DOCSLIB.ORG

Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and More Come Together to Celebrate the Iconic Linda Perry

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and More Come Together to Celebrate the Iconic Linda Perry CHEAP TRICK, JULIETTE LEWIS, SARA GILBERT, SHARON OSBOURNE, WILLA AMAI AND MORE COME TOGETHER TO CELEBRATE THE ICONIC LINDA PERRY LINDA PERRY & FRIENDS: A NIGHT AT THE GRAMMY MUSEUM® BENEFIT GALA ON JUNE 29 WILL SUPPORT THE GRAMMY MUSEUM'S MUSIC EDUCATION PROGRAMS LOS ANGELES, CALIF. (May 16, 2019) — Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and more will come together at Linda Perry & Friends: A Night At The GRAMMY Museum® on Saturday, June 29. Proceeds from the benefit gala honoring Perry will provide essential support for the GRAMMY Museum Foundation®, a nonprofit organization dedicated to music education and preservation initiatives. More performers and guest artists to be announced soon. The gala will begin with a reception and silent auction that will take place on all four floors of the GRAMMY Museum. A dinner, live auction, award presentation, and tribute concert will follow at The Novo at L.A. Live. Auction items include exclusive and unparalleled selection of luxury items, VIP experiences, and a one-of-a-kind celebrity memorabilia for bidding guests including a meet-and-greet with Dolly Parton and Linda Perry at a TBD location and VIP tickets and meet-and-greet with Brandi Carlile at an upcoming 2019 tour date, and a customized whiskey barrel donated by Jack Daniel's. Produce for the evening's vegan dinner is donated by One Gun Ranch and prepared by Wolfgang Puck Catering. “I’m honored that my dearest friends, colleagues, and collaborators who have supported me throughout my life will now come together to help me raise awareness for the GRAMMY Museum’s education initiatives.” said Linda Perry. “Music education should not be a luxury and with the help of these visionaries and this community, we hope to play a small part of sparking creativity and inspiring future songwriters, producers, and musicians.” Perry is being recognized at the 2019 A Night At The GRAMMY Museum gala for her considerable creative accomplishments as a music producer and songwriter, and her longtime support of a number of causes through We Are Hear—the combination record label, publishing house, management company, and production entity she launched with multiplatinum producer Kerry Brown in 2017—which recently raised $1 million for Woolsey Fire recovery with their One Love Malibu Festival benefit concert. Perry is a Songwriters Hall Of Fame inductee for working with artists such as Adele, Christina Aguilera, Alicia Keys, P!nk, and Britney Spears, and was also nominated in 2018 for a GRAMMY® Award for Producer Of The Year, Non-Classical, making her the first woman in 15 years to be nominated in the category. The GRAMMY Museum Foundation is committed to cultivating a greater understanding of the history and significance of music. The Museum fulfills its mission of making music a valued and indelible part of our society through its education programs. The education goals include creating an enhanced exploratory experience for students and teachers visiting the Museum, equipping K-12 educators with strategies and resources to . Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and more will come together at A Night At The GRAMMY Museum® | Page 1 of 3 demonstrate the power of music in the classroom, educating youth and families in ways that encourage and enrich their own music appreciation and expression, preparing youth to pursue post-secondary education and professional careers in the music industry and related fields, increasing access to music programs in underprivileged communities, empowering youth to reach their full creative potential, and contributing to and leading the movement to increase music education in schools and communities. The Museum uses music as a gateway to learning, inspiring and cultivating creativity, and critical self-expression. GRAMMY Camp, which recently announce that it will take place from July 23 – July 27 at the University of Southern California this year featuring guest artists The Head And The Heart and JoJo, is one of several education initiatives the GRAMMY Museum Foundation supports throughout the year. Other upcoming programs include the annual Summer Session from June 24–29 at GRAMMY Museum L.A. Live and GRAMMY Career Days. Summer Session is a six-day nonresidential program that provides novice and intermediate songwriters, who are currently enrolled in high school in Southern California, the resources necessary to build a solid foundation in songwriting. Career Day—sponsored by the Ford Motor Company Fund in a few regional cities throughout the month of May—provides insight and advice to high school students about careers in the music industry. The gala offers a range of sponsorship packages that include a Pre-Gala Event at the GRAMMY Museum, dinner and specialty seating for guests, and more. For ticketing information, including sponsorship packages for the pre-gala reception, dinner and specialty seating, please visit: www.grammymuseum.org/support/linda- perry Balcony seating will go on sale on May 17, 2019. ABOUT LINDA PERRY A GRAMMY-nominated artist and Songwriters Hall of Fame inductee, Perry is one of the most accomplished people working in music today. Her career epitomizes what it means to be successful as an uncompromising and independent musician. Beginning her musical journey as the lead singer of 4 Non Blondes, Perry has had a profound impact on pop culture through her work as a producer and songwriter. Her resounding influence on female empowerment resonates through her sincere artistry. In addition, Perry was nominated for both a Golden Globe Award and Critics Choice Award this year for her work on “Girl In The Movies,” a track she co- wrote with Dolly Parton that appears in the Netflix film Dumplin’. ABOUT THE GRAMMY MUSEUM Established in 2008, the GRAMMY Museum is a nonprofit organization dedicated to cultivating a greater understanding of the history and significance of music. Paying tribute to our collective musical heritage, the Museum explores and celebrates all aspects of the art form—from the technology of the recording process to the legends who've made lasting marks on our cultural identity. In 2017, the Museum integrated with its sister organization, the GRAMMY Foundation, to broaden the reach of its music education and preservation initiatives. As a unified organization, today, the GRAMMY Museum fulfills its mission of making music a valued and indelible part of our society through exhibits, education, grants, and public programming. For more information, visit www.grammymuseum.org, "like" the GRAMMY Museum on Facebook, and follow @GRAMMYMuseum on Twitter and Instagram. # # # . Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and more will come together at A Night At The GRAMMY Museum® | Page 2 of 3 CONTACTS Jasmine Lywen-Dill Communications Manager T. 213.725.5703 [email protected] For press inquiries regarding Linda Perry, please contact: Katie Altman ID PR [email protected] [email protected] . Cheap Trick, Juliette Lewis, Sara Gilbert, Sharon Osbourne, Willa Amai and more will come together at A Night At The GRAMMY Museum® | Page 3 of 3 .
Load more

Recommended publications
  • Summit Guide Guide Du Sommet Guía De La Cumbre Contents/Sommaire/Sumario
    New Frontiers for Creators in the Marketplace 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA www.copyrightsummit.com Summit Guide Guide du Sommet Guía de la Cumbre Contents/Sommaire/Sumario Page Welcome 1 Conference Programme 3 What’s happening around the Summit? 11 Additional Summit Information 12 Page Bienvenue 14 Programme des conférences 15 Autres événements autour du sommet ? 24 Informations supplémentaires du sommet 25 Página Bienvenidos 27 Programa de las Conferencias 28 ¿Lo que pasa alrededor del conferencia? 38 Información sobre el conferencia 39 Page Sponsor & Advisory Committee Profiles 41 Partner Organization Profiles 44 Media Partner Profiles 49 Speaker Biographies 53 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA New Frontiers for Creators in the Marketplace Welcome Welcome to the World Copyright Summit! Two years on from our hugely successful inaugural event in Brussels it gives me great pleasure to welcome you all to the 2009 World Copyright Summit in Washington, DC. This year’s slogan for the Summit – “New Frontiers for Creators in the Marketplace” – illustrates perfectly what we aim to achieve here: remind to the world that creators’ contributions are fundamental for cultural, economic and social development but also that creators – and those who represent them – face several daunting challenges in this new digital economy. It is imperative that we bring to the forefront of political debate the creative industries’ future and where we, creators, fit into this new landscape. For this reason we have gathered, under the CISAC umbrella, all the stakeholders involved one way or another in the creation, production and dissemination of creative works.
    [Show full text]
  • Hollywood Foreign Press Association 2019 Golden Globe Awards for the Year Ended December 31, 2018 Press Release
    HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. BLACK PANTHER Marvel Studios; Walt Disney Studios Motion Pictures b. BLACKKKLANSMAN QC Entertainment / Blumhouse / Monkeypaw / 40 Acres and a Mule; Focus Features c. BOHEMIAN RHAPSODY Twentieth Century Fox and Regency Enterprises; Twentieth Century Fox d. IF BEALE STREET COULD TALK Annapurna Pictures / Plan B Entertainment / We Pastel; Annapurna Pictures e. A STAR IS BORN Warner Bros. Pictures / Live Nation Productions / Metro Goldwyn Mayer Pictures / Jon Peters Production / Bill Gerber Production / Joint Effort Production; Warner Bros. Pictures 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. GLENN CLOSE THE WIFE b. LADY GAGA A STAR IS BORN c. NICOLE KIDMAN DESTROYER d. MELISSA MCCARTHY CAN YOU EVER FORGIVE ME? e. ROSAMUND PIKE A PRIVATE WAR This document is being provided to the media pertaining to the nominations announcements for the 76th Annual Golden Globe Awards. The official press release is presented in PDF format and contains the official results. As a courtesy to the media, this version of the press release in Microsoft Word format is provided for ease of use. Ernst & Young LLP takes no responsibility for errors or changes made by the users of the Word file or the resulting impacts on their reporting. The official press release in PDF format represents the only official results. HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a.
    [Show full text]
  • Read More > Read More > Courtesy Read More > Read More >
    Jump to Front Page Homepage Homeruns The Good Life EOY/SOY Courtesy Years of Service Way to Go Budget October 2012 volume 12, issue 10 Bringing Nebraska Department of Health and Human Services employees closer together DHHS Employees Celebrate Special Anniversaries with State Employees from the Norfolk This issue of Connections is dedicated to the employees of DHHS, the Regional Center got together for a people who have devoted their careers to serving Nebraskans and group photo to celebrate the many, making such a difference in the lives of so many people. many years of devoted service to the Department. That’s Division CEO Kerry Winterer and Division Directors attended ceremonies Director Scot Adams to the right. across the state recognizing employees for years of service. These are just Photo: Bonnie Engel a few examples. read more> read more > Here’s Kerry Winterer with On page 10 we’re introducing a new column Marian DeBuhr, Social called “Making Courtesy Common in the Services Supervisor, Beatrice, Workplace.” Check it out for some good with her 45th anniversary ideas. clock. Photo: Bonnie Engel Making Making Courtesy read more> Common read more > in the Workplace Courtesy Common Recognition for Years of Service 2012 Employees /Supervisors of the Year 2012at the Workplace Many employees have been with DHHS for a number of years and are Pages 4-8 list the 2012 Employee and Supervisors of the Year, complete with celebrating special years of service awards this year. See pages 11-14 for a photos and a short write-up from their nominators about why they received complete listing of employees and their years of service (starting with 10 their honor.
    [Show full text]
  • Archaeological Starch Preservation and Methodological Parameters: Where Does Qaraqara Fit?
    ARCHAEOLOGICAL STARCH PRESERVATION AND METHODOLOGICAL PARAMETERS: WHERE DOES QARAQARA FIT? Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate School of the Ohio State University By Nicole Marie Hernandez, B.A. Department of Anthropology The Ohio State University 2015 Master’s Committee: Professor Julie S. Field, Advisor Professor Kristen J. Gremillion Professor Robert Cook Copyright by Nicole Marie Hernandez 2015 ABSTRACT Starch granule analysis is a relatively new methodology that can aid in various areas of archaeological research, including the determination of subsistence patterns and transitions, mobility, tool use, and ecology. This study examines undecorated ceramic fragments recovered from Qaraqara, Fiji for the presence of adhered starch. Although the three starch extraction methods used were not successful, the research process provides an opportunity to explain the lack of success by investigating ideal archaeological starch preservation parameters and extraction methodologies. Many factors contribute to the rarity of preserved starch granules in archaeological settings, including its bio-chemical structure, the decomposition of microorganisms in soil, chemical interactions, and environmental conditions. To determine ideal environmental conditions for starch preservation, successful extraction methods, and the effect of archaeological materials on success rates for extraction, a meta-analysis was conducted on a sample of archaeological studies that also sought to extract preserved starch. Key environmental variables that support the preservation of starch were identified, including a specific range of average temperatures, rainfall amounts, and altitudes. Using chi-square statistical tests, this study determined that an average temperature of 19-22° C significantly contributes to the preservation of archaeological starch.
    [Show full text]
  • Rebooting Roseanne: Feminist Voice Across Decades
    Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season.
    [Show full text]
  • The World of Independent Publishing Is Ever-Growing and Ever-Changing; Yes, the Challenges May Be Great, but the Rewards Are Even Greater
    SPECIAL REPORT Indie Club: PeerMusic alumni Gabrielle Aplin and Linda Perry The world of independent publishing is ever-growing and ever-changing; yes, the challenges may be great, but the rewards are even greater. In a special report, Music Week checks the pulse of this vibrant sector of the industry with some its key players… ------------ BY GEORGE GARNER ------------ n the off chance you were the only person in “One of our most important signings of the past year is Linda the music industry who didn’t get the memo: Perry,” nods Elderton. “We entered into an admin and joint venture the world of music publishing is currently in deal with Linda and her partner Kerry Brown’s company We Are a state of flux. Hear which is based in LA. We are working with Linda on numerous Following the announcement in projects including new artists, a new Natasha Bedingfield album and September 2018 that legendary Sony/ATV film projects, as well as Linda’s collaboration with Dolly Parton on the boss Martin Bandier would be stepping Netflix film Dumplin. Another major highlight was the completion down in March 2019, a very real game of of our acquisition of Music Cube in South Korea which became musical chairs was initiated. Suffice to say some big email signatures PeerMusic’s 34th global office operating in 30 territories.” Ohave changed of late, folks: Jon Platt exited Warner/Chappell to take Given the truly global scale at which independent publishers over at Sony/ATV, while Guy Moot bid adieu to Sony/ATV to become operate, it does beg the question as to how they see themselves co-chair & CEO at Warner/Chappell.
    [Show full text]
  • Peter Asher Music Producer and Performer
    PETER ASHER MUSIC PRODUCER AND PERFORMER 1964, one half of Peter & Gordon, who amassed nine Top 20 records. 1968, head of A&R for the Beatles’ record company, Apple Records, where he found, signed and produced James Taylor. 1971, founded Peter Asher Management, representing James Taylor, Linda Ronstadt, Joni Mitchell, Carole King, Randy Newman and more for several decades. As a producer, Mr. Asher has worked with such diverse artists as James Taylor, 10,000 Maniacs, Diana Ross, Neil Diamond, Ringo Starr, Linda Ronstadt, Hans Zimmer, Ed Sheeran, Miguel and Cher, among many others. He has produced thirteen Grammy Award-winning recordings, and in 1977 and 1989 won the Grammy for "Producer of the Year". Recent projects include the production of “So Familiar” the follow-up album (released October 2015) to the highly successful (and Grammy-winning) “Love Has Come for You” (Steve Martin & Edie Brickell), which has also generated a PBS special and a stage musical, “Bright Star”, of which Peter is the music supervisor. “Bright Star”, directed by Walter Bobbie, opened on Broadway in March of 2016 and the Broadway Cast Album (produced by Peter) was released in May. Peter also directed the highly acclaimed Hans Zimmer live concerts (“Hans Zimmer Revealed”), which took place in London on October 10th and 11th .2014 and toured Europe extensively in the spring of 2016. In the New Year’s Honours list for 2015, Peter Asher was awarded a CBE (“Commander of the Most Excellent Order of the British Empire”) by Her Majesty Queen Elizabeth. The official investiture took place at Buckingham Palace on February the 24th.
    [Show full text]
  • Album of the Year Record of the Year
    Album of the Year I, I Bon Iver NORMAN F—ING ROCKWELL! Lana del Rey WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish THANK U, NEXT Ariana Grande I USED TO KNOW HER H.E.R. 7 Lil Nas X CUZ I LOVE YOU Lizzo FATHER OF THE BRIDE Vampire Weekend Record of the Year HEY MA Bon Iver BAD GUY Billie Eilish 7 RINGS Ariana Grande HARD PLACE H.E.R. TALK Khalid OLD TOWN ROAD Lil Nas X ft. Billy Ray Cyrus TRUTH HURTS Lizzo SUNFLOWER Post Malone Song of the Year ALWAYS REMEMBER US THIS WAY Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga) BAD GUY Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) BRING MY FLOWERS NOW Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker) HARD PLACE Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.) LOVER Taylor Swift NORMAN F***ING ROCKWELL Jack Antonoff and Lana del Ray, songwriters (Lana del Rey) SOMEONE YOU LOVED Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi) TRUTH HURTS Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo) Best New Artist BLACK PUMAS BILLIE EILISH LIL NAS X LIZZO MAGGIE ROGERS ROSALíA TANK AND THE BANGAS YOLA Best Pop Solo Performance SPIRIT Beyoncé BAD GUY Billie Eilish 7 RINGS Ariana Grande TRUTH HURTS Lizzo YOU NEED TO CALM DOWN Taylor Swift Best Pop Duo/Group Performance BOYFRIEND Ariana Grande & Social House SUCKER Jonas Brothers OLD TOWN ROAD Lil Nas X Featuring Billy
    [Show full text]
  • BOSS Partners with Dorothy for North American Tour
    FOR IMMEDIATE RELEASE Press Contact: Company Contact: Leslie Buttonow Rebecca Eaddy Account Manager Marketing Communications Mgr. Clyne Media, Inc. Roland Corporation U.S. (615) 662-1616 (323) 890-3718 [email protected] [email protected] BOSS Partners with Dorothy for North American Tour Joins grassroots initiative to select local artists as opening acts for each show Band submission form available here: http://smarturl.it/DorothyFreedomOpener Los Angeles, CA, January 17, 2018 — BOSS has partnered with Los Angeles-based alternative rock band Dorothy for the 2018 Freedom Tour. BOSS is a brand that realizes the dreams of guitarists and is dedicated to supporting all musicians. In that spirit, they’ve teamed with Dorothy to support the band’s grassroots initiative to select local artists as opening acts. Dorothy and BOSS are looking for hometown favorites from each city on the band’s tour to be the opening act. All genres are welcome, and selections have already begun to be announced. This will be an opportunity to bring the focus of touring back to developing the local music scene. More information and the band submission form are available at smarturl.it/DorothyFreedomOpener. Brian Alli, Roland Corporation Vice President of Artist Relations and Business Development, states, “We are excited to partner with Dorothy on this fun, grassroots talent search. We are already impressed with the submissions coming in, and we look forward to seeing these awesome acts live on stage around the country.” “We are amped to collaborate with BOSS on this important initiative! This is about taking the time to connect with communities and get a real taste of the local music scenes.
    [Show full text]
  • Lyricist V Songwriter 4-4 Linda Perry's Dos & Don'ts
    1 Freestyle Note: Kia ora whanau – use this space to write a message & let your loved one know why you thought they’d be interested in this article. Lyricist v Songwriter 4-4 Linda Perry’s Dos & Don’ts For Writing Love Songs Source of article: https://artists.spotify.com/blog/linda-perry%27s-dos-and-don%27t-for-writing-love-songs Continued from article 3: Do: Know who you're writing for. The process changes when you're asked to write for a specific artist. Then, it requires stepping outside yourself. "It's a different experience," says Perry. "If it were up to me, I would write sad, depressing, suicidal, Pink Floyd-ish type of songs. That's my style: I like being dark, I like living down a well. And that's where I feel the most." That can make collaboration difficult, but it can also produce exciting results. "It can be tricky, because you could be dealing with someone who really doesn't have any experience of what it feels like to be really down and out or dark and suicidal. So now it's like: here's Mrs. Doom and here's sunshine and lollipops, and you gotta meet both worlds. I have to interpret the sunshine and lollipops and figure out how to make it me and how to make my doom and gloom them. It can become very interesting." Perry is particularly fond of how this juxtaposition plays out in the love songs recorded by the Carpenters. "The songs are written by Burt Bacharach, the majority of them, and they're like, 'Why do birds suddenly appear…' The cheesiest freaking lyrics.
    [Show full text]
  • Songwriters and Lyricists Are Also Performers Themselves, but Who Make a Healthy Living Off Selling Their Lyrics Or Complete Songs to Other Artists
    Freestyle Note: Kia ora whanau – use this space to write a message & let your loved one know why you thought they’d be interested in this article. Lyricist v Songwriter 2-4 Some of the greatest teams in musical history have consisted of an artist and his or her favorite Lyricist or Songwriter. In many cases, Songwriters and Lyricists are also performers themselves, but who make a healthy living off selling their lyrics or complete songs to other artists. A fantastic example of this is Linda Perry, who first broke into the music industry as the lead vocalist for 4 Non Blondes but who's also written a mountain of hits for other singers. We'll take a close look at Linda's work in articles 3 & 4. To help you get a better understanding, here's some examples of famous lyricists and songwriters: Songwriters • Kesha is best known as a pop star in her own right, but as a Songwriter (she plays guitar and piano), she's written tracks for Britney Spears (“Till the World Ends”), Big Time Rush (“Windows Down”) & even Alice Cooper (“What Baby Wants.”) Linda Perry The Opal Place - Your place of Inspiration • Linda Perry began her career in ‘90s rock band 4 Non Blondes, but soon built a booming songwriting career on the strength of her work with stars like Christina Aguilera (“Beautiful”), Gwen Stefani (“What You Waiting For?”) and Pink (“Get the Party Started”). • You might not know the name Max Martin, but you've definitely heard his work. The Swedish Songwriter and Record Producer has racked up twenty-two number one hits on the Billboard charts.
    [Show full text]
  • Rocky Carroll Directing NCIS
    T U E S D AY, MARCH 31 MOVIES DIRECTED BY ROCKY CARROLL! Dangerous Liaisons 7:32am/ Bowfinger(1999) 6:32c Starz in Black NCIS 9:40am/ The Innocents 8/7c, CBS 8:40c (1961) FXM 10am/9c Pavarotti (2019) When we drop by the L.A. set of NCIS in prised and nervous when producers handed him and 8/7c Showtime Women February, things seem off. Nice-guy the bullhorn. Star Mark Harmon, an exec pro- medical examiner Jimmy Palmer and forensic ducer and a pal since their Chicago Hope days, 12:30/ The Winning pro Kasie Hines (Brian Dietzen and Diona Rea- “has been my biggest supporter,” notes Carroll. 11:30am c Team (1952) TCM sonover, above), usually out of harm’s way, are in On set, the actors are happy to stretch them- 2/1c Before the a diner being held at gunpoint by robbers. And selves. “In a show that’s been on the air so long, Devil Knows to the rescue is…normally suit-wearing people make assumptions about charac- You’re Dead NCIS office fixture, Director Leon ter limitations,” Carroll says, “but (2007) HBO Vance (Rocky Carroll, right)? In a Jimmy and Kasie’s intellect and Signature ball cap and jeans? Then Carroll instincts are tested. They negotiate 4:13/3:13c Star Wars: Episode VIII— says “Cut!” and it’s all clear: He’s for their lives.” (In the secondary The Last Jedi directing; the episode airs tonight. story, the field agents investigate a (2017) TNT To the veteran actor, “A good crime that turns out to be linked to 4:45/3:45c The Jackie director takes the things you do well these perps.) The two also appreciate Robinson Story and says, ‘Let’s build on that.’” This is the final emotional beat Carroll has added (1950) TCM his 13th time behind the camera for the crime to the script.
    [Show full text]