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FROM HERE to ETERNITY / 1953 (Até À Eternidade)
CINEMATECA PORTUGUESA-MUSEU DO CINEMA E A VIDA CONTINUA 16 de julho de 2020 FROM HERE TO ETERNITY / 1953 (Até à Eternidade) um filme de Fred Zinnemann Realização: Fred Zinnemann / Argumento: Daniel Taradash, segundo o romance homónimo de James Jones / Fotografia: Burnett Guffey / Montagem: William A. Lyon / Som: John P. Livadary / Direcção Artística: Cary Odell / Música: George Dunning / Interpretação: Burt Lancaster (Sargento Milton Warden), Montgomery Clift (Soldado Robert E. Lee “Prew” Prewitt), Frank Sinatra (Angelo Maggio), Donna Reed (Alma”Lorene”), Philip Ober (Capitão Dana Holmes), Ernest Borgnine (Sargento “Fatso” Judson), Jack Warden (Cabo Buskley), John Dennis (Sarg. Ike Galovitch), Merle Travis (Sal Anderson), Tim Ryan (Sarg. Pete Karelsen), Arthur Keegan (Treadwell), Barbara Morrison (Mrs. Kipfer), Jean Willes (Annette), Claude Akins (Sarg. Baldy Dhom), Robert Karnes (Sarg. Trup Thornill), Robert Wilke (Sarg. Henderson), Douglas Henderson (Cabo Champ Wilson), George Reeves (Sarg. Mylon Stark), Don Dubbins (Friday Clark), John Cason (Cabo Paluso), Kristine Miller (Georgette), John Bryant (Com. Ross). Produção: Buddy Adler, para a Columbia / Produtor Executivo: Harry Cohn / Cópia: 35mm, preto e branco, legendada em espanhol e eletronicamente em português, 118 minutos / Estreia Mundial: Agosto de 1953 / Estreia em Portugal: Eden e Império, a 15 de Novembro de 1954 / Reposição: S. Luis e Alvalade, a 2o de Setembro de 1968. _________________________ From Here to Eternity foi um “caso”. Em primeiro lugar pelo número de Oscars que conquistou, oito, o que fez dele , até 1958, o segundo filme mais premiado de sempre, depois de Gone With the Wind. Depois pelos problemas que teve na produção e o impacto no futuro imediato. Se não é um grande filme é por outras razões. -
Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 7th December 2020 FREESAT 306 | VIRGIN 445 Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud. Directed by Peter R. Hunt in 1974. Roger Moore plays Rodney “Rod” Slater, general manager of a South African gold mine, who is instructed by his boss to break through an underground dike into what he is told is a rich seam of gold. The mine-owner’s son-in-law and director plan to destroy the mine so that foreign syndicate members can profit from share-dealing and raise the price of gold on world markets. This will be done by drilling through a deep underground greenstone wall or ‘dyke’ which prevents an adjacent reservoir of water from flooding the mine. When the final breach is made a wall of ocean water roars into interconnected mazes of tunnels and shafts and the mine floods, trapping a thousand workers. Based on the 1970 novel Gold Mine by Wilbur Smith. Airs Saturday 12th December 8:10pm. Monday 7th December 8:55am Wednesday 9th December 8:05am The Secret Tunnel (1948) I’ll Turn To You (1946) Family. Director: William C. Hammond. Drama. Director: Geoffrey Faithfull. Stars: Tony Wager, Ivor Bowyer, A soldier returning home finds Murray Matheson. Two boys set out readjusting to married life and civvy to bring justice to the thieves of a street very difficult. Stars Irene Handl, Rembrandt painting. Don Stannard, Terry Randall, Harry Welchman, Ann Codrington Monday 7th December 10:30am and George Merritt. -
Span Book Data
Span Book Data 266 in series – plus 14 Extras Published: 6th of current month; volume number changes in September or October Extras – quarterly – 30 January, 30 April, 31 July, 30 October Format: 7”x4½” Name in italics indicates the model made her first appearance in this magazine SPAN EXTRA 1 Spring 1958 Front cover: Diane Webber Back cover: no photo Models: Pamela Bevan, Susan Denny, Barbara Sharp, Jacqueline White, Cheri Swift, Janine Sykes (Maxine Millar), Loraine Burnett, Pat Holland, Heidi Erich, Vicky Reynolds, June Baker, Betty McBride, Hazel Powell 2 Summer 1958 (80pp) Front cover: Jackie McCullah & Irish McCalla Back cover: no photo Models: Sheree Winton, Lamorna Lea (Patricia Smith), Jackie McCullah & Irish McCalla, Lavinia Grant, Sheree Winton, Rosa Domaille & Fiona Callum, Monique Vita, Lili St.Cyr, Gloria Severn, Elaine Allen, Dorothy Ridley, Gloria Winter, Shendah Pearce, Pixie Noles, Georgina Moore, Eddy Vesel, Lee Collins 3 Autumn 1958 (80pp) Front cover: Marisa Allasio Back cover: no photo Models: Maureen Jeggo, Rita Williamson, Georgina Moore, Lynn Tracey, Maureen Jeggo, Rita Williamson, Claire Martin, Marion Holmes, Danick Chevalier, Jean Belvin, Sandy Sims 4 Winter 1958 (68pp) Front cover: Lily Christine Back cover: Diane Clare Models: Jennifer Trueman, Sheila Pragnell, Carmen Philips, Diane Clare, Jackie Durran, Susan Marshall, Vicky Grey, Agnes Laurent, Marion 5 Spring 1959 (68pp) Front cover: Linda Stuart Back cover: no photo Models: Paula Page, Shirley Epps, Linda Stuart, Isobel Miller, Benice Swanson, Anne Furnaess, -
American Railroads
the linger wee Pvt. Lanza. two regular weekly visitors—- prisonment when bamboo shoots THE • EVENING STAR B-7 Open 10:45 A M. 65c Till 1 P M. Robert Weede became Lanza’s i his barber on Thursdays, hls were placed under hls finger- Wellington, 0. C., October 13, lilt Fnlui Ihiwlni 10:00 P.M. once, Tueday, !»J» teacher and In New Or- doctor on Fridays. Hls great nails. Representative John NEVER wot SEX SO FUNNY THE LYONS DEN leans, they each gave a concert villa, library and collection of E. Fogarty is giving hls $2,500 6TH RIB-TICKLING WEEK By LYONS in the same hall. Weede drew masterpieces—worth millions—- award money ta a fund for LEONARD a fair house. The next day hie will all go to hls alma mater, helping mentally retarded 20th Death Laid "CUon-cut Kids in pupil, Lanza, broke the house- Harvard University. Bedroom Force"-LIFE children. attendance record. He was pleased when, at 87, Maurice Pate, head of United To Encephalitis Death in Italy 'e• • • “Rumor and Reflection” hls Nations International Chil- LAKEWOOD. N. J.j Oct. 13 NEW YORK.—Two Ameri- filment. To Murio Lsus, eut It was ‘‘The Great Caruso" made the best seller list: "I’m dren’s Emergency Fund, re- (AP). yeur, Italy brought fame, of being —A Tuckerton woman cans, one old and the other down In his 38th that him and In tired required reading vealed that this year UNICEF died yesterday of suspected extension of Holly- movie he sang songs colleges.” recently en- Italy was but an that more i at He fin- will have helped feed 85 million cephalitis, the 20th person be- young, died in last week. -
Miss Drag Steps
304 New Society 18 ,' ovembc 9&;: ~ the TVS, the tr:msvestites. The TVs need to about 20 ,1 r 30 of these shows going on Out of the way to wear drag and look upon drag balls as a every night: they've been reported ai . .:han.:e to dress as a woman in publi c. Drag sleazy. tut they're not just a crowd of gi rl\ artists use women's clothes for their stage out en joying themselves. We have male strip. act, rather than put them on fo r pleasure. pers, bu t rhey" re not in among t.he girls e\·erv Tommy Osborne. tonight's compere. and two minures like people think they are.:. I a well-known professional drag artist him The women at the hen parties look upon 1 self, says a lot of rhe artists meet up at t.he drag artists as surrogate women, who voice drag balls and have a few drinks "and their submerged feelings. ··we talk about screech at t.he transvestite men, who are the things that women are always moaning hilarious. I remember last time, this farmer abour:· Tommy Osborne says, "like, 'He arrives in velvet cord trousers and leathers came home late last night and we had a Miss Drag and two boxes of appl·es on his shoulder. fight and the dinner went up the wa:ll,' and "They all just pull their wigs on, bang, and we put in a few swear words and they can steps out they've got these great muscular arms. -
How Inforenz Cracked the Code Leading to Diana Dors' Millions
How Inforenz cracked the code leading to Diana Dors’ millions Submitted by: Palam Communications Monday, 15 September 2003 A 400-year-old code held the secret to star’s hidden fortune for 20 years Free Vigenere Code Cracker software download 15 September 2003 A medieval code that perplexed spies and code breakers for centuries and which was used by Diana Dors to keep secret the whereabouts of her hidden fortune has been cracked by Inforenz, the information forensics specialist. The Inforenz team’s feat was featured in Saturday night’s Channel 4 documentary, Who Got Diana Dors’ Millions?. Free software demonstrating how Inforenz helped unravel the mystery and giving details of the code can now be downloaded from the company’s web site at www.inforenz.com. This week, the Inforenz team will talk about its exploits and explain why concealed data is becoming an increasing issue for modern business at COSAC, the international forum for information security professionals and business managers. Before she died, Diana Dors gave her son, Mark Dawson, a coded message telling him that it held the whereabouts of a hidden £2 million fortune, and that her husband, actor Alan Lake, had the “key” that would unravel the code. But, tragically, just months after Diana Dors died of cancer, Alan Lake committed suicide, taking the secret of how to decipher Mark’s code to his grave. For 21 years Diana Dors’ son Mark had failed in his quest to break the code but, when he discovered Inforenz, the story began to be revealed. “Mark came to us with a tatty scrap of paper with a sequence of letters written in a traditional coded five-character column format,” said Andy Clark, Director of Inforenz. -
Resisting Hollywood Dominance in Sixties British Cinema : the NFFC/Rank Joint Financing Initiative
This is a repository copy of Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94238/ Version: Published Version Article: Petrie, Duncan James orcid.org/0000-0001-6265-2416 (2016) Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. Historical Journal of Film, Radio and Television. ISSN 1465-3451 https://doi.org/10.1080/01439685.2015.1129708 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative Duncan Petrie To cite this article: Duncan Petrie (2016): Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2015.1129708 To link to this article: http://dx.doi.org/10.1080/01439685.2015.1129708 © 2016 The Author(s). -
Julien's Auctions Announces Icons & Idols: Rock N' Roll
JULIEN’S AUCTIONS ANNOUNCES ICONS & IDOLS: ROCK N’ ROLL EXTRAORDINARY MUSIC MEMORABILIA FROM THE WORLD’S GREATEST MUSICAL ARTISTS OF ALL TIME TO BE AUCTIONED November 7 – 8, 2014 Beverly Hills, California – (October 27, 2014) — Julien’s Auctions, the world’s premier music and entertainment memorabilia auction house, has announced the highly anticipated Icons & Idols: Rock n’ Roll auction event to take place on Friday, November 7 and Saturday, November 8, 2014 at Julien’s Auctions Beverly Hills gallery located at 9665 Wilshire Boulevard. The auction will feature hundreds of items from the lives and careers of some of music’s biggest artists including The Beatles, U2, Chris Martin, The Grateful Dead, Elvis Presley, Madonna, Johnny Cash, Led Zeppelin, David Bowie, Todd Rundgren, Kurt Cobain, Heart, Mick Jagger, James Brown, Rihanna, Lady Gaga, Cher, Prince, Michael Jackson, Miles Davis and even a bit of Liberace and many more. (photo left: Bono signed, used Gretsch guitar) Highlights of the Icons & Idols: Rock n’ Roll event include an impressive collection of rare and stage/studio used guitars that are worthy of a Grammy Award winning performance. The collection includes Bono’s signed and played “Irish Falcon” Gretsch guitar (Estimate: $20,000-$30,000), U2’s the Edge studio used guitar (Estimate: $60,000-$80,000), Chris Martin stage played guitar (Estimate: $6,000-$8,000), a Todd Rundgren stage played Italia guitar (Estimate: $600-$800), Stephen Stills Gibson J200 Guitar (Estimate: $18,000-$20,000), David Bowie’s stage used Takamine 12-string guitar (Estimate: $20,000-$30,000), a set of three John Lennon Inspired limited edition J-160E Gibson guitars (Estimate: $20,000-$30,000), a Prince Love Symbol guitar (Estimate: $10,000-$15,000), Elvis Presley’s NBN stage used acoustic guitar (Estimate: $30,000-$40,000) and many more. -
Nothing but the Night
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 20th January 2020 FREESAT 306 | VIRGIN 445 Nothing But The Night on Talking Pictures TV Starring: Christopher Lee and Peter Cushing, this chilling tale of murder in an isolated Scottish orphanage features a brilliant cast, including: Diana Dors, Georgia Brown, Keith Barron, Gwyneth Strong, Fulton Mackay, Michael Gambon and Kathleen Byron. Christopher Lee co-produced the film, which was directed by Peter Sasdy, who has a prolific track record in the horror genre. This intriguing story begins as a crime thriller and becomes a sci-fi horror with occult overtones, culminating in a fiery climax. Diana Dors is also fiery as a redhead on a mission and the pairing of Cushing and Lee is, as always, unmissable. Grittier and more naturalistic than their usual horror films, this twisted tale keeps the audience guessing right up until the dramatic finale. Nothing But The Night airs on Sunday 26th January at 10pm. Mon 20th Jan 09:10 Wed 22nd Jan 15:05 Sparrows Can’t Sing (1963) Night Without Stars (1951) Comedy, directed by Joan Littlewood. Drama, directed by Anthony Pélissier. Stars: James Booth, Barbara Windsor & Stars: David Farrar, Nadia Gray, Roy Kinnear. Charlie returns to London Maurice Teynac. A partially blind after two years at sea to find his house Englishman falls for the widow of demolished and wife Maggie gone. a French Resistance fighter who is Mon 20th Jan 19:10 involved with smugglers. Personal Affair (1953) Wed 22nd Jan 18:45 Drama, directed by Anthony Pelissier. -
The Zoomar Lens J
tint, or half shadow, and the rest may go too clearly defined. A net over a certain '., black. This · postulate we may use as a portion of the camera lens might do it. ' medium. Varying the proportions will Perhaps we might employ the vignette The Zoomar Lens J control the effects we may be creating. for only a portion of the scene. Rem The Handling of Quality Elements brandt used this aid extensively. Leav In dealing with shadow as an element ing something to the imagination, he G. Back, M. E., Sc. D. the fact found, gave his pictures a quality few ' By Fran~ of our scene, we must recognize that irr interior motion pictures we build artists were able to duplicate in paint (Research and Development Laboratory, New York) our scene from a completely unlighted ing. back ground. This is an opposite method 4. Repose to that employed in most of the graphic Another element which promotes emo Distance Range: 8 ft. to inf. arts. It resembles wood cuts and their tion is that of repose. The word sug HE Zoomar varifocal lens was for 35 mm. film is still in the labora 120 mm. - very ( Close-up Attachment for Wide-Angle manufacture; we carve out of blackness gests good taste. It suggests the removal first demonstrated in public at the tory stage but will be available It demands that T Front-Lens permits shooting at any with our spotlights those parts of the of too sharp contrast. Spring Convention of the S.M.P.E. soon. ·, specified distance· down to 2 inches, scene from which we derive an exposure. -
Dan Duryea Page 1 Of6
Dan Duryea Page 1 of6 Dan Duryea - Charming Villain By Frank Dolven Dan Duryea was typecast by his own skill. He was almost too good at creating disturbing portraits of pathological villains, especially in film noir roles. In real life, he was an old-fashioned family man, the opposite of his screen persona. He was born in White Plains, New York, on January 23, 1907, and was educated at Cornell University, Ithaca, New York. In the 1930s he worked in advertising before finding his true calling. He made his acting debut on Broadway in Sidney Kingsley's Dead End . He won critical acclaim for his role as the weakling "Leo Hubbard" in Lillian Hellman's The Little Foxes on Broadway in 1939. Hollywood scouts took notice of his remarkable performance. Soon he was playing "Leo" in William Wyler's film version of the play. With his slicked-back blonde hair and malicious smile, he became the premier louse of the movies. He developed a repertoire of understated body language with a shrug of the shoulders, a slight raising of the eyebrow, a twitch of the mouth, and a subtle "take-it-or- leave-it-or-go-to-hell" movement of the hand. Duryea became a master, playing to the camera, "as he wielded his reedy, high voice like an irritating, cutting scimitar," one critic wrote. He left many gems among performances in over 70 films spanning 47 years. Film buffs especially remember him for his odious treatment of women. In an interview with Hedda Hopper in the early '50s, Duryea gave a very interesting answer when Miss Hopper asked how he prepared for roles. -
So Little Time on Talking Pictures TV Stars: Marius Goring, Maria Schell, Gabrielle Dorziat, John Bailey, Barbara Mullen, Lucie Mannheim
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 25th May 2020 FREESAT 306 | VIRGIN 445 So Little Time on Talking Pictures TV Stars: Marius Goring, Maria Schell, Gabrielle Dorziat, John Bailey, Barbara Mullen, Lucie Mannheim. Directed by Compton Bennett, and released in 1952. When war arrives in Europe for the second time in a generation, the Belgians again suffer the humiliation of enemy occupation. Madam de Malvines and her daughter Nicole are forced to share their home with Colonel von Hohensee, a military commander. Nicole realizes that she has fallen in love with him, and that he, too, loves her. Airs Saturday 30th May 1:45pm. Monday 25th May 2pm Tuesday 26th May 5:30pm The Five Pennies (1959) Hurricane Smith (1952) Semi-biographical drama. Adventure. Director: Jerry Hopper. Director: Melville Shavelson. Stars: Stars: Yvonne de Carlo, John Ireland, Danny Kaye, Barbara Bel Geddes, James Craig, Forrest Tucker. An oil- Louis Armstrong, Harry Guardino, field worker looks for his missing sister Bob Crosby, Bobby Troup. The story of in Australia and becomes involved bandleader Loring Red Nichols, a gift- with a violent drug-smuggling gang. ed country boy who comes to the big Wednesday 27th May 7:45pm city and becomes a famous trumpeter. Never Back Losers (1962) Monday 25th May 5:30pm Crime. Director: Robert Tronson. Great Expectations (1974) Stars: Kiri Le Clown, Jack Hedley, Drama. Director: Joseph Hardy. Stars: Jacqueline Ellis, Patrick Magee. Michael York, Sarah Miles, Margaret An insurance investigator researching Leighton, James Mason & Anthony the apparently accidental death of a Quayle.