Markku Klami – a Biography
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Magnus Lindberg 1
21ST CENTURY MUSIC FEBRUARY 2010 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2010 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail. Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal. -
1973-Iceland.Pdf
-----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society. -
Timothy M. Page, Composer
Timothy M. Page, composer Vanha viertotie 21, 311 00350 Helsinki tel: +358 41 536 4867 [email protected] www.timothypage.net b. June 17, 1975, Chicago, IL, USA resident of Finland since 2000 Curriculum Vitae, March 2010 Education Sibelius Academy, Helsinki, Finland M.M. in composition, under professor Veli-Matti Puumala 2010 5/5 (exceptional) on composition diploma Amherst College, Amherst, Mass., USA B.A., Physics, Phi Beta Kappa 1998 Relevant Work Experience, Membership International Society of Contemporary Music (ISCM), Finnish Selection Committee 2010 Finnish Composers’ Society 2007- Sibelius Academy, lecturer in music theory 2006- Ears Open! New Music Society, vice president 2003-2006 University of California at Berkeley, physics instructor, lab researcher 1998-2000 Master Classes Denys Bouliane, Martin Matalon (Domaine Forget, Quebec) 2009 Magnus Lindberg, Jouni Kaipainen (Sännäs) 2003, 2007 Tristan Murail 2006 Bent Sorensen 2006 Awards, Honors International Society of Contemporary Music (ISCM), Sweden 2009 Ung Nordisk Musik, Norway 2008 Ung Nordisk Musik, Denmark 2006 Tokyo International Chamber Music Composition Competition (3rd Prize) 2005 Ung Nordisk Musik, Sweden 2004 Ung Nordisk Musik, Norway 2003 Ung Nordisk Musik, Iceland 2002 US Fulbright Grant 2000 Recent Commissions Anna Laakso – concerto for piano and chamber orchestra (fp. to be announced) Steve Reich Guitar Ensemble – work for ten guitarists, fp. Ja Kitara Soi! festival, Lapeenranta, 2011 Tomas Gricius and Kristina Gricius – duo for organ and trumpet, fp. Lieksa Brass Week, 2010 Le Nouvel Ensemble Moderne – chamber orchestra work, fp. Domaine Forget concert series, St. Irénée, Quebec 2009 Linnea Hurttia – concerto for violin and orchestra (fp. to be announced) Uusi Carelia Trio: trio for harp, accordion, and guitar Helsinki University of Technology – 80 min. -
7 Questions for Harri Wessman Dante Anarca
nHIGHLIGHTS o r d i c 3/2016 n EWSLETTE r F r o M G E H r MA n S M U S i KFÖ r L A G & F E n n i c A G E H r MA n 7 questions for Harri Wessman dante Anarca NEWS Rautavaara in memoriam Colourstrings licensed in China Fennica Gehrman has signed an agreement with the lead- Einojuhani Rautavaara died in Helsinki on 27 July at the age ing Chinese publisher, the People’s Music Publishing of 87. One of the most highly regarded and inter nationally House, on the licensing of the teaching material for the best-known Finnish com posers, he wrote eight symp- Colourstrings violin method in China. The agreement honies, vocal and choral works, chamber and instrumen- covers a long and extensive partnership over publication of tal music as well as numerous concertos, orchestral works the material and also includes plans for teacher training in and operas, the last of which was Rasputin (2001–03). China. The Colourstrings method developed byGéza and Rautavaara’s international breakthrough came with his Csaba Szilvay has spread far and wide in the world and 7th symphony, Angel of Light (1994) , when keen crit- is regarded as a first-class teaching method for stringed ics likened him to Sibelius. His best-beloved orchestral instruments. work is the Cantus arcticus for birds and orchestra, for which he personally recorded the sounds of the birds. Apart from being an acclaimed composer, Rautavaara had a fine intellect, was a mystical storyteller and had a masterly command of words. -
Notes from Our Composers We Asked Our Composers How They Have Been Doing This Exceptional Spring
C I D OR N HIGHLIGHTS 2/2020 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Notes from our composers Repertoire tips & new publications Notes from our composers We asked our composers how they have been doing this exceptional spring. What new works are in the pipeline? What music have they been listening to at home? What books have they read, and what TV-series and films do they recommend? These interviews were partly published on Facebook and Instagram during April and May. KALEVI AHO territories in my creativity where light and con- My daily schedule has become very regular dur- solation are to show the way. Then I’m adding ing Covid. In the morning, I compose 1–2 pages. a couple of things to my symphony, some genu- In the afternoon, I’ve been for walks lasting 1–3 inely romantic sections. The symphony, will be hours near home or further afield; sometimes I performed by the Aarhus Symphony Orchestra might spend longer at the most distant points. in Denmark, and by the same orchestra during We have some wonderful outdoor recreation the next Tommie Haglund Festival in Halm- routes near Käpylä, where I live. The Old Town stad, Sweden in April 2021. Bay is a unique nature paradise. Nor are the fine I am currently listening to music by the 17th Paloheinä forests far away, and the Sipoonkorpi century English composer William Lawes, who National Park is only about 20 minutes’ drive by wrote interesting polyphonic music that is im- car. Cecilia and her rabbit Viljo. mensely stimulating to study and listen to. -
Philharmonia Orchestra Ducted by Valery Gergiev
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, November 9, 2012, 8pm Esa-Pekka Salonen (b. 1958) Zellerbach Hall Helix Composed in 2005. Premiered on August 29, 2005, in London by the World Orchestra for Peace con- Philharmonia Orchestra ducted by Valery Gergiev. Esa-Pekka Salonen, Principal Conductor & Artistic Advisor Conducting is tough, composing probably even harder, but some of the most brilliant musi- PROGRAM cians—Busoni, Mahler, Bernstein, Boulez, Previn—have pursued parallel careers in both fields that enriched all the facets of their creative Esa-Pekka Salonen (b. 1958) Helix (2005) personalities. To this select company must now be added the Finnish composer-conductor Esa- Pekka Salonen. Born in Helsinki on June 30, 1958, Salonen majored in horn at the Sibelius Ludwig van Beethoven (1770–1827) Symphony No. 7 in A major, Op. 92 Conservatory, where he founded a “collective” (1811–1812) called Ears Open for promoting and perform- I. Poco sostenuto — Vivace ing new music with Jouni Kaipainen, Magnus II. Allegretto Lindberg, and Kaija Saariaho, now all major Esa-Pekka Salonen III. Presto — Assai meno presto musical figures in Finland. After graduating IV. Allegro con brio in 1977, Salonen studied composition privately Illustration by Tom Bachtell with Einojuhani Rautavaara and conducting with Jorma Panula, and attended conducting He also continues to guest conduct concerts and INTERMISSION courses in Siena and Darmstadt; he also stud- opera throughout the world and to serve as ar- ied composition with Niccolò Castiglioni and tistic director of the Baltic Sea Festival, which Franco Donatoni in Italy. In 1979, Salonen he co-founded in 2003. -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
News Section
100 Tempo 63 (249) 100–104 © 2009 Cambridge University Press doi:10.1017/S0040298209000291 Printed in the United Kingdom news section Composers diana burrell Concerto for Violin with Singer Notes of premières of new works run from three months and Three Ensembles (première) – 15 June London, before to three months following publication of this issue, Christ Church, Spitalfields (Spitalfields Festival)/ i.e. from 1 April to 30 September 2009. There is therefore Trinity College of Music Contemporary Music a three-month overlap between issues, and omissions and Group. late news for the three ‘following’ months of the current issue will be picked up in the three ‘prior’ months of the jonathan dove There Was a Child (première) – next. News of more distant forthcoming premières is given 2 May Norwich, St Andrew’s Hall / Mary Plazas more briefly; full details will be found in subsequent issues. (sop), Toby Spence (ten), City of Birmingham thomas adès Symphony Orchestra, Norwich Festival Chorus, Lieux Retrouvés (première) – 21 June Hewett School Choir c. David Parry. Piano Quintet Snape Maltings, Aldeburgh Festival / Steven Isserlis (première) – 13 June London, Wilton’s Music Hall (vlc), composer (pno). (Spitalfields Festival) Schubert Ensemble. kalevi aho The Bells, Concerto for saxophone quar- tet and orchestra (première) – 23 April Helsinki / brian elias Doubles (première) – 16 May London, Rascher Quartet, Helsinki PO c. John Storgårds. Barbican / BBC Symphony Orchestra c. Jirˇi Beˇlohlávek. julian anderson Fantasia (UK première) – 19 June Aldeburgh Festival / Pierre-Laurent Aimard (pno), anders eliasson Quo Vadis (première) – 15 May BBC Symphony Orchestra c. George Benjamin. Stockholm / Michael Weinius (ten), Swedish Radio Shir Hashirim (première) – 10 August Tanglewood Choir, Swedish Radio SO c. -
January 2016
DEALER INFORMATION SERVICE: NO. 288 JANUARY 2016 • CUT-OFF DATE FOR RECEIPT OF ORDER: THURSDAY 17TH DECEMBER • SHIP-OUT DATE: TUESDAY 29TH DECEMBER REPRESENTING TODAY’S • NATIONAL ‘ON SALE’ DATE: THURSDAY 31ST DECEMBER GREAT LABELS THIS MONTH'S HIGHLIGHTS Download this month's information here: http://www.selectmusic.co.uk/ USERNAME: dealer / PASSWORD: select Select Music and Video Distribution Limited 3 Wells Place, Redhill, Surrey RH1 3SL Tel: 01737 645600 Fax: 01737 644065 Index Please click on a label below to be directed to its relevant page. Thank you. CDs Accentus Music ...................................................................................................................... page 10 BIS ....................................................................................................................................... page 5 BR Klassik .............................................................................................................................. page 6 Bridge Records ...................................................................................................................... page 10 Cantaloupe Music .................................................................................................................... page 6 Capriccio .............................................................................................................................. page 10 Chandos ............................................................................................................................... -
Reinterpreting the Concerto Three Finnish Clarinet Concertos Written For
Reinterpreting the Concerto Three Finnish clarinet concertos written for Kari Kriikku Sapphire Clare Littler MA by Research University of York Music December 2018 Reinterpreting the Concerto: Three Finnish clarinet concertos written for Kari Kriikku Abstract The origins of the word concerto can be traced to two different sources: the first is the Italian translation, to mean ‘agreement’, and the other stems from the Latin concertare, which means ‘to compete’. Ironically, the duality presented by these two translations encapsulates the true meaning of the concerto: opposition and resolution. This thesis focuses on Finnish works for clarinet and orchestra composed for Kari Kriikku in the last forty years, and seeks to analyse three in depth: Jukka Tiensuu’s Puro (1989); Magnus Lindberg’s Clarinet Concerto (2002); and Kaija Saariaho’s D’OM LE VRAI SENS (2010). The works have been chosen as these composers were all born around a similar time in Finland, and all worked with the same clarinettist, whom they all know personally. Through analysis, Reinterpreting the Concerto seeks to discover how each of these composers tackled the pre- existing model of the concerto, and suggest reasons for compositional decisions. The thesis will end with a discussion of clarinet technique, and how much writing for Kriikku in particular may have influenced the works. This essay will be formed of several sections, with the first examining the traits which could be considered important to each of the pieces: form, and how this results in the linear progression of the work; continuity and discontinuity created through melodic treatment, and how the soloist interacts with the ensemble. -
Focus on Matthew Whitall and Anders Paulsson
NORDIC HIGHLIGHTS 1/2020 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Focus on Matthew Whitall and Anders Paulsson NEWS Tintomara at Läckö Castle Works by Seppo Pohjola Lars Johan Werle’s opera Tintomara (1973) will Seppo Pohjola is a prolific, highly-acclaimed be staged at Läckö Castle this coming summer. It composer with a catalogue that so far includes was originally written for the 200th anniversary five symphonies, concertos and chamber music. of the Royal Swedish Opera and was an enor- His discs have won excellent reviews in such mous success. The libretto byL eif Söderström prestigious publications as Gramophone. Fen- is based on Carl-Jonas Love Almqvist’s novel nica Gehrman is now to publish his four string The Queen’s Diadem that takes place during the quartets , and also his Helsinki Variations – a time of the murder of King Gustav III in 1792. commission from the Helsinki Philharmonic The plot includes political intrigues, romance, Orchestra – to be premiered in September 2020. jealousy and deceit. The opera will be performed PHOTO: MUSIC FINLAND/MAARIT KYTÖHARJU FINLAND/MAARIT MUSIC PHOTO: between 11 July and 1 August. The music is adapted for chamber orchestra by Hans Ek. Choral Conductor of the Month Larsson Gothe news Our series #swedishchoralmusic will continue in Mats Larsson Gothe is this year’s Composer-in- 2020 with the theme ”The Choral Conductor of Residence at the Korsholm Music Festival on 29 the Month chooses”. Every month one conduc- July – 5 August, where a number of his orchestral tor sends a video greeting about a work from the and chamber works can be heard. -
Ensemble String Orchestra
REPERTOIRE TIPS Works for smaller-sized orchestra ENSEMBLE STRING ORCHESTRA KIMMO HAKOLA ANDERS ELIASSON ROLF MARTINSSON Chamber Concerto (2001) Dur: 32’ Sinfonia per archi (2001) Kalliope (2003) Dur 27’ for 11 players: 1110-0100-01-pf-str Dur: 35’ In the nine-movement work Mar- (11111 or str.orch) tinsson lets the Muses of Greek my- The sorrowfully singing Sinfonia In this work each member of the thology come forth, each in a move- per archi consists of a long contin- ensemble is a soloist telling his ment of her own. The movements are uous movement that ranges from own story. The moods vary from the divided into three groups of three so the most delicate tenderness and opening Furioso to Amoroso – a love that the tempi and the Muses’ dif- achingly beautiful melodic lines, to story – to Forza. Con fuoco, which ferent characters are contrasted and dramatic outbursts. A twenty-min- proceeds with resolute energy. The fi- varied as much as possible through- ute-long opening Adagio turns into a nale, Misterioso, is music about grief out the work. The characters fluctu- restless, slightly jerky and onrushing but more a hymn of praise to the con- ate between the harsh and the more Allegro that leads to a Lento, in which the character of the beginning re- tinuity of life and eternity. The concerto was commissioned by Present Music romantic, between tranquillity and rhythmic tension. for a premiere in Milwaukee and recorded by Innova Records. turns. The work ends on a bright, pure, open chord that imparts a feeling of release and hope.