Bill Cain's Political Powerhouseequivocation Opens At
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©2020 Fredrika Thelandersson ALL RIGHTS RESERVED
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{PDF EPUB} Seasons Change by Jason Worthley Seasons Change Jason Worthley
Read Ebook {PDF EPUB} Seasons Change by Jason Worthley Seasons change jason worthley. All-weather tires perform well in both summer and winter seasons, and save you from the tire changeover and storage hassles. From national coverage and issues to local headlines and stories across the country, the Star is your home for Canadian news and perspectives. This season picks up five months after Hannah Baker killed herself and where the first season left off. 50+ videos Play all Mix - Five Finger Death Punch - When the Seasons Change (Official Video) YouTube Shinedown - MONSTERS (Official Video) - Duration: 4:12. AIRWOLF (1987) The original cast was completely written out of the fourth season (1987); only Jan-Michael Vincent appears briefly in the first, transitional episode Blackjack. Seasons Change, a song by Just Jason on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Riverdale season 3 Netflix release date, cast, trailer: Will there be another series? Life Can Change is a ground breaking inspirational talk show series and motivational teaching session with Entrepreneur, Author and Motivational Speaker, Jason McClain. I am from Wells, Maine and promoting my first novel "The Haunting of Salem Wood". FOX announced that the series was renewed for a third season on February 13, 2017. Find helpful customer reviews and review ratings for Seasons Change at Amazon.com. In Season 2 the four girls want to know what happened to Ian's body, who killed Alison, and who "A" is. We and our partners use cookies on this site to improve our service, perform analytics, personalize advertising, measure advertising performance, and remember website preferences. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Tony Kushner's Angels in America Or How American History Spins Forward
Tony Kushner’s Angels in America or How American History Spins Forward Alfonso Ceballos Muñoz Universidad de Cádiz [email protected] Abstract Angels in America’s roaring success represents a real turning point in mainstream American drama. This article explores both Kushner’s treatment of history— particularly American history—and the ingredients which compound the melting pot American society had become in the 1980s. Through the specific situations the characters undergo in both Millennium Approaches and Perestroika, the playwright exposes his own Brechtian and neo-Hegelian vision of current events. Kushner deliberately recycles traditional American myths and elements of American culture and pins them all on a reconstruction of identity—whether gender, racial, or political—as the real axes of his plays. By making gay characters lead the plays, and by including obvious religious elements from an apocalyptic literary style, political discussions on Reagan’s policy on AIDS, and reminiscent historical images, Angels in America becomes a revision of the new National Period America is living as the promised land which every single individual re-creates with her/his daily efforts and capabilities. “The people look skyward seeking aid from above, and the Angel of History appears on the horizon his eyes staring, mouth open and wings spread, while human catastrophes are hurled before his feet”. Walter Benjamin, “Theses on the Philosophy of History”. “History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who travelled before us”. Ronald Reagan’s Second Inaugural Address. January 21, 1985 “We won’t die secret deaths anymore. -
Arts in Seattle
ARTS IN SEATTLE ARCHITECTURE AND DESIGN ................................................................................................................................2 EXPERIENCE MUSIC PROJECT..........................................................................................................................................2 SEATTLE PUBLIC LIBRARY , CENTRAL..............................................................................................................................4 SMITH TOWER ......................................................................................................................................................................5 CHAPEL OF ST. IGNATIUS ..................................................................................................................................................7 OLYMPIC SCULPTURE PARK ..............................................................................................................................................9 SEATTLE ART MUSEUM....................................................................................................................................................11 GAS WORKS PARK ............................................................................................................................................................12 SPACE NEEDLE..................................................................................................................................................................13 SEATTLE ARCHITECTURE FOUNDATION, -
By Bill Cain Kent Nicholson
- 49th Season • 466th Production SEGERSTROM STAGE / OCTOBER 19 - NOVEMBER 18, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents by Bill Cain Scott Bradley Callie Floor Alexander V. Nichols SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Matt Starritt Joshua Marchesi Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by Kent Nicholson Pam and Jim Muzzy Honorary Producers Corporate Producer HOW TO WRITE A NEW BOOK FOR THE BIBLE was developed at the Ojai Playwrights Conference, Robert Egan, Artistic Director and at Theatre Works, Palo Alto, CA as part of their New Works Festival It was originally produced by Berkeley Repertory Theatre, Berkeley , CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director and Seattle Repertory Theatre, Seattle, WA, Jerry Manning, Artistic Director/Benjamin Moore, Managing Director How to Write a New Book for the Bible • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Bill ....................................................................................................... Tyler Pierce* Mary ............................................................................................ Linda Gehringer* Paul ............................................................................................... Aaron Blakeley* Pete ........................................................................................................... Jeff Biehl* LENGTH Approximately two hours and 20 minutes -
This Is a Test
‘ROCK THE HOUSE’ CAST BIOS JACK COLEMAN (Max) – Jack Coleman stars in NBC’s Emmy-nominated ensemble drama series “Heroes” as the mysterious Noah Bennett. Seemingly an unassuming family man as father to Claire, played by Hayden Panettiere, Bennett is also a man of mystery who has an interest in people with special abilities. Coleman has performed on Broadway, off-Broadway, in film and on television. Series roles include “Dynasty,” “Nightmare Café,” “Oh Baby” and “Steven King’s Kingdom Hospital.” Recently, he has been featured on such programs as “Entourage,” “Nip/Tuck,” “Without a Trace” and “CSI Miami.” On stage, Coleman starred on Broadway in Bill Cain’s Stand-Up Tragedy in a part he originated at the Mark Taper Forum. He was nominated for a Los Angeles Drama Critics’ Circle Award for his performance. He reprised the role in San Francisco at the Marines Memorial Theater and in Connecticut at The Hartford Stage Company before opening in New York. Coleman won a Los Angeles Drama Critics’ Circle Award for his performance in John Godber’s Bouncers at the Tiffany Theater and also starred off-Broadway in Simon Gray’s The Common Pursuit. Coleman has also appeared in regional theaters across the country, playing Danny Zuko in Grease from Long Island, New York to Odessa, Texas (where his character in “Heroes” resides), and performing Othello and Loves’ Labours Lost at the Globe of the Great Southwest. Coleman wrote, produced and starred in a short film entitled “Studio City,” an audience favorite at such film festivals as the Los Angeles International Short Film Festival and the New Orleans Media Experience. -
Written by ALLEN BARTON GARY GROSSMAN
SKYLIGHT THEATRE COMPANY GARY GROSSMAN - Producing Artistic Director TONY ABATEMARCO - Co-Artistic Director SANDRA GROSSMAN - Executive Director MICHAEL KEARNS - Artistic Associate Presents the World Premiere o f Written by ALLEN BARTON Directed by JOEL POLIS Starring LUKE COOK BO FOXWORTH* ROBERT L. HUGHES JAY HUGULEY DENNIS NOLLETTE* CARTER SCOTT EVERETTE WALLIN Producer GARY GROSSMAN Set and Lighting Designer JEFF MCLAUGHLIN Sound Designer PETER BAYNE Production Stage Manager GARRETT LONGLEY Publicist JUDITH BORNE Associate Producer RACHEL BERNEY NEEDLEMAN DISCONNECTION was developed through Skylight's INKubator program OPENING NIGHT JANUARY 24, 2015 @skylightthtr www.skylighttheatrecompany.com #disconnectionplay Beverly Hills Playhouse 254 S. Robertson Blvd. Beverly Hills, CA 90211 The professional union of * Denotes members of Actors Equity Association actors and stage managers in the United States WELCOME SKYLIGHT THEATRE COMPANY in the year 2015. Welcome, old friends and new patrons. What a year we’ve had! Success has come in many forms but none as satisfying as knowing that we’re fulfilling the new mission we embarked on just over four years ago - developing world premiere plays cut from the raw cloth of our town, our time. Now, when we look at the roster of unique and beautifully composed scripts we’ve green-lit for production in 2015, our hearts race in anticipation. The anticipation is so palpable because we know the treasure trove we’re sitting on. These brand new plays, each of which has been carefully crafted through multiple drafts and readings, include some of the best writing we’ve midwifed since hanging our shingle as Skylight Theatre Company. Writing that jumps off the page begging to be staged, to be acted, and to be paid attention to. -
Carter Chevrolet
-^ ^ ^ ^ ^ ^ N C H E S TE ^H E R A LD . Tuesday. Sept. 5. 1989 f o J I in v es t m en t ■ APARTMENTS ■ STORE AND l i i l PROPERTY MISCELLANEOUS r^TRUCKS/VANS I CARS ■ CARS I FOR RENT OFFICE SPACE FURNITURE FOR SALE |S £ | FDR SALE FOR SALE FOR SALE ROCKVILLE - Two fam- LIKE priyate home. 3'/2 MANCHESTER - 300-700 TWO Colonial style sofas llv, (3) six families, 11 rooms. Lease. Secur TOYOTA 1988 tour wheel DODGE Coronet 1975 - AUDI 4000S 1986 - Five sq.ft, new office spaces and chair sets, 1 plaid, 1 drive. Bed liner, sun speed, air condition, Charge They’re back! Vote and 14 unit properties ity. Working single END ROLLS Needs minor repair. lust completed. Excep print. Herculon fabric. roof, sliding rear win power steerlng- for sale. All have some male preferred. 643- tional location off 27%" width — 250 Gold. First $250 takes owner financino avail 7nan Excellent condition. dow, cloth Interior, It. 649-8527.__________ /brakes. All options. Spencer Street, exit oft $200 per set. 649-2316. 13" width — 2 for 25C am/fm cassette, 12k. Excellent condition. able for qualified buy MANCHESTER - Three 384 at the cross roads of Newsprint end rolls cen be DATSUN 310 1982 - Two Sign decision MHS girls’ soccer team South Africa ers. Call 871-6367. An room apartment. $500 S11,300 or best offer. door hatchback, 4- Original owner. $9,500. Manchester, Glaston SPORTING picked up Bt the Manchester 643-9304. 649-2210 after 6pm. Informational bro monthly. One month bury and East Hart I Herald ONLY before 11 a m speed. -
UC Berkeley Officials Reveal Servers Were Attacked
VOLUME 49, ISSUE 38 THURSDAY, MARCH 3, 2016 WWW.UCSDGUARDIAN.ORG MEN’S BASKETBALL UCSD GUARDIAN University’s CHOICE AWARDS Mental Health Services Gets C+ Grade The UC Student Association based their evaluations on accessibility, staff diversity and student outreach. BY Mario EspiNOZA CONTRIBUTING WRITER YOU KNOW THEIR STANCES Senior forward Drew Dyer scored the game-tying shot during Tuesday night’s game against Sonoma State right at the UCSD received a C+ grade in ON IMMIGRATION AND THE second half buzzer. UCSD went on to win the game in overtime 71–66. Photo by Megan Lee /UCSD Guardian SECOND AMMENDMENT, BUT the UC Student Association’s mental DO YOU KNOW THEIR FAVORITE health services evaluation on Feb. FILMS OF 2015? WE DO. FIND 9. UCSA conducted the study as UC SYSTEM part of the #HowAreYou campaign, OUT WHAT THEY ARE AND which aims to draw attention to MUCH, MUCH MORE. the University of California’s failure to provide adequate services for weekend, PAGE 6 UC Berkeley Offcials Reveal students in need of mental help. A.S. Vice President of External Affairs Krystl Fabella, who is also PEER LISTENING Servers Were Attacked a member of UCSA’s Board of mental health resources Directors, described to the UCSD Opinion, Page 4 By promita nandy Guardian how UCSD’s score UC Berkeley’s financial system, which stores the campus officials were in the process of patching a reflects how the university does not bank account and social security numbers of students, security flaw in the financial system. The campus’s prioritize student mental health, MEN'S BASKETBALL faculty and vendors, was breached on Dec. -
Hill I How Magazines for Young Women Present Profiles Of
Hill i How Magazines for Young Women Present Profiles of Anorexics Presented by Jessica Rose Hill in partial fulfillment of the requirements for completion of the Health Science Scholars honors program in the College of Natural Sciences at The University of Texas at Austin Spring 2017 _______________________________________________________ ____________________ Michael Mackert, Ph.D. Date Supervising Professor Center for Health Communication _________________________________________________________ ____________________ Rebecca A. Wilcox, Ph.D. Date Second Reader Honors Center, College of Natural Sciences Hill ii I grant the Health Science Scholars program permission to post a copy of my thesis in the Texas ScholarWorks Repository. For more information on the TSW, please visit https://repositories.lib.utexas.edu/. How Magazines for Young Women Present Profiles of Anorexics ____________________________________________________________ ____________________ [Your Name] Date _____________________________________________________________ ____________________ [Faculty Mentor’s Name, Department] Hill iii Acknowledgements I would like to express my deep appreciation for Dr. Michael Mackert for his time, patience, and guidance through this project. I am extremely grateful for his encouragement and advice as I navigated various fields of study to create this thesis. In addition, I would like to thank Dr. Rebecca Wilcox for guiding me through the writing process for years. Without her I would not have known where to begin what felt like an overwhelming project, so I am very grateful. I would also like to thank my roommates Eileen Sullivan and Sara James for their reassurance and compassion throughout the writing process, and for providing a safe space as I explored such an emotional topic. Lastly, I would like to thank my family for their never-wavering confidence in me.