Issue 264 of Ofcom's Broadcast Bulletin
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DJ Tiiny, Capital XTRA, Various Dates, 1900
v Issue 424 12 April 2021 DJ Tiiny Type of case Broadcast Standards Outcome Resolved Service Capital XTRA Date & time Various dates, 19:00 Category Commercial communications on radio Summary The presenter played music tracks in return for payment. The Broadcasting Code prohibits any payment that may influence the selection or rotation of music for broadcast. In view of the action taken by the Licensee when it became aware of the presenter’s actions, we considered the matter resolved. Introduction Capital XTRA is a local radio station providing an urban contemporary black music service for African and Afro-Caribbean communities in North London. It is simulcast nationally on DAB, satellite and cable services. Capital XTRA’s licence is held by Capital Xtra Limited, which is owned by Global Media & Entertainment Limited (“Global”). DJ Tiiny was a show broadcast weekly on Friday evenings. A complainant alleged that the presenter played some artists’ music tracks in return for payment. Global contacted Ofcom and confirmed the allegation, saying that it had been alerted to the matter on 27 January 2021 and that the presenter’s contract of employment had been terminated the following day. Ofcom considered the matter raised potential issues under the following Code rule: Rule 10.5: “No commercial arrangement that involves payment, or the provision of some other valuable consideration, to the broadcaster may influence the selection or rotation of music for broadcast”. Issue 424 of Ofcom’s Broadcast and On Demand Bulletin 12 April 2021 1 We therefore requested comments from Global on how programmes in which the presenter had played music tracks in return for payment complied with this rule. -
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America FILM & TV STARSTRUCK – SEASON 2 Hair and Make-up Designer Avalon Television / HBO / BBC1 Director: Jamie Jay Johnson SEXY BEASTS Hair and Make-up Designer Lion TV / Netflix Directors: Sam Campbell, Roman Green THE ROYAL WEDDING LIVE WITH CORD & Personal Hair, Make-Up & SFX to Kristen Wiig TISH Director: Andrew Steele HBO & Sky Atlantic WHO DO YOU THINK YOU ARE (USA) Personal Hair & Make-up to Josh Duhamel TLC / Shed Media US Director: Graham Sherrington MY FAVOURITE SKETCH Personal Hair & Make-up to Sally Phillips ITV/ Potato Director: Richard Pengelley A LEAGUE OF THEIR OWN XMAS SPECIAL Personal Hair, Make-up & SFXto Jack Whitehall SKY ONE/ CPL Productions Director: David Taylor JAMES ACASTER: REPERTOIRE Personal Hair & Make-up to James Acaster Netflix/ Turtle Canyon Media Director: Stuart Laws PROFESSOR GREEN: DANGEROUS DOGS Personal Hair & Make-up to Professor Green BBC Three/ Antidote Director: Matt Pelly JOLT Crowd Supervisor, Hair & Make-up Metropolitan Studios Director: Tanya Wexler THE FAST SHOW CELEBRATION Hair & Make-Up Designer Gold/ Crook Productions Director: Paul King/ Angus McIntyre GRINGOLANDIA Hair & Make-Up Designer (series 2-3) Netflix/Lone Star Productions Director: Cristobal Ross CLASS DISMISSED Hair & Make-Up Designer (Series 2-4) BBC ONE Director: Dermot Canterbury STATH LETS FLATS Hair & Make-Up Designer (Pilot) Channel 4 Director Dan Clarke JONNY PELHAM’S COMEDY SHORT Hair & Make-Up Designer Sky One Director: -
First Ever Women Mart Opened in BAMYAN
Eye on the News [email protected] Truthful, Factual and Unbiased Vol:IX Issue No:248 Price: Afs.15 MONDAY. APRIL 13 . 2015 -Hamal 24, 1394 HS www.afghanistantimes.af www.facebook.com/ afghanistantimeswww.twitter.com/ afghanistantimes Civilian casualties Taliban engaged hit record high as NUG leaders urged in psychological no end in sight to warfare: Seddiqi ground battles to bury hatchet, AT News Report AT News Report KABUL: Commenting on the re- overcome lease of Mullah Omar s biography by the Taliban insurgents in such a Abdul Zuhoor Qayomi further said that Jurm, Wardoj and is growing so rapidly and what KABUL: The United Nations Yangam districts of Badakhshan plans they got to tackle it. Nadir Assistance Mission in Afghanistan time when the war is coming to a close and Daesh is appearing in the KABUL: The Meshrano Jirga or are going to fall to the Taliban, if Baloch said the president and CEO (UNAMA) recorded eight percent economic crisis the government does not support should keep aside their differenc- country, the Ministry of Interior Senate on Sunday expressed seri- increase in civilian casualties in the ous concern over insecurity and police. Gul Ahmad Azami, a sena- es and pay attention to the prob- first three months of the current (MoI) said that it s a part of their psychological warfare and a media asked the government to take con- tor from Farah, said that insecuri- lems that have affected lives of ci- year as compared to the same pe- crete steps to improve the law and ty is a sensitive issue and number vilians. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Addition of Heart Extra to the Multiplex Is Therefore Likely to Increase Significantly the Appeal of Services on Digital One to This Demographic
Radio Multiplex Licence Variation Request Form This form should be used for any request to vary a local or national radio multiplex licence, e.g: • replacing one programme or data service with another • adding a programme or data service • removing a programme or data service • changing the Format description of a programme service • changing a programme service from stereo to mono • changing a programme service's bit-rate Please complete all relevant parts of this form. You should submit one form per multiplex licence, but you should complete as many versions of Part 3 of this form as required (one per change). Before completing this form, applicants are strongly advised to read our published guidance on radio multiplex licence variations, which can be found at: http://licensing.ofcom.org.uk/radio-broadcast- licensing/digital-radio/radio-mux-changes/ Part 1 – Details of multiplex licence Radio multiplex licence: DM01 National Commercial Licensee: Digital One Contact name: Glyn Jones Date of request: 15 January 2016 1 Part 2 – Summary of multiplex line-up before and after proposed change(s) Existing line-up of programme services Proposed line-up of programme services Service name and Bit-rate Stereo/ Service name and Bit-rate Stereo/ short-form description (kbps)/ Mono short-form (kbps)/ Mono Coding (H description Coding (H or F) or F) Absolute Radio 80F M Absolute Radio 80F M Absolute 80s 80F M Absolute 80s 80F M BFBS 80F M BFBS 80F M Capital XTRA 112F JS Capital XTRA 112F JS Classic FM 128F JS Classic FM 128F JS KISS 80F M KISS 80F -
The Future of Public Service Broadcasting DMG Media Response to the Digital, Culture, Media and Sport Select Committee's Call
Written evidence submitted by DMG Media The Future of Public Service Broadcasting DMG Media response to the Digital, Culture, Media and Sport Select Committee’s call for evidence 1. This response is made on behalf of DMG Media, the publishers of the Daily Mail, Mail on Sunday, MailOnline, Metro, Metro.co.uk, the ‘i’ and inews. It is being submitted because BBC online news competes for audience with our digital titles and we are concerned that funding changes could give the BBC an unfair advantage. 2. DMG Media is not a broadcaster, and public service broadcasters have by longstanding convention not published newspapers. Therefore, whilst over the decades our news titles and the BBC may have had political and cultural differences, they have not been commercial rivals. 3. However the coming of the digital age has changed that. The philosophical foundation of the BBC was that in return for public funding and access to scarce broadcast spectrum, it would develop then-new technology (radio and television) and use it to provide, in addition to education and entertainment, an impartial news service. The written word was not part of its remit. 4. The unlimited possibilities of the internet have destroyed the rationale of that arrangement. Satellite, cable, and now streaming have brought new competitors into the entertainment market, global players with vastly greater resources than the BBC. 5. The BBC is dependent for funding on the licence fee, over which successive governments have resolutely retained control, doubtless believing that a national broadcaster which has to regularly come to the government of the day with a begging bowl is more likely to be compliant. -
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RDE 2018 Vienna Prel Programme 18No Yellow
Radiodays Europe 2018 “The World Is Listening” Vienna 18-20 March 2018 Conference Programme Sunday Masterclasses at the end of this programme. V18 20180307 Monday 19 March 9.00-10.00 Track 1 Hall E Radiodays Europe 2018 – official opening: The World is Listening Welcome to Radiodays Europe 2018 in Vienna! What are the big themes for radio this year? How is our industry changing? What are the new challenges and the latest innovations in radio and audio in 2018? Don´t miss this fast paced first session, with a number of shorter keynotes, interviews and surprises! Radio industry keynote: The revolution will be broadcast: reinventing radio Bob Shennan (Director, Radio and Music, BBC, UK) From a complete re-imagining of its national networks 50 years ago to the introduction of a new family of digital networks, and a growing catalogue of award-winning podcasts, the wheels of revolution at BBC Radio rarely cease turning. Bob Shennan looks forward to reaffirming the BBC’s relationship with its audience and to introducing the joys of radio to a new generation of listeners by leading the way with new digital technologies. Welcome addresses: Anders Held (Co-Founder and Manager, Radiodays Europe, Sweden) Corinna Drumm (Director General, Austrian Association of Commercial Broadcasters VÖP, Austria) Monika Eigensperger (Head of Radio, ORF, Austria) European industry addresses: Graham Dixon (Head of Radio, EBU, Switzerland) Stefan Möller (President, AER, Finland) Thematic keynotes: Getting it together Siobhan Kenny (CEO, Radiocentre, UK) Radio companies often obsess about how they can gain an advantage over their broadcasting competitors. Siobhan Kenny considers when it makes sense for radio businesses to collaborate and reveals how working together can help deliver strong business benefits for the whole industry. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
MOBO Performers PR
**Embargoed until 00.01 Wednesday September 24, 2008** MOBO AWARDS LINE UP SUPERSTARS ESTELLE AND JOHN LEGEND CONFIRM MOBO PERFORMANCES SUGABABES TEAM UP WITH TAIO CRUZ FOR UNIQUE COLLABORATION Stars from the US and UK will line-up up to play the prestigious MOBO Awards at Wembley Arena on Wednesday October 15 th . British superstar Estelle is determined to steal the show and looks set to shine on the night after receiving 5 nominations for this year’s Awards. The Londoner has achieved huge acclaim on both sides of the Atlantic with her album Shine this year. She will take her place in a line up that also includes her American mentor, label manager and fellow megastar John Legend , who was introduced to Estelle by mutual friend Kanye West. Legend signed the British singer to his Hometown Records label and launched her into the musical stratosphere. For Legend, it is doubly satisfying for Estelle to be the hot favourite on the night, “I am so excited to be able to perform at MOBO and showcase some songs from my new album,” says Legend, “I am so happy that Estelle is nominated 5 times too! She is a huge talent and it has been great to be part of her story.” Legend’s own eagerly awaited new album, Evolver , is released in October and features Estelle, Kanye West and Andre 3000. Bridging the Atlantic is Londoner Taio Cruz , a player in the US music scene where he has written for Usher, Mya and Britney Spears and had his own career mentored by Dallas Austin. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Annual Report 2018
Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified.