8 November 2019 Page 1 of 13
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating. -
Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film. -
An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard. Carol Fuqua Lines Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Lines, Carol Fuqua, "An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard." (2001). LSU Historical Dissertations and Theses. 418. https://digitalcommons.lsu.edu/gradschool_disstheses/418 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
House Programme
13.11.2018 JC Cube Rare and Important Piano Collection HOUSE PROGRAMME House Rules 1 The performance will last for approximately 1 hour 20 minutes with one intermission. 2 Latecomers may only be admitted at a suitable break. 3 Recommended for ages 6 and above. 4 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. Eating, drinking, audio or video recording and unauthorised photography are strictly prohibited in the auditorium. Thank you for your co-operation. All About Mozart Fortepiano | Geoffrey Lancaster Sonata in B-flat major KV 570 (Vienna 1789) | Allegro | Adagio | Allegretto Sonata in E-flat major KV 282 (Munich early-1775) | Adagio | Menuet I / Menuet II | Allegro – intermission – Rondo in A minor KV 511 (Vienna 1787) | Andante Sonata in B-flat major KV 333 (Linz 1783–4) | Allegro | Andante cantabile | Allegretto grazioso Learn more about the programme and the instruments in the programme notes written by Professor Lancaster: Photo by Kathy Wheatley-2 Geoffrey Lancaster Geoffrey Lancaster has been at the forefront of the historically-informed performance practice movement for 40 years. He was the first Australian to win a major international keyboard competition, receiving First Prize in the 23rd Festival van Vlaanderen International Fortepiano Competition, Brugge. He is Artistic Director with Ensemble of the Classic Era and a member of the Council of the Australian Youth Orchestra, and was Director of the Tasmanian Symphony Chamber Players, and Chief Conductor and Artistic Director of La Cetra Barockorchester Basel. -
WMS 2021 Int. Meisterkurse
DOZENT*INNEN LECTURERS Beschäftigung mit Neuer Musik, Zusam- Intensive study of contemporary music, Für Ihre verbindliche Online-Anmeldung Your binding online-registration has Alle Kursdozent*innen unterrichten am All lecturers are teaching at the menarbeit mit prominenten Komponisten working with prominent composers (Boulez). Teilnahme Participation benötigen Sie: to comprise: Standort Wuppertal der HfMT Köln. Wuppertal campus of HfMT Köln. (Boulez). Mitglied des Ensemble Intercon- Member of Ensemble Intercontemporain > einen kurzen künstlerischen Lebenslauf > a short curriculum vitae KURSORT VENUE FOR THE MASTERCLASSES temporain und des Lions Gate Trio. and Lions Gate Trio. > eine Liste mit dem gewünschten > a list of the repertoire for the Hochschule für Musik und Tanz Köln, Wuppertal campus of the Hochschule www.florencemillet.com www.florencemillet.com Repertoire (zwingend nötig!) course teaching (absolutely necessary!) Standort Wuppertal für Musik und Tanz Köln DIRK PEPPEL studierte in Essen bei DIRK PEPPEL studied in Essen with > für Teilnehmer*innen unter 18 Jahren ist > participants under the age of 18 must Günter Wand Haus Günter Wand Haus Matthias Rütters. Meisterkurse besuchte Matthias Rütters. He attended master DOROTHEA BRANDT studierte an der DOROTHEA BRANDT studied at the Hoch- zusätzlich die Unterschrift eines also provide a legal guardian’s Sedanstraße 15 Sedanstrasse 15 er u.a. bei M. Larrieux und J.P. Rampal. classes among others at M. Larrieux and Hochschule für Musik Saar bei Professor schule für Musik Saar with Professor Yaron gesetzlichen Vertreters notwendig signature (via e-mail) 42275 Wuppertal 42275 Wuppertal Über 25 Jahre war er Solo-Flötist der J.P. Rampal. More than 25 years, he was Yaron Windmüller. -
Fonds Charles Koechlin
Fonds Charles KOECHLIN Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Fonds Charles Koechlin Table des matières Documents personnels sur Charles Koechlin .................................................................................. 4 Biographie / Ephémérides ........................................................................................................... 4 Ecrits autobiographiques ............................................................................................................. 4 Ecrits et dossiers de voyages ...................................................................................................... 5 Œuvres de Charles Koechlin ......................................................................................................... 10 Boite 1 : Listes d’œuvres ........................................................................................................... 10 Boite 2 : Ecrits de Ch. Koechlin sur ses œuvres ........................................................................ 10 Ecrits de Charles Koechlin ............................................................................................................ 12 Conférences .............................................................................................................................. 12 Causeries radiophoniques ......................................................................................................... 14 Articles et textes ....................................................................................................................... -
C 1 Cembalomusik in Der Stadt Basel Bischofshof· Münstersaal
r Ein gutes Zusammenspiel ist entscheidend für gute Resultate. Fragen Sie uns! c 1 Cembalomusik in der Stadt Basel Bischofshof· Münstersaal Konzerte 2000/2001 30.11. Andrea Scherer Beratung und Ausführung 8.1. GeoffreyLancaster Kommunikations-Lösungen Visualisierungen 19.3. Thomas Ragossnig Grafik und Design 26.4. Bob van Asperen Satz, Lithos, Druck, Digital und Offset Datenbank-Lösungen Digitale Animationen und Video-Spots Versandlogistik Abonnemente und Vorverkauf: Musik Wyler Schneidergasse 24 , 40 51 Basel Telefon 061-261 90 25 Telefon 205 93 33 Fax 205 93 30 Linsenmann AG , Eulerstrasse 73 eMail [email protected] Postfach , 4009 Basel internet http ://www .linsenmann .ch Sehr geehrte Damen und Herren Liebe Musikfreunde Mit dem Generalprogramm 2000 /2001 möchten wir Ihnen die Konzerte der 11. Sai son vorstellen und hoffen, dass es uns auch in diesem Jahr gelungen ist, ein ab wechslungsreich es Programm mit vier inter essanten Konzertabenden zusammenzu stellen. Wir würd en uns freuen , Sie auch diese Saison als regelmässige Besuch er bei CIS begrüssen zu dürfen. Wir danken für die finanzielle Unterstützung - allen privaten Gönnern - Atelier Baumgartn er, Innenarchit ektur , Basel - Bree, Lederwaren, Basel - Haecky Drink AG, Reinach • Lott eriefondSj - Linsenmann AG, Druckerei, Basel -Olymp & Hades, Buchhand lung, Basel ~ Basel-Stadt \ - Schweizer Radio DRS 2, Studio Basel 1..\Kult ur __, - Stoffler, Orgeln und Pianos, Basel 1 und der Stadt Basel, die mit einem Beitrag der Abteilung Kultur des Lotteriefonds Basel-Stadt unterstü tzt. ATELIER lady top II. Damenhandtasche. Rindnappaleder . BAUMGARTNER INNENARCHITEKTUR B A E L s & WOHNBERATUNG MÖ BEL HEIMTEXTILIEN TEPPICHE LAMPEN OBJEKTPLANUNG WOHNA CCESSOIRES I BREE BASEL I RÜMELINSPLATZ 7 1 SPALENBERG 8 4051 BASEL TEL 061 2610843 FAX 261 08 63 4001 BASEL I TELEFON 061/261 II 26 1 Gunther Lambert-Collection bei Atelier Baumgartner Donnerstag, 30. -
The Darius Milhaud Society Newsletter, Vol. 10, Spring/Summer/Fall 1994
Cleveland State University EngagedScholarship@CSU Darius Milhaud Society Newsletters Michael Schwartz Library 1994 The aD rius Milhaud Society Newsletter, Vol. 10, Spring/Summer/Fall 1994 Darius Milhaud Society Follow this and additional works at: https://engagedscholarship.csuohio.edu/milhaud_newsletters Part of the History Commons, and the Music Commons How does access to this work benefit oy u? Let us know! Recommended Citation Darius Milhaud Society, "The aD rius Milhaud Society Newsletter, Vol. 10, Spring/Summer/Fall 1994" (1994). Darius Milhaud Society Newsletters. 18. https://engagedscholarship.csuohio.edu/milhaud_newsletters/18 This Book is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Darius Milhaud Society Newsletters by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. This digital edition was prepared by MSL Academic Endeavors, the imprint of the Michael Schwartz Library at Cleveland State University. THE DARIUS M ILHAUD S 0 C IETY NEWSLETTER Cleveland, Ohio Spring/Summer/Fall 1994 Vol. 10, Nos. 1, 2 and 3 Wlte11 I began to be interested in polytonal certainly favored. In searching at tf1e piano, 1 had lwrmo11y, it was a long time after I had left t 17 e always been struck by the fact that a polytonnl 1Iarmo11y class upon the advice of my teacher Xavier harmony is much more subtle i11 sweetness and a great Leroux . ... I was finishing my studies of counterpoint, den/ more powerful in pungency than a tonal and in 1915, I was in the composition class of Widor combination . -
2016/17 Season Preview and Appeal
2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No. -
Harmonia Mundi Magazin
harmonia mundi magazin Die Serie Musique d’abord Hier spielt die Musik harmonia mundi gmbh Zimmerstraße 68 · 10117 Berlin Tel. 030/2062162-0 · Fax 030/2062162-10 [email protected] www.harmoniamundi.com VII/2014 Robert KYR(*1952) The Cloud ofUnknowing Songs ofthe Soul The Singer's Ode Estelí Gomez (Sopran), David Farwig (Bariton) Conspirare Victoria Bach Festival Orchestra Craig Hella Johnson Robert Kyr zählt zu den profiliertesten (amerikanischen) Komponisten der Gegenwart. Neben zahlreichen Vokalwerken umfasst sein Schaffen Artikelnummer: HMU 807577 zwölfSinfonien, drei Kammersinfonien, drei Violinkonzerte und Kammer- Preiscode: T01 musik. Seine Chormusik zeichnet sich durch einen warmen lyrischen Kategorie: Chor, Zeitgenössisch Ton und durch kontrapunktische Meisterschaft aus, die von seiner Liebe Format: SACD zur alten Musik (Dufay, Josquin Desprez und vor allem Bach) zeugt. Inhalt: 1 Kyr versteht Chormusik auch als einen wesentlichen Beitrag zum Dauer: 1h07' internationalen Friedensprozess. Er schreibt, dass (man) »durch die Booklet: Eng, Fr De Aufführung und das Hören von Musik aus aller Welt eine aktive Rolle zur VÖ: 11. 07. 2014 Förderung gegenseitigen Verständnisses einnimmt – und letztlich zum Frieden unter den Völkern der Welt beiträgt. Chormusik lässt als Gemeinschaftskunst aufbesonders bewegende Weise ein Einheitsgefühl erleben; sie hat die Kraft, Menschen aller Rassen, Ethnien und Nationalitäten zusammenzubringen.« NICK STRIMPLE: CHORAL MUSIC IN THE TWENTIETH CENTURY, AMADEUS PRESS 2002 Zuletzt erschienen mit Conspirare: Kevin PUTS (*1972) »Conspirare gehört ohne Frage zu den besten IfI Were a Swan Chören in den USA – auch durch einen bemerkens- To Touch the Sky werten homogenen Klang der Frauen, die Kevin Sinfonie Nr. 4 (Baltimore Symphony Orchestra, Alsop) Puts mitunter als Engelsstimmen inszeniert.« (09/2013) WDR 3 TONART HMU 907580 (T01) The Sacred Spirit ofRussia »Conspirare ist ein kraftbegabter Kammerchor, der Geistliche Chorwerke über eine ansehnliche Ausdruckspalette verfügt. -
Lelio N°14.Pub
Sommaire LÉLIO La lettre de l’AnHB Calendrier de concerts N° 14 - Octobre 2007 La saison berliozienne www.berlioz-anhb.com dans les orchestres français La saison lyrique Lélio était petit et grêle; sa beauté ne consistait pas dans les traits, mais dans la noblesse du front, (autour de Berlioz) dans la grâce irrésistible des attitudes, dans l'abandon de la démarche, dans l'expression fière Disques et mélancolique de la physionomie. (George Sand, La Marquise) Patrimoine musical en France Tout courrier concernant Lélio Livres doit être adressé à : Périodiques Lélio Association nationale Hector Berlioz Thèses B.P. 63 F - 38261 LA COTE ST ANDRE CEDEX Tél./Télécopie : +33 (0)4 74 20 55 28 Musée Hector-Berlioz [email protected] Informations diverses © Association nationale Hector Berlioz, 2007. 44 1 Paris Calendrier de concerts Biedermeier, de l’artisanat au design Vienne et Prague. Paris 18 octobre 2007 - 14 janvier 2008 - Musée du Louvre, aile Sully, salle de la Chapelle 5, 7, 8, 9, 11*, 12, 15, 16, 17, 20 octobre 2007 Roméo et Juliette Paris Valery Gergiev/Vello Pähn (16, 17, 20 octobre), Ekaterina Gubanova Chabrier et la vie parisienne. (Juliette), Yann Beuron (Roméo), Mikhail Petrenko (Frère Laurent), 13-25 décembre 2007 - Théâtre national de l’Opéra-Comique Choeur de l’Opéra national de Paris (Peter Burian, chef de chœur), Orchestre de l’Opéra national de Paris ; Aurélie Dupont, Hervé Moreau, Vichy Wilfried Romoli et étoiles, premiers danseurs et corps de ballet ; Sasha Vichy, les années folles… 1920-1929. Waltz, chorégraphie ; -
95.3 FM Debussy: Prélude À L’Après-Midi D’Un Faune; Boulez, Cleveland Orchestra (DG) Rachmaninoff: Symphony No
N March/April, 2019 Volume 47, No. 3 95.3 FM Debussy: Prélude à l’après-midi d’un faune; Boulez, Cleveland Orchestra (DG) Rachmaninoff: Symphony No. 1 in d, Op. 13; Jansons, St. WHRB Program Guide Petersburg Philharmonic Orchestra (EMI) March 1 - April 30 4:00 pm BEYOND THE STAGE Have you ever wondered what your favorite musicians, composers, and conductors think about on the stage? What about their lives beyond the stage? What motivates them to create mu- Friday, March 1 sic, what shapes their musical philosophies, and what are their favorite recordings? In this feature, WHRB Classical will speak 5:00 am JAZZ SPECTRUM to your favorite classical music artists to answer these questions. 12:00 pm NEW JAZZ HOUR This season, we’ll be interviewing violinist Lisa Batiashvili, 1:00 pm AFTERNOON CONCERT pianist Kirill Gerstein, bassist Edgar Meyer, and more. This Chopin: Cello Sonata in g; Scholes, Breitman (Titanic) feature is supported by the Boston Symphony Orchestra and the Bauer: Suite for String Orchestra; Adler, Vienna Orchestra (CRI) Celebrity Series of Boston. Hertel: Concerto for Trumpet, Two Oboes, and Two Bassoons Exclusive interview with and select recordings from violinist in D; Basch, Kärcher, Vetter, Ventulett, Roscher, Orpheus Lisa Batiashvili. Chamber Orchestra (Schwann) 5:00 pm WHEN ART IMITATES ART Widor: Symphony for Organ No. 10, Op. 73, “Roman”; Roth Philosophers may argue over whether art imitates life or (Motette) vice versa, but there can be no question whether art imitates Geminiani: Violin and Continuo Sonata in a; Biondi, Europa art. Throughout history, musicians and visual artists have Galante (Virgin) inspired one another to create.