The Armylawyer

Total Page:16

File Type:pdf, Size:1020Kb

The Armylawyer THE ARMY LAWYER July 2015 ARTICLES Review of Developments in Instructions Lieutenant Colonel Deidra J. Fleming and Lieutenant Colonel Tyesha L. Smith A Whole Other Matter: The New Article 60(d) and Handling Victim Submissions During Clemency Major Angela D. Swilley Sometimes, They Come Back! How to Navigate the World of Court-Martial Rehearings Major Timothy Thomas The Next Best Thing to Zieuatenajo: A Primer for Defense Counsel to Help Clients Find the Best Place to Live after a Conviction Major Craig Schapira TJAGLCS FEATURES Lore of the Corps Epaulettes and Shoulder Knots for Judge Advocates: A History of Branch Insignia for Army Lawyers in the 19th Century Criminal Law New Developments in Criminal Law: Child Pornography and Appellate Review Decades of Military Failures Against Sex Crimes Earned America’s Distrust and Congressional Imposition: The Judge Advocate General’s Corps’s Newest, Most Important Mission A Reflection Paper by Major Dave C. Lai CLE NEWS CURRENT MATERIALS OF INTEREST Judge Advocate General’s Corps Bulletin 27-50-506 Editor, Captain Michelle E. Borgnino Assistant Editor, Major Elizabeth A. Turner Assistant Editor, Major Laura A. O’Donnell The Army Lawyer (ISSN 0364-1287, USPS 490-330) is published monthly Authors should revise their own writing before submitting it for by The Judge Advocate General’s Legal Center and School, Charlottesville, publication, to ensure both accuracy and readability. The style guidance in Virginia, for the official use of Army lawyers in the performance of their paragraph 1-36 of Army Regulation 25-50, Preparing and Managing legal responsibilities. Correspondence, is extremely helpful. Good writing for The Army Lawyer is concise, organized, and right to the point. It favors short sentences over The opinions expressed by the authors in the articles do not necessarily long and active voice over passive. The proper length of an article for The reflect the view of the Department of Defense, the Department of the Army, Army Lawyer is “long enough to get the information across to the reader, The Judge Advocate General’s Corps (JAGC), The Judge Advocate General’s and not one page longer.” Legal Center and School, or any other governmental or non-governmental agency. Masculine or feminine pronouns appearing in this pamphlet refer to Other useful guidance may be found in Strunk and White, The Elements both genders unless the context indicates another use. of Style, and the Texas Law Review, Manual on Usage & Style. Authors should follow The Bluebook: A Uniform System of Citation (19th ed. 2010) The Editor and Assistant Editor thank the Adjunct Editors for their and the Military Citation Guide (TJAGLCS, 18th ed. 2014). No invaluable assistance. The Board of Adjunct Editors consists of highly compensation can be paid for articles. qualified Reserve officers selected for their demonstrated academic excellence and legal research and writing skills. Prospective candidates may send The Army Lawyer may make necessary revisions or deletions without Microsoft Word versions of their resumes, detailing relevant experience, to prior permission of the author. An author is responsible for the accuracy of the Technical Editor at [email protected]. the author’s work, including citations and footnotes. The Editorial Board of The Army Lawyer includes the Chair, The Army Lawyer articles are indexed in the Index to Legal Periodicals, Administrative and Civil Law Department; and the Director, Professional the Current Law Index, the Legal Resources Index, and the Index to U.S. Communications Program. The Editorial Board evaluates all material Government Periodicals. The Army Lawyer is also available in the Judge submitted for publication, the decisions of which are subject to final approval Advocate General’s Corps electronic reference library and can be accessed by the Dean, The Judge Advocate General’s School, U.S. Army. on the World Wide Web by registered users at http:// www.jagcnet.army.mil/ArmyLawyer and at the Library of Congress Unless expressly noted in an article, all articles are works of the U.S. website at http://www.loc.gov/rr/frd/MilitaryLaw/Army_Lawyer.html. Government in which no copyright subsists. Where copyright is indicated in an article, all further rights are reserved to the article’s author. Address changes for official channels distribution: Provide changes to the Editor, The Army Lawyer, The Judge Advocate General’s Legal Center The Army Lawyer accepts articles that are useful and informative to Army and School, 600 Massie Road, ATTN: ALCS-ADA-P, Charlottesville, lawyers. This includes any subset of Army lawyers, from new legal assistance Virginia 22903-1781, telephone 1-800-552-3978 (press 1 and extension attorneys to staff judge advocates and military judges. The Army Lawyer 3368) or electronic mail to usarmy.pentagon.hqda-tjaglcs.list.tjaglcs-tech- strives to cover topics that come up recurrently and are of interest to the Army [email protected]. JAGC. Prospective authors should search recent issues of The Army Lawyer to see if their topics have been covered recently. Articles may be cited as: [author’s name], [article title in italics], ARMY LAW., [date], at [first page of article], [pincite]. Lore of the Corps Epaulettes and Shoulder Knots for Judge Advocates: A History of Branch Insignia for Army Lawyers in the 19th Century ............................................................................................................. 1 Articles Review of Developments in Instructions Lieutenant Colonel Deidra J. Fleming and Lieutenant Colonel Tyesha L. Smith ................................ 3 A Whole Other Matter: The New Article 60(d) and Handling Victim Submissions During Clemency Major Angela D. Swilley .................................................................................................................. 16 Sometimes, They Come Back! How to Navigate the World of Court-Martial Rehearings Major Timothy Thomas .................................................................................................................... 34 The Next Best Thing to Zieuatenajo: A Primer for Defense Counsel to Help Clients Find the Best Place to Live after a Conviction Major Craig Schapira ...................................................................................................................... 43 TJAGLCS Features Criminal Law New Developments in Criminal Law: Child Pornography and Appellate Review ........................... 57 Decades of Military Failures Against Sex Crimes Earned America’s Distrust and Congressional Imposition: The Judge Advocate General’s Corps’s Newest, Most Important Mission .............. 60 CLE News ............................................................................................................................................. 66 Current Materials of Interest .............................................................................................................. 72 JULY 2015 • THE ARMY LAWYER • JAG CORPS BULLETIN 27-50-506 Lore of the Corps Epaulettes and Shoulder Knots for Judge Advocates: A History of Branch Insignia for Army Lawyers in the 19th Century Fred L. Borch Regimental Historian & Archivist While Army officers today wear their branch insignia on Holt, who served from 1862 to 1875, never wore a uniform the lapels of their service uniforms, in the 19th century they while on active duty. wore this insignia (along with their insignia of rank) on their “epaulettes” and “shoulder knots.” What follows is a brief Sometime between 1861 and 1865, judge advocates who did history of epaulettes and shoulder knots for judge advocates wear Union uniforms were authorized epaulettes that in the 19th century. distinguished them by the use of the old English letters “JA.”2 The photograph below illustrates epaulettes for a On July 29, 1775, the Continental Congress selected judge advocate captain. These were a graduation gift to the William Tudor as “Judge Advocate of the Army;” slightly Corps from the members of the 62d Graduate Course in more than a year later, the Congress changed Tudor’s title to 2014, and are now on display at The Judge Advocate “Judge Advocate General.” But neither Tudor nor any General’s Legal Center and School. military lawyer who followed him in the late 18th century or early years of the 19th century wore any insignia identifying him as a judge advocate, much less as the Judge Advocate General. In fact, Army Regulations published in 1825 provided that “chaplains, judge advocates, commissaries of purchases and storekeepers have no uniform.”1 This meant, of course, they wore civilian clothes. Epaulettes worn by Bureau of Military Justice captain (Civil War period to 1872). In 1872, the shoulder knot replaced the epaulette on the full dress uniform, and those prescribed for judge advocates had the letters “JA” in Old English characters embroidered on them.3 Brigadier General Joseph Holt, TJAG from 1862 to 1875, never wore a uniform despite his status as the top lawyer in the Army. Not until 1851 did judge advocates have a device that set them apart from other staff officers: a white pompon that they wore on their caps. But the wear of an Army uniform, 2 much less the white pompon, does not seem to have been Other branches also adopted this style of letters to designate their officers. For example, officers in the Inspector General’s Department wore shoulder particularly important: witness the civilian attire of Judge insignia with the letters “ID” and those in the Adjutant General’s Advocate
Recommended publications
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Gangs Are Us: Hustlin', Survivin', Strivin' and Social
    GANGS ARE US: HUSTLIN', SURVIVIN', STRIVIN' AND SOCIAL (DIS)ORDER A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts BY JAIME ALANIS GUAJARDO October, 1999 Department of Sociology College of Liberal Arts and Sciences DePaul University Chicago, Illinois Committee: Larry W. Mayo, Ph.D., Chair Roberta Garner, Ph.D. Zaida A. Cintron, Ph.D. ii Dedication This work is dedicated to my parents, Emilia Guajardo Lozano and Eleuterio Alanis Diaz, who have demonstrated unconditional love to me since the inception of my earliest memories. Gracias por ensefiarme lo que es el amor. I also wish to dedicate this work to all those youth who, in the midst of so many societal contradictions, continue to struggle and keep hope alive. 111 Acknowledgments This work would never have been completed without the support of countless people. For critical comments and insightful feedback on earlier drafts of the paper, I want to express my gratitude to Jose Solis Jordan, Demile Teshome, Tanius Kariam, Roberta Gamer and Larry Mayo. For editing early versions of the paper, I am deeply grateful to my brother, Gerardo Alanis Guajardo. I must also recognize the suppmi, encouragement, and feedback of Zaida Cintron and many colleagues. Finally, no work is ever completed without the love, support and kind patience of one's family and friends. Therefore, I would like to thank my parents, my brother, my sister, my niece, my friends, and all of the many people who provided moral support over the past few years. IV Table of Contents Page Thesis Committee....................................................................
    [Show full text]
  • Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education
    ISSN: 1941-0832 Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education By Steven Netcoh “SPREAD LOVE: COMMANDANTE BIGGIE” ARTISTS: JOHN GARCIA, CERN ONE, SEAN MEENAN PHOTOGRAPH BY CHRIS TINSON RADICAL TEACHER 10 http://radicalteacher.library.pitt.edu No. 97 (Fall 2013) DOI 10.5195/rt.2013.39 1. White Kids and Hip Hop Though white adolescents comprise a large percentage limited in its capacity to mobilize racially just ideologies of Hip Hop‟s audience, relatively few academic studies and politics in white youth (Hayes, 2004; Rodriguez, examine why they readily gravitate toward the music and 2006). One study indicates Hip Hop may in fact hinder how they engage with the culture. The majority of racial progress as many whites use stereotypical scholarship on white adolescents and Hip Hop focuses on representations of black males and females in Hip Hop to how these individuals adapt the music and culture to their legitimize discrimination against black Americans in both local settings. Rodriguez (2006) investigates the racial “personal” and “political behaviors” (Reyna, Brandt, & Viki, ideologies of politically conscious Hip-Hop fans primarily in 2009, p. 374). Additionally, Hip Hop has been a prominent Northampton, Massachusetts. Hayes (2004) examines how cultural force for over twenty years, yet there has been white Canadian youth in rural Ontario identified with Hip little change in white Americans‟ racial discourse, Hop to distinguish themselves from their racially and ideologies, or politics. Since Hip Hop entered the culturally homogenous home community. Cutler (1999) mainstream, color-blindness has been solidified as the explores how a white teenager from one of New York City‟s dominant racial ideology, and the belief that the United wealthiest neighborhoods aligned with Hip-Hop by adopting States is a “post-racial” society has been accepted as African American vernacular English and stereotypical “common sense” (Bonilla-Silva, 2006; Winant, 2002, p.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
    LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity.
    [Show full text]
  • Please Use the Box Below to Let Us Know Anything Else You Would Like to Tell the City Manager About Southlake
    Q45 PLEASE USE THE BOX BELOW TO LET US KNOW ANYTHING ELSE YOU WOULD LIKE TO TELL THE CITY MANAGER ABOUT SOUTHLAKE. 2013 CITIZEN SATISFACTION SURVEY www.CityofSouthlake.com/CitizenSurvey 447 2013 Citizen Satisfaction Survey SECTION 8: COMMUNICATION Q45 PLEASE USE THE BOX BELOW TO LET US KNOW ANYTHING ELSE YOU WOULD LIKE TO TELL THE CITY MANAGER ABOUT SOUTHLAKE. 2013 CITIZEN SATISFACTION SURVEY www.CityofSouthlake.com/CitizenSurvey 448 Q45 - KEYWORD: TRAFFIC MANAGEMENT/TURN LANES/STREETS • Please use the box below to let us know anything else you would like to tell the City Manager about Southlake. Southlake needs a better park system with trails for walking, like Keller has. I believe when citizens requested more sidewalks they meant in their neighborhoods and around schools, not along 1709. I do not see people using them to walk along such a busy street. It's time to slow down the growth. New developments, such as Carillon and Shady Oaks, are too congested. The new development planned at Dove and 114 will be over the top. Dove Road can't handle the volume. We need to stick to original zoning plans. While I support providing recreational parks, I think some of the recent and planned spending (traffic circle art; recreation center; children's safety center, Southlake "signs") are a waste of money, and I would support a lower tax rate instead. The school system is guilty of waste also; the new Administrative Center is excessive. The fact that we're opening our schools to non-CISD residents demonstrates that we have too much capacity.
    [Show full text]
  • Drug Abuse Professionals Listening: Be Aware of Your Filters
    Tellin’ It Raw & Keepin’ It Real 2.0 NADCP 24TH Annual Training Conference May 30 – June 2,2018 Houston, Texas P.O. Wallace Green, LICDC (216) 664-3287 [email protected] [email protected] Wallace Green, LICDC-CS • Over 25 years in the field of criminal justice and addiction • Highest level of licensure in the state of Ohio • Progression in the field has been: • Chemical Dependence Counselor • Supervisor • Director of Outpatient Treatment • Supervision Probation Officer • Treatment Coordinator Wallace Green, LICDC-CS • Awards include: • Outstanding Service Award in 2009, as • Awarded by the Cleveland Municipal Court; • Outstanding Probation Officer Award in 2005 • Rookie Officer of the Year in 2003, • As awarded by the Cleveland Municipal Court Probation Department • Counselor of the Year Award at the local level in 1997 • Counselor of the Year Award at the state level in 1998 • As awarded by the National Association of Alcohol and Drug Abuse Professionals Listening: be aware of your filters Bias Sen- sitive History Likes Heritage Hip Hop culture misnomers • Hip Hop does not represent the African American culture at large • Hip hop culture is primarily African American but not exclusively • Presentation focused is on the commercialized Hip Hop culture Reframing the issue so that it has meaning for the client • Gablinger's Diet Beer • Didn’t sell a drop • Changed to “Lite” and becomes a best seller Bottled water on average 4x as much as gasoline The Resolution from NADCP • Whereas as there are 2.3 million behind bars • Whereas as the burden of incarceration is disproportionate • Whereas 1/5 of Drug Courts can not report reliable information on minorities • All Drug Courts have an affirmative obligation to take reasonable actions to prevent or correct any racial or ethnic disparity that may exist by taking the necessary steps • Approved by the NADCP board of directors • June 1, 2010 H.E.A.T.
    [Show full text]
  • The Dictionary Legend
    THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ).
    [Show full text]
  • Matching Countermeasures to Driver Types and Speeding Behavior
    DOT HS 812 455 December 2017 Matching Countermeasures to Driver Types and Speeding Behavior DISCLAIMER This publication is distributed by the U.S. Department of Transportation, National Highway Traffic Safety Administration, in the interest of information exchange. The opinions, findings, and conclusions expressed in this publication are those of the authors and not necessarily those of the Department of Transportation or the National Highway Traffic Safety Administration. The United States Government assumes no liability for its content or use thereof. If trade or manufacturers’ names or products are mentioned, it is because they are considered essential to the object of the publication and should not be construed as an endorsement. The United States Government does not endorse products or manufacturers. Suggested APA Format Citation: Richard, C. M., Payn, B. A., Bacon-Abdelmoteleb, P., Graving, J., Liu, T., Divekar, G., & Reagle, G. (2017, December). Matching countermeasures to driver types and speeding behavior (Report No. DOT HS 812 455). Washington, DC: National Highway Traffic Safety Administration. Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES September 2017 COVERED Final Report December 2012 – March 2015 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS Matching Countermeasures to Driver Types and Speeding Behavior DTNH22-11-D-00229, 0001 6. AUTHORS Christian M. Richard, Betsy A. Payn, Paige Bacon-Abdelmoteleb, Justin Graving, Ta Liu, Gautam Divekar, and George Reagle 7. PERFORMING ORGANIZATION NAME AND ADDRESS 8. PERFORMING ORGANIZATION Battelle Memorial Institute REPORT NUMBER 505 King Avenue Columbus, Ohio 43201-2696 9. SPONSORING/MONITORING AGENCY NAME AND ADDRESS 10.
    [Show full text]
  • Ipourit, Inc. Point of Sale Manual
    iPourIt, Inc. Point of Sale Manual Rev. 10/16/2018 Table of Contents Front-of-House Client Start Up………………………………………………………………………………………………- 2 - Cash Drawer Shift Open...............................................................................................................................- 3 - Start a New Check ..........................................................................................................................................- 4 - Menu Item Types ............................................................................................................................................- 6 - Adding Items to a Check ............................................................................................................................- 13 - Main Screen Functionality .........................................................................................................................- 14 - View Open Checks.......................................................................................................................................- 16 - Print / Pay Screen.........................................................................................................................................- 19 - Discounts Screen............................................................................................................................................- 22 - Clock In / Out ................................................................................................................................................-
    [Show full text]
  • Ku Klux Klan
    If you have issues viewing or accessing this file contact us at NCJRS.gov. KU \ , I, KLUX KLAN A REPORT TO THE ILLINOIS GENERAL ASSEMBLY t;J ~ . ~t ., E J : li,:( {.:.<~ ~,' i .,i i " ,.~ i 1 , .. ,p~~ ; £~C(, .:~.~} ... t <.) ~ '":~~:~ ,~ \ BYTHE ILLINOIS LEGISLATIVE INVESTIGATING COMMISSION 300 West Washington Street, Chicago, Illinois 60606 Telephone (312) 793-2606 ,= OCTOBER 1976 I. Printed bv the Authoritv of the State of Illinois Twenty-Five Hundred Copies TABLE OF CONTENTS HOUSE RESOLUTION 146.................................. iii LETTER TO HONORABLE MEMBERS OF THE GENERAL ASSEMBLY... v INTRODUCTION. • . • . 1 Chapter 1 HISTORICAL OVERVIEW OF THE KU KLUX KLAN A. Introduction.............................. 3 B. Origin of the Ku Klux Klan................ 3 C. Transformation and Growth of the Ku Klux Klan. ... 5 D. Decline of the Klan....................... 10 E. Romanticizing the Klan.................... 11 F. Resurrection of the Ku Klux Klan.......... 16 G. 1950's Klan Revival....................... 23 H. F.B.I. Investigation Breaks the Klan...... 27 I. Present Klan Organizations................ 29 Chapter 2 ORGANIZATION OF THE KU KLUX KLAN A. Introduction.............................. 31 B. Invi sible Empire ......................... It 32 C. Adminis'trative and Command Structure...... 32 D. Purposes of the KKK....................... 35 E. Functions of Local Klans .............. ,... 37 F. A Final Comment on Klan Organization...... 38 Chapter 3 BRIEF HIS~ORY OF THE KLAN IN ILLINOIS A. Introduction.............................. 39 B. The Klan in Illinois during the 1920s..... 39 C. Later Klan Activity....................... 41 Chapter 4 ILLINOIS KLAN'S INITIAL ORGANIZATIONAL ACTIVITY A. Background. 43 B. The Illinois Klan's Early Organizational Efforts.................................... 44 C. Initial Infiltration of the Illinois Klan ...................... ~ . .. .. 45 D. Split in the Illinois Klan Leadership....
    [Show full text]
  • Bad Bitches, Jezebels, Hoes, Beasts, and Monsters
    BAD BITCHES, JEZEBELS, HOES, BEASTS, AND MONSTERS: THE CREATIVE AND MUSICAL AGENCY OF NICKI MINAJ by ANNA YEAGLE Submitted in partial fulfillment of the requirements for the degree Master of Arts Thesis Adviser: Dr. Francesca Brittan, Ph.D. Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis of ____ ______ _____ ____Anna Yeagle_____________ ______ candidate for the __ __Master of Arts__ ___ degree.* __________Francesca Brittan__________ Committee Chair __________Susan McClary__________ Committee Member __________Daniel Goldmark__________ Committee Member (date)_____June 17, 2013_____ *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS List of Figures i Acknowledgements ii Abstract iii INTRODUCTION: “Bitch Bad, Woman Good, Lady Better”: The Semiotics of Power & Gender in Rap 1 CHAPTER 1: “You a Stupid Hoe”: The Problematic History of the Bad Bitch 20 Exploiting Jezebel 23 Nicki Minaj and Signifying 32 The Power of Images 42 CHAPTER 2: “I Just Want to Be Me and Do Me”: Deconstruction and Performance of Selfhood 45 Ambiguous Selfhood 47 Racial Ambiguity 50 Sexual Ambiguity 53 Gender Ambiguity 59 Performing Performativity 61 CHAPTER 3: “You Have to be a Beast”: Using Musical Agency to Navigate Industry Inequities 67 Industry Barriers 68 Breaking Barriers 73 Rap Credibility and Commercial Viability 75 Minaj the Monster 77 CONCLUSION: “You Can be the King, but Watch the Queen
    [Show full text]