Generations Program Layout.Cwk

Total Page:16

File Type:pdf, Size:1020Kb

Generations Program Layout.Cwk T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, John H. Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission Works of unusual instrumentation, featuring 18 saxophones Generations and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile TSAI Performance Center Sofia Gubaidulina Duo Georgia Spiropoulos Rotations November 16, 2009, 7:30 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University. BOARD OF DIRECTORS BOARD OF ADVISORS President OUR NEXT ALEA EVENTS George Demeter Mario Davidovsky Hans Werner Henze A Young Composers’ Workshop Chairman Milko Kelemen André de Quadros Oliver Knussen Wednesday, January 27, 2010, 7:30 p.m. Krzystof Penderecki Treasurer Gunther Schuller Free admission Samuel Headrick Roman Totenberg New works by talented young composers specially written for ALEA III. Electra Cardona Constantinos Orphanides Graham Dixon Consul General of Greece Aaron Krerowicz Catherine Economou - Demeter Lina Tonia Vice Consul of Greece Eun Young Lee Wilbur Fullbright Antonis Anestis Konstantinos Kapetanakis Sunggone Hwang Marilyn Kapetanakis Mohammed Fairouz Marjorie Merryman Panos Voukydis Miles Bergsma Iakovos Konitopoulos, conductor PRODUCTION ALEA III STAFF Alexandros Kalogeras Sunggone Hwang, Office Manager The Greek word alea taken from Homer, means "to wander." 10 Country Lane David Janssen, Concert Coordinator Sharon, MA 02067 Andrew Smith, Librarian In Latin, it refers to (781) 793-8902 "a die or dice used for playing at games of chance." [email protected] The term aleatoric music indicates music OFFICE based upon the principles of indeterminacy as evidenced by certain random 855 Commonwealth Avenue and/or statistical procedures of composition. Boston, MA 02215 (617) 353-3340 In regard to the ensemble, aleatoric is concerned with the expression of a multiplicity www.aleaiii.com of musical directions, historical styles, and performance practices. This season is funded by Boston University, the Greek Ministry of Culture, - - Theodore Antoniou the George Demeter Realty and individual contributions. I would like to support ALEA III. ALEA III Although our 2009-2010 season Please find enclosed my contribution of $ _________ Theodore Antoniou, Music Director has started, the need payable to ALEA III for meeting our budget is critical. Despite the o $25 ❏ $50 ❏ $100 ❏ $250 ❏ $500 ❏ $1000 Generations ❏ generosity of our various ❏ other Monday, November 16, 2009, 7:30 p.m. sponsors, ALEA III still Tsai Performance Center, Boston needs the support of its audience. At this point we are short several thousand dollars ❏ I would like to volunteer my time for ALEA III in: for the 32nd season. Please consider becoming a __ publicity PROGRAM Friend of ALEA III by completing the form to the __ fundraising right and sending it to: Whimsies John Heiss __ poster distribution I. Clustered ALEA III II. Diatonic-canonic Boston University __ mailing III. Enharmonic School for the Arts IV. Octatonic 855 Commonwealth Ave. __ other _________________________ V. Lyric Boston, MA 02215 VI. Stuck VII. Free VIII. Homeward Bound (Fantasy on Pierrot) Fenwick Smith, flute Should you have any time Yukiko Shimazaki, piano to donate to ALEA III, it _________________________________________ would be most welcome. your name We need assistance with publicity, fundraising, _________________________________________ Kengir, 5 Sumerian Love Songs François-Bernard Mâche poster distribution, address II. Enlil mailing, etc. V. Dumuzi ___________________ _________ ___________ Elissa Alvarez, mezzo soprano city state zip We hope you enjoyed ___________________ Impetus George Dousis tonight’s program and we telephone I. Impetus look forward seeing you II. Dormancy in our future events. III. Reintegration Contributions to ALEA III are deductible for federal Yuko Yoshikawa, marimba income tax to the extent provided by law. Yukiko Shimazaki, piano Thank you for your consideration. Hebrew Melodies Robert DiDomenica ALEA III I. My Soul is Dark Alea III is the contemporary music ensemble in residence at Boston University, a group II. I Saw Thee Weep devoted to promoting, playing, and teaching music of the twentieth and twenty-first III. If That High World centuries. Founded in 1978, Alea III is the third such group organized by Music Director IV. A Spirit Passed Before Me Theodore Antoniou. The ensemble is consistent with the music it embraces--flexible in size, Karyl Ryczek, soprano open to experimentation and exploration. Over the years, Alea III has offered world-première Krista Buckland Reisner, violin opportunities for dozens of contemporary composers, often under the composer's direction, Yukiko Shimazaki, piano and with extended program notes or comments. The group has performed 1,233 works by 713 composers---most of them living. Frequent international touring has enhanced the relationships of American performers with their colleagues and composers from other parts - - - Intermission - - - of the world. With its inspiration, several other contemporary groups have been formed, offering growing opportunity to young composers and musicians to play and comprehend contemporary music. Inter Nos Davide Ianni -Theodore Antoniou, Music Director Philipp A. Stäudlin, saxophone Gazing at the Inaccessible Altin Volaj Theodore Antoniou, Music Director Krista Buckland Reisner, violin Theodore Antoniou, one of the most eminent and prolific contemporary artists, leads a Yukiko Shimazaki, piano distinguished career as composer, conductor, and professor of composition. He studied violin, voice, and composition at the National Conservatory and the Hellenic Conservatory Poems of Louis Zukofsky Elliott Carter in Athens, with further studies in conducting and composition at the Hochschule für Musik in Munich, and the International Music Center in Darmstadt. After holding teaching positions I. Tall and Singularly Dark at Stanford University, the University of Utah, and the Philadelphia Musical Academy, he II. Alba (1952) became professor of composition at Boston University in 1978. III. Finally a Valentine IV. O Sleep As a conductor, Professor Antoniou has been engaged by several major orchestras and V. The Rains ensembles, such as the Boston Symphony Orchestra Chamber Players, the Radio Orchestras VI. Rune of Berlin and Paris, the Bavarian Radio Orchestra, the Tonhalle Orchestra (Zurich), the VII. Strange National Opera of Greece, and the Berkshire Music Center Orchestra. In 1974 he became VIII. Daisy assistant director of contemporary activities at Tanglewood, a position he held until 1985. IX. You Who Were Made for This Music An ardent proponent of new music, Professor Antoniou has founded various contemporary Karyl Ryczek, soprano music ensembles, including ALEA II at Stanford University; ALEA III, in residence at Boston Katherine Matasy, clarinet University; the Philadelphia New Music Group; and the Hellenic Group of Contemporary Music. He is also director of the ALEA III International Composition Competition, president Korea for Kwartludium Lawrence Moss of the Greek Composers' Union since 1989 and director of the Experimental Stage of National Opera of Greece. Katherine Matasy, clarinet Krista Buckland Reisner, violin Many of Professor Antoniou's compositions were commissioned by major orchestras around Thomas Schmidt, percussion the world, and around three hundred of his works have been published by Bärenreiter Verlag Yukiko Shimazaki, piano (Germany), G. Schirmer (USA) and Philippos Nakas (Greece). He has received many awards and prizes, including the National Endowment for the Arts Fellowship grants and the Richard Strauss Prize, as well as commissions from the Fromm, Guggenheim, and Koussevitzky Foundations, and from the city of Munich for the 1972 Olympic Games. He has been recognized with ASCAP Awards for several years, and in 1991 he was awarded the Metcalf Award for Excellence in Teaching by Boston University. In December 1997 he was presented with the Music Award from the Greek Academy of Arts and Letters, one of the most prestigious awards and the highest academic distinction in music; and in January 2000, the Tonight’s Program Hellenic Broadcasting Corporation awarded him the Dimitri Mitropoulos Award for his lifelong contribution to music. In 2004 the University of Vienna and the Alfred Töpfer Foundation of Hamburg, Germany, awarded him the prestigious Herder Prize, in recognition John Heiss is an active composer, conductor, flutist, and teacher. He is the Director of the of his contribution to mutual cultural understanding and peace among the countries of Contemporary Ensemble at New England Conservatory, where he teaches
Recommended publications
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • The Manatee PIANO MUSIC of the Manatee BERNARD
    The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER TROY1765 PIANO MUSIC OF Seven Preludes for Piano (1975) 15 The Manatee [2:36] 16 Stridin’ Thru The Olde Towne 1 Prelude [2:40] 2 Cello [2:47] During Prohibition In Search Of A Drink [2:42] 3 All Over The Piano [1:21] Randall Hodgkinson, piano 4 Ships Passing [4:12] (2014) BERNARD HOFFER 5 Prelude [1:24] Events & Excursions for Two Pianos 6 Calypso [3:52] 17 Big Bang Theory [3:15] 7 Franz Liszt Plays Ragtime [3:28] 18 Running [3:19] Randall Hodgkinson, piano 19 Wexford Noon [2:29] 20 Reverberations [3:12] Nine New Preludes for Piano (2016) 21 On The I-93 [2:23] Randall Hodgkinson & Leslie Amper, pianos 8 Undulating Phantoms [1:08] BERNARD HOFFER 9 A Walk In The Park [2:39] 10 Speed Chess [2:17] 22 Naked (2010) [5:05] Randall Hodgkinson, piano 11 Valse Sentimental [3:30] 12 Rabbits [1:06] Total Time = 60:03 13 Spirals [1:40] 14 Canon Inverso [1:44] PIANO MUSIC OF TROY1765 WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • University Symphony Orchestra "Encounters"
    FierbergerCollegeYEARS of Fine Arts University Symphony Orchestra "Encounters" Timothy Russell, conductor Mischa Semanitzky and Gunther Schuller, guest conductors Kimberly Marshall, organ David Ballou, trumpet Seamus Blake, tenor saxophone Allan Chase, alto saxophone With the ASU Concert Jazz Band School of Music Herberger College of Fine Arts Arizona State University Friday, September 17, 2004 7:30 p.m. Gammage Auditorium ARIZONA STATE M UNIVERSITY Program Overture to Nabucco Giuseppe Verdi (1813 — 1901) Timothy Russell, conductor Symphony No. 3 (Symphony — Poem) Aram ifyich Khachaturian (1903 — 1978) Allegro moderato, maestoso Allegro Andante sostenuto Maestoso — Tempo I (played without pause) Kimberly Marshall, organ Mischa Semanitzky, conductor Intermission Remarks by Dean J. Robert Wills Remarks by Gunther Schuller Encounters (2003) Gunther Schuller (b.1925) I. Tempo moderato II. Quasi Presto III. Adagio IV. Misterioso (played without pause) Gunther Schuller, conductor *Out of respect for the performers and those audience members around you, please turn all beepers, cell phones and watches to their silent mode. Thank you. Program Notes Symphony No. 3 – Aram Il'yich Khachaturian In November 1953, Aram Khachaturian acted on the encouraging signs of a cultural thaw following the death of Stalin six months earlier and wrote an article for the magazine Sovetskaya Muzika pleading for greater creative freedom. The way forward, he wrote, would have to be without the bureaucratic interference that had marred the creative efforts of previous years. How often in the past, he continues, 'have we listened to "monumental" works...that amounted to nothing but empty prattle by the composer, bolstered up by a contemporary theme announced in descriptive titles.' He was surely thinking of those countless odes to Stalin, Lenin and the Revolution, many of them subdivided into vividly worded sections; and in that respect Khachaturian had been no less guilty than most of his contemporaries.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
    -•-'" 8ft :: -'•• t' - ms>* '-. "*' - h.- ••• ; ''' ' : '..- - *'.-.•..'•••• lS*-sJ BERKSHIRE MUSIC CENTER see ERICH LEINSDORF, Director Contemporary JMusic Presented under the Auspices of the Fromm zMusic Foundation at TANGLEWOOD 1963 SEMINAR in Contemporary Music Seven sessions will be given on successive Friday afternoons (at 3:15) in the Chamber Music Hall. Four of these will precede the four Fromm Fellows' Concerts, and will consist of a re- hearsal and lecture by the Host of the following Monday Fromm Concert. July 12 AARON COPLAND July 19 GUNTHER SCHULLER July 26 I Twentieth Century Piano Music PAUL JACOBS August 2 YANNIS XENAKIS j August 9 Twentieth Century Choral Music ALFRED NASH PATTERSON & LORNA COOKE de VARON August 16 I LUKAS FOSS August 23 Round Table Discussion of Contemporary Music Yannis Xenakis, Gunther Schuller and lukas foss Composers 9 Forums There will be four Composers' Forums in the Chamber Music Hall: Wednesday, July 24 at 4:00 ] Thursday, August 1 at 8:00 Wednesday, August 7 at 4:00 Thursday, August 15 at 8:00 FROMM FELLOWS' CONCERTS Theatre-Concert Hall Four Monday Evenings at 8:00 'Programs JULY 15 AUGUST 5 AARON COPLAND, Host YANNIS XENAKIS, Host Varese Octandre (1924) Boulez ...Improvisations sur Mallarme, Copland Sextet (1937) No. 2 Chavez Soli (1933) Philippot ...Variations Schoenberg String Quartet No. 2, Op. 10 Mdcbe .. ..Canzone II (1908) Brown, E ...Pentathis Stravinsky Ragtime for Eleven Instruments Marie, E... Polygraphie-Polyphonique (1918) J. Ballif,C ...Double Trio, 35, Nos. 2 and 3 Milhaud... L'Enlevement d'Europe — Op. Xenakis Achorripsis Opera minute (1927) JULY 22 AUGUST 19 GUNTHER SCHULLER, Host LUKAS FOSS, Host Ives Chromatimelodtune Paz .Dedalus, 1950 Schoenberg Herzgewacb.se Goehr...
    [Show full text]
  • Elliott Carter Works List
    W O R K S Triple Duo (1982–83) Elliott Carter Collection, Paul Sacher Foundation Basel ORCHESTRA Adagio tenebroso (1994) ............................................................ 20’ (H) 3(II, III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):BD/ 4bongos/glsp/4tpl.bl/cowbells/vib/2susp.cym/2tom-t/2wdbl/SD/xyl/ tam-t/marimba/wood drum/2metal block-pft-strings (also see Symphonia: sum fluxae pretium spei) Allegro scorrevole (1996) ........................................................... 11’ (H) 2.picc.2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-perc(4):timp/glsp/xyl/vib/ 4bongos/SD/2tom-t/wdbl/3susp.cym/2cowbells/guiro/2metal blocks/ 4tpl.bl/BD/marimba-harp-pft-strings (also see Symphonia: sum fluxae pretium spei) Anniversary (1989) ....................................................................... 6’ (H) 3(III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym-pft(=cel)-strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Boston Concerto (2002) .............................................................. 19’ (H) 3(II,III=picc).2.corA.3(III=bcl).3(III=dbn)-4.3.3.1-perc(3):I=xyl/vib/log dr/4bongos/high SD/susp.cym/wood chime; II=marimba/log dr/ 4tpl.bl/2cowbells/susp.cym; III=BD/tom-t/4wdbls/guiro/susp.cym/ maracas/med SD-harp-pft-strings A Celebration of Some 100 x 150 Notes (1986) ....................... 3’ (H) 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(1):glsp/vib-pft(=cel)- strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Concerto for Orchestra (1969) ..................................................
    [Show full text]
  • Red Note New Music Festival Program, 2013 School of Music Illinois State University
    Illinois State University ISU ReD: Research and eData Red Note New Music Festival Music 2013 Red Note New Music Festival Program, 2013 School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/rnf Part of the Music Commons Recommended Citation School of Music, "Red Note New Music Festival Program, 2013" (2013). Red Note New Music Festival. 7. https://ir.library.illinoisstate.edu/rnf/7 This Book is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in Red Note New Music Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. calendar of events SUNDAY, MARCH 3, 2013 3 PM COMPOSER PRESENTATION CENTER FOR THE PERFORMING ARTS David Kirkland Garner centennial east building, room 229 2 - 2:50 pm the illinois state university wind symphony, conducted by daniel belongia, performs music composer david kirkland garner, winner of the by scott lindroth, john mackey, and paul dooley, composition competition, presents on his music as well as marcus maroney’s “rochambeau” (winner of the red note call for scores). COMPOSER Q&A - Tony Solitro MONDAY, MARCH 4, 2013 2-4 PM Kemp Recital Hall 4 - 5:30 pm KEMP RECITAL HALL composer tony solitro discusses his vocal music and career as a composer of opera and songs chicago-based spektral quartet leads a master class for string students in the illinois state university school of music string studio. TUESDAY, MARCH 5, 2013 8 PM KEMP RECITAL HALL MONDAY, MARCH 4, 2013 8 PM KEMP RECITAL HALL illinois state university faculty members and guest pianist blair mcmillen perform works of guest composer joan tower.
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
    Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC.
    [Show full text]
  • Klezmer Madness
    Klezmer Madness SATURDAY NOVEMBER 23, 2019 8:00 Klezmer Madness Welcome to New England SATURDAY NOVEMBER 23, 2019 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Conservatory’s Jordan Hall. Pre-concert talk at 7:00 New England Conservatory is home to acoustically superb Jordan Hall, where you’re seated now. Welcome, and enjoy the performance! AVNER DORMAN Uriah (2009) NEC is also the oldest independent music school in the United States, home to musical innovators across our College, Preparatory School, MATHEW ROSENBLUM Lament / Witches’ Sabbath (2017) and School of Continuing Education. David Krakauer, clarinet From chamber and orchestral music to jazz to Contemporary Improvisation, it’s all right here at NEC. INTERMISSION Join us for a concert, take WLAD MARHULETS Concerto for Klezmer Clarinet (2008) lessons, or join an ensemble: David Krakauer, clarinet necmusic.edu I. II. III. AVNER DORMAN Ellef Symphony (2000) I. Adagio II. Feroce III. Con Moto IV. Adagio GIL ROSE, conductor PROGRAM NOTES 5 By Clifton Ingram AVNER DORMAN (b. 1975) Uriah : The Man The King Wanted Dead (2009) Avner Dorman is not shy about his roots, which grow deep in his art. Born in Tel Aviv in 1975, Dorman has since transplanted to the United States, where he is currently an as- sociate professor at Sunderman Conservatory of Music at Gettysburg College. But whether composing music about the Tanakh (Hebrew Bible) or the American Civil War (both of which he has done, for the record) Dorman identifies Israel as home. Through his music, this sense of home becomes more a feeling, one almost utopian in its endless urge for a hopeful future in spite of harsh reality.
    [Show full text]
  • International Viola Congress
    CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra
    [Show full text]
  • Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert in COLLABORATION with the NEW ENGLAND CONSERVATORY
    Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert IN COLLABORATION WITH THE NEW ENGLAND CONSERVATORY SUNDAY NOVEMBER 22, 2015 3:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY GAMES (2013) JOURNEY INTO JAZZ (1962) Text by Nat Hentoff THE GUARDIAN Featuring the voice of Gunther Schuller Richard Kelley, trumpet Nicole Kämpgen, alto saxophone MURDO MACLEOD, MURDO MACLEOD, Don Braden, tenor saxophone Ed Schuller, bass George Schuller, drums GUNTHER SCHULLER INTERMISSION NOVEMBER 22, 1925 – JUNE 21, 2015 THE FISHERMAN AND HIS WIFE (1970) Libretto by John Updike, after the Brothers Grimm Sondra Kelly Ilsebill, the Wife Steven Goldstein the Fisherman David Kravitz the Magic Fish Katrina Galka the Cat Ethan DePuy the Gardener GIL ROSE, Conductor Penney Pinette, Costume Designer Special thanks to the Sarah Caldwell Collection, Howard Gotlieb Archival Research Center at Boston University. Support for this memorial concert is provided in part by the Amphion Foundation, the Wise Family Charitable Foundation, and the Koussevitzky Music Foundation. THE FISHERMAN AND HIS WIFE Setting: A seaside, legendary times Scene i A humble hut, with net curtains and a plain stool; dawn Scene ii Seaside; water sparkling blue, sky dawn-pink yielding to fair blue Scene iii The hut; lunchtime Scene iv Seaside; sea green and yellow, light faintly ominous Scene v A cottage, with a pleasant garden and velvet chair Scene vi Seaside; water purple and murky blue, hint of a storm Scene vii A castle, with a great rural vista, tapestries, and an ivory canopied bed CLIVE GRAINGER CLIVE Scene viii Seaside; water dark gray, definite howling of sullen wind Scene ix Flourishes and fanfares of brass THIS AFTERNOON’S PERFORMERS Scene x Seaside; much wind, high sea and tossing, sky red along edges, red light suffuses FLUTE TRUMPET HARP Kay Rooney Matthews Sarah Brady Terry Everson Amanda Romano Edward Wu Scene xi OBOE TROMBONE ELECTRIC GUITAR Nicole Parks Jennifer Slowik Hans Bohn Jerome Mouffe VIOLA Scene xii Seaside; storm, lightning, sea quite black.
    [Show full text]