Author Biographies
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The Mechanic the Secret World of the F1 Pitlane Marc 'Elvis' Priestley
ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON REMARQUE RIVAS ROTH RUSHDIE SARAMAGO SCHAMA SEBALD SHUTE SNYDER SOLZHENITSYN STEVENSON STYRON TAN TANIZAKI THIONG’O THIRLWELL TVINTAGEHORPE BOOKS THU CATALOGUEBRON TOLSTOY TREMAIN TJULY–DECEMBERYLER VARGAS 2018 VONNEGUT WARHOL WELSH WESLEY WHEELER WIGGINS WILLIAMS WINTERSON WOLFE WOOLF WYLD YATES ZOLA ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON -
2017 CRWR Newsletter
SPRINGSPRING 2015 2015 Interview with Visiting Assistant Professor Sara Jaffe by Sam Axelrod, MFA FicƟon ‘18 Sara Jaffe joined the program’s faculty for the 2016 academic year as a visiting profes- sor of fiction. Her first novel, Dryland, was published by Tin House Books in Septem- ber 2015. Her short fiction and criticism have appeared in Fence, BOMB, NOON, Paul Revere’s Horse, matchbook, and The Los Angeles Review of Books. Drawing on her experience as guitarist for post-punk band Erase Errata, she also co-edited The Art of Touring (Yeti, 2009), an anthology of writ- Sara Jaffe (SJ): So, to speak first about ing and visual art by musicians. the publishing experience, and the recep- Sara holds a BA from Wesleyan tion of having a book out in the world—I University and an MFA from the Universi- think it certainly felt very vulnerable at ty of Massachusetts Amherst, and has re- first to open myself up to readers I don’t ceived fellowships from the Virginia Cen- know, and to being reviewed and stuff, ter for the Creative Arts, RADAR Produc- but I think almost across the board when I tions, and the Regional Arts and Culture received unfavorable reviews, it seemed Council. She is also a co-founding editor of pretty clear to me that they were not my New Herring Press, a publisher of prose readers. That what they felt I had failed to chapbooks. do was not something I was trying to do anyway. So that was reassuring in a way, — — — — — — and sort of helped to clarify my intent. -
Rogan's List 2019
Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next. -
Jackie Takes a Walk
/C /Z minutes — does have problems. They start even before the narrative begins. The top name on the acknowledgment list, spelled as "Barry" McPherson, special counsel to President Johnson, should be "Harry." The geography of the White House is loused up, with the Oval Office in the East Jackie Takes Wing and the press secretary's'office over- looking the Rose Garden. There are a few political errors of judge- 1 ment. Sen. Birch Bayh, one of the men a Walk who helped save Edward Kennedy when his plane crashed in the early '60s and a Jane Perlez Viking, since promoted to editor, Rebecca longtime Kennedy ally, is depicted as a Singleton, sees it. "Quitting the way she possible conspirator in the assassination Jackie Onassis, the publishing in- did wasn't a particularly classy thing to plot. So is Sen. Robert Byrd. Hubert dustry's most famous editor, seems to do. Humphrey is described as being a have a problem with books she doesn't "She never said anything about the Democratic kingmaker in 1981. read. book. From the time she came, Tom was First there was the William Manchester Shall We Tell . spans seven days of so consistently protective of her special plot action. In addition, there is the affair 10 years ago, when, the former First situation. She didn't tell Tom herself she Lady decided that a finely-researched ac- Inauguration chapter in which President was going to do it [quit]. There was no Ted Kennedy, wrapped in a bathtowel on count of JFK to which she had contributed personal discussion of the incident itself. -
The Thought of Literature: Notes to Contemporary Fictions
The Thought of Literature Notes to contemporary fictions Jason Childs A dissertation submitted for the degree of Doctor of Philosophy at the University of Technology Sydney, February 2018. Certificate of original authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by an Austalian Government Research Training Program Scholarship. Signature of Candidate: Production Note: Signature removed prior to publication. February 20, 2018 Acknowledgements First and foremost, I am deeply grateful to Robyn Ferrell for taking over my supervision at a late stage in my candidature. Her feedback on my ideas and drafts, always generous and incisive, was invaluable in completing this work. Without Berndt Sellheim’s encouragement, I would not have begun this project; without his support, I would not have finished it. I am blessed to call him my friend. Martin Harrison was an important mentor for several years prior to starting this work and my supervisor during its defining early stages. Fellow students of Martin's will understand when I say that, despite his untimely death in 2014, there is not a sentence here that wasn’t written in conversation with him. -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information
Cambridge University Press 978-1-108-83827-6 — The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information -- Reading lists, course syllabi, and prizes include the phrase “twenty-first-century American literature,” but no critical consensus exists regarding when the period began, which works typify it, how to conceptualize its aesthetic priorities, and where its geographical boundaries lie. Considerable criticism has been published on this extraordinary era, but little programmatic analysis has assessed comprehensively the literary and critical/theoretical output to help readers navigate the labyrinth of critical pathways. In addition to ensuring broad coverage of many essential texts, The Cambridge Companion to Twenty-First- Century American Fiction offers state-of-the-field analyses of contemporary narrative studies that set the terms of current and future research and teaching. Individual chapters illuminate critical engagements with emergent genres and concepts, including flash fiction, speculative fiction, digital fiction, alternative temporalities, Afro-Futurism, ecocriticism, transgender/queer studies, anti- carceral fiction, precarity, and post-9/11 fiction. . is Associate Professor of English at the University of Michigan. He is the author of Accented America: The Cultural Politics of Multilingual Modernism (2011), editor of The Cambridge Companion to the American Modernist Novel (2015), and coeditor of Languages of Modern Jewish Cultures: Comparative Perspectives (2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83827-6 — The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information THE CAMBRIDGE COMPANION TO TWENTY-FIRST- CENTURY AMERICAN FICTION EDITED BY JOSHUA L. -
Dinaw Mengestu and John Yau
The Wolfe Institute The Ethyle R.Wolfe Institute for the Humanities, in cooperation with the Department of English and the MFA Program in Creative Writing, presents Dinaw Mengestu and John Yau Dinaw Mengestu, a recipient of the 2012 MacArthur Foundation Genius Award, was born in Ethiopia and raised in Illinois. He graduated from Georgetown University and received his MFA degree from Columbia University. His fiction and journalism have been published inThe New Yorker, Granta, Harper’s, Rolling Stone, and The Wall Street Journal. Mengestu was chosen for the 5 Under 35 Award by the National Book Foundation in 2007 and was named on The New Yorker’s “20 Under 40” list in 2010. He is also the recipient of a Lannan Fiction Fellowship, The Guardian First Book Award, The Los Angeles Times Book Prize, and the Prix du Premier Meilleur Roman Etranger, among other awards. He is the author of three novels: All Our Names (2014), The Beautiful Things That Heaven Bears (2008), and How to Read the Air (2010). His work has been translated into more than fifteen languages. John Yau is professor of critical studies at the Mason Gross School of the Arts (Rutgers University), the publisher of Black Square Editions, and a regular contributor to the online magazine Hyperallergic Weekend, which he helped start. He recently published Further Adventures in Monochrome (Copper Canyon Press, 2012). He has received the Distinguished Alumnus Award from Brooklyn College (Class of 1978), as well as grants and awards from the Warhol Foundation, the John Simon Guggenheim Memorial Foundation, the New York Foundation for the Arts, and the Foundation for Contemporary Art. -
Board Committee Documents Faculty, Staff and Administration Agendas
DINAW MENGESTU _____________________________________________________________________________ EDUCATION Georgetown University, Washington, DC Bachelor of Arts, May 2000 Major: English; Minor: Philosophy Honors: First Honors; Community Scholars Fellow; Lannan Poetry Fellow Columbia University, New York, NY Master of Fine Arts, Concentration: Fiction, May 2005 TEACHING EXPERIENCE Lannan Chair in Poetics, Georgetown University. August 2012-Present. “Hybrid Forms” “The Writer’s Perspective” Adjunct Professor, New York University Paris Program June 2012-July 2012: “Fiction Workshop” Distinguished Writer in Residence, Tulane University August 2008-December 2008: “Advanced Fiction Workshop,” “Literary Nonfiction: Writer in the City” Lannan Visiting Professor, Georgetown University January 2007-May 2007: “Introduction to Fiction Workshop” Adjunct Professor, New York City College of Technology 2005, Summer: “Introduction to Composition,” USIP Summer Course AWARDS, HONORS MacArthur Fellowship, September 2012 Judge for the 2012 National Book Awards Ernest J Gaines Award for Literary Excellence, January 2012 Dayton Literary Peace Prize, Finalist, 2011 Independent Book Seller Award, Finalist 2011 Hurston Wright Legacy Award, Finalist 2011 Vilceck Prize for Creative Promise, 2011 Premio Internationale Amalfi Coast, 2011 New York Times Notable Book, Chicago Tribune, Cleveland Plain Dealer, Barnes and Noble, Washington Post, Publisher Weekly, Library Journal, Miami Herald, San Francisco Chronicle, Boston Globe, Best Book of the Year, 2010 New Yorker “20 -
Author Biography Toni Morrison Discussion Guide
TONI MORRISON DISCUSSION GUIDE (630) 232-0780 [email protected] AUTHOR BIOGRAPHY The second of the four children of George and Ramah (Willis) Wofford, Toni Morrison was born Chloe Anthony Wofford in Lorain, Ohio, a steel town twenty-five miles west of Cleveland. During the worst years of the Great Depression, her father worked as a car washer, a welder in a local steel mill, and road-construction worker, while her mother, a feisty, determined woman, dealt with callous landlords and impertinent social workers. "When an eviction notice was put on our house, she tore it off," Morrison remembered, as quoted in People. "If there were maggots in our flour, she wrote a letter to [President] Franklin Roosevelt. My mother believed something should be done about inhuman situations." In an article for the New York Times Magazine, Morrison discussed her parents' contrasting attitudes toward white society and the effect of those conflicting views on her own perception of the quality of black life in America. Ramah Wofford believed that, in time, race relations would improve; George Wofford distrusted "every word and every gesture of every white man on Earth." Both parents were convinced, however, that "all succor and aid came from themselves and their neighborhood." Consequently, Morrison, although she attended a multiracial school, was raised in "a basically racist household" and grew up "with more than a child's contempt for white people." After graduating with honors from high school in 1949, Toni Morrison enrolled at Howard University in Washington, DC. Morrison devoted most of her free time to the Howard University Players, a campus theater company she described as "a place where hard work, thought, and talent" were praised and "merit was the only rank." She often appeared in campus productions, and in the summers she traveled throughout the South with a repertory troupe made up of faculty members and students. -
Negotiating Cultural Identity in Exile: a Study of Dinaw
NEGOTIATING CULTURAL IDENTITY IN EXILE: A STUDY OF DINAW MENGESTU’S CHILDREN OF THE REVOLUTION AND ALL OUR NAMES OPENDA RUTH KWAMBOKA C50/76331/2014 A Research Report submitted in Partial Fulfilment of the Requirements for the Award of the Degree of Master of Arts in Literature, University of Nairobi. 2017 DECLARATION This research report is my original work and has not been presented for examination or the award of a degree at any University. Signature: ____________________ Date: ___________________ Openda, Ruth Kwamboka This research report has been submitted for examination with our approval as University supervisors: Signature: _____________________ Date: ______________________ Dr. Tom Odhiambo Signature: _______________________ Date: ________________________ Dr. Alex Wanjala ii DEDICATION TO MY FAMILY iii ACKNOWLEDGEMENTS I first want to thank my supervisors, Dr. Alex Wanjala and Dr. Tom Odhiambo for their guidance, commitment and support throughout the course of this project. I’m grateful for your invaluable scholarly advice. I would also like to extend my gratitude to Prof. Dr. Susanne Gehrmann (Chair of The Institute for Asian and African Studies), and Dr. Pepetual Mforbe Chiangong (Lecturer African Literature and Culture) at Humboldt-Universität zu Berlin for your scholarly insights and guidance during my stay at the institution. I also thank Prof. Peter Wasamba (Dean, Faculty of Arts) for the Humboldt Student Exchange Programme scholarship award that enabled me to travel and study at Humboldt- Universität zu Berlin, Germany. My sincere gratitude goes to my family for encouraging me throughout my studies; especially to my mother, Grace Openda for your unwavering love, support and prayers, and my brother Davis Openda for believing in me and supporting me financially, without you this degree will not have been a reality. -
Award-Winning Fiction Writer Chinelo Okparanta Reads with Six Seniors in Princeton's Creative Writing Program
February 6, 2017 Award-Winning Fiction Writer Chinelo Okparanta Reads with Six Seniors in Princeton’s Creative Writing Program Writer in series organized by Princeton students in collaboration with Labyrinth Books Photo caption: Award-winning fiction writer Chinelo Okparanta Photo credit: Kelechi Okere What/Who: Reading by award-winning fiction writer Chinelo Okparanta and six seniors in Princeton’s Program in Creative Writing, part of the C. K. Williams Reading Series When: February 17 at 6:00 p.m. Where: Labyrinth Books, 122 Nassau St., Princeton Free and open to the public (Princeton, NJ) Writer Chinelo Okparanta and six seniors in the Lewis Center for the Arts’ Program in Creative Writing at Princeton University will read from their work on Friday, February 17 at Labyrinth Books. The reading is part of the C. K. Reading Series, which showcases senior thesis students of the Program in Creative Writing with established writers as special guests. Featuring student writers Harrison Blackman, Samantha Cody, Diana Liao, Zeena Mubarak, Robin Spiess, and Anna Windemuth, the reading begins at 6:00 p.m. at Labyrinth Books, located at 122 Nassau Street. The event is free and open to the public. Chinelo Okparanta is the author of Under the Udala Trees (2015) and Happiness, Like Water (2013). Her honors include an O. Henry Prize, two Lambda Awards in Fiction, and finalist selections for the Etisalat Prize, the New York Public Library Young Lions Award, the Caine Prize, and the Rolex Mentor and Protégé Arts Initiative. Okparanta has held fellowships and faculty appointments at Columbia University, City College of New York, Purdue University, Colgate University (Olive B.