A Thi4-5Register

Total Page:16

File Type:pdf, Size:1020Kb

A Thi4-5Register North Carolina Agricultural and Technical State University Aggie Digital Collections and Scholarship NCAT Student Newspapers Digital Collections 9-5-1980 The Register, 1980-09-05 North Carolina Agricutural and Technical State University Follow this and additional works at: https://digital.library.ncat.edu/atregister Recommended Citation North Carolina Agricutural and Technical State University, "The Register, 1980-09-05" (1980). NCAT Student Newspapers. 861. https://digital.library.ncat.edu/atregister/861 This Book is brought to you for free and open access by the Digital Collections at Aggie Digital Collections and Scholarship. It has been accepted for inclusion in NCAT Student Newspapers by an authorized administrator of Aggie Digital Collections and Scholarship. For more information, please contact [email protected]. A THI4-5 REGISTER "COMPLETE AWARENESS FOR COMPLETE COMMITMENT" VOLUME LH NUMBER 2 NORTH CAROLINA AGRICULTURAL & TECHNICAL STATE UNIVERSITY, GREENSBORO, NC Friday, September 5, 1980 SGA Meeting Addresses Visitation Rights Policy By Richard B. Steele wishing to state that the The Student Government existing problem was not a Association staged a meeting misunderstanding of the last night at 7:30 p.m. in policies Harrison Auditorium "We have read the policies; concerning the termination of the point is what is going to coed visitation. Dr. Jesse be done about termination of Marshall, vice chancellor for coed visitation?" said one student affairs,discussed to a female resident. three-fourth filled auditorium reasons leading up to the "Two people have an action taken against the entire argument; why punish the student body because of an remaining 3,998 students for alleged incident that recently their actions?" questioned occurred. "I had to put a stop another student. Clarke Baldwin, SGA vice president, Dr. Marshall and SGA members entertain students' questions concerning suspension of to chaos," stated Marshall, co-ed visitation in Harrison Auditorium Thursday night.(Photo by Tyson) attempting to answer said that not only should the questions raised as to why students receive respect as students were given notices students but also as adults. It and not consulted. Marshall was revealed during discussion stumbled through the coed and debate that the students McCorkle Battles 'Sexism' visitation policy which was had no warning that coed adopted "7 years ago, but By only to the extent that the visitation was terminated Andrew McCorkle "Yes I am a woman," she and numerous; one of the university wanted it." indefinitely. Again, the In her first semester as said emphatically; "but, basic dilemmas concerning "There have been flagrant student requested to know Student Government when I get down to business, students living on campus is abuses of the policy," said what was being done to reverse Association president Pam I'm serious." the upgrading of the Marshall to a disbelieving this decision made by the vice McCorkle spoke candidly "But can she be an effective dormitories. crowd chancellor. about problems facing the leader?" her critics have Amid cries of "There have been flagrant university, goals of the SGA asked. discrimination last year by abuses of student funds," said Using Curtis Hall as a and her personal battle against "Is she strong enough to cope Black college officials in the one Aggie during the question defense, or model, Marshall sexism - with the pressures the SGA University of North Carolina and answer session. suggested that each dorm elect The SGA office is hot and president has to deal with?" ystejn, Applause and ovation were the its residence hall officials if humid. Phones ring The sen jor accounting representatives from the support of the some 300 sporadically as people wander major said she also faces Department of Health, not already. officials students. These in and out of the front office, barriers put up by members of Education and Welfare visited meet dorm A somewhat nervous should with McCorkle finds herself A&T's administration, the five predominately Black supervisors up with Marshall said that there was and come having many problems simply "They are constantly universities and ultimately better procedures that abide "more heat and less light on because she is a woman. reminding you you're a allocated $40 million to be by the existing university the subject...I'm committed to However, she is no novice woman," she said. "They targeted for general policies on coed visitation. doing a professional job; I when it comes to student want you to lose your trainof renovation and updating of don't hesitate to look at the government work. thought," and, then she the campuses proposals added, right and wrong and how it Those are to be in After spending three years" as if to make certain her point A&T State University, the by Tuesday affects other people Marshall's hands under previous SGA wasclear,"Theydidn't:ome up largest of the other Black (students?). and, if all the dormitories co- administrations in various and kiss Kelvin Buncom's schools, is slated toreceive $14 Marshall began to quote operate; the coed visitation ban capacities, she has gained first hand." million, said McCorkle. from the policies of coed- experience realizing will be lifted on Thursday, hand the McCorkle said she has The monies will be spent on visitation when he was problems according to Marshall. ofthe university and encountered administrators "the renovation of the library, interrupted by students avenues to go about solving that openly wince once they the classroom buildings, (See Procedures, Page 2) them find out she is head of the educational equipment and SGA other major projects." It's frustrating,-" but At least $1.2 million will be McCorkle shrugs the sexism spent on the revamping of University Takes Broad View off as a strategic ploy designed Scott Hall,_- an almost to cause her to "lose the legendary structure that battle." houses nearly 1000 male A&T State University's and director of international train paraprofessionals to The university is always residents increased involvement in programs. "We have assist farmers there. plotting and scheming to stop McCorkle wants a "unified international programs is established linkages, contracts Three A&T faculty anyone who is getting close to student body." paying rich dividends for the and relationships with a members will be leaving next uncovering wrongdoings going "It's pretty hard fighting univeristy's development, number of developing nations. week for a second tour in on within the university. The for students when you don't according to the "professor These are mutually Tanzania to assist small administration is not beyond know what they want," she who heads that program. beneficial." fafmers with technology and covert activity, she said. said. "We feel that a university is Among the recent marketing problems. "They look at your September 29th will be supposed to take a broad view international activity The university recently weakness," McCorkle nationally recognized as Black of the world," said Dr. sponsored by the university developed a new program in explained, "and then devise College Day and McCorkle is William Reed, associate dean Two A&T faculty members the master's program in different tacticsto stop you." issuing a plea to all instructors of. the School of Agriculture left for Tanzania last month to (See 400, Page 2) A&T's problems are diverse (See Black, Page 5) Page 2 The A&T Register Friday September 5, 1980 Parential Concern Bans Coed Visitation Rights By Andrew McCorkle listened closely as he spoke Women being physically "One girl was on the hall of abused, and men taking her dorm," he explained,"A showers in female dorms are a group of men entered on the few of the reasons coed hall and one of them said visitation has been indefinitely something to her." suspended said Dr. Jesse E. A verbal argument ensued Marshall Wednesday night in and ended in the girl's being Curtis Hall. injured. Marshall told a jammed "The man struck her in the lobby that a crackdown was mouth," said Marshall, "and essential and that many knocked out three of her parents were concerned about teeth." the safety of their daughters He said coed visitation will be on campus. abolished until "halls can couple of Aggiettes a tree game of backgammon.(Photo by Jackie) In what he called an provide proof that coed A relax under with a "emergency" situation, visitation can be carried out Marshall pleaded for the with violation." cooperation of male students "If we have problems on to stamp out the "physical campus, let them be in other abuse" of their female areas not coed visitation." 400Foreign Students On Campus counterparts Student Government If dorm counselors or other Association vice president (Continued From Page 1) technology Right now A&T officials establish "physical Clarke Baldwin accompanied is also agricultural economics and at A&T have involved in a Title presence" of the opposite sex Marshall on his tour. Officials had XII rural sociology to improve the recent program to an a dorm room then both Baldwin chastized students discussions with anti-famine in university's strength in program designed parties will be suspended from for the practice of leaving officials of Southern Africa to assist development economics. and the developing the university. If one of the trays on cafeteria tables. He Carribean about nations in Three educational becoming more parties "is not a student on also asked for greater student international involvement. self-sufficient specialists spent much of the in then he will be concern and empathy for the Reed said A&T is also feeding themselves and to campus, past summer in two improve trespassing," cafeteria workers. providing education for many their overall quality charged with African nations, familiarizing "There are people's mothers students and faculty members warned Marshall.
Recommended publications
  • Harry Allen Valerie Capers Linda May Han Oh Charnett Moffett
    202509_HH_July_0 6/24/19 12:27 PM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 July 2019 www.hothousejazz.com Jazz Forum Page 10 Village Vanguard Page 10 Charnett Moffett Linda May Han Oh Valerie Capers Harry Allen Jazz at Kitano Page 17 Zinc, 75 Club and 92Y Page 21 Where To Go & Who To See Since 1982 202509_HH_July_0 6/24/19 11:39 AM Page 2 2 202509_HH_July_0 6/24/19 11:39 AM Page 3 3 202509_HH_July_0 6/24/19 11:39 AM Page 4 4 202509_HH_July_0 6/24/19 11:39 AM Page 5 5 202509_HH_July_0 6/24/19 12:26 PM Page 6 6 202509_HH_July_0 6/24/19 11:39 AM Page 7 7 202509_HH_July_0 6/24/19 11:39 AM Page 8 8 202509_HH_July_0 6/24/19 11:39 AM Page 9 9 202509_HH_July_0 6/24/19 11:39 AM Page 10 WINNING SPINS By George Kanzler WO MUSICIANS KNOWN FOR under Charnett's chant of "Free the slaves, intrepidly anchoring vibrant rhythm let 'em go." Jana contributes one composi- sectionsT over the years explore other tion to the album, "Precious Air," a song aspects of their artistry on new albums. with her own lyrics, delivered in a breathy Both Charnett Moffett and Linda May Han voice and the musical textures of folk-rock. Oh are bassists and the principal com- Linda May Han Oh's Aventurine posers on their latest releases, but for the (Biophilia), is what was called third- first time, Charnett exclusively plays fret- stream music in the mid-20th century.
    [Show full text]
  • Black History Month: ICE on Fire Fest
    Arts Dept presents: Black History Month: ICE on Fire Fest Thursday, Feb 4th Grace Galu 2:10-2:50pm Grace Galu ​is a vocalist, actor, guitarist, and composer. She combines the sounds of her Zoom Link Irish and Congolese heritage with a soulful and gritty NYC upbringing. Instagram Page Friday Feb 5th Anthony Emezu 1:20-2:00pm Anthony ​is a creative director with over 15 years experience in digital media, content Zoom Link development, brand management/print and packaging. He won the 2013 American Graphic Design award as well as an Emmy for Creative achievement in Interactive media (Nickelodeon, MTV, Showtime). Website Friday Feb 5th Maurice Buckley 1:20-2:00pm Maurice Buckley is an illustrator and educator. He received his BFA at Alfred University in Zoom Link 2013. Website Friday, Feb 5th Brian Jackson ​is an American ​keyboardist​, Brian Jackson flautist​, singer, composer, and ​producer known 2:10-2:50pm for his collaborations with ​Gil Scott-Heron in the 1970s. The sound of Jackson's ​Rhodes Zoom Link electric piano and ​flute accompaniments featured prominently in many of their compositions, most notably on "​The Bottle​" and "Your Daddy Loves You" from their first official collaboration ​Winter in America​. Website Monday, Feb 8th Zack O’Farrill 2:10-2:50pm Zack O’Farrill ​is a drummer/percussionist and educator from Brooklyn, NY. He grew up Zoom Link playing jazz and Afro Cuban music throughout the city and with his father, Arturo, and brother, Adam. Zack’s grandfather, Chico O’Farrill, was a Cuban composer who wrote the masterpiece “Afro Cuban Jazz Suite” with Charlie Parker.
    [Show full text]
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
    [Show full text]
  • Matias Corbett Garcez Gil Scott-Heron: a Black Bullet
    MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Florianópolis, 2015 2 3 MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Tese de doutorado apresentada à Banca Examinadora do Programa de Pós-Graduação em Inglês do Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina, como requisito parcial para a obtenção do título de Doutor em Estudos Culturais, linha de pesquisa Poéticas de Resistência, sob a orientação da Professora Doutora Maria Lúcia Milléo Martins. Florianópolis, 2015 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Garcez, Matias Corbett Gil Scott-Heron: A Black Bullet Through The Heart Of White America / Matias Corbett Garcez ; orientadora, Maria Lúcia Milléo Martins - Florianópolis, SC, 2015. 292 p. Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós Graduação em Literatura. Inclui referências 1. Literatura. 2. Gil Scott-Heron. 3. Poéticas de Resistência . 4. Contra-narrativas . 5. FonoFicção. I. Milléo Martins, Maria Lúcia. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Literatura. III. Título. 6 7 Dedicated to my wife and love, Cristiane, and my son, Ravi. 8 9 ACKNOWLEDGMENTS I would like to thank CNPQ and Projeto de Extensão: Cursos Extracurriculares for the financial support granted throughout my studies. I would also like to thank Professor Maria Lúcia Milléo Martins for accepting me as her advisee, and for all the guidance and support during my research. I would also like to express my gratitude to my family, who gave me a lot of support, love, and motivation.
    [Show full text]
  • Winter in America
    MINUTES ATTACHMENT II Board Study Session of the Board of Trustees COMPTON UNIFIED SCHOOL DISTRICT March 8, 2011 Studio album by Gil Scott-Heron & Brian Jackson May 1974 Released (see release history) September 4–5, October 15, 1973 Recorded D&B Sound (Silver Spring, Maryland) Genre Soul, jazz-funk, fusion, jazz Length 44:27 Strata-East Label SES-19742 Producer Gil Scott-Heron, Brian Jackson WINTER IN AMERICA (Liner notes by Gil Scott-Heron& Brian Jackson) {The purpose of providing these liner notes is to encourage you to support the musicians} At the end of 360 degrees, Winter is a metaphor: a term not only used to describe the season of ice, but the period of our lives through which we are travelling. In our hearts we feel that spring is just around the corner: a spring of brotherhood and united spirits among people of color. Everyone is moving, searching. There is a restlessness within our souls that keeps us questioning, discovering and struggling against a system that will not allow us space and time for fresh expression. Western iceman have attempted to distort time. Extra months on the calendar and daylight saved what was Eastern Standard. We approach winter the most depressing period in the history of this industrial empire, with threats of oil shortages and energy crises. But we, as Black people, have been a source of endless energy, endless beauty and endless determination. I have many things to tell you about tomorrow’s love and light. We will see you in the spring. Gil - 1 - MINUTES ATTACHMENT II Board Study Session of the Board of Trustees COMPTON UNIFIED SCHOOL DISTRICT March 8, 2011 In the interest of national security, please help us carry out our constitutional duty to overthrow the king.
    [Show full text]
  • Director Francis Ford Coppola Once Remarked of His Place in Modem
    NON PERFORMER “I’M NOT THE OLDEST OF ognized a truth that would soon transform the the young guys,” director record business: Underground, album-oriented Francis Ford Coppola once rock was giving birth to artists whose creativity, remarked of his place in longevity and widespread commercial appeal modem Hollywood. “I’m would at least equal that of established main­ the youngest of the bid stream performers and, indeed, ultimately guys.” That surprising - and surprisingly apt - become the mainstream. His belief in the assessment can be applied with even greater artistic legitimacy and commercial efficacy of illumination to the extraordinarily wide- the new music scene became an evolving ranging career and contributions of record epiphany for CBS as Davis bet the record com­ executive Clive Davis. pany’s future on rock. The presence of Bob Dylan and the Byrds on During his tenure as president, Davis and its roster notwithstanding, Columbia Records company created and nurtured a far-reaching was hardly a rock powerhouse in 1967when its and well-balanced rock roster. Aside from new president, Clive Davis, ventured west to Joplin, the list of performers he signed or the Monterey Pop Festival. A Brooklyn-bred, whose careers he would champion came to Harvard-educated lawyer with a taste for include Laura Nyro, Donovan, Sly and the Broadway show tunes and a reputation as a Family Stone, Blood, Sweat and Tears, hard worker and a good deal maker, Davis Santana, Loggins and Messina, Bruce hardly seemed uniquely suited to lead the Springsteen, Aerosmith, Chicago, Pink Floyd, company through a burgeoning musical and the Mahavishnu Orchestra and Billy Joel.
    [Show full text]
  • April 19, 1980
    April 19, 1980 NEWSPAPER The Si gle: The Album: M-1469F M7-928R1 POP R&B POP R&B In just three weeks, Billboard “Let’s Get Serious,” it ik ik it the new single album, from Jermaine Jackson Cashbox © © is bulleting to Top 20 © © everywhere! Record World 60 18 E3 13 7ERMAINE CKSON kS\ MOTOWN On Motown Records PRODUCED BY JERMAINE JACKSON & STEVIE WONDER VOLUME XLI — NUMBER 49 — April 19, 1980 THE INTERNATIONAL MUSIC RECORD WEEKLY G4SH B GEORGE ALBERT President and Publisher MEL ALBERT Vice President and General Manager EDITORML Opportunity Beckons NICK ALBARANO This week, over 20,000 people have gathered in ject, it will provide a meeting ground for NAB mem- Marketing Director Las Vegas for the 58th annual National Assn, of bers, FCC commissioners and all other involved ALAN SUTTON Editor in Chief Broadcasters (NAB) convention. By far the largest parties. The questions that need to be asked and the KEN TERRY gathering of radio and television people in the world, answers that need to be given can happen if NAB Managing Editor NAB assumes an even greater importance this year. members can seize the opportunity. J.B. CARMICLE Like the recent National Assn, of Recording General Manager, East Coast Much the same can be said for radio deregulation Merchandisers (NARM) convention — which JIM SHARP and the proposal to reduce spacing on the AM band Director, Nashville solidified the industry’s resolve to fight illegally to nine kHz. Most of the protagonists in these issues East Coast Editorial produced product and, at the same time, debuted a LEO SACKS — AARON FUCHS will be present, and it is time to solve the problems.
    [Show full text]
  • Case Study: Lincoln University And
    Lights, Camera, Archives! 7 MODULE 21 LIGHTS, CAMERA, ARCHIVES! Daniel J. Linke and Travis H. Williams 30 ENGAGEMENT IN THE DIGITAL ERA the East Room of the White House on television on November 23, 1963?” However, early television footage is analog. Time stamps and other metadata common in the digital era doesn’t exist with celluloid. The only way to determine the answer was for the archivist to care- fully examine paper records, which she did and then provided to the AMC crew within a couple of hours. She determined that the coffin was shown on television at about 9:00 a.m., 10:15 a.m., 12:30 p.m., 2:00 p.m., 5:00 p.m., and 10:30 p.m. But she also made clear that she only had the necessary documentation for NBC’s broadcast, and other net- works may have shown the coffin at other times. The response from the film crew was not “Great, thanks for your hard work on short notice,” but rather, “Approximately those times, or precisely? It matters because a plot point revolves around when a character sees the clip. And we need this ASAP as we are filming as we speak.” Thirty minutes and sev- eral math calculations later, the archivist returned the answer: as close as can be determined, the times were exactly 9:02 a.m., 10:17 a.m., 12:30 p.m., 1:50 p.m., 5:06 p.m., and 10:33 p.m. Despite her work, that particular clip was not included in the final cut, perhaps because the accurate historical timeline of the video didn’t match with the writers’ creative intent, or for any other myriad reasons.
    [Show full text]
  • The Revolution Will Not Be Televised”--Gil Scott-Heron (1970) Added to the National Registry: 2005 Essay by Marcus Baram (Guest Post)*
    “The Revolution Will Not Be Televised”--Gil Scott-Heron (1970) Added to the National Registry: 2005 Essay by Marcus Baram (guest post)* Muslims in street protests in Mumbai denouncing India’s new discriminatory laws in November 2019. Protesters braving tear gas in Cairo’s Tahrir Square to condemn the Mubarak regime in January 2011. Occupy Wall Street activists voicing their outrage over income inequality in the United States in September 2011. Anti-nuke protesters marching in Hyde Park, London, in October 1983. Activists at each of these protests around the world held signs declaring “The Revolution Will Not Be Televised,” borrowing the title of Gil Scott-Heron’s incendiary 1971 song to showcase their message of righteous anger and political assertiveness. It’s a slogan that has resonated through the decades, inspiring generations of rebels and dissidents--as well as advertising gurus and headline writers who have coopted the phrase for their own less- than-revolutionary purposes. Back in 1969, 19-year-old college student Gil Scott-Heron could hardly have foreseen the song’s global impact when he first came up with the lyrics while watching baseball games on TV at his dorm room in Lincoln College outside of Philadelphia. It was a heady time on campus, amid the political ferment over Civil Rights and the Vietnam War exploding across the country. And Gil, who was one of three black children to integrate his middle school in Jackson, Tennessee, back in 1961, was right in the in thick of it, organizing protests at Lincoln to demand better health care for students, among other rights.
    [Show full text]
  • Charenée Wade: Offering to Extend Tradition
    THE AUSTRALIAN __________________________________________________________________________________ Charenée Wade: Offering to Extend Tradition Charenée Wade considers herself a jazz artist incorporating other idioms. __________________________________________________________ ERIC MYERS any jazz buffs are still dining out on the immortal works of the great, but deceased, African American singers. Why not? Given the reissue M industry, there is still much to choose from and to discover. Still, Sarah Vaughan died in 1990, Ella Fitzgerald in 1996, Betty Carter in 1998. Where is the new generation of female singers who can, in the flesh, emulate those great artists? Enter Charenée Wade, a New Yorker who has been making her way through the labyrinth of American jazz networks for more than 20 years. This week she is in Australia for the first time, for the Perth International Jazz Festival and the Sydney Women’s International Jazz Festival. Wade has ample credentials: education at LaGuardia High School of Music & Art and Performing Arts (known as the Fame school), where she received 1 classical training as an opera singer; a music degree at Manhattan School of Music; runner-up in the 2010 Thelonious Monk Institute of Jazz International Vocals Competition; and the endorsement of Wynton Marsalis, who regularly features her in Jazz at Lincoln Centre projects. Along the way, critical acclaim has been abundant. In 2015, critic Nate Chinen described her in The New York Times as “an heir to the legacies of Betty Carter and Carmen McRae”. Wade released her first album, Love Walked In, in 2011 but came to serious notice only with her celebrated 2015 album, Offering: The Music of Gil Scott- Heron and Brian Jackson.
    [Show full text]
  • STAGES in Partnership with ONE YEAR LEASE THEATER COMPANY Present Pieces of the Moon the Radio Play by Nick Flint
    STAGES in partnership with ONE YEAR LEASE THEATER COMPANY present Pieces of the Moon The Radio Play by Nick Flint A new stage play adapted to a radio play for live streaming. First aired on July 20, 2020 at: Stages Houston, TX One Year Lease Theater Co. New York, NY Walton Arts Center Fayetteville, AR Hammer Theatre Center San Jose, CA Originally Commissioned and Developed by One Year Lease Theater Company Creative Team: Playwright Nick Flint Director Ianthe Demos Sound Designer Brendan Aanes Music Director Granville Mullings Studio Engineer/Audio Editor Tom Beuchel Education Material Isabel Faith Billinghurst Graphic Design Olivia McGiff Cast: Gil Scott‐Heron / Tuner Adesola Osakalumi Neil Danny Bernardy Young Gil Scott‐Heron Eric Berryman Pat Anna Campbell Radio DJ / Uncle BB / Bassist Eon Grey Muffy Noelle Hogan Houston Leon Ingulsrud Buzz / Mr. Worthman Nathaniel Kent Janet Christina Bennett Lind Joan Violeta Picayo Bobbie Cristina Pitter Mike / Principal Richard Saudek Lily Shona Tucker Additional Voices Melissa Chambers, Niclass Ericsson, Nick Flint, Trevor Mills, Peter Palamaro Musicians: Brent Birckhead, Ethan Gouldbourne, Themba Mkhatshwa, Alex Smith with additional music by Andrew Dodge, Mykhailo Hryhoriev Scenes: TITLE CHARACTERS LOCATION, DATE (if applicable) Prologue Gil Space / Race JFK, MLK 1962, 1964 Gil The Magician Gil Second Buzz, Mike, Neil Cape Canaveral FL, 1969 Sow / Reap Radio DJ, Lily, Young Gil Jackson TN, 1962 Vomit Comet Houston, Neil, Doctor, Muffy, Janet, Buzz, Joan, Mike Cape Canaveral FL, 1969 The World Gil Press Conference Neil, Janet, Buzz, Mike, Gil, Reporters Cape Canaveral FL, 1969 Going Home Bobbie, Uncle BB, Young Gil Jackson TN, 1962 Inconceivably Unsolvable Principal, Young Gil, Janet, Neil, Muffy, Surgeon, Uncle BB NYC, 1966 Darkness My Old Friend Houston, Mike, Gil 1969 Out Damn Scott Young Gil, Tuner, Mr.
    [Show full text]
  • Pdf, 286.75 KB
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes This is part three of our comfort music series. As we are all struggling with life under the virus, many of us are turning to arts and music to keep us open and inspired. And in part one, we shared my starting five comfort albums. In part two, it was Oliver’s turn. And in part three, it’s your turn, as our audience. 00:00:30 Oliver Host We asked you, via our Facebook group, for some of your favorite comfort music examples, and Morgan and I drafted our starting five off of that list and then had each recommender send in a short testimonial as to why they chose what they chose. 00:00:46 Morgan Host Before we go any further we want to say that those testimonials were fire, and we do so appreciate your contributions. We’re gonna kick things off with an album that both Oliver and I landed on: Erykah Badu’s New Amerykah Part Two (Return of the Ankh). 00:01:00 Music Music “Umm Hmm” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Smooth, mid-tempo R&B. Come down baby let me know Um hmm I love how you make me feel Um hmm You came to drop off into my world Um hmm [Music fades out as dialogue resumes.] 00:01:18 Oliver Host I realize that both of us just talked about this during our Best of 2010s album list at the beginning of the year, but it’s fine, because this album is so nice, I think it’s worth talking about twice.
    [Show full text]