Fractal Explorer Guide
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Rendering Hypercomplex Fractals Anthony Atella [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2018 Rendering Hypercomplex Fractals Anthony Atella [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Computer Sciences Commons, and the Other Mathematics Commons Recommended Citation Atella, Anthony, "Rendering Hypercomplex Fractals" (2018). Honors Projects Overview. 136. https://digitalcommons.ric.edu/honors_projects/136 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Rendering Hypercomplex Fractals by Anthony Atella An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Mathematics and Computer Science The School of Arts and Sciences Rhode Island College 2018 Abstract Fractal mathematics and geometry are useful for applications in science, engineering, and art, but acquiring the tools to explore and graph fractals can be frustrating. Tools available online have limited fractals, rendering methods, and shaders. They often fail to abstract these concepts in a reusable way. This means that multiple programs and interfaces must be learned and used to fully explore the topic. Chaos is an abstract fractal geometry rendering program created to solve this problem. This application builds off previous work done by myself and others [1] to create an extensible, abstract solution to rendering fractals. This paper covers what fractals are, how they are rendered and colored, implementation, issues that were encountered, and finally planned future improvements. -
Learning from Benoit Mandelbrot
2/28/18, 7(59 AM Page 1 of 1 February 27, 2018 Learning from Benoit Mandelbrot If you've been reading some of my recent posts, you will have noted my, and the Investment Masters belief, that many of the investment theories taught in most business schools are flawed. And they can be dangerous too, the recent Financial Crisis is evidence of as much. One man who, prior to the Financial Crisis, issued a challenge to regulators including the Federal Reserve Chairman Alan Greenspan, to recognise these flaws and develop more realistic risk models was Benoit Mandelbrot. Over the years I've read a lot of investment books, and the name Benoit Mandelbrot comes up from time to time. I recently finished his book 'The (Mis)Behaviour of Markets - A Fractal View of Risk, Ruin and Reward'. So who was Benoit Mandelbrot, why is he famous, and what can we learn from him? Benoit Mandelbrot was a Polish-born mathematician and polymath, a Sterling Professor of Mathematical Sciences at Yale University and IBM Fellow Emeritus (Physics) who developed a new branch of mathematics known as 'Fractal' geometry. This geometry recognises the hidden order in the seemingly disordered, the plan in the unplanned, the regular pattern in the irregularity and roughness of nature. It has been successfully applied to the natural sciences helping model weather, study river flows, analyse brainwaves and seismic tremors. A 'fractal' is defined as a rough or fragmented shape that can be split into parts, each of which is at least a close approximation of its original-self. -
Generating Fractals Using Complex Functions
Generating Fractals Using Complex Functions Avery Wengler and Eric Wasser What is a Fractal? ● Fractals are infinitely complex patterns that are self-similar across different scales. ● Created by repeating simple processes over and over in a feedback loop. ● Often represented on the complex plane as 2-dimensional images Where do we find fractals? Fractals in Nature Lungs Neurons from the Oak Tree human cortex Regardless of scale, these patterns are all formed by repeating a simple branching process. Geometric Fractals “A rough or fragmented geometric shape that can be split into parts, each of which is (at least approximately) a reduced-size copy of the whole.” Mandelbrot (1983) The Sierpinski Triangle Algebraic Fractals ● Fractals created by repeatedly calculating a simple equation over and over. ● Were discovered later because computers were needed to explore them ● Examples: ○ Mandelbrot Set ○ Julia Set ○ Burning Ship Fractal Mandelbrot Set ● Benoit Mandelbrot discovered this set in 1980, shortly after the invention of the personal computer 2 ● zn+1=zn + c ● That is, a complex number c is part of the Mandelbrot set if, when starting with z0 = 0 and applying the iteration repeatedly, the absolute value of zn remains bounded however large n gets. Animation based on a static number of iterations per pixel. The Mandelbrot set is the complex numbers c for which the sequence ( c, c² + c, (c²+c)² + c, ((c²+c)²+c)² + c, (((c²+c)²+c)²+c)² + c, ...) does not approach infinity. Julia Set ● Closely related to the Mandelbrot fractal ● Complementary to the Fatou Set Featherino Fractal Newton’s method for the roots of a real valued function Burning Ship Fractal z2 Mandelbrot Render Generic Mandelbrot set. -
Role of Nonlinear Dynamics and Chaos in Applied Sciences
v.;.;.:.:.:.;.;.^ ROLE OF NONLINEAR DYNAMICS AND CHAOS IN APPLIED SCIENCES by Quissan V. Lawande and Nirupam Maiti Theoretical Physics Oivisipn 2000 Please be aware that all of the Missing Pages in this document were originally blank pages BARC/2OOO/E/OO3 GOVERNMENT OF INDIA ATOMIC ENERGY COMMISSION ROLE OF NONLINEAR DYNAMICS AND CHAOS IN APPLIED SCIENCES by Quissan V. Lawande and Nirupam Maiti Theoretical Physics Division BHABHA ATOMIC RESEARCH CENTRE MUMBAI, INDIA 2000 BARC/2000/E/003 BIBLIOGRAPHIC DESCRIPTION SHEET FOR TECHNICAL REPORT (as per IS : 9400 - 1980) 01 Security classification: Unclassified • 02 Distribution: External 03 Report status: New 04 Series: BARC External • 05 Report type: Technical Report 06 Report No. : BARC/2000/E/003 07 Part No. or Volume No. : 08 Contract No.: 10 Title and subtitle: Role of nonlinear dynamics and chaos in applied sciences 11 Collation: 111 p., figs., ills. 13 Project No. : 20 Personal authors): Quissan V. Lawande; Nirupam Maiti 21 Affiliation ofauthor(s): Theoretical Physics Division, Bhabha Atomic Research Centre, Mumbai 22 Corporate authoifs): Bhabha Atomic Research Centre, Mumbai - 400 085 23 Originating unit : Theoretical Physics Division, BARC, Mumbai 24 Sponsors) Name: Department of Atomic Energy Type: Government Contd...(ii) -l- 30 Date of submission: January 2000 31 Publication/Issue date: February 2000 40 Publisher/Distributor: Head, Library and Information Services Division, Bhabha Atomic Research Centre, Mumbai 42 Form of distribution: Hard copy 50 Language of text: English 51 Language of summary: English 52 No. of references: 40 refs. 53 Gives data on: Abstract: Nonlinear dynamics manifests itself in a number of phenomena in both laboratory and day to day dealings. -
Sphere Tracing, Distance Fields, and Fractals Alexander Simes
Sphere Tracing, Distance Fields, and Fractals Alexander Simes Advisor: Angus Forbes Secondary: Andrew Johnson Fall 2014 - 654108177 Figure 1: Sphere Traced images of Menger Cubes and Mandelboxes shaded by ambient occlusion approximation on the left and Blinn-Phong with shadows on the right Abstract Methods to realistically display complex surfaces which are not practical to visualize using traditional techniques are presented. Additionally an application is presented which is capable of utilizing some of these techniques in real time. Properties of these surfaces and their implications to a real time application are discussed. Table of Contents 1 Introduction 3 2 Minimal CPU Sphere Tracing Model 4 2.1 Camera Model 4 2.2 Marching with Distance Fields Introduction 5 2.3 Ambient Occlusion Approximation 6 3 Distance Fields 9 3.1 Signed Sphere 9 3.2 Unsigned Box 9 3.3 Distance Field Operations 10 4 Blinn-Phong Shadow Sphere Tracing Model 11 4.1 Scene Composition 11 4.2 Maximum Marching Iteration Limitation 12 4.3 Surface Normals 12 4.4 Blinn-Phong Shading 13 4.5 Hard Shadows 14 4.6 Translation to GPU 14 5 Menger Cube 15 5.1 Introduction 15 5.2 Iterative Definition 16 6 Mandelbox 18 6.1 Introduction 18 6.2 boxFold() 19 6.3 sphereFold() 19 6.4 Scale and Translate 20 6.5 Distance Function 20 6.6 Computational Efficiency 20 7 Conclusion 2 1 Introduction Sphere Tracing is a rendering technique for visualizing surfaces using geometric distance. Typically surfaces applicable to Sphere Tracing have no explicit geometry and are implicitly defined by a distance field. -
Mild Vs. Wild Randomness: Focusing on Those Risks That Matter
with empirical sense1. Granted, it has been Mild vs. Wild Randomness: tinkered with using such methods as Focusing on those Risks that complementary “jumps”, stress testing, regime Matter switching or the elaborate methods known as GARCH, but while they represent a good effort, Benoit Mandelbrot & Nassim Nicholas Taleb they fail to remediate the bell curve’s irremediable flaws. Forthcoming in, The Known, the Unknown and the The problem is that measures of uncertainty Unknowable in Financial Institutions Frank using the bell curve simply disregard the possibility Diebold, Neil Doherty, and Richard Herring, of sharp jumps or discontinuities. Therefore they editors, Princeton: Princeton University Press. have no meaning or consequence. Using them is like focusing on the grass and missing out on the (gigantic) trees. Conventional studies of uncertainty, whether in statistics, economics, finance or social science, In fact, while the occasional and unpredictable have largely stayed close to the so-called “bell large deviations are rare, they cannot be dismissed curve”, a symmetrical graph that represents a as “outliers” because, cumulatively, their impact in probability distribution. Used to great effect to the long term is so dramatic. describe errors in astronomical measurement by The good news, especially for practitioners, is the 19th-century mathematician Carl Friedrich that the fractal model is both intuitively and Gauss, the bell curve, or Gaussian model, has computationally simpler than the Gaussian. It too since pervaded our business and scientific culture, has been around since the sixties, which makes us and terms like sigma, variance, standard deviation, wonder why it was not implemented before. correlation, R-square and Sharpe ratio are all The traditional Gaussian way of looking at the directly linked to it. -
Computer-Generated Music Through Fractals and Genetic Theory
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2000 MasterPiece: Computer-generated Music through Fractals and Genetic Theory Amanda Broyles Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Artificial Intelligence and Robotics Commons, Music Commons, and the Programming Languages and Compilers Commons Recommended Citation Broyles, Amanda, "MasterPiece: Computer-generated Music through Fractals and Genetic Theory" (2000). Honors Theses. 91. https://scholarlycommons.obu.edu/honors_theses/91 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. D MasterPiece: Computer-generated ~1usic through Fractals and Genetic Theory Amanda Broyles 15 April 2000 Contents 1 Introduction 3 2 Previous Examples of Computer-generated Music 3 3 Genetic Theory 4 3.1 Genetic Algorithms . 4 3.2 Ylodified Genetic Theory . 5 4 Fractals 6 4.1 Cantor's Dust and Fractal Dimensions 6 4.2 Koch Curve . 7 4.3 The Classic Example and Evrrvday Life 7 5 MasterPiece 8 5.1 Introduction . 8 5.2 In Detail . 9 6 Analysis 14 6.1 Analysis of Purpose . 14 6.2 Analysis of a Piece 14 7 Improvements 15 8 Conclusion 16 1 A Prelude2.txt 17 B Read.cc 21 c MasterPiece.cc 24 D Write.cc 32 E Temp.txt 35 F Ternpout. txt 36 G Tempoutmid. txt 37 H Untitledl 39 2 Abstract A wide variety of computer-generated music exists. -
Bézier Curves Are Attractors of Iterated Function Systems
New York Journal of Mathematics New York J. Math. 13 (2007) 107–115. All B´ezier curves are attractors of iterated function systems Chand T. John Abstract. The fields of computer aided geometric design and fractal geom- etry have evolved independently of each other over the past several decades. However, the existence of so-called smooth fractals, i.e., smooth curves or sur- faces that have a self-similar nature, is now well-known. Here we describe the self-affine nature of quadratic B´ezier curves in detail and discuss how these self-affine properties can be extended to other types of polynomial and ra- tional curves. We also show how these properties can be used to control shape changes in complex fractal shapes by performing simple perturbations to smooth curves. Contents 1. Introduction 107 2. Quadratic B´ezier curves 108 3. Iterated function systems 109 4. An IFS with a QBC attractor 110 5. All QBCs are attractors of IFSs 111 6. Controlling fractals with B´ezier curves 112 7. Conclusion and future work 114 References 114 1. Introduction In the late 1950s, advancements in hardware technology made it possible to effi- ciently manufacture curved 3D shapes out of blocks of wood or steel. It soon became apparent that the bottleneck in mass production of curved 3D shapes was the lack of adequate software for designing these shapes. B´ezier curves were first introduced in the 1960s independently by two engineers in separate French automotive compa- nies: first by Paul de Casteljau at Citro¨en, and then by Pierre B´ezier at R´enault. -
Towards a Theory of Social Fractal Discourse: Some Tentative Ideas
Page 1 of 16 ANZAM 2012 Towards a Theory of Social Fractal Discourse: Some Tentative Ideas Dr James Latham Faculty of Business and Enterprise, Swinburne University of Technology, Victoria, Australia Email: [email protected] Amanda Muhleisen PhD Candidate, Faculty of Business and Enterprise, Swinburne University of Technology, Victoria, Australia Email: [email protected] Prof Robert Jones Faculty of Business and Enterprise, Swinburne University of Technology, Victoria, Australia Email: [email protected] ANZAM 2012 Page 2 of 16 ABSTRACT The development of chaos theory and fractal geometry has made significant contribution to our understanding of the natural world. As students of organization, chaos theory provides an opportunity to broaden our thinking beyond the linear and predictable with its presumed stability, in order to embrace chaos rather than stability as the ‘default’ state for organization. This demands we think in new ways about organizational theory and practice. It also creates a schism in the fabric of our knowledge - a divide to be bridged. By taking the scientific concept of fractals and applying it to a social theory of discourse, this paper hopes to emerge some tentative ideas around developing a theory of social fractal discourse. Keywords: chaos theory, instability, organizing as process, critical discourse analysis, complexity The aim of this paper is to outline a number of tentative ideas around the development of a theory of social fractal discourse. It will focus on qualities and features of fractal and chaotic systems. Drawing on ideas from chaos and complexity theory, we will argue that discourse can be fractal. While there is some difference in theoretical constructs within the complexity literature, we will use the terms fractal and chaos interchangeably throughout this paper. -
Bachelorarbeit Im Studiengang Audiovisuelle Medien Die
Bachelorarbeit im Studiengang Audiovisuelle Medien Die Nutzbarkeit von Fraktalen in VFX Produktionen vorgelegt von Denise Hauck an der Hochschule der Medien Stuttgart am 29.03.2019 zur Erlangung des akademischen Grades eines Bachelor of Engineering Erst-Prüferin: Prof. Katja Schmid Zweit-Prüfer: Prof. Jan Adamczyk Eidesstattliche Erklärung Name: Vorname: Hauck Denise Matrikel-Nr.: 30394 Studiengang: Audiovisuelle Medien Hiermit versichere ich, Denise Hauck, ehrenwörtlich, dass ich die vorliegende Bachelorarbeit mit dem Titel: „Die Nutzbarkeit von Fraktalen in VFX Produktionen“ selbstständig und ohne fremde Hilfe verfasst und keine anderen als die angegebenen Hilfsmittel benutzt habe. Die Stellen der Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen wurden, sind in jedem Fall unter Angabe der Quelle kenntlich gemacht. Die Arbeit ist noch nicht veröffentlicht oder in anderer Form als Prüfungsleistung vorgelegt worden. Ich habe die Bedeutung der ehrenwörtlichen Versicherung und die prüfungsrechtlichen Folgen (§26 Abs. 2 Bachelor-SPO (6 Semester), § 24 Abs. 2 Bachelor-SPO (7 Semester), § 23 Abs. 2 Master-SPO (3 Semester) bzw. § 19 Abs. 2 Master-SPO (4 Semester und berufsbegleitend) der HdM) einer unrichtigen oder unvollständigen ehrenwörtlichen Versicherung zur Kenntnis genommen. Stuttgart, den 29.03.2019 2 Kurzfassung Das Ziel dieser Bachelorarbeit ist es, ein Verständnis für die Generierung und Verwendung von Fraktalen in VFX Produktionen, zu vermitteln. Dabei bildet der Einblick in die Arten und Entstehung der Fraktale -
Analysis of the Fractal Structures for the Information Encrypting Process
INTERNATIONAL JOURNAL OF COMPUTERS Issue 4, Volume 6, 2012 Analysis of the Fractal Structures for the Information Encrypting Process Ivo Motýl, Roman Jašek, Pavel Vařacha The aim of this study was describe to using fractal geometry Abstract— This article is focused on the analysis of the fractal structures for securing information inside of the information structures for purpose of encrypting information. For this purpose system. were used principles of fractal orbits on the fractal structures. The algorithm here uses a wide range of the fractal sets and the speed of its generation. The system is based on polynomial fractal sets, II. PROBLEM SOLUTION specifically on the Mandelbrot set. In the research were used also Bird of Prey fractal, Julia sets, 4Th Degree Multibrot, Burning Ship Using of fractal geometry for the encryption is an alternative to and Water plane fractals. commonly solutions based on classical mathematical principles. For proper function of the process is necessary to Keywords—Fractal, fractal geometry, information system, ensure the following points: security, information security, authentication, protection, fractal set Generate fractal structure with appropriate parameters I. INTRODUCTION for a given application nformation systems are undoubtedly indispensable entity in Analyze the fractal structure and determine the ability Imodern society. [7] to handle a specific amount of information There are many definitions and methods for their separation use of fractal orbits to alphabet mapping and classification. These systems are located in almost all areas of human activity, such as education, health, industry, A. Principle of the Fractal Analysis in the Encryption defense and many others. Close links with the life of our Process information systems brings greater efficiency of human endeavor, which allows cooperation of man and machine. -
Fractal Art Using Variations on Escape Time Algorithms in the Complex Plane
Fractal art using variations on escape time algorithms in the complex plane P. D. SISSON Louisiana State University in Shreveport, USA One University Place Shreveport LA 71115 USA Email: [email protected] The creation of fractal art is easily accomplished through the use of widely- available software, and little mathematical knowledge is required for its use. But such an approach is inherently limiting and obscures many possible avenues of investigation. This paper explores the use of orbit traps together with a simple escape time algorithm for creating fractal art based on nontrivial complex-valued functions. The purpose is to promote a more direct hands-on approach to exploring fractal artistic expressions. The article includes a gallery of images illustrating the visual effects of function, colour palette, and orbit trap choices, and concludes with suggestions for further experimentation. Keywords: Escape time algorithm; fractal; fractal art; dynamical system; orbit trap AMS Subject Classification: 28A80; 37F10; 37F45 1 Introduction The variety of work currently being created and classified as fractal art is pleasantly immense, and the mathematical knowledge required by artists to participate in the creative process is now essentially nil. Many software packages have been written that allow artists to explore fractal creations on purely aesthetic terms, and the beauty of much of the resulting work is undeniable (see http://en.wikipedia.org/wiki/Fractal for an up-to-date collection of fractal software, and http://www.fractalartcontests.com/2006/ for a nice collection of recent fractal art). But a reliance on existing software and a reluctance to delve into the mathematics of fractal art is inherently limiting and holds the threat of stagnation.