Colour and Joie De Vivre – 60 Years of Timeless Beauty for Everyday Life

Total Page:16

File Type:pdf, Size:1020Kb

Colour and Joie De Vivre – 60 Years of Timeless Beauty for Everyday Life YEARBOOK 2011 2011 1 Colour and joie de vivre – 60 years of timeless beauty for everyday life Marimekko is a Finnish textile and acquired over decades, with its values has been done with accompanying joy clothing design company. The core of and legends, is an inexhaustible trea- and occasionally a little sadness. Always its business is the design and manufac- sure from which it is good to draw cour- together. ture of timeless and individual, practi- age and the strength for renewal, even Marimekko celebrated its 60th anni- cal and beautiful consumer goods. The today. The meaning of Marimekko de- versary with a variety of events in Fin- array of Marimekko design embraces sign is to create aesthetic experiences land and the company’s main markets household products ranging from fur- for every moment in life. abroad. Thank you to all Marimekko’s nishing fabrics to tableware as well as In 2011, 60 rich years of life with beloved and faithful friends around the clothing, bags and other accessories for Marimekko were behind us. Those world for the rewarding path we have people of all ages. years have seen increasingly astonish- walked together. The journey contin- When Marimekko was founded in ing turns, stories engendered by strong ues towards new shared experiences, 1951, the unparalleled patterns and and colourful personalities, breathtak- thousands and yet thousands more of colours of its printed fabrics gave it a ing dreams – fulfilled or not – successes them… strong and unique identity. A heritage and near misses. A great deal of work CONTENTS 1 ....................... Marimekko 60 years! © Marimekko 2 ....................... From the CEO Corporation, Puusepänkatu 4, 00880 Helsinki, 4 ....................... Our values Finland Tel. +358 9 75 871 6 ....................... Design for everyday life info@marimekko.fi www.marimekko.com 10 .....................Highlights of 2011 Cover: Helsinki- 14 .....................Vision, goals and strategy Helsingfors pattern designed by Per-Olof 16 .....................2011 in figures Nyström to celebrate the Helsinki 1952 20 .....................Responsibility at Marimekko Summer Olympics. The print was put back into produc- 28 ..................... Personnel tion for 2012 when Helsinki is at the heart 30 ..................... Stakeholder groups of international design debate. 32 ..................... Marimekko Village Image by Kati Rapia. 2 FROM THE CEO YEARBOOK From left: Lynn Shanahan (Mari mekko North America, President), Mika Ihamuotila (President and CEO) and Minna Kemell- Kutvonen (Creative Director) celebrating the opening of the flagship store in New York. From the CEO “Marimekko makes the world a little better by encouraging people to be themselves and to find beauty in a perfectly ordinary weekday.” Marimekko celebrated its 60th anni- output capacity of our textile printing East Asia is one of the focus areas versary in 2011. Marimekko’s message factory in Finland, against the prevail- of our international business. In all, about everyday beauty and an unpre- ing trend in our sector. We did this there are now 22 Marimekko stores in tentious attitude to life has carried for several reasons. Printed fabrics are Japan and South Korea, which did real- superbly from decade to decade, and Mari mekko’s soul, and we want them to ly well last year in spite of the fact that I believe that today it is actually more continue to be made in close coopera- retailing in Japan was otherwise close current than ever. We live in a world in tion between design and production. to paralysis due to a variety of reasons. which I feel that people become remote Besides this, the fact that the design- Our sales in the Asia-Pacific region from their real selves and, in the midst ers work near to the place where the grew by a whopping 49%. Encouraged of all the rush, they forget what in the fabrics are printed is enormously useful partly by this trend, this year we will end really matters. We look for happi- in all product development. It is also open the first Marimekko store in China ness in something faraway, although easier to focus on ethical aspects of pro- together with a new partner. The aim you can find it most reliably close by, duction in a plant of our own. These as- is to open a total of 15 stores in China’s in everyday life. Marimekko is usually pects are of increasingly great interest largest cities by the end of 2016. seen in terms of aesthetic and practi- to consumers, so I am convinced that Stimulated by large investments in cal products, but I think Marimekko is maintaining profitable in-house produc- stores, our international sales were up first and foremost about thinking and tion will have a significant impact on by 26% in 2011. In all, the Marimekko attitude. I daresay – even at the risk of the appreciation and attractiveness of Group’s net sales grew by 6%. Our oper- being considered an idealist – that the our brand. ating profit declined, as expected, to more people adopt the Marimekko-style Our network of stores was rein- EUR 3.5 million, mostly due to changes unpretentious attitude to life, the better forced in 2011 by a considerable in the distribution network in line with the world will be. amount relative to our size. In the our distribution strategy, a reduction The theme of our anniversary year course of the year, a total of 17 new, in price-driven promotions, and the was “Why not together?”. We wanted inspirational Marimekko stores were sizable investments we have made in to inspire people to meet each other opened, eight of which were company- internationalisation. and to do things together. I believe that owned. The most important of these was I am optimistic for 2012. We expect much more of this, too, is needed in our own flagship store on Fifth Avenue our net sales to grow strongly and our today’s world. The theme was visible in New York, which achieved success operating profit at least to double. We in the course of the year at events of beyond our expectations. The American have every prospect of success in our the greatest variety around the world, home furnishings retailer Crate and efforts to expand boldly into new areas ranging from exhibitions to discussions. Barrel opened a total of six Marimekko and new cities: we have creative and Enthused by the theme, we arranged, shop-in-shops in its department stores, enthusiastic personnel, an excellent among other events, an ambitious de- including ones in Los Angeles, San product range and store concept, and sign competition aimed at students of Francisco and Chicago. It is our inten- a uniquely attractive brand. Dynamic the world’s leading schools of design, tion to expand the number of company- expansion requires patience of the as well as a unique, close-to-nature owned stores in the United States; in company and its shareholders, but I am fashion show in connection with Tokyo 2012, our target is to open one to three convinced that this will be fruitful for Fashion Week. new stores. In Europe, new stores were Marimekko in the long term. For us, 2011 was a year of sever- opened during 2011 in London, Stock- al very large investments which were holm, Oslo, Copenhagen, and of course important to our future. We tripled the our home country, Finland. Mika Ihamuotila 2011 FROM THE CEO 3 4 OUR VALUES YEARBOOK Our new values guide us in our daily work Leadership at Marimekko is based on shared values, the principles that we hold to be important and in which we believe in our everyday work. We have carefully chosen six basic values which inspire and motivate us, guide our choices and help us to achieve our vision. We set the values in the same way as we do everything else – together. MARIMEKKO SPIRIT to paint with bolder strokes. We at a prerequisite to boldness and crea- Marimekko boldly and directly say what tivity. At Marimekko, we get on with LIVING, NOT PRETENDING we’re thinking, even when our opinions things instead of messing with mere differ. Straight talk achieves much more intentions. There is no point in drawing People should always be them- than is commonly thought. up fine plans if ordinary work is not re- selves, living their own lives and not spected or done properly. The best way playacting for others. We at Mari mekko COMMON SENSE is to get right to work, together. have always sought – and found – the keys to a beautiful everyday life. We Marimekko creates clear products COURAGE, EVEN AT THE RISK OF want to taste the authentic flavour of that do the job rather than complicated FAILURE life, thus finding joy and intensity for and fancy goods. People don’t want to the working day. Once in a while it’s be surrounded by anything unneces- What in the end do you lose if you good to ask if this tastes good or is sary. At Marimekko, we work like the take a step out into something new and there perhaps some off-flavour. Follow- company belonged to all of us. You unknown? At Marimekko you can – and ing fashion and pointless ingratiation need to reach for the heights, but plain should – be bold. Without courage there should be avoided. Usually, you should common sense has to be applied often is no creativity. We accept human fail- just boldly follow your own internal rather than occasionally. Empty wish- ures. It helps to be brave if you don’t beacon. ful thinking should not be cultivated at take things too seriously – and espe- work – or in life. cially not yourself. We develop Mari- FAIRNESS TO EVERYONE AND mekko with a long-term view, because EVERYTHING GETTING THINGS DONE – TOGETHER we want to build something unique and meaningful, even if we have to pay for We at Marimekko are always fair It’s always much nicer to be togeth- it in the short term.
Recommended publications
  • Piel Artificial Metamorfosis Arquitectónica Del Cuerpo a Través De La Superficie
    UNIVERSIDAD POLITÉCNICA DE MADRID ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE MADRID PIEL ARTIFICIAL METAMORFOSIS ARQUITECTÓNICA DEL CUERPO A TRAVÉS DE LA SUPERFICIE TESIS DOCTORAL BREZO ALCOCEBA LÓPEZ-ARAQUISTAIN Arquitecta 2015 DEPARTAMENTO DE IDEACIÓN GRÁFICA ARQUITECTÓNICA ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE MADRID PIEL ARTIFICIAL METAMORFOSIS ARQUITECTÓNICA DEL CUERPO A TRAVÉS DE LA SUPERFICIE Autora_ BREZO ALCOCEBA LÓPEZ-ARAQUISTAIN. Arquitecta Directora_ ATXU AMANN ALCOCER. Doctora Arquitecta 2015 TRIBUNAL Tribunal nombrado por el Mgfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de 20 , en la Escuela Técnica Superior de Arquitectura de Madrid. Califi cación: EL PRESIDENTE LOS VOCALES EL SECRETARIO TRIBUNAL PIEL ARTIFICIAL METAMORFOSIS ARQUITECTÓNICA DEL CUERPO A TRAVÉS DE LA SUPERFICIE TRIBUNAL AGRADECIMIENTOS MI GRATITUD PARA Atxu por sus fundamentales aportaciones, académicas y personales por su predisposición sin límites por dedicarme su precioso tiempo Jorge Sainz por ofrecerme su sincero punto de vista Aliki Economides, Rickard Lindqvist, Jennifer Barrows y Ruth de la Puerta por compartir sus investigaciones conmigo David Delgado por invitarme a acceder a su amplia biblioteca Yolanda Orejas por sus consejos de experimentada modelista Claudia Mitrea por sus habilidades lingüísticas María Mallo por su lección exprés y ser compañera de estrés Mi familia y amigos por la importancia que tiene no sentirse sola en el trayecto Db por experimentar esta metamorfosis junto a mí AGRADECIMIENTOS PIEL ARTIFICIAL METAMORFOSIS ARQUITECTÓNICA DEL CUERPO A TRAVÉS DE LA SUPERFICIE AGRADECIMIENTOS RESUMEN RESUMEN El cuerpo, como conjunto organizado de partes que confi guran el organismo, es una entidad metamórfi ca.
    [Show full text]
  • Ruth Adler Schnee 2015 Kresge Eminent Artist the Kresge Eminent Artist Award
    Ruth Adler Schnee 2015 Kresge Eminent Artist The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for lifelong professional achievements and contributions to metropolitan Detroit’s cultural community. Ruth Adler Schnee is the 2015 Left: Keys, 1949. (© Victoria and Albert Museum, London); right: drawing, Glyphs, 1947. Kresge Eminent Artist. This (Courtesy Cranbrook Archives, The Edward and Ruth Adler Schnee Papers.) monograph commemorates her Shown on cover background: Fancy Free, 1949. (Photograph by R.H. Hensleigh and Tim Thayer, life and work. courtesy Cranbrook Art Museum); top left: Woodleaves, 1998; top right: Narrow Gauge, 1957; top center: Bells, 1995; bottom center: Funhouse, 2000; bottom: Plaid, 2001 reissue. Contents 5 57 Foreword Other Voices: By Rip Rapson Tributes and Reflections President and CEO Nancy E. Villa Bryk The Kresge Foundation Lois Pincus Cohn 6 David DiChiera Artist’s Statement Maxine Frankel Bill Harris Life Gerhardt Knoedel 10 Naomi Long Madgett Destiny Detroit Bill Rauhauser By Ruth Adler Schnee 61 13 Biography Transcendent Vision By Sue Levytsky Kresge Arts In Detroit 21 68 Return to Influence Our Congratulations By Gregory Wittkopp From Michelle Perron 22 Director, Kresge Arts in Detroit Generative Design 69 By Ronit Eisenbach A Note From Richard L. Rogers President Design College for Creative Studies 25 70 Inspiration: Modernism 2014-15 Kresge Arts in By Ruth Adler Schnee Detroit Advisory Council 33 Designs That Sing The Kresge Eminent Artist By R.F. Levine Award and Winners 37 72 The Fabric of Her Life: About The Kresge A Timeline Foundation 45 Shaping Contemporary Board of Trustees Living: Career Highlights Credits Community Acknowledgements 51 Between Two Worlds By Glen Mannisto 54 Once Upon a Time at Adler-Schnee, the Store By Gloria Casella Right: Drawing, Raindrops, 1947.
    [Show full text]
  • Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
    craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12).
    [Show full text]
  • Yearbook 2014 20 1 4
    2014 YEARBOOK YEARBOOK YEARBOOK 2014 www.marimekko.com 1 Bold and true to life Marimekko is a Finnish design and different industries. The theme CONTENTS company. The core of its business was visible in collections as well as is the design and manufacture of various partnership schemes embracing 2 timeless and individual, practical and summer fashion, contemporary art, From the President beautiful consumer goods. The array of fibre research, and aviation. and CEO Marimekko design embraces clothing, Anna Teurnell, who started work bags and accessories as well as home as Creative Director in July, is taking 4 décor items ranging from textiles to Marimekko’s design in new directions. New stage in strategy tableware. The first sight of the new course will be When Marimekko was founded in in autumn 2015. 5 1951, the unparalleled patterns and The Marimekko store network Marimekko’s colours of its printed fabrics gave it a continued to grow in 2014. The most Creative Director strong and unique identity. A heritage new stores were opened in Asia. In acquired over decades, with its values June, a partnership contract was signed 6 and legends, is an inexhaustible to take Marimekko into the Middle East, Vision, goals treasure from which it is good to draw with the first stage being Dubai in the and strategy courage and the strength for renewal, UAE. even today. The unquestioned star of the 8 One of the themes of Marimekko eventful year was perhaps the most 2014 in figures design in 2014 was to explore what popular and best known of all of interesting things can emerge from Marimekko’s innumerable classics: 11 encounters between different cultures the 50-year-old Unikko pattern.
    [Show full text]
  • Luxury for the Masses
    uxury for the asses L M A Study of the H&M Luxury Collaborations with Focus on the Images of the Luxury Designer Brands UPPSALA UNIVERSITY Department of Business Studies Bachelor Thesis Date: March 2010 Authors: Carole Ginman Charlotte Lundell Catherine Turek Supervisor: Nazeem Seyed-Mohamed L uxury for the M asses “The media is constantly redefining what luxury is. Luxury can be a dirty sock if dressed up the right way” Zac Posen 1 Luxury for the Masses Executive Summary A strong brand is important for all companies; however, it is imperative for the success of a luxury fashion house as the image is one of its core assets. As strategic alliances are increasing in popularity the effect they have on how customers look at the partner brands is both interesting for the general person, but also – and more importantly – vital knowledge for companies pondering such a strategic move. The major focus of this study is to answer the question of how luxury designers’ collaborations with high street retailer Hennes & Mauritz affect how consumers perceive the luxury designer brand’s image. Theories on both brand extensions and co-branding have been compared to both qualitative and quantitative research conducted for the purpose of this investigation. This comparison has been made by using a model depicting the relationships between the collaborating brands. Through both acquiring a broad scope using the survey and deeper thoughts through focus group interviews the authors were able to gain a more holistic view of how people regard the luxury designer brands. The factors mainly investigated were those of change in awareness and change in purchase behaviour or intention, as they would be indicative of how people felt toward the luxury designer brands.
    [Show full text]
  • 2009 International Surface Design Association Conference
    THE 2009 INTERNATIONAL SURFACE DESIGN ASSOCIATION CONFERENCE KANSAS CITY, MISSOURI, USA off grid Patterns in our life and in our work often develop and repeat in a regular manner, and then something unexpected happens. Something shifts slightly, and the pattern and rhythm become radically new. It is in those moments of unexpected change that great possibility exists. We shift. We transform. We go off the grid aesthetically, conceptually or environmentally. In this conference we will concentrate on how we can seek those points of departure, and, together, go Off the Grid. For more than 30 years, the Surface Design Association conferences have been amazing meeting places where textile artists from all over the world come together to Monday, June 1– Friday, June 5 June 1– Friday, Monday, : be inspired by work, ideas and techniques. The wealth of information, creativity and talent on the podium, as well as in the audience, is astounding. During the four days of the conference, we learn from each other. It is our excitement, knowledge and willingness to share that makes each SDA conference a unique experience. Please join us and become a part of one of the most unforgettable contemporary textile events. POST-CONFERENCE WORKSHOPS POST-CONFERENCE for 2009 conference materials. Carolyn Kallenborn, Conference Chair Beauty In The Deep 2009 INTERNATIONAL SURFACE2009 INTERNATIONAL DESIGN CONFERENCE ASSOCIATION Saturday, May 23–Wednesday, May 27 May 23–Wednesday, Saturday, OFF THE GRID KANSAS CITY, MISSOURI, USA 2009 31, MAY 28–SUNDAY, MAY THURSDAY,
    [Show full text]
  • Fashion in Finland
    FASHION IN FINLAND Fiskars by Maria Korkeila, photo by Chris Vidal Finnish fashion Männistö, photo by Chris Vidal BACKGROUND Modern Finnish fashion was born during the heyday of Finnish design and architecture in the 1950s. Today Finland is looking to the future with the fast development of new material innovations, award winning young designers and successful sustainable brands. Quality and sustainability Finnish brands are designer driven – quality, sustainability and strong artistic vision are at the core of Finnish fashion. During the past few years, Finnish designers and brands have been celebrated in all the important media from Vogue Italy to the New York Times. FASHION HERITAGE JUNI FASHION HERITAGE Vuokko Nurmesniemi Vuokko Nurmesniem Vuokko Nurmesniemi is the grand old master of Finnish fashion. She is best known for her designs for Marimekko in the 50s and 60s. She started her own label Vuokko in 1964. Nurmesniemi´s design has been the inspiration for many current foreign fashion superstars and she is still designing and running her shop in Helsinki. In the late 1960s Nurmesniemi became one of the first designers concerned about the environmental impact of the textile industry. She received the Milan Triennial XIII grand prix and Lunning Prize for design in 1964, the Prince Eugen Medal in 1986 and the Kaj Franck Design Prize in 1997. Marimekko Marimekko is a Finnish lifestyle design house founded in 1951 with a mission to empower people to be happy as they are and to bring joy to their everyday lives with bold prints and colours. In the 1950s Marimekko began making dresses with abstract prints and vibrant colours for women who are bold in expressing their personality through their choice of attire.
    [Show full text]
  • Financial Statements 2019
    Financial Statements 2019 TIINA ALAHUHTA- KASKO, 13 FEBRUARY 2020 13 February 2020 1 © Marimekko A STRONG YEAR 2019 Net sales +12%, comparable operating profit +40% + Net sales rose by 12% with growth in all market areas. + Retail sales in Finland, wholesale sales and licensing income in the Asia-Pacific region as well as wholesale sales in EMEA especially contributed to growth. + Sales in Finland and international sales both grew by 12%. + Comparable operating profit rose by 40%, boosted by sales growth and improved relative sales margin. - Results were weakened by higher fixed costs. 13 February 2020 2 Q4/2019 Net sales +17%, comparable operating profit +87% + Net sales up by 17%, growth primarily from retail and wholesale sales in Finland as well as increased wholesale sales and licensing income in the Asia-Pacific region. Wholesale sales growth in the Asia-Pacific due to part of the region’s Q4 2018 deliveries’ timing in Q1 2019. + Sales in Finland grew by 20% and international sales by 12%. + Comparable operating profit grew by 87%, boosted by sales growth. - Results were weakened by higher fixed costs. 3 KEY FIGURES 2019 Solid financial development EUR million 10–12/2019 10–12/2018 Change, % 1–12/2019 1–12/2018 Change, % Net sales 34.7 29.7 17 125.4 111.9 12 International sales 12.8 11.4 12 54.3 48.3 12 % of net sales 37 38 43 43 Comparable EBITDA * 6.2 2.2 186 29.7 14.7 102 Operating profit 3.0 1.2 144 17.1 17.7 -3 Comparable operating profit 3.0 1.6 87 17.1 12.2 40 Comparable operating profit margin, % 8.7 4.2 13.6 10.9 Comparable earnings per share, EUR *** 0.26 0.15 74 1.61 1.15 40 Cash flow from operating activities * 7.8 5.8 36 29.0 12.2 137 Return on investment (ROI), % 17.9 47.6 Equity ratio, % * 40.2 70.0 Net debt / EBITDA ** 0.35 Gross investments * 1.3 0.2 2.6 1.3 103 Personnel at the end of the period 450 445 1 * IFRS 16 had an impact on the change in comparable EBITDA, cash flow from operating activities, and equity ratio.
    [Show full text]
  • Financial Statements 2019
    Financial Statements 2019 Financial Statements Financial Statements 2019 marimekko.com RISTÖM E RISTÖM E Ä RK Ä RK P K P K M I M I Y Y M M IL T IL T JÖMÄRK JÖMÄRK Printed matter Painotuote 4041 0820 4041 0820 1 Renowned for bold prints Marimekko is a Finnish lifestyle design CONTENTS company whose original prints and colours have brought joy to people’s everyday lives 2 From the President and CEO since 1951. Our product portfolio includes 4 2019 in a nutshell high-quality clothing, bags and accessories 5 Financial targets as well as home décor items ranging from textiles to tableware. 6 Strategy Timelessness has been the cornerstone 8 Sustainability at Marimekko of our design since the very beginning. 10 Report of the Board of Directors Marimekko is not about fast fashion. We aim to offer our customers long-lived products 18 Proposal for the distribution of profit that they will not want to throw away. In 20 Key figures of the Group and formulas for the key figures best cases, our products are passed on from 22 Share and shareholders one generation to the next. When Marimekko was founded, its 26 Financial statements for the financial year unparalleled printed fabrics gave it a strong 1 January to 31 December 2019 and unique identity. Even today, we have 26 Consolidated financial statements, IFRS our own printing factory in Helsinki that 26 Consolidated income statement produces around a million metres of fabric every year. The printing mill serves both 27 Consolidated balance sheet as a factory and as a creative hub for our 28 Consolidated cash flow statement design and product development team.
    [Show full text]
  • The Cambridge History of Western Textiles
    THE CAMBRIDGE HISTORY OF WESTERN TEXTILES 1 Edited by david jenkins published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typefaces Trump Medieval 9.5/13.5 pt, Trajan and Bell Gothic System LATEX 2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge history of western textiles / editor, David Jenkins. p. cm. Includes bibliographical references and index. isbn 0 521 34107 8 1. Textile fabrics – History. 2. Weaving – History. i. Jenkins, David. nk8906 .c36 2002 338.47677009 –dc21 2001052958 isbn 0 521 34107 8 hardback Contents List of colour plates page ix List of illustrations xiii List of figures xxix List of tables xxxi Notes on contributors xxxv Acknowledgements xli Introduction 1 part i textile industries of the ancient world to ad 1000 Introduction john peter wild 9 penelope walton rogers 1 Industries of the Near East and Europe in prehistory 30 Ancient Egypt, 5000–332 bc joan allgrove- 30 m C dowell Anatolia and the Levant in the Neolithic and Chalcolithic periods, c.
    [Show full text]
  • Bendigo Art Gallery Curator Requested Additional Garments to Bring the Exhibition Content up to 2018
    Curatorial consideration Exhibition theme Established during the golden age of post-war modernism, Marimekko is the Finnish textile and fashion company that achieved international fame in the 1960s and 70s with its bold screen prints and pop-art style graphics. Coinciding with the emerging liberation of women, the founding of Marimekko, or ‘Mary dress’ as the name literally translates, represented a pure concept; free from rules and constraints. The exhibition traces Marimekko’s meteoric rise from the 1950s to the present, and explores the dualities that define its aesthetic. Its iconic fabric patterns and unconventional ready-to-wear outfits brought colour and informality to an otherwise self-conscious fashion world. With more than 60 outfits, swathes of original fabrics, homewares, sketches and other archival materials, the exhibition focuses on the work of the talented individuals who defined this local textile practice and created its internationally recognisable designs. Who/what is Marimekko? • A Finnish design company based in Helsinki • Textiles, furnishings, homewares – a lifestyle approach • Established during the golden age of post-war modernism in 1951 • Artists and designers invited to create textile designs – a collaborative approach Marimekko’s mission • Armi Ratia envisaged a bold future for textile design • Coincided with the liberation of women in 60s, radical loose fitting designs • Original mission is still relevant – to bring joy to everyday moments Marimekko’s first fashion show was held in restaurant Kalastajatorppa, Helsinki, Finland in May 20th, 1951. The fabrics were designed by several designers including Maija isola, Eelis Muona and Eeva-Inkeri Tilhe. Garments were designed by fashion designer Riitta Immonen, who had her own fashion salon / atelée in Helsinki.
    [Show full text]
  • Marimekko Patterns
    Who/what is Marimekko? • A Finnish design company based in Helsinki • Textiles, furnishings, homewares – a lifestyle approach • Established during the golden age of post-war modernism in 1951 • Artists and designers invited to create textile designs – a collaborative approach Marimekko’s mission • Armi Ratia envisaged a bold future for textile design • Coincided with the liberation of women in 60s, radical loose fitting designs • Original mission is still relevant – to bring joy to everyday moments Marimekko’s first fashion show was held in restaurant Kalastajatorppa, Helsinki, Finland in May 20th, 1951. The fabrics were designed by several designers including Maija isola, Eelis Muona and Eeva-Inkeri Tilhe. Garments were designed by fashion designer Riitta Immonen, who had her own fashion salon / atelée in Helsinki. Photograph by Kolmio. Image courtesy Design Museum, Helsinki CHARACTERISTICS OF MARIMEKKO • Contrasts: urban and rural, restrained and bold, colourful and black and white, traditional and modern. • Founded in the early 1950s, the period known as the golden age of post-war modernism in Finland. • (note: Golden Age of Couture – Paris and London were 1947- 1957) • Emerging liberation of women from the traditional role of housewives. • The change in women’s fashions was particularly evident in Marimekko clothes in the mid-1950s. • Vuokko Nurmesniemi’s designs in 1950s: minimized use of cuttings in clothes was typical of her designs, ensuring the original fabric design was as complete as possible. The clothes represented a pure, new concept; they were free from the rules that constrained dress and dictated how women were supposed to look and what they should represent.
    [Show full text]