Wavelength (August 1983)
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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Padgett’ S Turn to Violence the Clues That This Seemingly Ordi- Olds High School
SMILE AND FIGHT Improv star Parker stares down cancer — SEE LIFELIFE,, BB11 PortlandTHURSDAY, JUNE 19, 2014 • TWICE CHOSEN THE NATION’S BESTT NNONDAILYONDAILY PAPERTribune • PORTLANDTRIBUNE.COMPORTLANDTRIBUNE.COM • PUBLISHEDPUBLISHED TUESDAYTUESD AND THURSDAY O, Death City takes swing at spare reviving golf game me till Offi cials look to Colwood acquisition to get sport out of hole we talk By J ENNIFER ANDERSON The Tribune Three months after the city’s aquisition of the Colwood National Golf Club about it in Northeast Portland, the city is looking “The game to use it to at- needs a ■ tract a young- Death Cafes er, more di- boost. verse popula- We need tion of golfers tackle the taboo topic to save the fu- a way to ture of the bring other game. people — to help folks make “Most golf- ers are like me more — the majority gender most of their lives of us are gray- haired and diversity, amie always thought she’d like to be male,” says more buried under an oak tree in her rural John Zoller, di- cultural Clackamas County backyard. Nearing rector of the Jdeath after a long bout with cancer Portland Pub- diversity, last fall, she had Eric, her partner, contact lic Golf pro- especially Elizabeth Fournier, who specializes in do-it- gram for more yourself funerals through Cornerstone than 25 years. the young Funeral Services. “The game kids.” Fournier came out for a visit. She told the needs a boost. — J ohn Z oller, couple that over the coming weeks they would We need a way Portland Public talk about what type of to bring other Golf program funeral Jamie wanted, people — more director STORY BY and that there were gender diversi- questions and details ty, more cul- PETER KORN almost nobody consid- tural diversity, ers ahead of time. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Gary Clark, Jr
GARY CLARK, JR. 21st Century Blues The last two years have yielded a dizzying RISING FROM AUSTIN parade of triumphs for Gary Clark, Jr., the 28-year-old artist from Austin, Texas. With the by Tom Hyslop force of Warner Brothers Records behind him, Clark has received a promotional push that rivals that of any mainstream artist, one that certainly exceeds anything witnessed in the blues realm at least since the 1980s, with the mainstream breakouts of Stevie Ray Vaughan and Robert Cray, and possibly since the highly-publicized signing of Johnny Winter by Columbia Records in 1969. In the course of the blitz, Clark has performed at every major festival, including Coachella, SXSW, Made In America, Bonnaroo, Summerfest, Lollapalooza, Dave Mathews Band Caravan, Newport Folk Fest, Electric Forest, Sasquatch! Festival, Mountain Jam, and others, along with dates in the most coveted clubs; received ink in a dizzying variety of publications, from MOJO and SPIN to such unexpected settings as Esquire, Vanity Fair, and even the mainstream Entertainment Weekly, with recurring coverage in Rolling Stone, including a five- star rating for his debut EP on Warners, in a write-up that led off the review section; and made appearances on the major late-night shows: Conan, The Late Show with David Letterman, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno. He has taped an episode of Austin City Limits as headliner. A fragment of “Bright Lights” provided the soundtrack to a major mobile phone provider’s ubiquitous TV advertisement, and the video for “Ain’t Messin’ ‘Round” received regular rotation on VH1, America’s almost univer- sally available cable music television channel. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Code Blue W/ Catya &
influenced by T-Bone Walker and Clarence "Gatemouth" Brown. About 1950 he adopted the stage name 'Guitar Slim' and started becoming known for his wild stage act. He wore bright-colored All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues suits and dyed his hair to match them, had an is held at the House of Rock, 422 Water Street. assistant follow him around the audience with up to *August 7 will be held at Phoenix Park. 350 feet of cord between amplifier and guitar, and would occasionally get up on his assistant's May 28 Howard ‘Guitar’ Luedtke & Blue Max shoulders, or even take his guitar outside the club HowardLuedtke.com June 4 Revolver and bring traffic to a stop. His sound was just as RevolverBand.net unusual — he was playing with distorted guitar more June 25, 2013 at Owen Park June 11 Bryan Lee than a decade before rock guitarists did the same, BrailleBluesDaddy.com and his gospel-influenced vocals were easily June 18 Tommy Bentz Band identifiable. TommyBentz.com His first recording session was in 1951, and he had CodeCode BlueBlue w/w/ CatyaCatya && SueSue June 25 Code Blue with Catya & Sue Catya.net a minor rhythm and blues hit in 1952 with "Feelin' July 2 Left Wing Bourbon Sad", which Ray Charles covered. His biggest LeftWingBourbon.yolasite.com success was "The Things That I Used to Do" (1954). July 9 Charlie Parr The song, produced by a young Ray Charles, was CharlieParr.com released on Art Rupe's Specialty Records label. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Telling Me Lies Written by Linda Thompson,Linda Ronstadt,Betsy Cook, Dolly Parton B They Say a Woman's a Fool for Weeping A
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only Telling Me Lies written by Linda Thompson,Linda Ronstadt,Betsy Cook, Dolly Parton B They say a woman's a fool for weeping A fool to break her own heart F# But I can't hold the secret I'm keeping E B I'm breaking apart B Can't seem to mind my own business Whatever I try turns out wrong F# I seem like my own false witness E B And I can't go on D Bm I cover my ears, I close my eyes B Bsus B Still hear your voice and it's telling me lies Telling me lies B You told me you needed my company And I believed in your flattering ways F# You told me you needed me forever E B Nearly gave you the rest of my days B Should've seen you for what you are Should never have come back for more F# Should've locked up all my silver E B Brought the key back to your door D Bm I cover my ears, I close my eyes B Bsus B Still hear your voice and it's telling me lies Telling me lies B You don't know what a chance is Until you have to seize one F# You don't know what a man is E B Until you have to please one B Don't put your life in the hands of a man B With a face for every season F# Don't waste your time in the arms of a man E B Who's no stranger to treason D Bm I cover my ears, I close my eyes Free Music resources from www.traditionalmusic.co.uk for personal education purposes only Free Music resources from www.traditionalmusic.co.uk for personal education purposes only B Bsus B Still hear your voice and it's telling me lies Telling me lies B I cover my ears, I close my eyes Still hear your voice and it's telling me lies Telling me lies From Parton*Ronstadt*Harris "Trio" Warner Brothers Records 1987 Copyright 1985 by Linda Thompson/Firesign Music Ltd. -
2018 History & Records
2018 HISTORY & RECORDS CONTENTS 1-2 Career Baƫ ng Records 2 Year-by-Year Pitching/Baƫ ng Leaders 3-4 Career Baƫ ng Records 4 Career Fielding Records 5-6 Season Baƫ ng Records 7-8 Season Pitching Records 8 Season Fielding Records 9-11 All-Time Game Records 13 Coaching Records/Season Summaries 14-15 Pilot All-Stars 16 Pilots in the Pros 17-19 All-Time Roster 20-23 All-Time Series Records 24-35 Year-by-Year Results 2018 PORTLAND BASEBALL PortlandPilots.com • Page 1 CCAREERAREER BATTINGBATTING RECORDSRECORDS NOTE: While every a empt has been made toward MOST AT BATS perfec on in compiling these season and career 1. 796 Riley Henricks 2008-11 sta s cs, it should be noted that records are incom- 2. 791 Turner Gill 2011-15 plete prior to the early 1960s. The editor welcomes 3. 745 Travis Ve ers 2003-06 addi ons, correc ons and advice in an eff ort to 4. 744 Brad Clem 1988-91 provide accurate sta s cs. 5. 738 Caleb Whalen 2012-61 Bold indicateS an ac ve player 6. 716 Kris Kauppila 2009-12 7. 714 Les Dennis 1992-95 HIGHEST BATTING AVG. (MINIMUM 200 AB) 8. 708 Ma Allen 1999-02 1. .376 Geoff Loomis (211-561) 1990-92 9. 707 Jason Geis 1989-92 2. .364 Jason Geis (257-707) 1989-92 10. 704 Cody Lenahan 2012-15 3. .349 Lenny Farrell (110-315) 1955-57 4. .347 Rick Falkner (229-660) 1985-88 MOST RUNS SCORED 5. .333 Ben Ortman (134-403) 1992-93 1.