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Downloaded from Downloaded on 2020-07-02T20:41:04Z Ollscoil Na Héireann, Corcaigh National University of Ireland, Cork UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Exploring ethnography and digital visualisation: a study of musical practice through the contextualisation of music related projects from the Seán Ó Riada Collection Author(s) Egan, Patrick Publication date 2019 Original citation Egan, P. 2019. Exploring ethnography and digital visualisation: a study of musical practice through the contextualisation of music related projects from the Seán Ó Riada Collection. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2019, Patrick Egan. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/9604 from Downloaded on 2020-07-02T20:41:04Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Exploring ethnography and digital visualisation: a study of musical practice through the contextualisation of music related projects from the Seán Ó Riada Collection. Volume 1 of 1 Thesis presented by: Patrick Egan orcid.org/0000-0002-7400-4923 for the degree of Doctor of Philosophy University College Cork Digital Arts and Humanities Head of School: Prof. Brendan Dooley Supervisors: Dr. Ian Pitt, Dr. Orla Murphy, Prof. Mel Mercier 2019 Table of Contents List of Figures …......................................................................................................................... i List of Tables ............................................................................................................................. iii Declaration ............................................................................................................................... iv Acknowledgements .................................................................................................................. v Terms and abbreviations …………………...................................................................................... vi Abstract .................................................................................................................................... vii 1 Introduction ...................................................................................................................... 1 1.1 Collections ….................................................................................................................... 1 1.1.1 Special collections .................................................................................................... 1 1.2 Motivations for this study ............................................................................................... 3 1.3 Research questions ......................................................................................................... 7 1.4 Design and scope of the thesis ....................................................................................... 9 1.4.1 Purpose of this thesis ................................................................................................ 10 1.4.2 Theoretical framework ............................................................................................. 11 1.4.2.1 Qualitative approach ......................................................................................... 11 1.4.2.2 Quantitative approach ....................................................................................... 15 1.5 Aims and objectives ........................................................................................................ 16 1.6 Project timeline summary ............................................................................................... 17 1.6.1 Modifying the methodology ..................................................................................... 17 1.6.1.1 Data collection ................................................................................................... 19 1.6.1.2 Visualising data .................................................................................................. 20 1.6.1.3 Reframing research ............................................................................................ 22 1.7 Theoretical changes ........................................................................................................ 23 1.7.1 Practice theory ………................................................................................................. 24 1.8 Chapter outline ............................................................................................................... 26 I 2 Literature review ............................................................................................................... 30 2.1 Introduction .................................................................................................................... 30 2.1.1 Literature review rationale and scope ..................................................................... 31 2.1.1.1 Literature review search process....................................................................... 33 2.2 Policy and music ............................................................................................................. 35 2.2.1 The Arts Council ........................................................................................................ 35 2.2.2 Comhaltas Ceoltóirí Éireann .................................................................................... 39 2.2.3 Gael Linn .................................................................................................................. 42 2.2.4 Radio Éireann and Radio Teilifís Éireann .................................................................. 50 2.3 Music Performance in 1952 ........................................................................................... 56 2.3.1 Broadcasting ………….................................................................................................. 58 2.3.2 Festivals .................................................................................................................... 60 2.3.3 Music and composition ............................................................................................ 61 2.3.4 Teaching music ......................................................................................................... 63 2.3.5 Musical change and 1952 onwards .......................................................................... 64 2.4 Perspectives on Seán Ó Riada’s Career …………………………………………………………………………6 5 2.5 Background of the Seán Ó Riada Collection .................................................................... 71 2.5.1 Metadata and the archiving process......................................................................... 72 2.6 Historical and political contexts ...................................................................................... 72 2.7 Discussion ........................................................................................................................ 73 3 Groundwork ……………………................................................................................................ 75 3.1 Introduction …................................................................................................................. 75 3.2 Disciplinary focus and context ........................................................................................ 78 3.3 Digital humanities in ethnomusicology .......................................................................... 79 3.4 Criticism .......................................................................................................................... 84 3.5 Methodological approach to the digital ......................................................................... 86 3.6 Background to the Seán Ó Riada Collection ................................................................... 88 3.7 Data exploration strategy ............................................................................................... 89 II 3.8 Methods and materials .................................................................................................. 91 3.9 Exploring the collection – phase 1 …............................................................................... 92 3.9.1 Listing contents ........................................................................................................ 93 3.9.2 The Letters Dataset .................................................................................................. 97 3.9.2.1 Senders ............................................................................................................ 98 3.9.2.2 Sender addresses ............................................................................................. 98 3.9.2.3 Letter dates ...................................................................................................... 101 3.9.2.4 Linked Open Data ............................................................................................ 103 3.9.2.5 Testing the Letters Dataset .............................................................................. 104 3.9.8 The Ó Riada Scores Dataset ..................................................................................... 107 3.9.9 The Projects Dataset ................................................................................................ 109 3.9.10 Engaging with SQL and API ............................................................................... 112 3.10 The iterative
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