DOCSLIB.ORG

Purandara Dasu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Purandara Dasu Srinivasa Bala Bharati PURANDARA DASU English Translation Rajeshwara Shastry Shishtla Tirumala Tirupati Devasthanams, Tirupati Srinivasa Bala Bharati - 183 (Children Series) PURANDARA DASU Telugu Version Dr. S. Gangappa English Translation Rajeshwara Shastry Shishtla Published by Tirumala Tirupati Devasthanams, Tirupati. 2015 Srinivasa Bala Bharati - 183 FOREWORD (Children Series) If a beautiful garden is to be raised, one needs to take proper care of tender flower plants. In the same way in order to create PURANDARA DASU a good society, great care needs to be taken of young children who are going to be future citizens of India. All their intellectual Telugu Version attainments will be futile if they fail to learn of their culture and Dr. S. Gangappa its greatness. They need to be told of great men and women of this country so that they are inspired by their ideals. The essentials English Translation of our culture should be given to them in the form of simple and Rajeshwara Shastry Shishtla charming stories. They will cherish these ideals and be guided by them. They will promote good and they will love the society T.T.D. Religious Publications Series No. 1169 they live in. They make their families proud and bring great prestige to their country when they grow up into good citizens. ©All Rights Reserved Tirumala Tirupati Devasthanams have brought out these First Edition - 2015 booklets for children in Telugu under Srinivasa Bala Bharati Series. Although meant for children, they are useful to the elderly too. They have found place in the book shelves of every family. Copies : The stories of legendary men and women are narrated in a simple way. We hope that more and more children will read them and Price : profit by them. Published by I congratulate Editor-in-Chief, TTD for his efforts in bringing out the English translations of SRINIVASA BALA Dr. D. SAMBASIVA RAO, I.A.S. Executive Officer BHARATI SERIES so well. We have received co-operation of Tirumala Tirupati Devasthanams many learned men and women in our efforts to popularize this Tirupati. series. I am thankful to them. D.T.P: In the Service of Lord Venkateswara Office of the Editor-in-Chief, T.T.D, Tirupati. Printed at Executive Officer, Tirumala Tirupati Devasthanams Press Tirumala Tirupati Devasthanams, Tirupati. Tirupati. FOREWORD Today’s children are tomorrow’s citizens. They need apt acquaintance with the life-histories of celebrated persons at tender so that they get opportunity to lead their lives in an exemplary way. They will come to know that great things such as Indian culture, basic tenets of life and moral teachings are abundantly available in the life-experiences of great men. It is observed that there is no scope to teach such subjects in school curriculum. Observing such circumstances the Publication Division of Tirumala Tirupati Devasthanams has published about hundred booklets in Telugu about the lives of famous sages and great men written by various authors under the editorship of Dr.S.B. Raghunathacharya under “Bala Bharati Series”. The response to these books is tremendous and it has given impetus to publish them in other languages also. To begin with, some of the books are now brought out in English and Hindi by T.T.D. for the benefit of boys and girls and the interested public. These booklets, primarily intended to the growing children and also to the elders to study and narrate the stories to their children, will go a long way to sublimate the aspirations of the children to greater heights. Editor-In-Chief T.T.D. Welcome To Srinivasa Balabharati Series The series is the outcome of abundant grace of Lord Sri Venkateswara. This will be an unfailing source of inspiration to the young. It enshrines the best of Bharatiya tradition. May this noble endeavour be successful. India has been known for its culture and civilization, its ethical and dharmic way of life from time immemorial. India has marched ahead with its commitment to dharma, its resistance to adharma, its espousal of life-affirming values and its humane attitude to life as a journey towards God realization. Those who embodied these values in their life have been a beacon of light to us. Their impact is deep on the life we lead. Young boys and girls will find them exemplary and feel proud of their invaluable heritage. They will love their motherland and dedicate themselves to its service. It is therefore necessary that the young learn about these great men and women so that they will realize their indebtedness to them for their selfless contribution to the enrichment of life. This should indeed be a chief component of true education which ensures the perennial continuity of Indian culture and civilization. SRINIVASA BALA BHARATI SERIES has come into existence to acquaint the young boys and girls with right perspective of Indian life and values through a series of booklets written exclusively for this purpose describing in brief the lives of great men and women. We welcome you to share our joy in launching these booklets. S.B. Raghunathacharya Chief Editor INTRODUCTION Life is a bubble. Anything may happen the next moment. It is upredictable. Yet people on this earth devote all their attention and hanker after earning wealth and gold. Never do they realize that they are ruining their present life running after the uncertain future. Everything slips away by the time they understand the fact. But great people grasp the truth with the benevolence of god and enter into the glorifying light piercing through all ignorance. Such a miracle happened in the life of a miser. There was a diamond merchant in possession of massive wealth. Being begged by a poor Brahmin, he gave away alms. The Brahmin came back after a while and proposed to pawn a nose jewel for money. The rich man was stunned on seeing the nose jewel. It was his wife's ornament. He promised to pay money and made the Brahmin wait till his return. He went home and asked his wife about her nose jewel. Fearing the reactions of her husband, she did not tell that she gave it to a Brahmin and went into the room to take poison and die. Surprisingly the nose jewel appeared in the poison cup. The diamond merchant went to his business spot and found that the ornament was missing. He was puzzled. He realized it as the leela of god. All the material earnings, he thought, are of no value in front of god's grace. He gave away all his property, gold, earnings and money to the needy people. He became a strong devotee of God. Do you know who he is? He viii was Srinivasa Naidu who became popular for his wealth as "Navakoti Narayana". In his later life, he became a devoted disciple of Vyasaraya and composed lakhs of lyrics and got the title "Padakavitha pithamaha" of Karnataka. The devotion, sacrifice or material refusal of this oldest generation of Dasas should be our guide and model. - Chief Editor PURANDARA DASU - Father of Music Thus I recall the great deeds of One that ward off all evil mindedness By singing of Srihari and his charisma In utmost devotion and absolute dedication - Prahlada Bhakta Vijayam Thus praised Thyagaraju who got liberated through his adoration to music. His guru Vysarayalu praised Purandardasu as the best of all dasas or disciples. A guru praising a disciple is really a rarity. Of course, it is but natural that disciples praise their gurus. So Purandaradasu is a great person. Being the head of the team of disciples, winning the appreciation of the gurus, writing songs in Kannada, joining the group of vocalists who rendered a clear form to music, Purandaradasu accomplished the great title. "Karnataka Sangeetha Pitamaha" or the Grand Father of Carnatic system of music. CULTURE MALIGNED Purandaradasu was born at a time when the Indians culture was in crisis. The times witnessed many cultural clashes and religious contradictions. Some felt that the people were in the dark. Some argued strongly that they alone were in the right path. Some brave folk ventured to bring in a change. Common people followed whatever tradition or culture they liked. Only a few understood that ultimately truth sustains above all the different 2 3 approaches. Indian culture was put to a major damage movements revived the ancient Indian culture and paved during the reign of Mohammadans. Owing to the way to a golden future. There are no people without religious beliefs and feelings of the Muslims, Hinduism leaders. A true leader is one who understands the and its culture got geopardised. In such a scenario came feelings of the people and becomes one among them. Basaveshwara and founded Veerashivism. Some other In such context was born Purandara Dasu. writers in prose also contributed their might to revive SRINIVASA BECAME PURANDARA DASA the Indian culture and became successful. Purandara Dasa is not his real name. It is understood BLOOMING OF VAISHNAVA CULTURE he has many names. Srinivasa Nayaka, Sheenappa, At the same time, with the blessings of Vidyaranya Thirumala Rayappa, Thimmappa, Krishna Nayaka, Harihara Rayalu and Bukka Rayalu established Purandara Vithala etc. The most popular name is Vijayanagara empire. They took a strong vow to protect Srinivasa Nayaka the son of Varadappanayaka. and promote Hinduism, culture and civilization in the Srinivasanayaka left all his wealth and wedded to south. During the reign of Proudha Devarayalu and Sri poverty. Krishnadevarayalu Vaishnava cult gained prominence. Enchanting the name of the lord, he chose In the accomplished rule of the Vijayanagara empire in Vyasaraya as his patron. He got upadesha from the south, many pioneers did their best for the Vyasarayalu and with the sign of "Purandara Vithala" rejuvenation and renaissance of Hinduism.
Load more

Recommended publications
  • The Music Academy, Madras 115-E, Mowbray’S Road
    Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type­ written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages.
    [Show full text]
  • “I Cannot Live Without Music”
    INTERVIEW “I cannot live without music” Swati Tirunal was undoubtedly one of the most important modern composers, one who included Hindustani styles in his compositions. Nowadays it has become fashionable to say you must avoid Hindustani in Carnatic music or the other way around. But looking back, Bhimsen Joshi was among those south Indians who became luminaries in the north Indian style. How many south Indians are really open to Hindustani music is debatable. The late M.S. Gopalakrishnan was very competent in the Hindustani field, and my colleague Sanjay Subrahmanyan is a Carnatic musician open to Hindustani ragas – he sings a Rama Varma at the Swarasadhana workshop focussing on Swati Tirunal’s compositions pallavi in Bagesree, for instance. Then again there are ‘fundamentalist’ groups Well known Carnatic vocalist Rama Varma was in Chennai recently to who think Behag, Sindhubhairavi, conduct a two-day workshop (9 and 10 February 2013) Swarasadhana, Yamunakalyani, Sivaranjani and their at the Satyananda Yoga Centre at Triplicane. Here he speaks of the event, ilk should be totally done away with. his journey in classical music and his thoughts on the changing trends of the art form. Rama Varma How did Swarasadhana happen? in conversation with I have been teaching in a village called Perla near Mangalore for the past M. Ramakrishnan four years, at a music school called Veenavadini, run by the musician Yogeesh Sharma. He invites musicians to visit there once a year. Four years ago Veenavadini invited me. They enjoyed my teaching and Do you follow the same style of teaching I enjoyed being there too, and my visits became regular.
    [Show full text]
  • Annamacharya Aaradhana
    2018 అన#$%ర' ఆ)ధన Annamāchārya Ārādhana 2:00pm - 7:00pm on September 30th, 2018 Revere High School, 3420 Everett Road, Richfield OH 44286 Vision Annamacharya Aradhana endeavors to pass India’s rich cultural heritage to our next generation, encourage us to love more consciously and with abundance and excel in personal growth and social engagement. Saint Tallapaka Annamacharya (1408 - 1503) Annamayya is widely regarded as the Padakavita pitaamaha (grand old man of song writing) of the Telugu language who strongly influenced the structure of Carnatic music compositions that we hear today. Annamacharya considered his compositions as floral offerings to the Lord of the seven hills, Sree Venkateswara. Annamacharya composed close to 36,000 sankeertanas (songs) out of which only 12,000 are available today. Based on the Vishishtadvaita school of thought, his songs are classified into Aadhyaatma (spiritual) and Sringaara (romantic) genres. Many of his compositions are in Telugu language. Every year in the month of September/October, NEOTA conducts the Annamacharya Aradhana, to celebrate the life and works of Saint Annamacharya of Tallapaka, as a humble tribute to the supreme devotion of the poetic genius that continues to captivate us to this day! !1 of !5 Annamacharya Sankeerthanalu by Cleveland Annamacharya Group " (taught by Gurus Sri Srivishnu Pasumarthy & " Sri Sreekrishna Pasumarthy)" Bhakti Koladhi Vaade Rāgam: malayamarutham Tālam: Adi Anthayuneeve Rāgam: Anandabhairav Tālam: Adi Iddarigunambulive Rāgam: Kapi Tālam: Adi Kantimineedide Rāgam:
    [Show full text]
  • Okapari Kokapari Ragam: Kharaharapriya (22Th Melakartha
    Okapari Kokapari Ragam: Kharaharapriya (22th Melakartha) ARO: S R2 G2 M1 P D2 N2 S || AVA: S N2 D2 P M1 P G2 R2 S || Talam: Adi Composer: Annamacharya Version: Ram Kaushik (Orig: Nedanuri Krishnamurthy) Lyrics Courtesy: Rani (www.karnatik.com) Link: http://www.karnatik.com/c1567.shtml Pallavi : okapari kokapari oiyaaramai mokamuna kaLalella molicinaTluNDE (oka) CaraNam 1 jagadEkapati mEna jallina kaTpoora dooLi jigigoni naDuvanga cindagaanu mogi candramugi uramuna nilipEgaana pogaru vennela deega pOsinaTliNDE (oka) caraNam 2 meRaya shree venkaTEsu mEna singaaramugaanu sarasaina sommulu dhariyimcagaa meruputoTi alamElu mangayu daanu merupu mEghamukooDi merasinaTluNDE (oka) Meaning : In this song, Annamaacaarya praises the beauty and charm of Lord VenkaTEshwara. When the Lord walks gracefully, the camphor on his body sprinkles and as the goddess sits on his lap it seems as if he is covered by moonlight. The glittering ornaments worn by the Lord join the charisma of the goddess and seem like a lightning joins hands with the glitter and charisma. Meaning (word-word): Adapted from Tenneti Rao’s Blog: http://tenneti-rao.sulekha.com/blog/post/2010/09/meaning-of-okapari-kokapari-song-annamayya-kirtana.htm Time and again (“okapari- kokapari”), when the Lord is gracefully (“oyyaaramai”) walking, it seems that in his face (“mogamuna”), many beautiful rays (“kaLalenni”) have sprouted (“molaci”) and existed thus (“natlunde”). okapari = once; kokapari = a different time; oyyaaramai = with grace, gracefully; mogamuna = on the face; kaLalenni = many a ray, many beauties (cf. moon has sixteen distinct phases of beauty, sixteen degrees of beauty); molaci = as if sprouted; natlunde = exist thus; When the Lord of the world (“jagadEka -pati ”) walks gracefully, the camphor dust (“karpuura-dhuLi”) on his body (“mEna ”) sprinkles (“callina ”) and spreads sparkling light (“jigigona ”) on all four directions (“naluvanka”).
    [Show full text]
  • AITS :: TIRUPATI Created 3000 Jobs and 45% Newsletter of Them Are Women
    Volume 3, Issue - II Quarterly April 2016 to August 2016. p5 Volume 3, Issue - II Quarterly April 2016 to August 2016. p6 S p e a k i n g o n t h i s o c c a s i o n , P r i n c i p a l , Mr. Vishal Khanna, Volume 3, Issue - II Quarterly April 2016 to August 2016. p1 Dr. C. Nadamuni Reddy stated that it is very important for Senior Assistant Director, Civil Engineering Students to learn structural designs of F e d e r a t i o n o f I n d i a n offshore constructions since this gives a very good career Chambers of Commerce & opportunities. Industry (FICCI), New Delhi, told that 448 innovators AITS :: TIRUPATI created 3000 jobs and 45% Newsletter of them are women. He gave instances of students who had innovative ideas, submitted their ideas and been funded with rupees from 10 lakhs to 10 crores. The Students and Hod of H&S Dept. Listening Principal's speech MBA, Hod and faculty members with MBA students Government of India and Andhra Pradesh, initiative of HELPING HANDS Make in India will be a success only if we think beyond and The Department of Management Studies has take a step by show casing it in India Innovative Program, organised “Helping Hands” Programme on 26th August which will help Government to know about us and our 2016 to help the poor and needy and to inculcate research. philanthropic attitude in students. Faculty members & S r i .
    [Show full text]
  • Annamacharya Keerthana Lyrics Telugu Pdf
    Annamacharya keerthana lyrics telugu pdf Continue No comment: Post a comment. Go Haak Soubanya 16. Posted by Annamacharya Keerthanalu at 08:20. What is visible and invisible at the same time is drama. Enta Maayala Wadu 11. You may have to sign up... Annamacharya Keerthana Lyrics in Telugu If this is your first visit, be sure to check out the frequently asked questions by clicking on the link above. Answers. Annamacharya Keerthana Condalalo Nelakonna Lyrics Keerthana : Condalalo Nelakonna Ragam : Hindolam Talam : Aadi pallawi kondalalo nelakonna koneti raadu vadu kondalamta varamulu guppedu vadu.... Charanam1: kummara dasudaina kuruvaratinambi yimmanna varamulella yichhina vadu dommulu sesina yatti tonda man chakkura varti rammanna chotiki vachhi nammina vadu.. ... Aaraginchi Kurchunna - Annamaya Sankeerthana Lyrics Annamacharya Sankeerthanalu: Aaraginchi Kurchunna - Annamayya Sankeerthana Lyrics Annamacharya Sankeerthanalu Posted by Annamacharya Keerthanalu at 07:40. Annamaya Kirtana as Krzyrabdi Kinakaku Value: Niraadjanam Daughters of the King of the Ocean Milk; Nirajanam Sri Mahalakshmi, the divine wife of Lord Vishnu; Neerajanam to the one who was born on the Golden Lotus! Here is a site that has a lot of Annamacharya songs with the word ... I don't even know how I ended up here, but I thought this post was... All the lyrics presented on this site are only for training and promotional purposes. Answer. Labels: Letter (V) - Keerthanas. Cannada Lyrics Tamil ... Lakshman Communications: 12307 Joined: 10 Feb 2010 13:22 x 10. A place to go if you want to ask someone to identify Raga, Tala, composer, etc. or ask for s'hitya (lyrics) or notation or translations. Answer Delete. Cell : 09393021360 Price : ..
    [Show full text]
  • Carnatic Music Vs. Western Music: a Comparison by Maya Anand
    Carnatic Music vs. Western Music: A Comparison by Maya Anand Many music rasikas are familiar with the phrase “music is music” or “all music is the same”. However, as a student of both Western Classical music and Carnatic music, I am able to identify a few fundamental differences in the two styles of music. While it is true that all music is fundamentally similar to some extent, it is important, and quite frankly, interesting to take time to compare the striking contrasts between genres of music. This isn’t to say that Carnatic music and Western music don’t share anything in common. There are definitely similarities in pitch and rhythm, which are the first things that one must understand about any type of music. Pitch is an important aspect in any type of music, and this rings true in both Western and Carnatic music as well. There are many things similar about the basics of these two musical genres. Firstly, both of them have seven notes in their scale. In Western music, that scale is Do, Re, Mi, Fa, So, La, and Ti. In Carnatic music, the scale is Sa, Ri, Ga, Ma, Pa, Dha, and Ni. Already, it is evident that these solfa syllables resemble each other greatly, further demonstrating that all music probably derived from the same concepts. The similarity doesn’t end there. Not only are these differing styles of music similar in pitch, they are also similar in rhythm. In Western Classical music, there is something called a time signature. The time signature of a piece of music is similar to what we call tala in Carnatic music.
    [Show full text]
  • Temple Music Traditions in Hindu South India: Periya Mēḷam and Its Performance Practice
    Temple Music Traditions in Hindu South India: Periya Mēḷam and Its Performance Practice Yoshitaka Terada The whole place, too, was filled with the horrid din of tomtoms, and the shrill noise of pipes, reverberating through the weird gloom of the passages, and giving one quite an uncanny feeling. (Mitchell 1885, 140–1) The sounds produced by these instruments are far from pleasing, and may even appear hideous to European ears. (Dubois 1906/1986, 587) During the festival nights of Ani Tirumanjanam and Arudra Darsanam, I have lingered for hours at a stretch at the corners of the main car streets, in the thrall of Nadasvaram music of Chidambaram Vaidyanathan of revered memory . Ever since my boyhood, when I heard it first, nothing has stirred me to the depths of my being as much as Chidambaram Vaidyanathan’s Mallari in the raga, Nattai–played traditionally when Nataraja and Sivakama are taken out in procession during the festivals. (Natarajan 1974, 137) The unfamiliar music flowing inside and around the Hindu temples has caught the attention of many inquisitive European travelers to South India for centuries. Their reactions to these sounds were mixed with bewilderment and uneasiness at best, and usually characterized by impulsive criticism and naive ethnocen- trism. Mrs. Murray Mitchell, the wife of an English missionary, gives a typical example of European reaction when she describes the music she heard in 1882 at the famous Minakshi Temple in Madurai as shown in the first quotation. For Mitchell, the music, sounded as “horrid din” and “shrill noise,” was incompre- hensive and threatening.
    [Show full text]
  • Hindu Patrika
    Board of Trustees C HINDU PATRIKAC Term Name Published 2009-2011 Vishal Adma Chairman Bimonthly 2010-2012 Deb Bhaduri Vice Chair DECEMBER/JANUARY 2012 Vol 17/2011 2009-2011 Sanjeev Goyal 2009-2011 Mahendra Sheth 2010-2012 Sadhana Bisarya 2010-2012 Sanjay Mishra 2009-2011 Vishal Adma 2010-2012 Manu Rattan 2011-2013 Mohan Gupta 2011-2013 Priti Mohan 2011-2013 Govind Patel 2011-2013 Mana Pattanayak 2011-2013 Eashwer Reddy 2011 Neelam Kumar 2011 Sridhar Harohalli Vision of HTCC To promote Hinduism’s spiritual and cultural legacy of inspiration and optimism for the larger Kansas City community. Mission of HTCC • Create an environment of worship that enables people to say “yes” to the love of God. • Cultivate a community that nurtures spiritual growth. • Commission every devotee to serve the creation through their unique talents and gifts. • Coach our youth with the spiritual and cultural richness and the diversity they are endowed with • Communicate Hinduism – A way of life to everyone we can and promote inter-faith activities with equal veneration Hindu Temple & Cultural Center of Kansas Hindu Temple Wishes a Very Happy New Year to all the City Members A NON-PROFIT TEMPLE HOURS Day Time Aarti ORGANIZATION Mon - Fri 10:00am-12:00pm 11:00am Please remember to renew your annual membership which runs from January to 6330 Lackman Road Mon - Fri 5:00pm-8:00pm 7:30pm Shawnee, KS 66217-9739 Sat & Sun 9:00am-8:00pm 12:00pm December. Sat & Sun 7:30pm http://www.htccofkc.org Your Current membership status is printed on the mailing label.
    [Show full text]
  • Annamacharya Institute of Technology and Sciences::Rajampet (Autonomous)
    ANNAMACHARYA INSTITUTE OF TECHNOLOGY AND SCIENCES::RAJAMPET (AUTONOMOUS) www.aitsrajampet.ac.in DEPARTMENT OF ELECTRONICS AND COMMUNICATION ENGINEERING ACADEMIC REGULATIONS (R17) AND COURSE STRUCTURE AND SYLLABI For the students admitted to B. Tech., Regular Four Year Degree Programme in CBCS from the Academic Year 2017-18 and B. Tech., Lateral Entry Scheme from the Academic Year 2018-19 B. Tech., ELECTRONICS AND COMMUNICATION ENGINEERING VISION AND MISSION OF THE INSTITUTION Vision We impart futuristic technical education and instill high patterns of discipline through our dedicated staff who set global standards, making our students technologically superior and ethically strong, who in turn shall improve the quality of life of the human race. Mission Our mission is to educate students from the local and rural areas and from other states so that they become enlightened individuals, improving the living standards of their families, industry and society. We provide individual attention, world class quality of Technical education and take care of character building. VISION AND MISSION OF THE DEPARTMENT Vision To offer educational experiences that makes the students globally competent, socially responsible and bring in answers to ever-ebbing problems in the field of Electronics & Communication Engineering. Mission To offer high quality premier education in the field of Electronics & Communication Engineering and to prepare students for professional career and higher studies. To promote excellence in technical research, collaborative activities and positive contributions to society. PROGRAM EDUCATIONALOBJECTIVES: The B.Tech. Electronics & Communication Engineering graduates will be able to: 1. Work efficiently as Communication Engineers, including supportive and leadership roles on Multidisciplinary teams 2. Communicate effectively, recognize and incorporate societal needs and constraints in their professional endeavors, and practice their profession with high regard to legal and ethical responsibilities, 3.
    [Show full text]
  • Carnatic Music Theory Year I
    CARNATIC MUSIC THEORY YEAR I BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.6 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the first year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the first of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2009, editions 2–2.2 in 2017, 2.3–2.5 in 2018, 2.6 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely.
    [Show full text]
  • State of Conservation Report Regarding Progress So Far Made with Regard to the Recommendations of the World Heritage Committee in Decision 37COMB.61
    Name of the Property: Group of Monuments at Hampi (India) (C 241) State of Conservation report regarding progress so far made with regard to the recommendations of the World Heritage Committee in Decision 37COMB.61. 1. Response from the State Party to the World Heritage Committee’s Decision, 37 COM 7B.61 , paragraph by paragraph A. Removal of debris of the collapsed bridge and the relocation of the vehicular bridge outside of the property; The Public Works Department of Government of Karnataka, has resumed the work of removing the remaining part of the collapsed bridge viz., debris, columns and carriageway, without disturbing the nearby cultural resources, by adopting state of the art technology and the work is almost complete. As regards the relocation of the vehicular bridge, cultural impact assessment study has been completed and location of the vehicular bridge as recommended in the impact assessment study has been identified. B. Completed Integrated Management Plan together with a synthesis and a prioritisation of existing recommendations and intentions, for review by the World Heritage Centre and the Advisory Bodies - The Integrated Management Plan (draft already submitted to the WHC in 2006) gives an overall framework for the Management & protection of Hampi World Heritage Site. It is reiterated that as per the draft IMP recommendations the following actions have been implemented since January 2006 by Government of Karnataka and Archaeological Survey of India. Sno IMP recommendation Agency 1 Preparing a official Base Map HWHAMA
    [Show full text]