg
Radio Times, duly 9th, 1926, THE WIRELESS SERMON. i naa a AERO DuAOFES sal (Ea? —_ 7 FONg 7 a IRELae! AEWA ent eames Meat LEFOS-aeaorogo AoE eer | Lever aPoo PRecLay et (ALAI \ ql bayer rigs PanaeeTER eeSHERRIE LO alt get Cia se Promt:ere (Recah we F cea) & a AaTauNGrant S08 40508 LA Lay LonDon ot Prtetas _— pe vnaourtl sntt act | PNEd8T i T R a g e ATTYnn ' : A i aTIT THEOFFICIALORGAN OF THEBBG Thelater cal at Live, Vol.1:12,No. 145, GP. as a Wewepapnr, ‘EVERYFFRIDAY. aes Pence.e. eaiiaeiieetetlicemma ~ -——_—o SS <<— An Editor. Looks at the Mininknnd: By Si ROBERT DONALD, G.B.E., LL.D. HERE is a coming issue which cannot be this direction and the American- Press has newspaper with international athhiations. ignored—the extent to which broad- not been affected by the competition. lts readers, or subscribers, will demand more easting will interiere. with the progress of We are approaching the stage, however, news, and if the Press and news agencies the Press, or change its character. At this put an embargo on the supply, the B.B.C. stage of development, radio is an ally, Will be foreed to collect its own: news af rather than a rival. It i¢ a supplementary all important events. It has been urged service, not an alternative. At first, wireless” that it is beyond the means and the capacity telegraphy was regarded as supplementary of -a broadcasting organization to collect to cables. Now, it is looked upon as a serious foreign news and that &-must temain competitor, Radio is a ‘cheap universal dependent on existing agencies, That is not information, “news, education, and enter- the case, a5 broadcasting stations could tainment service which is delivered into. -
THE OFFICIAL ORGAN OFTHE Bott
Radio Times, July 24th, 1925. ____ DAVENTRY: THE WORLD'S GREATEST STATION. | i pegee iow pe} cok = eet rr { j _ . ARog hit : 2)atl Suwa = aE A oe oe [SEAT = 4 ee om eta i ba pet fnnen Fea 7 , Otago ean) - ree, hol Awr oe i ' Oras ie LELGS -a Broa ibao 7 HE ‘int heey1h, OF eiaas] SS4NCVESFE& BNE FEFret ee ey ae Loweory ae t=| a] i BOAAnoo ree ae eter —— gy ERR my f ; ia NFA THE OFFICIAL ORGAN OFTHE Bott. Karatsite al at the _Vol. 8.“No.96 : LEO ate Apes EVERY|FiRIDAY. Two Pence. ee == ——— OFFICIAL The Far Future of Radio. PROGRAMMES By Professor A. M. LOW. for the week commencing [Professor Low is one of the most notable similar at an-carly ee ¥; ae aah. authorities om wireless, and he is the inventor stage Of their ex- al the wireless-controlled aeroplane and torpeda. istence, arch it is He is particularly interested in the futare of mankind, and in his latest book, ‘‘ The Future, not Many Pears MAIN STAT IONS. he predicts marvellous changes that are to come. azo that people LONDON, CARDIFF, ABERDEEN, GLAS- The following article, giving his views on were “burnt ‘ative GOW, BIRMINGHAM, MANCHESTER, future of broadcasting, will read with interest for their. convic- by every listener] BOURNEMOUTH, NEWCASTLE; tion that the BELFAST. ROBABLYthe most remarkable thing workl was Hat. about radio broadcasting (15 the HIGH-POWER STATIONS. Many unfortunate extraordinary speed with which it has Individuals (Daventry and Chelmsford.) conquered the prejudice of the public suflered a. -
January 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The Delius Society Journal Autumn 1999, Number 126
Delius Journal 126.qxd 15-Nov-99 17:44 Page 1 The Delius Society Journal Autumn 1999, Number 126 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £15 per year (£20 from 1 April 2000) UK students: £10 (unchanged after 1 April 2000) USA and Canada US$31 per year (US$38 from 1 April 2000) Africa, Australasia and Far East £18 per year (£23 from 1 April 2000) President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 126.qxd 15-Nov-99 17:44 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: (0171) 935 4241 Fax: (0171) 935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 126.qxd 15-Nov-99 17:44 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial............................................................................................................... -
The Perfect Fool (1923)
The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD. -
Sir John in Love
REAM.2122 MONO ADD RALPH VAUGHAN WILLIAMS Sir John in Love (1924-28) An Opera in Four Acts Libretto by the composer, based on Shakespeare’s (in order of appearance) Shallow, a country Justice Heddle Nash Sir Hugh Evans, a Welsh Parson Parry Jones Slender, a foolish young gentleman, Shallow’s cousin Gerald Davies Peter Simple, his servant Andrew Gold, Page, a citizen of Windsor Denis Dowling, Sir John Falstaff Roderick Jones Bardolph John Kentish Nym Sharpers attending on Falstaff Denis Catlin Pistol } Forbes Robinson Anne Page, Page’s daughter April Cantelo Mrs Page, Page’s wife Laelia Finneberg Mrs Ford, Ford’s wife Marion Lowe Sir John in Love Fenton, a young gentleman of the Court at Windsor James Johnston Dr. Caius, a French physician Francis Loring Rugby, his servant Ronald Lewis Mrs Quickly, his housekeeper Pamela Bowden The Host of the ‘Garter Inn’ Owen Brannigan Ford, a citizen of Windsor John Cameron The BBC wordmark and the BBC logo are trade marks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 c © Of all the musical forms essayed by Ralph Vaughan Williams (1872-1958), his operas have received the least recognition or respect. His propensity to write without commissions and to encourage amateur or student groups to premiere his stage pieces 3 EVANS As we sat down in Papylon 4’36” has perhaps played a part in this neglect. Yet he was incontestably a man of the theatre. 4 HOST Peace, I say! 3’04” He produced an extensive, quasi-operatic score of incidental music for Aristophanes’ , for the Cambridge Greek Play production in 1909. -
2017-04-02 Messiah
OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Margaret Hallam Patrons’ Sec.: Sylvia Andrew Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Gerard Marsden Promotions Group: David Baird, Edna Gill, Margaret Hood, Fred Jones, Maggs Martin, Sue Morris, June O’Grady, Brenda Roberts, LIFE MEMBERS Eva Dale, Fred Jones, Margaret Hood, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR One of the joys of being in a choir is that from time to time you get to sing your favourite work. That is my pleasure this evening. I have loved the "Messiah" for many years (not saying how many!). To my mind it is a pity that it is usually confined to the busy period of Christmas, so I am particularly pleased to have a Lenten performance. The emotion and drama of the Easter story are something quite special, and deserve to be savoured. Our wonderful soloists and the East Lancs Sinfonia will, I am sure, join with the choir to produce a magical musical experience. We will not be having our usual lighter-themed concert at Middleton Arena this year. Instead we will be holding a Choir "At Home" evening on Friday, 16th June in our regular rehearsal venue - the beautiful Ballroom of Chadderton Town Hall, from 7.30 to 10.30pm. You are invited to join us for a short concert, followed by some time for social and fund-raising activities. -
RCA Victor LCT 1 10 Inch “Collector's Series”
RCA Discography Part 28 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LCT 1 10 Inch “Collector’s Series” The LCT series was releases in the Long Play format of material that was previously released only on 78 RPM records. The series was billed as the Collector’s Treasury Series. LCT 1 – Composers’ Favorite Intepretations - Vienna Philharmonic Orchestra [195?] Rosca: Recondita Amonia – Enrico Caruso/Madama Butterfly, Entrance of Butterfly – G. Farrar/Louise: Depuis Le Jour – M. Garden/Louise: Depuis Longtemps j’Habitais – E Johnson/Tosca: Vissi D’Arte – M. Jeritza/Der Rosenkavailier Da Geht ER Hin and Ich Werd Jetzt in Die Kirchen Geh’n – L Lehmann/Otello: Morte d’Otello – F. Tamagno LCT 2 – Caruso Sings Light Music – Enrico Caruso and Mischa Elman [195?] O Sole Mio/The Lost Chord/For You Alone/Ave Maria (Largo From "Xerxes")/Because/Élégie/Sei Morta Nella Vita Mia LCT 3 – Boris Goudnoff (Moussorgsky) – Feodor Chalipin, Albert Coates and Orchestra [1950] Coronation Scene/Ah, I Am Suffocating (Clock Scene)/I Have Attained The Highest Power/Prayer Of Boris/Death Of Boris LCT 4 LCT 5- Hamlet (Shakespeare) – Laurence Olivier with Philharmonia Orchestra [1950] O That This Too, Too Solid Flesh/Funeral March/To Be Or Not To Be/How Long Hast Thou Been Gravemaker/Speak The Speech/The Play Scene LCT 6 – Concerto for Violin and Orchestra No. 2 in G Minor Op. 63 (Prokofieff) – Jascha Heifetz and Serge Koussevitzky and the Boston Symphony Orchestra [1950] LCT 7 – Haydn Symphony in G Major – Arturo Toscanini and the NBC Symphony Orchestra [195?] LCT 8 LCT 9 LCT 10 –Rosa Ponselle in Opera and Song – Rosa Ponselle [195?] La Vestale: Tu Che Invoco; O Nume Tutelar, By Spontini/Otello: Salce! Salce! (Willow Song); Ave Maria, By Verdi/Ave Maria, By Schubert/Home, Sweet Home, By Bishop LCT 11 – Sir Harry Lauder Favorites – Harry Lauder [195?] Romin' In The Gloamin'/Soosie Maclean/A Wee Deoch An' Doris/Breakfast In Bed On Sunday Morning/When I Met Mackay/Scotch Memories LCT 12 – Concerto for Piano and Orchestra No. -
Radio Times, May 23, 1947
R.dio Times (Incorporating' World·Radio) May 23, 1947. Vol. 95: No. 1232. Registered at the G.P.C. as a Newspaper BBC . PROGRAMMES FOR SCOTTISH EDITION WHITSUN WEEK, MAY 25-31 JOURNAL OF THE SSC PRI CE TWOPENCE WHIT-SU NDAY SERVICES· from Shettle~ton Methodist Church, and from St. Peter's Cathedral, Geneva WHIT-MONDAY SPORT County cricket from Old Trafford and Taunton: Racing from Hurst Park and Redcar : Motor-cycle racing from Cadwell Park, Louth: Athletics from the White City: Association Football from Huddersfield : Cyding from Herne Hill The Secret Correspondence of HITLER AND MUSSOLINI Sunday in the Home Services CLYDE STEAMERS AT WAR Recording of a notable radio' documentary' on Friday at 9.30 p.m. TYPICAL SCOT? Who is he? Where is he? Dour, humourless, dumb? Ruthless, efficient, ambitious? listen on Tuesday at 8.0 p.m. SCOTTISH OPINION Discussion on T~esday at 9.15 HER MAJESTY QUEEN MARY celebrates her eightieth birthday on Monday. During the week the BBC will mark FOCUS ON DIVORCE this happy occasion with special programmes light ,Programme on Tuesday 'ON the birthday itself there will be a pro- Webster Booth, Eric Barker, and Albert Sandler. gramme of music by the Massed Bands The celebration will close with a special per Farewell Night of . of the Brigade of Guards. The musicians formance of old-time dance music in Those MONDAY NIGHT AT EIGHT will number 150 and will be under the direction ~W ere the Days! During the evening the music of Major G. H. Willcocks, M.B.E., Director of of the pipes will be heard from Scotland; jigs and Music of the Irish Guards. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Mario Cozzi Joseph Regneas
CARMELLA PONSELLE AMRI GALLI -CAMPI FRANKLYN BAUR DENNIS NOBLE MARIO COZZI Mario Cozzi's parents took him as a boy from Florence, Italy, to the United States. He became well -known in New York musical circles as assistant to Gatti -Casazza, and made his first appearance as a baritone in several sound films with Grace Moore and Lawrence Tibbett. After launching his operatic career in Italy, he returned to New York in 1933. Since then he has been heard fre- quently on the concert stage and over Station WJZ. Cozzi has achieved nation -wide popularity in a number of outstanding broadcasts, including the John Hancock program, the Continental Varieties and his own solo spot on NBC, in addition to his brilliant performances as star of the Mollé show. He has been a favorite guest star on the National networks for Bab -O, RCA -Victor, the Chase and Sanborn operas and the Radio City Party, also on the JOSEPH REGNEAS Columbia chain for Chevrolet. MARIO COZZI DENNIS NOBLE CARMELLA PONSFT.i.E When Dennis Noble of Bristol, England, was wounded Carmella Ponselle was born in Schenectady and studied while serving with the Royal Air Force, he was trans- music under private tutors. She made her début at the ferred to the entertainment staff as baritone. After the Metropolitan in 1926 as Amneris in "Aida," and later ap- war he was appointed a member of the Westminster peared in "Norma" and "La Gioconda." Abbey choir. Studies in Italy, France and England were Miss Ponselle has concertized throughout the United followed by eleven consecutive seasons at Covent Garden States.