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The Expert Escamoteur's Equipment
The Expert Escamoteur’s Equipment Tony Shiels An Exploration in Three Parts of Various Aspects of Cups and Balls Conjuring It is strongly recommended that you print this ebook out before reading. Staple the pages together - or better still take the pages to you local Staples or office supply store and have it bound. Add your own notes and ideas as they come to you. That way you will turn this ebook into a valuable reference document. Contents & illustrations copyright © Tony Shiels 1966 and 2006 These articles originally appeared in The Linking Ring, the magazine of The International Brotherhood of Magicians http://www.magician.org There is no charge for this ebook. You are free to share it with your friends provided it is left unedited and in its entirety. Introduction by Quentin Reynolds If you associate the name of Tony ‘Doc’ Shiels with weird, strange and bizarre magick, you will, no doubt, be surprised to discover that in his professional work, the Linking Rings and the Cups and Balls effects, were the stable part of his repertoire. As you read through this manuscript, and bear in mind it was written in 1966, you will be inspired by his enthusiasm for the subject. In more recent times the Cups and Balls has had a revival back onto the streets and is the featured effect by many of magic’s leading street performers. At the rear of this manuscript I’ve listed some recommended further reading, published since Tony’s articles first appeared in The Linking Ring. As publisher of one of Tony’s other books, The Shiels Effect http://www.TheShielsEffect.com I was delighted to discover some of his older writings lost in the files of magazines. -
Therapeutic Magic: Demystifying an Engaging Approach to Therapy
Therapeutic Magic: Demystifying an Engaging Approach to Therapy Steven Eberth, OTD, OTRL, CDP Richard Cooper, Ed.D, FAOTA, OTR Warren Hills, Ph.D, LPC, NCC ●What strategies could you use to introduce therapeutic magic with your clients? Quick Survey ●What barriers exist that may impede your ability to use therapeutic magic? History of Magic • Dr. Rich Cooper • In the beginning . ●The use of magic as a therapeutic activity has existed since World War 1 History of Magic ●Occupational therapy literature evidenced the use of therapeutic magic in 1940 History of ●Project Magic was conceived by magician, Magic David Copperfield and Julie DeJean, OTR ●In 1981, the Department of Occupational Therapy at the Daniel Freeman Center for Diagnostic and Rehabilitative Medicine in Inglewood, California piloted the use of magic History of ●In 1982, Project Magic was endorsed by the Magic American Occupational therapy Association ●The Healing of Magic program was developed History of by world renown illusionists Kevin and Cindy Magic Spencer ●In 1988, Kevin suffered injuries to his head and lower spinal cord from a near-fatal car accident ●In support of his own recovery, he worked with therapists in North Carolina on what was to become the foundation for “The Healing of Magic” ●Kevin earned Approved Provider Status from the American Occupational Therapy Association History of ●He is considered the leading authority on the therapeutic use of magic in in physical and Magic psychosocial rehabilitation https://www.spencersmagic.com/healing-of- magic/ Our Story Our humble beginning . ● How we got started ● The search for training materials begins ● What we’ve done: WMU Story ● # of students ● Grant for materials ● Resource boxes ● Documentation and reimbursement skills ● Program evaluation student surveys I am in my second fieldwork one right now at the Kalamazoo Psychiatric Hospital. -
The Magic Collection of David Baldwin
Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B. -
Lecture Notes 2010
Peter Wardell lecture notes 2010 by Peter Wardell lecture notes 2010 v 1.0 These notes are just that - notes. They are however by no means complete. In fact they are missing a number of very important assets that would make them “good” notes: Illustrations and photographs are not included simply because I haven’t got round to doing them - but they are coming and with them video, (maybe). Proper credits are absent. A sin I know, but they will make an appearance at some point. Until then “thanks everybody”. References are not referenced. Lets face it they take ages but yes I will do them - eventually So why have I “shipped” the notes now? Because if I didn’t then then the use of 2010 in the title would be misleading and that would simply be wrong. Peter Wardell (May 2010) www.peterwardell.com lecture notes 2010 v 1.0 contents Introduction The Basics The Stick Vanishes 1 An Opening Sequence 2 Tricks in One Fastest Card to Wallet 2 Coins across The Last Coin Introduction A Watch Steal 3 Picking Pockets www.peterwardell.com lecture notes 2010 v 1.0 The cups & balls Introduction The Basics The Stick Vanishes An Opening Sequence 1 Final Loads www.peterwardell.com lecture notes 2010 v 1.0 The cups & Balls is The cups and balls is of course the oldest trick in the world and more about attitude that means that it’s had more written about it than probably any and timing than it is other trick. So what do I hope to add to the already expansive about sleight of hand literature that’s available? Not much really. -
Attention and Awareness in Stage Magic: Turning Tricks Into Research
PERSPECTIVES involve higher-level cognitive functions, SCIENCE AND SOCIETY such as attention and causal inference (most coin and card tricks used by magicians fall Attention and awareness in stage into this category). The application of all these devices by magic: turning tricks into research the expert magician gives the impression of a ‘magical’ event that is impossible in the physical realm (see TABLE 1 for a classifica- Stephen L. Macknik, Mac King, James Randi, Apollo Robbins, Teller, tion of the main types of magic effects and John Thompson and Susana Martinez-Conde their underlying methods). This Perspective addresses how cognitive and visual illusions Abstract | Just as vision scientists study visual art and illusions to elucidate the are applied in magic, and their underlying workings of the visual system, so too can cognitive scientists study cognitive neural mechanisms. We also discuss some of illusions to elucidate the underpinnings of cognition. Magic shows are a the principles that have been developed by manifestation of accomplished magic performers’ deep intuition for and magicians and pickpockets throughout the understanding of human attention and awareness. By studying magicians and their centuries to manipulate awareness and atten- tion, as well as their potential applications techniques, neuroscientists can learn powerful methods to manipulate attention to research, especially in the study of the and awareness in the laboratory. Such methods could be exploited to directly study brain mechanisms that underlie attention the behavioural and neural basis of consciousness itself, for instance through the and awareness. This Perspective therefore use of brain imaging and other neural recording techniques. seeks to inform the cognitive neuroscientist that the techniques used by magicians can be powerful and robust tools to take to the Magic is one of the oldest and most wide- powers. -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Model of Information Process for Neuromagic
Model of information process for neuromagic David Bestue1,2 1. Institut d'Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS) 2. Universitat de Barcelona (UB) Abstract In this work, I structure the magical knowledge around the neuroscientific literature. For that, I present a theoretical neuropsychological model to illustrate how magic tricks can interfere with different processes of the information flow. This model combines different memory stages, the perceptual pathway, the emergence of attention and the consciousness threshold to provide a holistic picture of how magic functions from the neuroscientific perspective. Following the model, I also present a misdirection definition and classification that is more accurate with the biological reality than the existing ones. Introduction Over the last few years, the field of neuroscience has developed a branch based on the combination of both magicians and neuroscientists knowledge–“neuromagic”- (Tompkins et al., 2016; Shalom et al., 2013; Kuhn et al., 2008; Rissanen et al., 2014; Lamont & Henderson, 2009; Olson et al., 2015; Rensink & Kuhn, 2015; Ekroll et al., 2017; Barak & Tsodyks, 2014; Kuhn, 2019). The goal of magicians is to surprise their audience and to do so, they create magic tricks that are increasingly impressive. In this process, they are inadvertently lighting a lot of processes underlying attention, perception and memory (Kuhn et al., 2016; Wiseman et al., 2016; Rieiro et al., 2013; Cui et al., 2011; Demacheva et al., 2012; Kuhn & Land, 2006). In this work, I propose a model to address the impact of magical techniques based on a neuroscientific framework of how the brain processes information. 1 The popular notion that magic works because “the magician makes us look elsewhere” has pushed the field to investigate attention through magic. -
Prices Correct Till May 19Th
Online Name $US category $Sing Greater Magic Volume 18 - Charlie Miller - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 42 - Dick Ryan - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 23 - Bobo - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 20 - Impromptu Magic Vol.1 - DVD $ 30.00 Videos$ 48.00 Torn And Restored Newspaper by Joel Bauer - DVD$ 30.00 Videos$ 48.00 City Of Angels by Peter Eggink - Trick $ 25.00 Tricks$ 40.00 Silk Poke Vanisher by Goshman - Trick $ 4.50 Tricks$ 7.20 Float FX by Trickmaster - Trick $ 30.00 Tricks$ 48.00 Stealth Assassin Wallet (with DVD) by Peter Nardi and Marc Spelmann - Trick$ 180.00 Tricks$ 288.00 Moveo by James T. Cheung - Trick $ 30.00 Tricks$ 48.00 Coin Asrah by Sorcery Manufacturing - Trick $ 30.00 Tricks$ 48.00 All Access by Michael Lair - DVD $ 20.00 Videos$ 32.00 Missing Link by Paul Curry and Mamma Mia Magic - Trick$ 15.00 Tricks$ 24.00 Sensational Silk Magic And Simply Beautiful Silk Magic by Duane Laflin - DVD$ 25.00 Videos$ 40.00 Magician by Sam Schwartz and Mamma Mia Magic - Trick$ 12.00 Tricks$ 19.20 Mind Candy (Quietus Of Creativity Volume 2) by Dean Montalbano - Book$ 55.00 Books$ 88.00 Ketchup Side Down by David Allen - Trick $ 45.00 Tricks$ 72.00 Brain Drain by RSVP Magic - Trick $ 45.00 Tricks$ 72.00 Illustrated History Of Magic by Milbourne and Maurine Christopher - Book$ 25.00 Books$ 40.00 Best Of RSVPMagic by RSVP Magic - DVD $ 45.00 Videos$ 72.00 Paper Balls And Rings by Tony Clark - DVD $ 35.00 Videos$ 56.00 Break The Habit by Rodger Lovins - Trick $ 25.00 Tricks$ 40.00 Can-Tastic by Sam Lane - Trick $ 55.00 Tricks$ 88.00 Calling Card by Rodger Lovins - Trick $ 25.00 Tricks$ 40.00 More Elegant Card Magic by Rafael Benatar - DVD$ 35.00 Videos$ 56.00 Elegant Card Magic by Rafael Benatar - DVD $ 35.00 Videos$ 56.00 Elegant Cups And Balls by Rafael Benatar - DVD$ 35.00 Videos$ 56.00 Legless by Derek Rutt - Trick $ 150.00 Tricks$ 240.00 Spectrum by R. -
Viktor Voitko Viktor Voitko
PURVEYORS OF ViktorViktor PROFESSIONAL PRESTIDIGITATION VoitkoVoitko FESSIONALS Check Out Coupon On Page 62 Of This Catalog! 30+30+ ExclusiveExclusive ©2012 STEVENS MAGIC EMPORIUM SME-B29 July 2012 items!items! Stevens Magic Emporium 2520 East Douglas • Wichita, KS 67214 Phone: (316) 683-9582 • Fax: (316) 68-MAGIC (686-2442) E-Mail: [email protected] Website: www.stevensmagic.com SHIP TO: Name __________________________________________________________ Address _______________________________________________________ City __________________________________ State ___________________ Zip _____________________ Phone—Day (_____) ________________ Evening (_____) ____________________ E-Mail Address: ________________________________________________ ATTENTION: No cash or credit card refunds without written authorization from Stevens Magic Emporium. PAYMENT METHOD: If you are a Kansas resident, you are subject to local sales tax. MasterCard Visa Check / Money Order Amount Enclosed $ __________________________________________ _______________________________________________________________ Card Account Number Expiration Date: _______ _______ CVN Code: ______ Month Year _______________________________________________________________ Customer Signature All Credit Card Orders Must Be Placed By The Cardholder Only. Domestic Insurance Policy: Foreign Orders: Our responsibility ends when shipment leaves our Please include additional monies to compensate premises. We, therefore, suggest you insure your for airmail, contact us for costs. Thank you. -
Grv33 Web.Pdf
1 Volume 33 • Spring 2018 2 The Gallatin Review. Table of Contents Poetry Managing Editors Prose Managing Editors Visual Arts Managing Editors Grace McGuan, Anaïs Kessler, Sarah Hahn, Daniels Mekšs 01 — prose 12 — visual art Lana Scibona Prashanth Moturi Ramakrishna Kindergarten Soup Two Wheels Visual Arts Editors Derick McCarthy Miguel Volar Poetry Editors Prose Editors Addie Walker, Dara Yen Emily Bellor, MariVi Madiedo, Julianna Bjorksten, Lauren White-Jackson, Lachlan Hyatt, Lezhou Jiang, PEP Editors 02 — poetry 13 — visual art Isabel Wilson Savannah Summerlin Keyli Peralta, Lana Scibona The Oak & the Vine Fulton Street Emilie Weiner Wenkai Wang Faculty Advisor Sara Murphy 04 — poetry 15 — visual art Designer Portrait in Dread Marble Gun Kyle Richard Emmanuel Carrillo Sam Cheng Production Editor Sam Patwell 05 — visual art 16 — visual art Modified Bone Canyon Lights Senior Director, Writing Program Harry Fink Jimi Stine June Foley Assistant Director, Writing Program 06 — prose 17 — visual art Allyson Paty Office #243 Sprawl Mark Etem Elaine Lo Prison Education Program Nikhil Pal Singh, Faculty Director Rachael Hudak, Administrative Director 09 — poetry 18 — visual art Raechel Bosch, Assistant Director of Communications Race-ism Bodysong Richa Lagu, Student Assistant Omar Padilla Harry Fink Alexis Myrie, Student Assistant Special Thanks To 10 — poetry 19 — poetry Susanne Wofford, Dean of the Gallatin School In Defense of Muzak What is America? Millery Polyné, Associate Dean for Faculty and Academic Affairs Henry Sheeran Rayvon Gordon -
Jan :: Something About Magic
Jan. 2019 // Magic Pop-Up // Something About Magic And Magician Culture by Geoff Kanick magic sleight-of-hand prestidigitation conjuring There are different ways to define it. How do you define it? The power of apparently influencing the course of events by using mysterious or supernatural forces. Teller defined it as: The theatrical linking of a cause with an effect that has no basis in physical reality, but that — in our hearts — ought to. I asked my 4 year old niece Coco what magic is and she said, “A lot…and none.” Which might be the most profound answer. There are many categories of magic: Close-up magic Stage magic Illusions, which are sometimes called Big Box Magic There’s parlor magic Mentalism… which some mentalists argue is not magic Street magic Bizarre magic Mathemagic Card magic Coin magic Comedy magic Kids magic Gospel magic Quick Change Acts Manipulation Acts Cardistry Escapology Pickpocket Routines Impromptu Magic There are people rooted in the traditions of the Spanish school of magic. Jan. 2019 // Magic Pop-Up Others who look to the teachings of Dai Vernon and Charlie Miller. There are lectures and conventions, big conventions where more than 1000 magicians gather and fill an expo hall with magic and vendors and late night jam sessions. Some magicians call them tricks, some call them effects, or illusions. There are debates whether to use a push off or a strike. Snap changes Double deals The Diagonal Palm Shift The Pass Erdnase color change The Bubble Peek The Glide Riffle Shuffle OverHand Shuffle Waterfall Shuffle Faro Shuffle Hindu Shuffle Zarrow Shuffle A triple cut An Under Cut A Table Cut A Slug A Stack A Peek A Glimpse A Steal An X Card An Out A Trap A Flash A Gaff A Fan A Pressure Fan A Card Spring A Dribble Feeling Heat And hours in front of the mirror Lots of different thoughts about who Erdnase really was… Jan.