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50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
February 2009
Office of Multicultural and International Student Programs Division of Student Affairs Black History Month (BHM) Calendar find your edge ® February 2009 “Out of Africa” Art Exhibition A Closer Look: A View of Africa Through Its Art February 1, 2009 -March 15, 2009 Friday, February 6, 2009 David Filderman Gallery 2:30 p.m. Joan and Donald E. Axinn Library, Ninth Floor, South Campus David Filderman Gallery This exhibition showcases 19th- and 20th-century masks, headdresses, Joan and David E. Axinn Library, Ninth Floor, South Campus weapons, tools, and figurative sculptures from nine countries located in Cheryl Mwaria, professor of anthropology, will focus on a single work of art western and central Africa, including Côte d’lvoire and the Democratic from the exhibition Out of Africa: Works from the Hofstra University Collection Republic of Congo. and discuss how its creation was shaped by a complex set of relationships to the Contact: (516) 463-5672 or hofstra.edu/museum history, geography, language, politics, economics, and the cultural experience of Sponsored by the Hofstra University Museum. the African people. Exhibition opening reception will follow. Fees: $5 general public; $3 senior citizen; Hofstra students, faculty, and Civil Rights Day: A Center for Civic Engagement Event staff with current HofstraCard and Museum members admitted free. Monday, February 2nd, 2009 Contact: (516) 463-5672 or hofstra.edu/museum Sponsored by Hofstra University Museum. 11 a.m.-9 p.m. Several locations and events around campus Secrets to Success On its annual Civil Rights Day, Hofstra celebrates the courageous college students who demanded an end to segregated restaurants by starting the Wednesday, February 11, 2009, Woolworth's lunch counter sit-in in Greensboro, NC on February 1, 1960. -
Aerosmith: La Banda Indestructible
It's only rock & roll | Pep Saña | Actualitzat el 13/04/2016 a les 18:39 Aerosmith: La banda indestructible Malgrat la seva durabilitat i popularitat durant més de quatre dècades, Aerosmith mai han rebut el respecte que mereixen per part dels crítics. Als anys 70, sempre van ser considerats imitadors de segona dels Rolling Stones. A causa de la semblança física i escènica entre Steven Tyler i Mick Jagger i entre Joe Perry i Keith Richards, Aerosmith van ser inicialment etiquetats de voler-se promocionar com els Rolling Stones americans. Però mentre que The Rolling Stones estaven decididament orientats cap a un so essencialment lligat al rock'n'roll, Aerosmith, amb el volum més alt, es movien entre un hard melodic i un boogie ?metalero?. La veritable semblança entre els dos grups, nomes eren els morros de Tyler i de Jagger. Però la indestructible banda de Boston sempre ha tingut la seva originalitat, gràcies a la veu del seu líder Steven Tyler, les guitarres de Joe Perry i Brad Whitford, i una imponent secció rítmica amb Tom Hamilton al baix i Joey Kramer a la bateria. A diferència de molts dels seus similars, Aerosmith sempre han mantingut una propera connexió amb les seves arrels de blues que encara avui influeixen la seva música fins a la peça més comercial. L'habilitat d'Aerosmith de confondre als seus crítics contínua sent una de les seves millors característiques, cap al final dels anys 80, la banda, ferida per problemes de droga i tensions entre ells, va ser àmpliament considerada com acabada per la indústria musical. -
What Business Leaders Can Learn from the World of Rock and Roll BRANDS THAT ROCK
ffirs.qxd 8/20/03 10:19 AM Page a MORE PRAISE FOR BRANDS THAT ROCK From the first time I saw the phrase “band loyalty” I knew this wasn’t a typical, dry marketing tome. Leave it to Roger and Tina to find pure marketing wisdom in a perfectly logical, yet entirely overlooked (and unappreciated) place–rock music! But it works. Open your mind and open Brands That Rock to kick-start your marketing creative juices. Phil Urban, CEO Grange Insurance Brands That Rock strikes a pleasing chord, whether you’re a Fortune 500 CEO, a first-year MBA student, or simply a musician at heart. The authors remind us that our love affair with music can translate into lucrative rewards if strategically linked to a progressive market- ing approach. Lloyd Trotter, President and CEO General Electric Industrial Company Blackwell scores! A fascinating read that connects you emotionally to the hidden brand strategies in rock’s legendary bands. A fresh approach to creating profitable and successful brands in a dynamic marketplace, Brands That Rock provides a rockin’ road map to suc- cessful brand creation and dominance. J. E. Issler, President and COO H.H. Brown Shoe Company, Inc., a subsidiary of Berkshire Hathaway, Inc. Not only do Roger and Tina analyze branding and marketing strate- gies from the world of rock and roll, they show you how some of the world's great companies have implemented similar strategies to cap- ture market share and customer loyalty. Walden O'Dell, CEO Diebold ffirs.qxd 8/20/03 10:19 AM Page b Once our parents worried about the influence rock musicians would have on us. -
Liv Tyler, Attrice
L,ivTvter OME, A, PBNOIIH MI IIAI MHNTITOl Solo a rr anni I'attrice ha sanuto che il suo naoà no, éro Todd Rundàro'n, come le aueuan, rrin2rr" detlo, \ ma Steuen Tylen il ldader t de q li Aero s init h. E ade s s o, pr:imo di tornare sul set, 'chiede a sur madre la ragione ? rti ouella lunou hugla. La' risposta?2 pcts ma t 2r } DI Cf,NLf, Bf,NI'ELLI . EOTO IOIIAI{ RENCK e piace questo posto? È il mio pied-à-terre pari- gino», mi dice Liv Tyler, facendo una specie di gi- rotondo su se stessa, fra le boiseries e gli spec- chi dell'Hòtel d'Evreux, uno dei più belli della Place Vendòme, forse del mondo. Gli occhi azznrri,la pelle di latte, le for- me morbide nascoste appena, in un abi- to che le lascia scoperte le lunghe gam- be, nude nonostante la primavera rigida: l'attrice confessa ridendo che farsi inter- vistare in questo luogo mitico le «mette addosso un'incontenibile euforia». In eÈ Ètti, riuscirà a emettere un fiume di pa- role, a volte dolce, spesso compulsivo sulle mie domande, senza neppure la- sciarmi il tempo di finirle. L'adolescente inquieta che bucò gli In oho, uno scolto del 1977: Liv Tyler, oro 34 onni, è oppeno nolo e mommo Bebe Buell, (intervislolo o schermi a soli 19 anni in Io ballo da sola odesso 58 a pagina 121), lo tiene in broccio. Dietro c'è Todd Rundgren, oro 63 onni, olloro compogno di Bebe, Per 1'l onni, lo rocker losciò credere ollo figlio à di Bernardo Bertolucci, prima di diven- che Todd erq il suo vero popà.