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The Night Alive
THE NIGHT ALIVE BY CONOR MCPHERSON DRAMATISTS PLAY SERVICE INC. THE NIGHT ALIVE Copyright © 2014, Conor McPherson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE NIGHT ALIVE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE NIGHT ALIVE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Curtis Brown, Ltd. -
Digital Playbill
IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC. -
Conor Mcpherson 88 Min., 1.85:1, 35Mm
Mongrel Media Presents THE ECLIPSE A film by Conor McPherson 88 min., 1.85:1, 35mm (88min., Ireland, 2009) www.theeclipsefilm.com Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS THE ECLIPSE tells the story of Michael Farr (Ciarán Hinds), a teacher raising his two kids alone since his wife died two years earlier. Lately he has been seeing and hearing strange things late at night in his house. He isn't sure if he is simply having terrifying nightmares or if his house is haunted. Each year, the seaside town where Michael lives hosts an international literary festival, attracting writers from all over the world. Michael works as a volunteer for the festival and is assigned the attractive Lena Morelle (Iben Hjejle), an author of books about ghosts and the supernatural, to look after. They become friendly and he eagerly tells her of his experiences. For the first time he has met someone who can accept the reality of what has been happening to him. However, Lena’s attention is pulled elsewhere. She has come to the festival at the bidding of world-renowned novelist Nicholas Holden (Aidan Quinn), with whom she had a brief affair the previous year. He has fallen in love with Lena and is going through a turbulent time, eager to leave his wife to be with her. -
Rollins Alumni Record, Reunion 1993 Rollins College Office Ofa M Rketing and Communications
Rollins College Rollins Scholarship Online Rollins Magazine Marketing and Communications Spring 1993 Rollins Alumni Record, Reunion 1993 Rollins College Office ofa M rketing and Communications Follow this and additional works at: http://scholarship.rollins.edu/magazine Recommended Citation Rollins College Office of Marketing and Communications, "Rollins Alumni Record, Reunion 1993" (1993). Rollins Magazine. Paper 324. http://scholarship.rollins.edu/magazine/324 This Magazine is brought to you for free and open access by the Marketing and Communications at Rollins Scholarship Online. It has been accepted for inclusion in Rollins Magazine by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. ■■BWM^B VOLUME 11 NUMBER r^^UT S JTX u N H Copeland has his last serve in 38 years Legendary Tars FRESHMAN STAR JON GOLDFARB WAS In attendance was John Tiedtke, a spry 85. Tiedtke had not only pulling off the most incredible feat in donated money for the courts, but also recommended Rollins hire a 29- mentor retires as the history of Rollins College ten- year-old Ocala recreation director named Norm Copeland. Advantage, Division ll's nis—and that's saying something, Rollins. A former Tars player and member of the undefeated teams of considering Jack Kramer held serve 1948-49, Copeland retires as Division IFs winningest coach. winningest coach there. Goldfarb was leading his unde- He won his first national title in 1966 despite not having any athletic feated opponent. He needed only five grants-in-aid. He could award five academic scholarships, but "I had to points to beat Norm Copeland and stop a legendary victory streak look at SAT scores first, not their tennis records. -
Download Theatre
MICHAEL GOTTLIEB • LIGHTING DESIGN (917) 796-7775 [email protected] mgld.com Member, United Scenic Artists Local 829/NABET BROADWAY Lysistrata Jones Walter Kerr Theatre Dan Knechtges Orphans (Associate LD) Gerald Schoenfeld Theatre Pat Collins, LD A Tale of Two Cities (Associate LD) Al Hirschfeld Theatre Richard Pilbrow, LD OFF-BROADWAY The Sean O’Casey Cycle (3 plays in repertory) Irish Rep Directors: Neil Pepe, Ciaran O’Reilly, Charlotte Moore (selected credits) Bill Irwin: On Beckett Irish Rep Bill Irwin Woody Sez Irish Rep Nick Corley Afterplay Irish Rep Joe Dowling James Joyce’s The Dead, 1904 American Irish Historical Society Ciaran O’Reilly Shining City (with Matthew Broderick) Irish Rep Ciaran O’Reilly Major Barbara Pearl Theatre Co. David Staller Storyville York Theatre Bill Castellino Rated P for Parenthood Westside Theatre Upstairs Jeremy Dobrish Lysistrata Jones Transport Group Dan Knechtges Signs of Life Amas Musical Theatre Jeremy Dobrish The Master Builder (with James Naughton) Irish Rep Ciaran O’Reilly Spain MCC/Lucille Lortel Theatre Jeremy Dobrish Election Day Second Stage Jeremy Dobrish Complete Works of Wm. Shakespeare (Abridged) Century Center (Prod.: Jeffrey Richards) Jeremy Dobrish The Last Session 47th Street Theatre Jim Brochu The Impostor (A. Pendleton/C. Flockhart) Workhouse Theatre John Coles S. S. Glencairn - Four Plays of the Sea Willow Cabin Theatre Company Edward Berkeley REGIONAL/TOURS Bill Irwin: On Beckett Center Theater Group, Los Angeles Bill Irwin Ruggedly Jewish (with Bob Garfield) Philadelphia Theatre Company & Tour Michael Sexton U R Star A.R.T. Oberon, Ars Nova Kenny Finkle My Fair Lady 60th Anniversary (Assoc. LD) Sydney Opera House & Australian Tour Julie Andrews, Chris Gattelli The Great American Mousical (w/R. -
The Cultural Histories of Bettie Page Merchandise Circulation
UC Irvine UC Irvine Previously Published Works Title From AIDS-era Queer Icon to Sanitized Nostalgic Property: The Cultural Histories of Bettie Page Merchandise Circulation Permalink https://escholarship.org/uc/item/6wg6x5sk Journal Film Criticism, 42(2) ISSN 2471-4364 Author Freibert, Finley Publication Date 2018-11-14 DOI 10.3998/fc.13761232.0042.203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California From AIDS-era Queer Icon to Sanitized Nostalgic Property: THe Cultural Histories of Bettie Page MercHandise Circulation 11/26/18, 10)56 AM From AIDS-era Queer Icon to Sanitized Nostalgic Property: The Cultural Histories of Bettie Page Merchandise Circulation Finley Freibert Volume 42, Issue 2: Film and Merchandise , November 2018 DOI: http://dx.doi.org/10.3998/fc.13761232.0042.203 [http://creativecommons.org/licenses/by-nc-nd/4.0/] Abstract The merchandising of Bettie Page since the mid-20th century has evinced her diverse cultural associations at a variety of historical moments. Yet from a contemporary standpoint, the historical narratives prompted in the licensing of her name and image flatten her past into a palatable emblem of 1950s pin-up culture. In this article, I interrogate the ways Page’s image has been mobilized since the 1950s. I propose a cultural biography of Bettie Page attuned to her queer communitarian circulation in order to counter the nostalgic sanitation of her image since the 1990s. In November of 2017, several media industry and gay press news outlets announced that Violet Chachki, drag performer and 2015 RuPaul’s Drag Race season seven champion, would front an advertising campaign for a Bettie Page-inspired lingerie line by London-based brand Playful Promises. -
Download PDF Version of Issue 87
Cambridge Alumni Magazine Issue 87 — Easter 2019 A hitchhiker’s guide to Douglas Adams’s Cambridge Tax policy might not be sexy but it determines the character of society Why sport is good for students – and for their academic results EASTER 2019 | CAM 87 1 2 CAM 87 | EASTER 2019 Editor Mira Katbamna Managing editor Steve McGrath Design and art direction Rob Flanagan University of Cambridge Bruce Mortimer Charis Goodyear Cambridge Alumni Magazine Issue 87 Easter 2019 02 INBOX Publisher The University of Cambridge Development & Alumni Relations Campendium 1 Quayside, Bridge Street 20 Cambridge CB5 8AB Tel +44 (0)1223 332288 07 DON’S DIARY Dr JD Rhodes. Editorial enquiries Tel +44 (0)1223 332288 08 MY ROOM, YOUR ROOM [email protected] Josie Rourke (Murray Edwards 1995). 11 SOCIETY Alumni enquiries Tel +44 (0)1223 332288 Cambridge University Brass Band. [email protected] 13 BRAINWAVES alumni.cam.ac.uk facebook.com/cambridgealumni Professor Stephen J Toope. @Cambridge_Uni #camalumni Contents Advertising enquiries Features Tel +44 (0)20 7520 9474 [email protected] 14 WHY TAX IS GOOD FOR YOU Services offered by advertisers Tax policy might not be sexy but it is at are not specifically endorsed the heart of determining the character by the editor, YBM Limited of a society. CAM investigates. or the University of Cambridge. The publisher reserves the right to 20 COMPLEXITY. BEAUTY. MYSTERY. decline or withdraw advertisements. Dr Ross Waller says that we know very Cover little about single-celled organisms. Illustration: Holly Exley. 24 DOWN THE RABBIT HOLE The Hitchhiker’s Guide to the Galaxy is Whether it’s a response to the digital published by Penguin Random House. -
Class of 1965 50Th Reunion
CLASS OF 1965 50TH REUNION BENNINGTON COLLEGE Class of 1965 Abby Goldstein Arato* June Caudle Davenport Anna Coffey Harrington Catherine Posselt Bachrach Margo Baumgarten Davis Sandol Sturges Harsch Cynthia Rodriguez Badendyck Michele DeAngelis Joann Hirschorn Harte Isabella Holden Bates Liuda Dovydenas Sophia Healy Helen Eggleston Bellas Marilyn Kirshner Draper Marcia Heiman Deborah Kasin Benz Polly Burr Drinkwater Hope Norris Hendrickson Roberta Elzey Berke Bonnie Dyer-Bennet Suzanne Robertson Henroid Jill (Elizabeth) Underwood Diane Globus Edington Carol Hickler Bertrand* Wendy Erdman-Surlea Judith Henning Hoopes* Stephen Bick Timothy Caroline Tupling Evans Carla Otten Hosford Roberta Robbins Bickford Rima Gitlin Faber Inez Ingle Deborah Rubin Bluestein Joy Bacon Friedman Carole Irby Ruth Jacobs Boody Lisa (Elizabeth) Gallatin Nina Levin Jalladeau Elizabeth Boulware* Ehrenkranz Stephanie Stouffer Kahn Renee Engel Bowen* Alice Ruby Germond Lorna (Miriam) Katz-Lawson Linda Bratton Judith Hyde Gessel Jan Tupper Kearney Mary Okie Brown Lynne Coleman Gevirtz Mary Kelley Patsy Burns* Barbara Glasser Cynthia Keyworth Charles Caffall* Martha Hollins Gold* Wendy Slote Kleinbaum Donna Maxfield Chimera Joan Golden-Alexis Anne Boyd Kraig Moss Cohen Sheila Diamond Goodwin Edith Anderson Kraysler Jane McCormick Cowgill Susan Hadary Marjorie La Rowe Susan Crile Bay (Elizabeth) Hallowell Barbara Kent Lawrence Tina Croll Lynne Tishman Handler Stephanie LeVanda Lipsky 50TH REUNION CLASS OF 1965 1 Eliza Wood Livingston Deborah Rankin* Derwin Stevens* Isabella Holden Bates Caryn Levy Magid Tonia Noell Roberts Annette Adams Stuart 2 Masconomo Street Nancy Marshall Rosalind Robinson Joyce Sunila Manchester, MA 01944 978-526-1443 Carol Lee Metzger Lois Banulis Rogers Maria Taranto [email protected] Melissa Saltman Meyer* Ruth Grunzweig Roth Susan Tarlov I had heard about Bennington all my life, as my mother was in the third Dorothy Minshall Miller Gail Mayer Rubino Meredith Leavitt Teare* graduating class. -
Advanced Labor Topics 2015
The Florida Bar Continuing Legal Education Committee and the Labor and Employment Law Section Advanced Labor Topics 2015 COURSE CLASSIFICATION: ADVANCED LEVEL May 29 - 30, 2015 Live Presentation: Ritz Carlton Sarasota 1111 Ritz-Calton Drive • Sarasota, FL 34236 Course No. 1859R CLE Publications of The Florida Bar Expert guidance to best serve the needs of those practicing Law in Florida Stay current with the latest developments in Florida by consulting CLE Publications from The Florida Bar. Written by veterans of the Florida Courts, these publications offer Business Law expert advice shaped by the special consideration of Florida law. Our titles are now avaialble in eBook format, for easier access and Estate Planning & portability. Administration Family Law Expanding your library with Jury Instructions eBooks? Make optimal use of your research time with LexisNexis® publications for The Florida Bar in portable eBook format. Access our extensive list of titles from leading attorneys and expert Real Property Law authors—on your schedule and on the device of your choice. For the latest listing of titles, go to: www.lexisnexis.com/flaebooks. Rules of Procedure Order Today! Trial Practice www.lexisnexis.com/flabar Call toll-free 800.533.1637 Did you know that you can receive a 20% DISCOUNT on future updates for these publications? Call 800.533.1637 and learn how easy it is to save 20% by becoming a subscriber under the Automatic Shipment Subscription Program and to obtain full terms and conditions for that program. SATISFACTION GUARANTEE: Examine and return your publication(s) within 30 days of receipt, at your expense, for a full credit of the advertised price, less shipping and handling fees, and any other discount credits. -
Philanthropy New York 38Th Annual Meeting Program FINAL
3 8 T H A N N U A L M E E T I N G THE POWER OF PARTICIPATION J U N E 1 6 , 2 0 1 7 • N E W Y O R K , N Y TABLE OF CONTENTS 1 Message from the President and Board Chair 2 Board Members 3 Board Candidates 4 Annual Meeting Program 7 Tweet Cheat Sheet 8 Speakers and Presenters 17 Related PSO Information 21 Philanthropy New York Staff 23 Philanthropy New York Committees, Working Groups and Networks Special thanks to JPMorgan Chase & Co., our generous host for the Philanthropy New York 38th Annual Meeting MESSAGE FROM THE PRESIDENT AND BOARD CHAIR A Continuation and a New Beginning Welcome to Philanthropy New York’s 38th Annual Meeting: The Power of Participation. Today is both a continuation and a new beginning for Philanthropy New York. Over the years, we have presented many programs on issues related to democratic participation and showcased the initiatives of funders who have supported both ground-level organizing and systematic reforms. As we all know, the conversations around the challenges to our democratic system did not begin with a single election. The flaws of our electoral systems, voter disenfranchisement and the long simmering erosion of public trust in government and media have been part of the American landscape for some time. While the diagnosis of what ails our democracy has been discussed for years, the enthusiasm and consensus around taking action has grown significantly since the last national election. Looking at how attitudes around race, gender, and immigration, to name some of the core issues, have combined with inadequate or erroneous knowledge, to influence our democracy is now a national conversation. -
Torrance Press
Page A-4 THE PRESS Sunday, January 7, TELEVISION LOG FOR THE WEEK SUNDAY MONDAY TUESDAY FRIDAY SATURDAY JANUARY 7 JANUARY 8 JANUARY 9 , JANUARY 12 JANUARY 13 12:00 ( 7) 770 on TV 12:00 ( 2) Burns and Alien 12.0012:00 ( 2) Burns and Alien ( 4) Jan Murray (C) 12:00 ( 2) Burns and Alien 2:00 ( 2) Sky King . ( 9) Movie 1 4) Jan Murray (C) ( 4) Jan Murray (11) Movie ( 7) Camouflage ( 5) Cartoons ( 4) NBA Basketball ( 5) Cartoons ( 5) Cartoons ( 7) The Texans (13) Oral Roberts 7) Camouflage ( 7) Camouflage ( 9) Hi Noon / 9) Hi Noon ( 9) Movie 12:30 ( 2) Washington (11) Sheriff John (11) Sheriff John (11) Movie (11)( Sheriff John (13) Midday Report Conversation ((13) Midday Re. ort 12:30 ( 2) My Friend Flicki ( 5) C>mmerciaJ Feature 12:30 ( 2) As World Turns 12:30 < 2) As World Turns ( 5) Movie ( 7) All-Star Football ( 4) Loretta Young 12:30 ( 2) As World Turns ( 4) Loretta Young ( 7) Movies (13) Bible News ( 5) Continental * 4) Loretta Young ( 5) Continental (13) Robin Hood ( 7) Make a Face 5) Continental ( 7) Take a Face 1:00 (2) Look and Listen 1:00 (2) Movie < 7) Make a Face (13) Christmas in Many "The Ambassador'* 1:00 ( 2) Password (13) Assignment (11) Movie Daughter" Olivia a* Hav ( Lands Illand ( 4) Dr. Malone Education (13) Bowling ( 5) News-Movie 1:00 (2) Password 1:30 ( 2) Robert Trout News ( 5) Movie "1 Was An Adventuress' 1:00 ( 2) Password < 4) Young Dr. Malone "They Came To Slow Up iorlna 4) Young Dr. -
Critical Acclaim for the Seafarer
B e t w e e n T h e Between The Lines: Vol II Issue I 2008 Background on The Seafarer The Seafarer, like many of McPherson’s plays is set in In a candid interview with American Theatre Ireland, specifically in Baldoyle, a coastal town north Magazine, McPherson describes the moment of of Dublin. The play centers on Sharky, an alcoholic inspiration for The Seafarer: who returns home to care for his aging brother, Richard, who recently went blind. They are joined “The journey of The Seafarer was a long one for by Sharky’s friends Ivan and Nicky who are holed up me. There’s this monument in Ireland… a 5,000- in the basement of Richard’s home during a severe year-old tomb called Newgrange. It’s got a long storm. The friends’ poker game is interrupted by the tunnel with a little hole in the middle of it and arrival of a mysterious friend, Mr. Lockhart who raises on the winter solstice each year; the sun shines the stakes of the game damningly high. directly down that chamber and lights it up — on the darkest day of the year. That image was… so The Seafarer opened at the National Theatre in 2006 simple, spiritual, amazing. I wanted to write a play garnering the Olivier-Award for Best Play before that had that moment… that darkest moment, moving to Broadway in December 2007. One of the darkest day of the year, where at the end the most acclaimed plays of last season, the show ran a light comes in.” brief 133 performances at the Booth Theatre before becoming one of several casualties due to the stage- hands strike that closed nearly all Broadway shows for weeks.