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The Vampire Lestat Has Settled in San Francisco. And
ABCD o o o xxxxx 1.10.2006 DATEBOOK Section D Darryl Bush / The Chronicle Lestat, sung by Hugh Panaro, prepares to sink his teeth into Louis (Jim Stanek) in “Lestat,” at the Curran Theatre. The musical is scheduled to run on Broadway in the spring. REVIEW K The vampire Lestat has settled in San Francisco. Lestat: Musical. And he’s singing in a new musical. Quick! Book by Linda Woolverton, adapted from Anne Rice’s “The Someone fetch the garlic and a wooden stake! Vampire Chronicles.” Music by Elton By Robert Hurwitt In “Lestat,” Elton John Palace Theatre. The world-premiere run at the Cur- John. Lyrics by Chronicle Theater Critic ran is a shakedown cruise, after all. But “Lestat” has Bernie Taupin. Directed by and Bernie Taupin have combined been in previews since Dec. 17, during which one Robert Jess The creatures of Anne Rice’s “The Vampire major supporting actor has been dismissed and pre- Roth. (Through Chronicles” have survived many things — fire, fam- their talents for a toothless act. sumably other changes have been made. It needs Jan. 29. Curran ine, dismemberment, even a couple of regrettable much more work. Theatre, 445 Hollywood movies. Whether they can survive “Les- Part of the problem may be the source. “Lestat” Geary St., San tat,” the Broadway-bound musical at the Curran “Lestat” was put together by director Robert Jess is adapted from the first two books of “The Vampire Francisco. Two Theatre, is more open to question. Roth, who staged Disney’s first theatrical venture, Chronicles” — 1976’s “Interview With the Vam- hours, 40 Didactic, disjointed, oddly miscast, confusingly “Beauty and the Beast,” now in its 12th year on pire” and 1985’s “The Vampire Lestat” — which minutes. -
Philosophy Goes to the Movies
PHILOSOPHY GOES TO THE MOVIES ‘Philosophy Goes to the Movies is very clearly and engagingly written. It has a particular claim on the attention of those preparing students for a systematic study of philosophy, one that distinguishes it from any other introductory book I know of.’ Stephen Mulhall, University of Oxford ‘I think this is an excellent text. Falzon is in control of his material. He writes clearly and at a level that undergraduates can understand. He seems as comfortable describing films as he is explaining the nature of a philosophical problem. It will make an outstanding text to use in introductory philosophy classes.’ Thomas Wartenburg, Mount Holyoke College, USA Philosophy Goes to the Movies is a new kind of introduction to philosophy that makes use of film to help us understand philosophical ideas and positions. Drawing on art- house movies like Cinema Paradiso and Hollywood blockbusters such as The Matrix, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • science and technology • critical thinking. Falzon draws from the ideas of a diverse selection of thinkers, from Plato and Descartes to Marcuse and Foucault. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples including Total Recall, Crimes and Misdemeanors, Monty Python and the Holy Grail, Antz and Wings of Desire. It will also appeal to anyone interested in the philosophical dimensions of cinema. Christopher Falzon is Lecturer in Philosophy at Newcastle University, Australia. He is the author of Foucault and Social Dialogue (Routledge, 1998). -
Ana Vian Herrero Universidad Complutense
TRANSFORMACIONES DEL PENSAMIENTO MÁGICO: EL CONJURO AMATORIO TRANSFORMACIONES DEL PENSAMIENTO MÁGICO: EL CONJURO AMATORIO EN LA CELESTINA Y EN SU LINAJE LITERARIO Ana Vian Herrero Universidad Complutense Si, de acuerdo con las últimas investigaciones, la mayor parte de los críticos se inclinan a conceder una funcionalidad destacada a las artes negras en la Tragicomedia, lo que ocurre con las continuaciones de La Celestina está aún por aclarar en profundi- dad. La variedad de situaciones es notoria, pues no se trata del mismo modo el tema de la magia en las continuaciones trágicas y en las cómicas, ni unas y otras sin distinción optan por el mismo desarrollo dramático del modelo. A estudiar aquella casuística se dedica este trabajo, aunque no desmenuzando el conjunto de la argumentación, sino de modo muy selectivo. A partir de la Tragicomedia analizaré el ciclo literario de las continuaciones (no las imitaciones) tal y como quedó diseñado por Pierre Heugas, con las precisiones esenciales para el establecimiento del corpus que ha añadido después Consolación Baranda.1 Renuncio, por razones de amplitud, a tratar ahora la cuestión en las continuaciones cómicas, donde el pensamiento mágico ocupa un lugar mucho más reducido y el tratamiento no difiere del que ha puesto de relieve M. Á. Pérez Priego en las imitaciones celestinescas del teatro renacentista.2 Dentro de las continuaciones trá- gicas, es también imposible desarrollar por completo el tema, pero me detendré sólo en comparar, en todos los textos, un elemento que desde los inicios se ha considerado esencial: el conjuro de la hechicera y sus secuelas. 1. -
Two for Confidence Antonio Shaw Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2012 Two for Confidence Antonio Shaw Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the American Literature Commons Recommended Citation Shaw, Antonio, "Two for Confidence" (2012). All Theses. 1368. https://tigerprints.clemson.edu/all_theses/1368 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. TWO FOR CONFIDENCE A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Antonio Maurice Shaw May 2012 Accepted by: Keith Lee Morris, Committee Chair Dr. Alma Bennett Dr. Jillian Weise ABSTRACT In this comedic short story, Jamez Wythazee (pronounced “James With-a-Z”) has just left a house party after being rejected by his dream girl, Monique Nettles. Lost in his thoughts of inadequacy, jealousy, and intra-racial conflict, he does not notice that he is being followed. Before he knows it, Jamez finds himself attacked by a mysterious assailant who possesses razor-sharp claws and inhuman speed. Even more amazing, Jamez somehow survives the assailant’s attacks with little effort and completely unscathed. The mysterious attacker turns out to be a desperately hungry vampire named Maximilian Marvis. After a humorous exchange of insults and a bus ride that brings the unlikely duo to a mutual understanding of each other, the two make an agreement to help each other with their respective plights. -
Chapter 11 ) LAKELAND TOURS, LLC, Et Al.,1 ) Case No
20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 1 of 105 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ) In re: ) Chapter 11 ) LAKELAND TOURS, LLC, et al.,1 ) Case No. 20-11647 (JLG) ) Debtors. ) Jointly Administered ) AFFIDAVIT OF SERVICE I, Julian A. Del Toro, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On September 25, 2020, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, via electronic mail on the service list attached hereto as Exhibit B, and on three (3) confidential parties not listed herein: Notice of Filing Third Amended Plan Supplement (Docket No. 200) Notice of (I) Entry of Order (I) Approving the Disclosure Statement for and Confirming the Joint Prepackaged Chapter 11 Plan of Reorganization of Lakeland Tours, LLC and Its Debtor Affiliates and (II) Occurrence of the Effective Date to All (Docket No. 201) [THIS SPACE INTENTIONALLY LEFT BLANK] ________________________________________ 1 A complete list of each of the Debtors in these chapter 11 cases may be obtained on the website of the Debtors’ proposed claims and noticing agent at https://cases.stretto.com/WorldStrides. The location of the Debtors’ service address in these chapter 11 cases is: 49 West 45th Street, New York, NY 10036. 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 2 of 105 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 3 of 105 Exhibit A 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 4 of 105 Exhibit A Served via First-Class Mail Name Attention Address 1 Address 2 Address 3 City State Zip Country Aaron Joseph Borenstein Trust Address Redacted Attn: Benjamin Mintz & Peta Gordon & Lucas B. -
The Vampire Lestat Rice, Anne Futura Pb 1985 Jane Plumb 1
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36264 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. • DARK, ANGEL A STUDY OF ANNE RICE'S VAMPIRE CHRONICLES BY Jane Plumb (B. A. Hons) Ph.D Thesis Centre for the Study of Women & Gender University of Warwick January 1998 Jane Plumb CONTENTS Acknowledgements i Synopsis ii Abbreviations iii 1 The Vampire Chronicles:- Introduction - the Vampire Chronic/es and Bram Stoker's Dracula. 1 Vampirism as a metaphor for Homoeroticism and AIDS. 21 The Vampire as a Sadean hero: the psychoanalytic aspects of vampirism. 60 2. Femininity and Myths of Womanhood:- Representations of femininity. 87 Myths of womanhood. 107 3. Comparative themes: Contemporary novels:- Comparative themes. 149 Contemporary fictional analogues to Rice. 169 4. Conclusion:- A summary of Rice's treatment of genre, gender, and religion in 211 relation to feminist, cultural and psychoanalytic debates, including additional material from her other novels. Bibliography Jane Plumb ACKNOWLEDGEMENTS' I am especially grateful to Dr. Paulina Palmer (University of Warwick) for her unfailing patience and encouragement during the research and compiling of this work. I wish also to thank Dr. Michael Davis (University of Sheffield) for his aid in proof-reading the final manuscript and his assistance in talking through my ideas. -
December 2004 Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news January 2005 www.sandiegotroubadour.com Vol. 4, No. 4 what’s Nickel Creek: inside Living the Dream Welcome Mat ………3 Mission Statement Contributors Tales from the Trails Full Circle.. …………4 Eugene Vacher Recordially, Lou Curtiss Front Porch …………6 KKSM’s Joan Rubin Tom Boyer Parlor Showcase... …8 Nickel Creek Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze The Highway’s Song... 12 Al Kooper Of Note. ……………13 Griffin House The Taylor Harvey Band Itai ickles the horse chews February 1981, also a home grown Sean and Sara when the surf is good, Rookie Card contentedly in the prodigy raised in the Idylwild moun - and one can feel the excitement in Tom McRae small backyard pasture tains a couple of hours from Vista, it the house as they prepare for one of ‘Round About ....... …14 as the three young - is the mandolin. The three friends are their regular surf safaris to Carlsbad. January Music Calendar sters on the back already creating quite a stir at blue - Mom Karen happily shows the latest porch play their instru - grass festivals and contests. photos of the body board exploits, The Local Seen ……15 ments. It’s peaceful and Life is good in those early days. and Sean and Sara both expound on Photo Page Pbucolic in rural Vista during the mid School at home, church and church the great rides, and “getting pound - 1980s for these three home- activities, surfing, skiing, camping with ed” on the bigger days. -
The Gendered Vampires in Contemporary Culture: a Lesbian Feminist Reading
The Gendered Vampires in Contemporary Culture: A Lesbian Feminist Reading Thesis presented by Ina YEE to Department of Modem Languages and Intercultural Studies The Chinese University of Hong Kong in partial fulfillment of the requirements for the Degree of Master of Philosophy 1999 © 1999 Ina YEE .^^;-/ji系維書圖^ ^^ \ 4 FFB in|| :—l.,.,,^RSiT Y ZJJ/cg/ 'v-^V"xLiBRARY SYSTE^y^T �^^^ Acknowledgements I would like to take this opportunity to thank the various people who have given me tremendous help and support during the past two years. To begin—with, I would like to express my heartfelt gratitude to Prof. K.Y. Wong, my supervisor and mentor, whom I have known since my undergraduate years. In fact it was him who set me off on this project: he introduced vampirism to me. I have leamt a great deal from his expertise and enthusiasm. Over the years, he has been a wonderful teacher and supervisor, taking pains to listen to my---sometimes personal--- problems, giving me advice. Working with him for the past two years has been fun and rewarding. I have not only found a teacher in K.Y., but a great friend too. I would also like to thank Prof. Thomas Luk, my co-supervisor, for his time and energy in looking through the rough drafts of my thesis, which are never in short of careless mistakes. He has been a helpful supervisor, and with his solid experience in literary criticism,he has identified errors in my arguments which I have overlooked. I am glad to have Prof. Cheung Chan Fai and Prof. -
Hugh Panaro Is Perhaps Best Known for Having Played the Coveted Role
Hugh Panaro is perhaps best known for having played the coveted role of the Phantom in Broadway's The Phantom of the Opera over 2,000 times, including the 25th Anniversary production. In fact, Hugh is one of the few actors to be cast by Harold Prince as both The Phantom and Raoul in the show's Broadway production. Hugh made his Broadway debut in the original production of Les Misérables as Marius, the role he originated in the First National Company. He also created the roles of Buddy in the original Side Show (Sony cast recording); Julian Craster in Jule Styne's last musical, The Red Shoes; and the title role in the American premiere of Cameron Mackintosh's Martin Guerre. Hugh was nominated for an Outer Critics Circle Award for his performance in the title role of Elton John's Lestat, based on Anne Rice's Vampire Chronicles. He made his West End debut in the original London company of Harold Prince's Show Boat as Gaylord Ravenal, the role he previously played in the Broadway and Toronto productions. At the prestigious 5th Avenue Theater in Seattle, Hugh played George Seurat in Sam Buntrock's Tony Award-winning production of Sunday in the Park with George, and Robert in Stephen Sondheim's Company. Hugh's performance as Jean Valjean in the Walnut Street Theater's production of Les Misérables earned him the prestigious Barrymore Award, for which he was again nominated after a turn as Fagin in Oliver! In 2012, Hugh was honored with the Edwin Forrest Award for his long-term contribution to the theater. -
La Creación De Mancera Hermanos Y Cía. SC
EY México Francisco Álvarez del Campo Presidente y Director General de EY México y Centroamérica Emilio Díaz Romero Socio Director de Mercados Mauricio Galindo Gómez Director de Mercadotecnia Producción de la obra Coordinación general: Eduardo Hume Santa Coloma Coautora: Rita Holmbaeck Rasmussen Libro conmemorativo de EY México 80 años construyendo un mejor entorno de negocios Número de registro: 03-2014-111111405200-01 D.R. © Mancera, S.C. Mancera, S.C. forma parte de la red global de firmas miembro de Ernst & Young Global Limited, entidades legales independientes identificadas en su conjunto como EY. Av. Ejército Nacional 843B Torre B Piso 4 Col. Granada 11520 Ciudad de México, Distrito Federal, México. www.ey.com/mx EY — 80 años en México Índice 6 Compartir lo que somos para crecer juntos 8 Enfrentar el futuro con visión 18 Prólogo 20 Introducción 22 Los años 20 Antecedentes 26 Los años 30 De la Gran Depresión a la guerra de los mundos La nacionalización del petróleo y el inicio de la Época de Oro 36 Los años 40 El mundo visto desde la guerra y la cultura El eco de la guerra entre boleros 48 Los años 50 Sobrevivir al medio siglo La caída del Ángel 60 Los años 60 Del blanco y negro al color Desarrollo estabilizador que no se olvida 74 Los años 70 La existencia del cuarto poder El fin del Estado benefactor 86 En palabras de Enrique Zamorano García Breve historia de Mancera Ernst & Young 96 Los años 80 El adiós al muro Época de solidaridad 110 Los años 90 Hacia el fin del milenio Del efecto Tequila a la transición de poder 124 Jorge Aguilar: -
Q01-00051-N51-2010-10.Pdf
1 Índice: • Viaje a través del tiempo. • Métodos propuestos para la realización de un viaje en el tiempo • El viaje en el tiempo en la ficción • La filosofía y los viajes a través del tiempo • Otra vez el tiempo. Bruno Henríquez • Nodo. Telephone time. Raúl Aguiar • El alunizaje del “Chango 1 y ½ ” Yoss • Souvenir. Carlos Duarte • Cuando saltó, la Tierra todavía… Claudio G. del Castillo • Viajaremos en el tiempo. • Hola :D. Adolfo Nelson Ochagavía Callejas (Sideral) • 8 de Diciembre. Raúl Flores Iriarte • Cuestión de tiempo. Leonardo Gala • Historia del cine ciberpunk. 1996. Crash. Para subscribirte a la revista, escribir a [email protected] Para descargar números anteriores de Qubit, visitar http://www.eldiletante.co.nr 2 VIAJE A TRAVÉS DEL TIEMPO De Wikipedia El viaje a través del tiempo es un concepto de desplazamiento hacia adelante o atrás en diferentes puntos del tiempo, así como lo hacemos en el espacio. Adicionalmente, algunas interpretaciones de viaje en el tiempo sugieren la posibilidad de viajes entre realidades o universos paralelos. ¿Es teóricamente posible el viaje a través del tiempo? Y si es así, ¿podemos realizar paradojas durante un viaje en el tiempo (por ejemplo matar a los propios antepasados)? De hecho los humanos estamos constantemente viajando a través del tiempo, sólo que de una manera lineal, del presente al futuro inmediato, inexorablemente, hasta la muerte. Los viajes a través del tiempo en la física Movimientos en el tiempo y en el espacio De acuerdo con la descripción convencional de la teoría de la relatividad las partículas materiales al moverse a través del espacio-tiempo se mueven hacia delante en el tiempo (hacia el futuro) y hacia un lado u otro del espacio. -
19-200Q5151K5.Pdf
El ladrón de cuerpos Anne Rice Traducción: Raquel Albornoz EDITORIAL ATLÁNTIDA BUENOS AIRES Diseño de tapa: Mercedes Torralva y Carolina Sessa Diseño de interior: Claudia Bertucelli Título Original: THE TALE OF THE BODY THIEF Copyright © 1992 by Arme O'Brien Rice Copyright de esta edición © Editorial Atlántida, 1993 Derechos reservados. Primera edición publicada por EDITORIAL ATLÁNTIDA S.A.; Azopardo 579, Buenos Aires, Argentina. Hecho el depósito que marca la ley 11.723. Printed in Brasil. Esta edición se terminó de imprimir en el mes de noviembre de 1993 en los talleres gráficos de la Companhia Melhoramentos de Sao Paulo - Industrias de Papel, Rúa Tito 476, Sao Paulo. Edición digital revisada agosto 2004 Para mis padres, Howard y Katherine O'Brien. Sus sueños y su coraje me acompañarán todos mis días. Sailing To Byzantium By W.B. Yeats 1 That is no country for old men. The young In one another's arms, birds in the trees —Those dying generations— at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect. 2 An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium. 3 O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul.