Rival Sons Is an American Rock Band That Routinely Sells Shows out in Europe, but Are Virtually Unknown in America
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Vista USD News
University of San Diego Digital USD USD Vista USD News 2-2-1984 Vista: February 2, 1984 University of San Diego Follow this and additional works at: https://digital.sandiego.edu/vista Digital USD Citation University of San Diego, "Vista: February 2, 1984" (1984). USD Vista. 925. https://digital.sandiego.edu/vista/925 This Newspaper is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in USD Vista by an authorized administrator of Digital USD. For more information, please contact [email protected]. UNIVERSITY OF SAN DIEGO •.t- ^ CHE GO, i.«- c / Vol. XXII No. 14 February 2, 1984 T.G.'s: Battle Of The Beers by Shen Hirsch when ETK accepted the ASB's solved the needed sponsorship AK Psi on the other hand felt was not my fault. I have a stand For the first time in USD his offer to sponsor the Flanigan's. but added a great deal of credibil students should be given an alter ard procedure in which 1 list all tory the students will be given the ETK, Elman Tappa Kegga, was ity to ETK. native to Flanigan's. The popula the free ads on a log sheet and the advantage of a T.G. every Friday. founded by Ed DeMerlier, Vince When AK Psi proposed an tion of student participation had paying ads on another. When ETK, AK Psi and AMA have Kasperick, Tom Ehmann and addition to the agenda ETK was already notably declined from there are too many paying ads the now collaborated to present a Mike Harder as a response to the enraged. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Petitioner V
No. ________ IN THE SUPREME COURT OF THE UNITED STATES ______________________ Michael Skidmore, Trustee for the Randy Craig Wolfe Trust, Petitioner v. Led Zeppelin, et al., Respondents _______________________ On Petition for a Writ of Certiorari to the United States Court of Appeals for the Ninth Circuit. PETITION FOR A WRIT OF CERTIORARI ______________________ Alfred J. (AJ) Fluehr, Esquire Counsel of Record FRANCIS ALEXANDER LLC 280 N. Providence Road | Suite 1 Media, PA 19063 (215) 341-1063 [email protected] Attorney for Petitioner, Michael Skidmore, Trustee for the Randy Craig Wolfe Trust Dated: August 6, 2020 i Question Presented 1 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 represent the 106 years that the courts of this nation recognized that musical works were protected as created and fixed in a tangible medium under the Copyright Act of 1909—and that the deposit requirement was a technical formality. In those 106 years not one copyright trial was limited or controlled by the deposit, which was usually an incomplete outline of the song. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Jobz Are Us: the Ethical Dilemmata of the Humble Scrivener
Jobz Are Us: The Ethical Dilemmata of the Humble Scrivener Toiling away here in the bloggy vineyard, Your Narrator finds himself in near-constant search of gainful, remunerative scribbling. Oh sure, regaling the tens of loyal i2b followers with insight, pith<fn>Yeth. Pith.</fn>, andtres bon mots in return for your undying adulation is all the reward an inky wretch could hope for. But the family has this annoying tendency to, you know, eat, so I expose my tender talents to the cruel world in hopes that someone will toss a few shekls my way.<fn>That Donate button over to the right has not brought the expected riches, needless to say.</fn> <fn>The mere mention of which – the Donate button, that is – is of course, a classic example of shameless whoring, one which allows the reader a choice between casting judgement on Your Narrator or of empathizing with his plight.</fn> <fn>And, also too, this mentioning – re: the judgement v. empathy conflict – potentially instantiates a frisson of guilt in the freeloading reader, which pointing out represents a further, and perhaps more pathetic, instance of Narratory whoring.</fn> So I troll, I dig. I hustle. And occasionally, I am rewarded beyond my wildest dreams when I find an inducement like this: Do you love essential oils? Do you love to write about them and take pictures? [….] Essential Oil company is looking for someone who is passionate and knowledgeable about essential oils. We currently have a blog and we are looking to add guest editors/bloggers to our mix. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Joe Bonamassa Free Album 2017 Mp3, Flac, Wma
Joe Bonamassa Free Album 2017 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Free Album 2017 Country: US Released: 2017 Style: Blues Rock MP3 version RAR size: 1685 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1666 mb Rating: 4.5 Votes: 261 Other Formats: MMF VOX WMA MIDI AC3 VOC TTA Tracklist 01 –Joe Bonamassa I Know Where I Belong 5:37 02 –Joe Bonamassa Mountain Time 3:41 03 –Joe Bonamassa The River 5:29 04 –Joe Bonamassa Bridge To Better Days 5:06 05 –Joe Bonamassa, Alvin Lee One Of These Days 5:39 06 –Joe Bonamassa The Ballad Of John Henry 6:25 07 –Joe Bonamassa Blue And Evil 5:43 08 –Joe Bonamassa Dust Bowl 4:32 09 –Joe Bonamassa Driving Towards The Daylight 4:49 10 –Joe Bonamassa Slow Train 6:36 11 –Joe Bonamassa Different Shades Of Blue 4:35 12 –Joe Bonamassa Drive 5:47 13 –Joe Bonamassa Song Of Yesterday (Carnegie) 9:20 Notes Free download: http://jbonamassa.com/free-bonamassa-album/ Track 01 taken from A New Day Yesterday (track 4) Track 02 taken from So, It's Like That (track 8) Track 03 taken from Had To Cry Today (track 9) Track 04 taken from You & Me (track 2) Track 05 taken from Sloe Gin (track 2) Track 06 taken from The Ballad Of John Henry (track 1) Track 07 taken from Black Rock (track 12) Track 08 taken from Dust Bowl (track 2) Track 09 taken from Driving Towards The Daylight (track 3) Track 10 taken from An Acoustic Evening At The Vienna Opera House (disc 1, track 6) Track 11 taken from Different Shades Of Blue (track 8) Track 12 taken from Blues Of Desperation (track 3) Track 13 taken from the -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Fiying Saucers Reai, Speai<Er Says
n daily aundial vol. 22 no. 39 caifomia state iinivefsity, northridge frklay, november 11,1977 Fiying saucers reai, speai<er says by Greg Lee Friedman explained that there were three types of making right-angle turns with no apparent decreoae in sightings: speed. "Flying saucers are real," a nuclear phyaicist and full- Obso^ationa made on the ground that can be iden Tho« are four reaaons, said Friedman, why the time lecturer on Unidentified Flying Objects, told a tified by competent individuala, sightings where not "bigshots" of science and journalism have ignored capacity audience in the new Univeraity Student Center enough data is available to make a determination, and abundant evidence of UFOa that cannot be explained as Wednesday. reports of phenomenon that has no explanation—UFO . space debris, balloons w man-nude aircraft. Mare than 100 people crowded into a conference room Friedman said that contrary to the opinion of a to hear Stanton Friedman atate that the "evidence ia skeptical scientific conununity, the higher the percentage Friedman said it is often lack of awareness, aimple ovowhelming" that Earth haa been viaited by intelligent of unexplicable sightings, the better the conditions under ignorance, on the part of profesaionala who have not bongs in flying saucers ftxMn other solar systems. which the UFO was seen. looked objectively at the data. Friedman, because of the demand, gave his slide Even as long ago aa 1955, said Friedman, a study Another reason, said Friednum, is what he calla "the lecture a second time for another group of students. commissioned by the U.S. -
“Classic Deep Purple Live” Performed by Glen Hughes Keswick Theatre Friday, September 7
“CLASSIC DEEP PURPLE LIVE” PERFORMED BY GLEN HUGHES KESWICK THEATRE FRIDAY, SEPTEMBER 7 Glenn Hughes, former bassist and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee, and the current front man for rock super group Black Country Communion is pleased to announce that he will be performing Deep Purple only material with his “CLASSIC DEEP PURPLE LIVE” at the Keswick Theatre in Glenside, PA on Friday, September 7. The tour promises to be dynamic, a turn-back-the-clocks, two-hour live extravaganza homage to his tenure in MK 3 and MK 4 incarnations of Deep Purple - one of music history’s most seminal and influential rock and roll groups. "I'm excited to be touring the “Classic Deep Purple Live” in the US this year. I first toured Classic Deep Purple Live in Australia and New Zealand last year and it went down like a storm. We’re also touring the show throughout South America and international festivals throughout the summer. By the time we tour the US, then the UK in October, we’ll be on fire.” As well as Glenn on lead vocals and bass guitar, the touring band also features Soren Anderson (guitar), Jesper Bo Hansen (keyboards) and Fer Escobedo (drums) Deep Purple took a quantum leap when the then 20-year-old Glenn Hughes was seconded from British funk-rock outfit Trapeze in mid-1973. As bassist and co-vocalist (with David Coverdale), he helped steer the legendary rock group in the progressive direction of Burn (1974), Stormbringer (1974) and Come Taste the Band (1975), while touring the world for three years. -
MUSICRADAR.COM (12/6) Epic-Guitar-Performances-568156
MUSICRADAR.COM (12/6) http://www.musicradar.com/news/guitars/rival-sons-scott-holiday-talks-jimmy-page-riff-writing-and- epic-guitar-performances-568156 Rival Sons' Scott Holiday talks Jimmy Page, riff writing and epic guitar performances If Head Down were Rival Sons' debut album and not their third release, we'd be heralding the unexpected arrival of a bright new talent, and possibly even an important one, a group that manages to take their cues from firmly established blues-rock paradigms while proving there's still rich, untapped pockets to be mined. Oh, hell, let's dispense with the formalities and give it up for this California four-piece (singer Jay Buchanan, guitarist Scott Holiday, bassist Robin Everhart and drummer Mike Miley), who attack well- worn forms – there's also splashes of soul, funk and head-spinning psychedelia, for good measure – with a zeal that borders on audacity. The grooves are deep and the vocals are of the chest-beating variety, but the real star of the show is guitarist Holiday. On the album's 13 exhilarating cuts, he hits with with tectonic force, creating rich tapestries of sound that burst wide open with style, imagination and an infectious, warped charm. We caught up with Holiday the other day to chat about his spunky approach to guitar playing, his many axes and sonic toys, and to find out how he felt rubbing shoulders with a new fan, another six- string slinger who goes by the name Jimmy Page. So Jimmy Page likes your band. That's got to feel good.