Polish Brass Quintet Was Born

Total Page:16

File Type:pdf, Size:1020Kb

Polish Brass Quintet Was Born PolishBrassQuintet In the beginning there was passion for music. This passion led each one of us to music school, then on to college and finally to becoming professional soloists. This is how we met – learning together, playing together, and competing at various contests. Even though each one of us is a talented soloist in his own city, we really wanted to create something together. We wanted to combine our talents and create a group that did not exist in all of Poland yet! A quintet comprised of accomplished soloists from the best Polish symphony orchestras. This is how Polish Brass Quintet was born. We want to show the Polish and international audiences the true capability of our instruments, which are often relegated to orchestral background. Our instruments add color to symphonic masterpieces, but often behind other orchestra sections. Brass is not only for marches and bugle calls. Composers in the twentieth century realized the potential of brass ensembles, and therefore the repertoire of this era is of most interest to us. We want to work together with renowned Polish and international composers, encouraging them to create music with Polish Brass Quintet in mind. We want to inspire young creators to discover the potential of the brass quintet, as well as debuting musicians to create similar groups. We hope that our efforts will eventually give rise to a new repertoire which can be used in Poland and around the world. We would also like to further the advancement of brass chamber music by attending master’s courses, workshops and participating in Polish and international festivals. Polish Brass Quintet is an ensemble of people with passion and skills. Playing music is an adventure for us that gives us lot of joy that we would like to share with our audience. Please join us for our concerts! Members Jakub Waszczeniuk - trumpet Born in Dębno. He graduated with honours from the Secondary Music School in Gorzów in the trumpet class of Włodzimierz Kozłowski. He went on to graduate with honours from the Wrocław Academy of Music in the trumpet class of Professor Igor Cecocho. In 2005, as a 4th year student, he commenced work in the Sinfonia Varsovia Orchestra as trumpet soloist. Since then, he has played several hundred concerts with the Orchestra, performing at the most renowned concert halls in the world. He has also appeared many times as soloist with, among others, the Sinfonia Varsovia Orchestra and with the Poznań, Łódź and Lower Silesian Philharmonic Orchestras. In July 2006 Waszczeniuk performed as soloist at the inaugural concert of the Chopin and his Europe Festival. Together with Martha Argerich and with the Sinfonia Varsovia Orchestra under the direction of Alexander Rabinovitch-Barakovsky he played Shostakovich’s Concerto No. 2 for Piano, Trumpet and Strings Op.35 Waszczeniuk plays with the following orchestras: Sinfonia Varsovia (principal trumpeter), Sinfonietta Cracovia, Leopoldinum, Poznań Philharmonic Orchestra, Łódź Philharmonic Orchestra, and Beethoven Academy Orchestra. Ostap Popovych - trumpet Charisma, professionalism, artistic sensibility and outstanding technical skills made the highest rank Polish cultural institutions’ door wide-open for Ostap Popovych. Cooperation with philharmonic orchestras in Poland and Ukraine enabled to introduce him to the world as a top soloist and chamber musician. Since 2013 Ostap is the leader of trumpets in Poznan Philharmonic Orchestra. Ostap was born in Lviv in a family of very strong musical roots. Since his youth he is being consequently awarded with various performing prizes in a field of classical music, such as: Grand Prix at International Competition Kiev- Worzel (2003), Grand Prix at 1st International Competition for Young Instrumentalist in Czerniowice (2004), Grand Prix at 3rd International “M.Staroweckoho” Trumpet Competition in Tarnopol (2008), Distinction at 6th International Brass Competition in Gdansk (2012), II prize at Polish Brass Competition in Katowice (2013) and Grand Prix at 9th International Brass Competition in Brno (2013). Ostap graduated from Mykola Lysenko Lviv State Academy of Music and Feliks Nowowiejski Academy of Music. Ostap has participated in masterclasses with Roman Gryń and Tomasz Ślusarczyk during Yamaha Brass Master Class and was taking directions of Wynton Marsalis at the Alfa Jazz Fest. Despite his young age, Ostap Popovych is already a very experienced orchestra musician. He cooperated with such orchestras as: Lviv Philharmonic Orchestra, Sinfonia Iuventus or the Broadway SOMA Orchestra with that he had a half of the year orchestra tour around China. In his professional life he had such an honour to work with authorities as: Valery Giergiev, Lorin Maazel, Sir Neville Marriner, Charles Dutoit , Gabriel Chmura, Krzysztof Penderecki, Marek Pijarowski, Rafael Payare, George Tchitchinadze. Ostap was awarded with a Scholarship of Ukranian President, Wladimir Spiwakow Foundation Scholarship and the Special Scientific Council Scholarship of the Music Academy in Lviv. Henryk Kowalewicz - French horn Henryk Julian Kowalewicz was born in Warsaw. He began playing the French horn at the age of eleven. In 1988, he entered the Karol Szymanowski State Music School Complex No. 4 in Warsaw, initially studying the piano. He became interested in the French horn only in grade 6, entering the class of Professor Krzysztof Specjał. In 2001 Kowalewicz entered the Fryderyk Chopin Academy of Music in Warsaw in the French horn class of Professor Jan Jeżewski, which he graduated in 2006. In 2005 Kowalewicz commenced post-graduate studies at the Hochschule der Kunste Bern in Switzerland in the French horn and natural horn class of Professor Thomas Muller, from which he graduated in 2007. Since 2002 Krzysztof Kowalewicz has worked with the Polish Radio Symphony Orchestra, the Beethoven Academy Orchestra, the Pomeranian Philharmonic, the Polish Sinfonia Iuventus Orchestra, the Leopoldinum Wrocław Chamber Orchestra, Sinfonietta Cracovia, Sinfonia Varsovia, the National Philharmonic and the National Opera Orchestra in Warsaw. In the 2007-2008 he was the principal horn of the National Philharmonic in Warsaw. In 2011 he has also joined the European Brass Orchestra. Henryk Kowalewicz has performed as soloist with the Orchestra of the Fryderyk Chopin University of Music, the Wrocław Philharmonic Orchestra, Orchestra of the Warmińsko-Mazurska Philharmonic, the Łódź Philharmonic, the New Chamber Orchestra and with the Sinfonia Varsovia Orchestra. Kowalewicz is also an active chamber musician. He has been a member of the Sinfonia Varsovia Brass Quintet and of the Sinfonia Varsovia Wind Quintet since 2008. Since 2007 he has been a member of the Essentia Musica ensemble, which specialises in the performance of early music. He has joined the Mazo Horn Quartet in 2010. Henryk Kowalewicz is also a member of the Warsaw Brass Trio, with which he has performed at such festivals as the Schagerl Brass Festival (2008, 2011), Budapest Brass Weekend (2010), Lieksa Brass Week (2011), Melbourne International Festival of Brass (2011) and 13ème Stage de Trombone in Lille (2012). He has performed in Poland, Austria, Finland, France, Hungary and Australia. In 2006-2013 he taught in the French horn class at the Fryderyk Chopin University of Music in Warsaw. In 2013 Kowalewicz led a master class at the International Belgian Brass Academy in Harelbeke- Kortrijk in Belgium. Henryk Kowalewicz is a laureate of a scholarship from the Minister of Culture and National Heritage for distinguished Polish artists of the young generation Young Poland (2006), In 2008 Henryk Kowalewicz became the principal French horn of the Sinfonia Varsovia Orchestra. Tomasz Hajda - trombone Born on July 21st 1983 in Tarnowskie góry, Silesian Voivodeship. He started his musical education in 1990 in the Frederic Chopin Comprehensive Primary and Secondary Music School in Bytom in guitar class. In 1997 he started his trombone playing education in Paweł Waloszczyk’s class and in 2003 he graduated with honours. During his early years of playing the trombone, Tomasz Hajda was a frequent prizewinner as a soloistand a chamber music performer. He was the prizewinner of the 6th Silesian Brass Instruments Contest in Dąbrowa Górnicza (1998), the prizewinner of the 2nd Trombone Festival in Warsaw (2000), the winner of the Regionwide Chamber Ensamble Contest in Tarnowskie Góry in the period of 1999- 2001. He was awarded 2nd prize in the Regionwide Music Contest in Chorzów (2000), 3rd prize in the Academic Chamber Music Ensambles Contest in Warsaw (2003), 1st prize in the 29th All-Polish Chamber Ensambles Music Contest of Secondary Music School in 2003. In the same year, he also won the scholarship of the Mayor of Bytom City. In 2003-2006 he studied at the Karol Lipiński Academy of Music in Wrocław in Assistant Professor of Music Michał Mazurkiewicz’s trombone class. He graduated with honours in 2007. During the period of his studies he was awarded: - 1st prize in the Short Compositions Contest in Wrocław in 2004-2005, - 1st prize in the 7th Music Contest of Chamber Music Ensambles of Euroregion of Nysa in 2004, - 2nd prize in the 1st All-Polish Brass Instruments Contest in Katowice in 2006, - 2nd prize in the 4th Trombone Festiwal in Solo Category and 3rd prize in the Orchestral Studies in 2006, After completing his studies he won: - 1st prize in the International Competition im. Michała Spisaka in Dąbrowa Górnicza (2008) - a scholarship of the Minister of Culture and National Heritage „Młoda Polska” (2010) - 2nd prize in the Internacional Competition for Brass Instrument in Gdańsk (2012) During his studies, he cooperated with the Lower Silesia Opera and since 2004 he has been performing as the first trombonist of the Polish Radio National Symphony Orchestra nationally as well as abroad. In may 2007 he has recorded a CD issued by Polish Radio and Silesian Music Society, in which a soloist 3rd Symphony of Glory, in april 2009 he recorded another CD issued by Polish Radio and Silesian Music Society, on that occur as a trombonist „Trombone Choir Silesian”.
Recommended publications
  • Dissertation Outline
    COMMON AND DIFFERING IMPACTS OF THE EUROPEAN FRAMEWORK FOR THE PROTECTION OF NATIONAL MINORITIES WITH SPECIAL CONSIDERATION OF SWEDEN AND POLAND A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Katarzyna M. Polanska IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisers: Professor Ann Hironaka and Professor Joachim J. Savelsberg December 2012 Acknowledgements First and foremost, I want to thank my advisors, Ann Hironaka and Joachim Savelsberg. Ann’s excellent guidance, caring, patience, and encouragement truly kept me going. She was always available to discuss my ideas, and provide feedback and suggestions on how to strengthen my arguments. Joachim’s feedback was invaluable and conversations with him led to many of the ideas put forth; his comments and critiques enriched the work. Countless conversations with these two intelligent mentors helped focus and improve my work. I cannot thank them enough. I also benefitted from my superb dissertation committee. Its members provided important input and critique at various stages of research and writing. Ron Aminzade reminded me of the importance of considering a variety of forces in the study of social phenomena and his comments improved my arguments. Joseph Gerteis provided excellent suggestions on how to clarify of my arguments, suggested methods, and challenged me to strengthen the project in a variety of ways. I also thank Helga Leitner for her thoughtful critique and support over the years. During my time at the University of Minnesota, I took a number of excellent and intellectually stimulating classes and met a number of other faculty who left an impression and inspired me in a variety of ways including Jeffrey Broadbent, Liz Boyle, Robin Stryker, and Evan Schofer.
    [Show full text]
  • Studia Regionalia
    STUDIA REGIONALIA Journal of the Polish Academy of Sciences: Committee for Spatial Economy and Regional Planning & European Regional Science Association (ERSA) Polish Section Volume 51, 2017, pp. 51–67 doi: 10.12657/studreg-51-04 DYNAMICS AND VIABILITY OF CITY CENTRES – CONCEPTS, TOOLS, PROJECTS Adam Polko University of Economics in Katowice, Faculty of Economics, Department of Spatial and Environmental Economics; 1 Maja 50, 40-287 Katowice, Poland; [email protected] Abstract: The paper presents a review of concepts for the development of city centres in response to social and culture processes, economic, technical and environmental developments taking place at present on those areas. This review proves that concepts tend to change over time from those based on economic dynamics to those based on collaborative commons and on governance. On the example of a few city centres situated in the Silesian Region an analysis was carried out of the concepts being presently applied and with the use of which projects Silesian cities strive to maintain and strengthen the dynamics and vitality of city centres. Keywords: Creative city, gentrification, participatory governance, sharing city, urban commons, urban regeneration, vitality and viability of inner city. JEL codes: R10, R50 Introduction The town centre has always remained a subject of particular care both on the part of local authorities, and the inhabitants. It is a place where the most important municipal facilities and institutions are situated. It is also a place characterised by certain historical and culture values. What is more, it is also a place in which are representative public spaces that form certain hallmarks and the main reference point for persons visiting the city.
    [Show full text]
  • Turismus V Bydhošti. Kulturní a Jazykové Bariéry
    VYSOKÁ ŠKOLA POLYTECHNICKÁ JIHLAVA Obor: Cestovní ruch Turismus v Bydhošti. Kulturní a jazykové bariéry bakalářská práce Autor: Miroslav Danko Vedoucí práce: RNDr. Jitka Ryšková Jihlava 2013 Prohlašuji, že předložená bakalářská práce je původní a zpracoval jsem ji samostatně. Prohlašuji, že citace použitých pramenů je úplná, že jsem v práci neporušil autorská práva (ve smyslu zákona č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů, v platném znění, dále též „AZ“). Souhlasím s umístěním bakalářské práce v knihovně VŠPJ a s jejím užitím k výuce nebo k vlastní vnitřní potřebě VŠPJ . Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vztahuje AZ, zejména § 60 (školní dílo). Beru na vědomí, že VŠPJ má právo na uzavření licenční smlouvy o užití mé bakalářské práce a prohlašuji, že s o u h l a s í m s případným užitím mé bakalářské práce (prodej, zapůjčení apod.). Jsem si vědom toho, že užít své bakalářské práce či poskytnout licenci k jejímu využití mohu jen se souhlasem VŠPJ, která má právo ode mne požadovat přiměřený příspěvek na úhradu nákladů, vynaložených vysokou školou na vytvoření díla (až do jejich skutečné výše), z výdělku dosaženého v souvislosti s užitím díla či poskytnutím licence. V Jihlavě dne 10. května 2013 ...................................................... Podpis I would like to express my gratitude towards my supervisor RNDr. Jitka Ryšková for her help with my bachelor thesis. I am greatful for the time she spent supervising my work and all of the advice she give me. I wish to thank Mr. Jan Karol Słowinski who supervised and helped me with my thesis during my stay in Poland.
    [Show full text]
  • Rehearing Beethoven Festival Program, Complete, November-December 2020
    CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time.
    [Show full text]
  • Paths of Shrinkage in the Katowice Conurbation : Case Studies of Bytom and Sosnowiec Cities
    Title: Paths of shrinkage in the Katowice Conurbation : case studies of Bytom and Sosnowiec cities Author: Robert Krzysztofik, Jerzy Runge, Iwona Kantor-Pietraga Citation style: Krzysztofik Robert, Runge Jerzy, Kantor-Pietraga Iwona. (2011). Paths of shrinkage in the Katowice Conurbation : case studies of Bytom and Sosnowiec cities. Sosnowiec : Wydział Nauk o Ziemi. Uniwersytet Śląski. Robert Krzysztofik Jerzy Runge Iwona Kantor-Pietraga Paths of Shrinkage in the Katowice Conurbation. Case Studies of Bytom and Sosnowiec Cities Sosnowiec 2011 Redaktor Prac Wydziału Nauk o Ziemi Uniwersytetu Śląskiego Prof. dr hab. Andrzej T. Jankowski Editor of The Dissertations of Earth Science Faculty, Silesian University Prof. dr Andrzej T. Jankowski Prace Wydziału Nauk o Ziemi Uniwersytetu Śląskiego nr 69 The Dissertations of Earth Science Faculty, Silesian University, no. 69 Recenzent: Review by: Prof. UJ dr hab. Andrzej Zborowski Prof. dr Andrzej Zborowski Uniwersytet Jagielloński w Krakowie The Jagiellonian University, Krakow Wydawca: Publish by: Wydział Nauk o Ziemi Faculty of Earth Science Uniwersytet Śląski University of Silesia Ul. Będzińska 60, 41-200 Sosnowiec 60, Będzińska Street, 41-200 Sosnowiec ISSN 1895-6777 ISBN 978-83-61644-21-7 Druk: Pracownia Komputerowa Jacka Skalmierskiego, Gliwice. Printing: The Jacek Skalmierski Computer Laboratory, Gliwice. Książka sfinansowana z budżetu projektu unijnego: Shrink Smart. Governance of Shrinkage within a European Context, nr 225193 This book has been published with the support of the EU Project:
    [Show full text]
  • Sinfonia Varsovia
    Sinfonia Varsovia Paul Meyer, Dirigent Lucas und Arthur Jussen, Klaviere Brauchen Sie ein Klavier ? Vergessen Sie nicht Piano Maene zu besuchen ! Neuer Showroom in Oud-Rekem (Lanaken), 45 min. von Aachen Angebot von Neu- und Gebrauchtinstrumenten von Steinway, Boston, Essex, Doutreligne, Yamaha, Kawai und Sauter Digital Pianos Yamaha, Kawai, Roland, Nord Pianovermietung ab 35,- Euro/Monat Piano Maene Limburg Steenweg 224 3621 Oud-Rekem (Lanaken) 089/ 215272 Ab September 2017 : Kirche Oud Rekem Patersstraat 51 3621 Oud-Rekem www.maene.be O zieller Lieferant des Belgischen Hofes — 3 — Meisterkonzerte Aachen.indd 1 22/02/17 11:39 Samstag, 4. März 2017, 19:30 Uhr Eurogress, Aachen Sinfonia Varsovia Paul Meyer, Dirigent Lucas und Arthur Jussen, Klaviere Darius Milhaud (1892 – 1974) Le bœuf sur le toit op. 58 Wolfgang Amadeus Mozart (1756 – 1791) Konzert Es-Dur für 2 Klaviere und Orchester KV 365 Allegro Andante Rondo: Allegro — Pause — Gabriel Fauré (1845 – 1924) Gavotte aus „Masques et bergamasques“ op. 112 Pavane fis-moll op. 50 Antonín Dvorákˇ (1841 – 1904) Tschechische Suite D-Dur op. 39 Preludio: Allegro meoderato – Pastorale Allegro grazioso – Polka Allegro giusto – Sousedská Andante con moto – Romanze Presto – Furiant Bitte beachten Sie, dass jegliche Ton- und Bildaufnahmen des Konzerts nicht gestattet sind. Vielen Dank. — 3 — Masken und Bergamasken ch fand Paris im Siegesrausch vor. Aber ich kehrte als Fremdling in meine alte Wohnung zurück, denn „Imeine Augen waren noch erfüllt von dem verwirren- den Licht, das der brasilianische Himmel widerspiegelt, und meine Ohren klangen noch wider von den üppigen Geräuschen des Urwaldes und dem subtilen Rhythmus des Tango.“ Zwei Jahre hatte Darius Milhaud in Brasilien verbracht, bevor er 1919 in das vom Weltkrieg gezeich- nete Frankreich zurückkehrte.
    [Show full text]
  • Acta Rerum 16.Indb
    Acta rerum naturalium 16: 51–60, 2014 ISSN 1803-1587 Silver and lead production centre in southern Poland - between Bytom, Olkusz and Tarnowskie Góry in the Middle Ages. Research Problems Středověké centrum produkce stříbra a olova v jižním Polsku mezi Bytomí, Olkuszem a Tarnowskými Horami. Problémy výzkumu. PIOTR BOROŃ1, DARIUSZ ROZMUS2 1Instytut Historii Uniwersytet Śląski, Poland; e-mail: [email protected]; 2Muzeum Sztygarka Dąbrowa Górnicza, Poland; e-mail: rozmusd@poczta. onet.pl Abstract: In this paper will be shown the main problems of research on a centre of mining and metallurgy of silver and lead on the border of Silesia and Lesser Poland. In the light of recent discoveries we can see the work between the XI and XVI centuries. The resort has not created much of the settlement clusters due to the characteristics of the deposits. Given the research of the recent years, we can see a new image of the territories on the border between Silesia and the Lesser Poland in the early Middle Ages. The archaeological research conducted in the past few years confi rm what the written sources conveyed about the local silver and lead mining. Origins of the silver used in minting production in the 12th, and maybe even 11th century, can be answered as follows: one of the sources of the Piasts silver was located near today’s Bytom, Będzin and Sławków. Keywords: Silver and lead mining and metalurgy, early medieval Poland The possibility of native origin of some silver in early – the fi rst region near Bytom, which includes the towns of medieval Poland was considered, it was never thought to be Bytom, Będzin and Tarnowskie Góry signifi cant.
    [Show full text]
  • Silesia, Poland - Regional Profile 1
    SILESIA, POLAND - REGIONAL PROFILE 1 REGIONAL PROFILE Silesia GENERAL INFORMATION Country: Poland Region Name: Silesia Region NUTS2 code*: PL22 - Silesia Region NUTS3 code PL22A - Katowicki / PL228 Bytomski PL229 - Gliwicki / PL227 - Rybnicki PL22B - Sosnowiecki / PL22C - Tyski Main urban centres in the region (by population): Katowice - 294,510 / Częstochowa - 222,292 Sosnowiec - 202,036 / Gliwice - 179,806 Zabrze - 173,374 / Bielsko-Biała - 171,259 Bytom - 166,795 / Rybnik - 138,696 Ruda Śląska - 138,000 / Tychy - 127,831 *NUTS: Nomenclature of Territorial Units for Statistics NOTICE ON COVID-19 The data contained within this regional profile was primarily gathered prior to the COVID-19 pandemic. It is recognised that the pandemic has had an adverse impact on energy demand. Although the consequences and implications are significant, they remain emergent and dynamic. An update to this document should be considered, once these consequences and implications are clearer and more quantifiable. INITIATIVE FOR COAL REGIONS IN TRANSITION SILESIA, POLAND - REGIONAL PROFILE 2 Overview Silesia is the most populated and urbanised region in Poland with over 4.5 million inhabitants. 78% of its population live in cities and its population density is 370 people/km2. The region comprises of eight NUTS-3 subregions, out of which six are notably affected by coal mining and related industries. The communities where the majority of the miners live are located in central and western subregions - namely Katowicki subregion, Bytomski subregion, Gliwicki subregion, Rybnicki subregion, Sosnowiecki subregion, and Tyski subregion. Silesia is the most coal-dependent region in Poland with mining playing an important role in the regional economy. However, its gradual decline in recent years is also apparent as production is declining in view of falling productivity and low profitability.
    [Show full text]
  • Nicole Mieske Knab for IMMEDIATE RELEASE Marketing & Communications Coordinator Piano Cleveland 216-707-5397 [email protected]
    Contact: Nicole Mieske Knab FOR IMMEDIATE RELEASE Marketing & Communications Coordinator Piano Cleveland 216-707-5397 [email protected] Piano Cleveland’s Highly Viewed Virtual Competition Concludes with Top Winners Announced at Awards Ceremony After 12 days of brilliant performances and over $62,000 raised for artists, Martin James Bartlett has been named First Prize Winner of Virtu(al)oso. CLEVELAND, OH – August 10, 2020 After a total of 12 days, 36 performances, and 72 hours of streamed content, Martin James Bartlett has been named the First Prize Winner of Virtu(al)oso, Piano Cleveland’s global competition for artist relief presented in artistic partnership with Steinway & Sons. The six-member jury of leaders in the piano world gathered virtually over the weekend to select the top three prize winners, and the announcement was broadcast during the Awards Ceremony on August 9, 2020. The decision came after 30 contestants hailing from 18 different countries recorded two short programs of their choice with contrasting styles from Steinway locations in Cleveland, New York, London, Hamburg, and Beijing. Six pianists advanced to the Final Round where they performed 30-minute recitals, vetted by a remote jury of renowned artists including Libby Abrahams, Darrell Ang, Adam Gatehouse, Steinway Artist Olga Kern, Gabriela Montero, and Steinway Artist Pierre van der Westhuizen. “What a thrill to be involved with this brave, unique venture!” said Adam Gatehouse, Competition Juror and Artistic Director of the Leeds International Piano
    [Show full text]
  • 557981 Bk Szymanowski EU
    570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 16 Karol Also available: SZYMANOWSKI Harnasie (Ballet-Pantomime) Mandragora • Prince Potemkin, Incidental Music to Act V Ochman • Pinderak • Marciniec Warsaw Philharmonic Orchestra and Choir • Antoni Wit 8.557981 8.570721 8.570723 16 570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 2 Karol SZYMANOWSKI Also available: (1882-1937) Harnasie, Op. 55 35:47 Text: Karol Szymanowski (1882-1937) and Jerzy Mieczysław Rytard (1899-1970) Obraz I: Na hali (Tableau I: In the mountain pasture) 1 No. 1: Redyk (Driving the sheep) 5:09 2 No. 2: Scena mimiczna (zaloty) (Mimed Scene (Courtship)) 2:15 3 No. 3: Marsz zbójnicki (The Tatra Robbers’ March)* 1:43 4 No. 4: Scena mimiczna (Harna i Dziewczyna) (Mimed Scene (The Harna and the Girl))† 3:43 5 No. 5: Taniec zbójnicki – Finał (The Tatra Robbers’ Dance – Finale)† 4:42 Obraz II: W karczmie (Tableau II: In the inn) 6 No. 6a: Wesele (The Wedding) 2:36 7 No. 6b: Cepiny (Entry of the Bride) 1:56 8 No. 6c: Pie siuhajów (Drinking Song) 1:19 9 No. 7: Taniec góralski (The Tatra Highlanders’ Dance)* 4:20 0 No. 8: Napad harnasiów – Taniec (Raid of the Harnasie – Dance) 5:25 ! No. 9: Epilog (Epilogue)*† 2:39 Mandragora, Op. 43 27:04 8.557748 Text: Ryszard Bolesławski (1889-1937) and Leon Schiller (1887-1954) @ Scene 1**†† 10:38 # Scene 2†† 6:16 $ Scene 3** 10:10 % Knia Patiomkin (Prince Potemkin), Incidental Music to Act V, Op.
    [Show full text]
  • Toccata Classics
    AN AUTOBIOGRAPHICAL OUTLINE by David DeBoor Canfeld As a composer, author, music critic, annotator, editor, publisher, recording producer, archivist, researcher, violinist, theologian, scholar and teacher at a pastors’ college, I wear many hats. I was born in Fort Lauderdale, Florida, in 1950, and received my frst training in music at the age of six from my father, John Canfeld, himself a professional musician who likewise wore a number of musical hats but also diverged into other activities, such as building houses or teaching systematic theology at African Bible College in Malawi. My mother, June (née DeBoor) Canfeld, was likewise a musician, and so I grew up in a home where music was played and listened to constantly. Even so, my interest through high school and more than half of my undergraduate work in college was in chemistry, but midway through my junior year at Stetson University, I decided that I would be only an ordinary chemist but perhaps could exceed that standard in music. I therefore transferred to Covenant College, where my father was head of the music department at the time, and knew that I could legitimately be exempted from a number of otherwise mandatory music courses, which allowed me to graduate, in 1972, in the normal four-year timespan. Afer my graduation I moved back to Fort Lauderdale, where I began a gardening service, but I was soon hired as a violinist in several south Florida orchestras, including the Fort Lauderdale Symphony, the Miami Opera Association and the Miami Beach Symphony. In 1974, thanks to the fnancial support of my grandmother, Bertha DeBoor, I applied for and was accepted as a musicology major at Indiana University, but upon my arrival in Bloomington, Indiana, I elected to major in composition instead, and was awarded my MM in 1979 and DM in 1983.
    [Show full text]
  • ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
    ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music.
    [Show full text]