Saussure's Theory of Sign
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A Multi-Level Approach to Word-Formation: Complex Lexemes and Word Semantics
PROCEEDINGS of the XIHth INTERNATIONAL CONGRESS of LINGUISTS, August 29-September 4, 1982, Tokyo Published under the auspices of the CIPL (The Hague) Editors: Shirö HATTORI Kazuko INOUE Associate Editors: Tadao SHIMOMIYA Yoshio NAGASHIMA Actes du XIII0 congres international des linguistes Akten des XIII. Internationalen Linguistenkongresses Atti del XIII. congresso internazionale dei linguisti Dai ΧΙΙΙ-kai kokusai gengogakusha kaigi rombunshü Edited and published by the Proceedings 1 ishing Committee: Hiroya FLJISAKI Yoshihiko IKECAMI Tetsuya KUNIHIRO Yoshio NAGASHIMA Kinsuke HASEGAWA Kazuko INOUE Felix LOBO Tsuyoshi NARA Shiro HATTORI Kunihisa IZUMI Katsumi MATSUMOTO Takao OOE Jiro IKECAMI Hajime KITAMURA Tamotsu MATSUNAMI Tadao SHIMOMIYA Tokyo 1983 DETAILED TABLE OF CONTENTS Title Page ι Organization n Summary Table of Contents in History of the International Congress of Linguists (1928-1982) in Synopsis of the XHIth International Congress of Linguists (Tokyo 1982) iv Preface Shirö Hattori ν List of Previous Proceedings (1930-1978) vm Detailed Table of Contents χ Comite International Permanent des Linguistes xxn Officially Represented Universities, Academies and Scientific Societies .. xxv List of Participants xxvm GREETINGS AND CLOSING ADDRESSES Opening Session Greetings by Shirö Hattori, President of the Congress 3 Greetings by Shigeo Kawamoto, President of the Linguistic Society of Japan 4 Greetings by Robert H. Robins, President of the Comite International Permanent des Linguistes 5 The Address of His Imperial Highness the Crown Prince of Japan .... 6 Congratulatory Message by Heiji Ogawa, Minister of Education, Science and Culture 8 Congratulatory Message by Koji Fushimi, President of the Science Coun cil of Japan 10 Closing Session Closing Address by Shirö Hattori 12 Address at Closing Ceremony by R. -
A Diagrammatic Approach to Peirce's Classifications of Signs
A diagrammatic approach to Peirce’s classifications of signs1 Priscila Farias Graduate Program in Design (SENAC-SP & UFPE) [email protected] João Queiroz Graduate Studies Program on History, Philosophy, and Science Teaching (UFBA/UEFS) Dept. of Computer Engineering and Industrial Automation (DCA/FEEC/UNICAMP) [email protected] © This paper is not for reproduction without permission of the author(s). ABSTRACT Starting from an analysis of two diagrams for 10 classes of signs designed by Peirce in 1903 and 1908 (CP 2.264 and 8.376), this paper sets forth the basis for a diagrammatic understanding of all kinds of classifications based on his triadic model of a sign. Our main argument is that it is possible to observe a common pattern in the arrangement of Peirce’s diagrams of 3-trichotomic classes, and that this pattern should be extended for the design of diagrams for any n-trichotomic classification of signs. Once this is done, it is possible to diagrammatically compare the conflicting claims done by Peircean scholars re- garding the divisions of signs into 28, and specially into 66 classes. We believe that the most important aspect of this research is the proposal of a consolidated tool for the analysis of any kind of sign structure within the context of Peirce’s classifications of signs. Keywords: Peircean semiotics, classifications of signs, diagrammatic reasoning. 1. PEIRCE’S DIAGRAMS FOR 10 CLASSES OF SIGNS In a draft of a letter to Lady Welby composed by the end of December 1908 (dated 24-28 December, L463:132-146, CP 8.342-76, EP2:483-491; we will be referring to this diagram 1. -
The Commutation Test and Chris Bacon's Score for Source Code As
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay. -
DIMENSIONS and LEVELS of LINGUISTIC ANALYSIS When
DIMENSIONS AND LEVELS OF LINGUISTIC ANALYSIS Tukhtaeva Farida Lecturer, Bukhara State University, Foreign languages faculty, Uzbekistan. Abstract: What are dimensions? Dimensions are syntagmatic and paradigmatic relations between units of language. As a result of their potentiality of occurrence in a definite context or sentence lingual units such as, morphemes, phonemes, lexemes go into relations of two distinctive types. They are often called syntagmatic and paradigmatic relations in scientific literature. Key words: dimension, linguistic analysis, literature. When lingual units join with others along a horizontal dimension, they enter into syntagmatic relations. Syntagmatic relations are direct linear relations between units of language of the same level in a segmental order. For example: “My little brother watered beautiful flowers in our garden.” In this following sentence the words and word-groups are syntagmatically related. They are: brother, my little brother, watered, my little brother watered, watered beautiful flowers, beautiful flowers, watered in our garden. Morphemes of the words in this sentence are also connected syntagmatically. E.g.: flower/s, water/ed, beauty/ful. Phonemes and graphemes are connected syntagmatically within morphemes and words. For example: b/r/o/t/h/e/r, g/a/r/d/e/n. The combination of two words or word-groups in a segmental string, one of which is followed by the other, forms a unit which is referred to as a syntactic “syntagma.”There are 4 basic kinds of theoretical syntagmas: predicative syntagma, which expresses a combination of a subject and a predicate. For example: My uncle grows wheat in the field every year. In the following sentence “My uncle grows” is a predicative syntagma. -
A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran Mona Al-Shraideh1, Ahmad El-Sharif2* 1Post-Graduate Student, Department of English Language and Literature, Al-alBayt University, Jordan 2Associate Professor of Linguistics, Department of English Language and Literature, Al-alBayt University, Jordan Corresponding Author: Ahmad El-Sharif, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This study investigates the significance and representation of colours in the Quran from the Received: September 11, 2018 perspective of meaning and connotation according to the semiotic models of sign interpretation; Accepted: December 06, 2018 namely, Saussure’s dyadic approach and Peirce’s triadic model. Such approaches are used Published: January 31, 2019 to analyze colours from the perspective of cultural semiotics. The study presents both the Volume: 8 Issue: 1 semantic and cultural semiotics aspects of colour signs in the Quran to demonstrate the various Advance access: December 2018 semiotic meanings and interpretations of the six basic colours (white, black, red, green, yellow, and blue). The study reveals that Arabic colour system agrees with colour universals, especially in terms of their categorization and connotations, and that semiotic analysis makes Conflicts of interest: None an efficient device for analyzing and interpreting the denotations and connotations of colour Funding: None signs in the Quran. Key words: Semiotics, Signs, Denotation, Connotation, Colours, Quran INTRODUCTION or reading, a colour ‘term’ instead of seeing the chromatic Colours affect the behaviour by which we perceive the features of the colour. -
L E X I C O L O G Y
L E X I C O L O G Y (Reader) Compiled by Otar Mateshvili Literature: a) obligatory 1.Petrova I., Lexicology (A Short Course of Lectures, 2nd revised edition) 1986; 2.Antrushina G.B., Afanasyeva O.V., Morozova N.N. – English Lexicology, M., 1999 3.Lectures on English Lexicology, Kazan, 2010 http://kpfu.ru/docs/F1797492221/Lectures.on.Le_icology1.pdf Additional: 1.Ginzburg R., A Course in Modern English Lexicology, 1966 2.Arnold I., The English Word, 1986 3.Leonhard Lipka, An Outline of English Lexicology, Tubingen, 1992 1 Contents: Lecture 1 The object of Lexicology; connection of Lexicology with other branches of linguistics; language as a system of signs; synchrony and diachrony pg. 4-9 Lecture 2 Plane of expression and plane of content of language. Word as a basic unit of language pg.10-13 Lecture 3 Morphological and semantic structure of word; what is a word? Denotative and connotative meaning of word Pg. 14-19 Lecture 4 Paradigmatic and syntagmatic relations of word; plane of content of language Pg.20-25 Lecture 5 Semantic changes in words; metaphor and metonymy; hyperbole; litotes; Irony; euphemisms; results of semantic change Pg. 26-33 Lecture 6 Word formation (word-building); main structural types of word; roots, Stems and affixes; Pg. 34-39 Lecture 7 Word formation continued; linear types of word formation – affixal derivatives; Immediate Constituents & Ultimate constituents; transformational analysis Pg. 40-45 Lecture 8 Affixal derivation (Continued); the problem of bound roots and stems 2 Pg. 46-49 Lecture 9 Compounding (word composition) Pg. 50-55 Lecture 10 Non-linear types of word-formation; conversion; shortening; sound interchange Pg. -
The Object of Signs in Charles S. Peirce's Semiotic Theory
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1977 The Object of Signs in Charles S. Peirce's Semiotic Theory William W. West University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation West, William W., "The Object of Signs in Charles S. Peirce's Semiotic Theory" (1977). Open Access Master's Theses. Paper 1559. https://digitalcommons.uri.edu/theses/1559 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE OBJECT OF SIGNS IN CHARLESS. PEIRCE'S SEMIOTIC THEORY OF WILLIAMW. WEST THESIS SUBMITTEDIN PARTIAL FULFILLMENTOF THE REQUIREMENTSFOR THE DEGREEOF MASTEROF ARTS IN PHILOSOPHY UNIVERSITYOF RHODEISLAND 1977 TABLE OF CONTENTS Page . I INTRODUCTION. • • • • • • • • • • • • . .. • • • 1 Chapter I THE CATEGORIES• . .. •· .... 4 II SIGNS EXPLAINED 8 • • • • • • • • • • • • • • • • The First Trichotomy: The Sign Itself . ~ • • 15 Qualisign • • • • • • • • • • •• • • • • • 15 Sinsign • • • • • • • • • • • • • • • • 16 Legisign. • • • • • • • • • • • . • • • • 17 The Second Trichotomy: The Sign-Object Relation ••••• . • ....... • • 18 Icon. • • • • • • • • • • • • • • • • • 19 Index • • • • • • • • • • • • • • • • • 24 Symbol • • • • • • • • • • • • • • • • • 28 The Third Trichotomy: Ho~ the Interpretant Represents th~ Object • • • • • • • • • -
22-Barthes-Semiotics.Pdf
gri34307_ch26_332-343.indd Page 332 17/01/11 9:35 AM user-f469 /Volumes/208/MHSF234/gri34307_disk1of1/0073534307/gri34307_pagefiles Objective Interpretive CHAPTER 26 ● Semiotic tradition F r om : E . M . G r i f f i n , A F i r s t L o o k a t C ommu n i c a t i o n T h e ory , 8 t h E d . , Ne w Y o r k , Ne w Y o r k : Mc G r a w H i l l ,2 0 1 2 . Semiotics of Roland Barthes French literary critic and semiologist Roland Barthes (rhymes with “smart”) wrote that for him, semiotics was not a cause, a science, a discipline, a school, a movement, nor presumably even a theory. “It is,” he claimed, “an adventure.” 1 The goal of semiotics is interpreting both verbal and nonverbal signs . The verbal side of the fi eld is called linguistics. Barthes, however, was mainly interested in the nonverbal side—multifaceted visual signs just waiting to be read. Barthes held the chair of literary semiology at the College of France when he was struck and killed by a laundry truck in 1980. In his highly regarded book Mythologies , Barthes sought to decipher the cultural meaning of a wide variety of visual signs—from sweat on the faces of actors in the fi lm Julius Caesar to a magazine photograph of a young African soldier saluting the French fl ag. Unlike most intellectuals, Barthes frequently wrote for the popular press and occasionally appeared on television to comment on the foibles of the French middle class. -
Researching of the Relative Syntagmas in the Languages of Different System at the Contemporary Stage (Azerbaijani and English)
International Journal of Humanities and Social Science Vol. 5, No. 11; November 2015 Researching of the Relative Syntagmas in the Languages of Different System at the Contemporary Stage (Azerbaijani and English) Hashim L. Akbarov PhD candidate Department of Foreign Languages Lankaran State University Jill, Lankaran, Azerbaijan Abstract The article deals with the investigation of syntagma and relative syntagmas in the Azerbaijani and English languages. They are researched as syntactic units of linguistics, classified according to their types and spoken widely of their meanings in the article. This unit consisting of two members of the combined words is used in the functions of determining and determined. It is explained as a semantic-syntactic event, studied and developed its semantic features. It should be noted that signs perform the system of approaches in the form of syntagmatics and paradigmatics. Syntagmatic approaches are based on distributive potentials of signs, their valence, but paradigmatic approaches are based on the selection of definite element of paradigm signs, namely for that reason Saussure considers the morphology as the “sphere of paradigmatics”, but the syntax – the “sphere of syntagmatics”. But a notion of “verticality” and “horizontality” exists even in the row of language signs of classic linguistics. So syntagmatics is explained as a “horizontality”, but paradigmatics as“verticality”. This work is one of the first attempts in this area. Thus, the theoretical and methodological basis of the origin and development of combinatorial linguistics as a fundamental discipline in which we investigate the relative syntagmas (RS), it should be regarded as theoretical works of Azerbaijani and foreign (Western European and American) linguists. -
Phenomenological Principles of Global Innovative Logosphere of Computer Being Construction (Based on Europeаn and Oriental Languages)
Загальне мовознавство UDC 811.111: 81’42 DOI https://doi.org/10.32838/2710-4656/2021.1-1/34 Makhachashvili R. К. Borys Grinchenko Kyiv University Semenist I. V. Borys Grinchenko Kyiv University PHENOMENOLOGICAL PRINCIPLES OF GLOBAL INNOVATIVE LOGOSPHERE OF COMPUTER BEING CONSTRUCTION (BASED ON EUROPEАN AND ORIENTAL LANGUAGES) The paper main focus is the inquiry into the phenomenological premises of comprehensive structuring of the global innovative linguistic sphere of modern digital technologies (Global Innovative Logosphere of Computer Being as construed by the transformative neological strata of modern European and Oriental languages of international communication – English, Spanish, French, Chinese, Japanese, accordingly). The problem of theoretical and methodological substantiation of cross-cutting principles, directions, mechanisms, and results of qualitative dynamics of linguistic macro- and microstructures of vocabulary in the realm of computer being, as a consolidated linguistic object, is investigated in depth. Consideration of this issue requires the involvement of the phenomenological perspective of the study of complex linguistic objects, such as the Global Innovative Logosphere of Computer Being. Mosaic, simulation, and multidimensional approaches to understanding complex dynamic linguistic phenomena and entities, prioritized by this methodological context, allowed us to identify the ontological nature of computer lexical innovations of the European and Oriental languages (namely, the ability to embody and structure elements -
Structuralism *
M.E.X.U. Journal of tlie Faculty of Architecture Volume 3, Number 2, Fall 1977. 215 STRUCTURALISM * Aydın GERMEN Received November 11, 1.977, A Liking for Algebraic Transformations * Introductions to structuralism are to On a circle let us take four equidistant points, to represent be found among the books listed in the either a clock or the four main points of the compass. Start in bibliography. This first part of 'the article is made of two sections. In the the north and slide to west point. Once more from west to beginning several major underlying themes south. Still more from south to east. If we consider only the and strands of structuralism are announced.The latter section is organized start of the operation and the end, the three counterclock in terms of the essential theoretical moves have resulted in one clockwise shift, north to east. The concepts of structuralism. In this organisation there are several departures elimination of the "intermediate" steps in the rotation in from the more "classical" presentations. favour of the "final" situation is akin to the algebra of On account of the difficulties involved transformations admired by structuralism in the condensation of the material from a larger study, the illustrative section in the beginning includes a few Someone who likes to know the history and succession of the comments which are too brief. three moves, plus their concreteness, and prefers these It is impossible to discuss structuralism without reference to linguistics. to an abrupt formalisation of initial state and end result However, our intention is precisely to will have difficulty with structuralist methods. -
Linguistic Philosophy of Cyberspace
Linguistic Philosophy of Cyberspace 1Rusudan Makhachashvili1 Ivan Semenist2 1Borys Grinchenko Kyiv University 2 Borys Grinchenko Kyiv University [email protected], [email protected] Abstract2 21st century has witnessed the qualitative advances in ontological reality structuring and approaches to perception and cognition by the human mind. The study objective is the investigation of the innovative philosophic aspects of cyberspace through the lenses of the language development processes in the sphere of innovative computer technologies and digital communication. The study design is the disclosure of cyberspace as an ontology model and as a linguistic model in the template of a logosphere. The linguistic philosophy approach to the study of cyberspace allows to efficiently investigate the empirical manifestation of cyberspace ontology (space and time dimensions), the generic categories and dimensions of cyber-epistemology, to denote existential anthropocentric character of cyberspace. Philosophical foundations of the study of cyberspace as an integrated macro-and micro-entity are determined by the substantive features of inovative logosphere as a macrostructure and by the phenomenological characteristics and properties of substrate of linguistic units of innovative cyberspace logosphere. Keywords: Cyberspace, Linguistic Philosophy, Innovative Logosphere of Cyberspace, Digital Ontology 1. Introduction At the turn of the XX-XXI centuries, as an essential product of civilization, computer reality has been gradually separated into an independent existential whole, within which digital media serve not only as a means of transmitting information or interaction, but fulfill their own world-building, sense- building and, consequently, logo-generative potential (Gelernter, 1998), (Price, 2001). Cyberspace, henceforth, is an object of study of a wide range of academic branches – philosophy of modern humanities, psychology, sociology, cultural studies, etc.