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Rhode Island International Film Festival August 3-9, 2009
RHODE ISLAND INTERNATIONAL FILM FESTIVAL AUGUST 3-9, 2009 WHAT’S GOING ON FOR THE WEEK OF AUGUST 4-9TH SIDEBARS: • JAPANESE FILM FESTIVAL • PROVIDENCE GLBT FILM FESTIVAL • RIIFF JEWISH FILM FESTIVAL • THE RHODE ISLAND FILM FORUM™ • SCRIPTBIZ™ • PROVIDENCE FILM FESTIVAL (LOCAL FILMMAKER FOCUS) • KIDSEYE™ INTERNATIONAL FILM FESTIVAL • FROM THE NORTH COUNTRY: FILMS FROM CANADA • ...DOWN UNDER: FILMS FROM AUSTRALIA AND NEW ZEALAND • ROVING EYE DOCUMENTARY FILM FESTIVAL • PROVIDENCE WORLD PANORAMA (INTERNATIONAL FILM FOCUS) • PROVIDENCE UNDERGROUND FILM FESTIVAL • ¡CINE OLE! • NEW ENGLAND STUDENT FILM FESTIVAL, including URI VISUALIZATIONS plus films from WHEATON COLLEGE, PROVIDENCE COLLEGE and ROGER WILLIAMS UNIVERSITY • VORTEX SCI FI & FANTASY FILM FESTIVAL • FASCINATING RYTHYM: MUSIC ON FILM • 236 Films from 57 countries • 36 World Premieres • 22 US/North American Premieres • Salute to composer Klaus Badelt (“Pirates of the Caribbean”) including the presentation of a Crystal Image Award and music played throughout “Waterfire” Saturday, August 8th • Lifetime Achievement Award to acting legend, Ernest Borgnine with world premiere of "Another Harvest Moon" • Nathanael Greene Humanitarian Award to actor, William Shatner and special event: "William Shatner Unplugged" followed by screening of "William Shatner's Gonzo Ballet" • Roger Williams Independent Voice Award presented to NBA sports legend, Wat Misaka • Party with industry legends: Anne Meara, Jerry Stiller, Doris Roberts and Piper Laurie as they honor Ernest Borgnine • Focus on Film: Award–winning local Filmmaker, Jake Mahaffy • Exciting partnerships, screenings and events with the International Institute of Rhode Island, the Gloria Gemma Breast Cancer Resource Foundation, the Rhode Island Council for the Humanities, Rhode Island College, Sports in Society, the Armenian Historical Association of Rhode Island, Dreamworks Animation and National Amusements /Showcase Cinemas. -
Brideshead Revisited November
MAGAZINE BRIDESHEAD REVISITED NOVEMBER... “possibly Britain’s most beautiful cinema...” (BBC) NOVEMBER 2008 Issue 44 www.therexcinema.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-6.30pm To advertise email [email protected] INTRODUCTION Obituary 4-5 November Evenings 9 Coming Soon 23 November Films at a glance 23 November Matinees 25 Dear Mrs Trellis 35, 37 SEAT PRICES: Circle £8.00 Concessions £6.50 At Table £10.00 Concessions £8.50 Royal Box (seats 6) £12.00 or for the Box £66.00 All matinees £5, £6.50, £10 (box) BOX OFFICE: 01442 877759 Mon to Sat 10.30 – 6.00 Sun 4.30 – 6.30 Disabled and flat access: through the gate on High Street (right of apartments) Some of the girls and boys you see at the Box Office and Bar: Rosie Abbott Linda Moss Henry Beardshaw Louise Ormiston Julia Childs Liz Parkin “The picture shows Mr & Mrs Pearson – landlord/lady Lindsey Davies Izzi Robinson of “The Compasses”in New Road, Northchurch Holly Gilbert Georgia Rose 1961/62? Next door was the small grocery shop Becky Ginn Diya Sagar Tom Glasser Miranda Samson called “London House”. This has long been Beth Hannaway Tina Thorpe demolished and sheltered housing built in its place.” Luke Karmali Olivia Wilson Thanks to Bert Hosier the local Northchurch historian Amelia Kellett Ashley Wood fondly known as Hedgehog and to Sarah Casserley & Jo Littlejohn Calum Wood Mary-Mary (Casserley) Murray for bringing it in. Bethany McKay Keymea Yazdanian Malcolm More From the placard, one of the films on that week was “The Greengage Summer” starring Kenneth More, Sally Thorpe In charge Alun Rees Chief projectionist (Original) Susannah York and Jane Asher. -
Executive Director Artistic Director Donna Welcome to the Thrilling Ojai Film Festival
Welcome to the 18th Ojai Film Festival There’s no place like home ... Let me find yours. Executive Director Artistic Director Donna Welcome to the thrilling Ojai Film Festival. Welcome to the eighteenth annual Ojai Film Festival! More than 80 films will be screened along with Throughout our history, we have programmed a great workshops and special programs spotlighted diversity of unique motion pictures from around the with famed cinematographer Johnny E. Jensen, world, including many that would otherwise have actors Ed Asner and Cloris Leachman. been inaccessible. At the same time, our festival Maryse Gartner Steve Grumette provides a valuable service to filmmakers by giving This year we received over 80 screenplays for our second RE/MAX GoldSallen Coast Realtors them access to a sophisticated and highly appreciative audience that 805-798-0516 annual Screenwriter’s Competition. We will host the popular includes film industry professionals who can help guide their careers. Live Screenplay Read to showcase the winning script on Sunday, November 5. Come join us! The Ojai Film Festival has chosen to identify itself with the theme “Enriching the Human Spirit Through Film.” While any great work The 18th annual Film Festival is a culmination of what has of art enriches the spirit, we decided to give special preference to already been a busy year with three programs: the Women In films that explore the human condition; films that broaden our Film Legacy Film with Piper Laurie in March, two animation understanding of our place in the world and encourage us to exert workshops in June, and the International Ocean Film Tour in a constructive influence on our planet and its people. -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
And What It Means
WASHINGTON ( AP)--Henry A. Kissinger said yesterday Hanoi has balked at President Nixo n's Vietnam peace proposals, presented in a nationwide ele- vision speech Tuesday night, on two counts: the fine print on blueprints for a U.S. wit idrawal and the election of a new Saigon government. Kissinger, w ho was Nixon's clandestine go-between in 12 just-disclosed H IXOH S secret Paris c conferences with key figures from Hanoi, said at a rare news conference he still hopes for a negotiating breakthrough. He called th e Presidents eight-point proposal a flexible one, not a take-it-or-leal ve-it proposition. The Presiden t's far-travelled assistant for national security affairs said Nixon, by publicizing 26 months of secret negotiations in an address peaceto the nation, may spur North Vietnam to resume talks "on a more urgent basis.", Nixon unfold ed a peace offer that includes an Indochina cease-fire, withdrawal of American forces and release of war pris- oners, new elections in South Vietnam with the Viet Cong participating, and resignation of the Saigon government a month before the internationally supervised balloting. proposal. Under the Nixon plan, all these developments would take place within six months of a Washington-Hanoi agreement. The basics of the proposal have ie an in 7hanni's hands since Octoberr, Nixon said, bu t Hanoi has given no response. Radio Hanoi, in a quick response to Nixon's address, said it contained nothing new an d insisted that the U.S. position was "not changed in any way." But the broadcast stopped short of rejecting the Chief Executive's proposals. -
Fright—In All of Its Forms—Has Always Been an Essential Part of the Moviegoing Experience
SCARY MOVIES Fright—in all of its forms—has always been an essential part of the moviegoing experience. No wonder directors have figured out so many ways to horrify an audience. FINAL TOUCHES: (opposite) Director Karl Freund and makeup artist Jack P. Pierce spent eight hours a day applying Boris Karloff’s makeup in The Mummy (1932). This was the first directing job for the noted German cinematographer Freund, who was hired two days before production started. (above) John Lafia scopes out Chucky, a doll possessed by the RES soul of a serial killer, in Child’s Play 2 (1990). Lafia made the 18-inch, half-pound plastic U ICT doll seem menacing rather than silly by the clever use of camera angles. P PHOTOS: UNIVERSAL UNIVERSAL PHOTOS: 54 dga quarterly dga quarterly 55 BLOOD BATH: Brian De Palma orchestrates the scene in Carrie (1976) in which UNDEAD: George A. Romero, surrounded by his cast of zombies on Dawn of the Carrie throws knives at her diabolical mother, played by Piper Laurie. De Palma Dead (1978), saved on production costs by having all the 35 mm film cast Laurie because he didn’t want the character to be “the usual dried-up old stock developed in 16 mm. He chose his takes, then had them developed crone at the top of the hill,” but beautiful and sexual. in 35. Romero convinced the distributor to release the film unrated. PHOTOFEST PHOTOFEST ) ) RIGHT BOTTOM VERETT; (boTTOM right) right) (boTTOM VERETT; E RTESY: RTESY: U O RES/DREAMWORKS; ( RES/DREAMWORKS; C U NT/ ICT U P NT NT U ARAMO P ARAMO P ) ) LEFT ; (boTTOM left) © © left) (boTTOM ; BOTTOM ; ( ; MGM EVERETT OLD SCHOOL: The Ring Two (2005), with Naomi Watts, was Hideo Nakata’s first CUt-rATE: Director Tobe Hooper got the idea for The Texas Chainsaw Massacre PIONEER: Mary Lambert, on the set of Pet Sematary (1989) with Stephen GOOD LOOKING: James Whale, directing Bride of Frankenstein (1935), originally American feature after directing the original two acclaimed Ring films in Japan. -
Enfant Diabolique in International Cinema
Enfant Diabolique in International Cinema By Kenneth Tan Fall 1996 Issue of KINEMA THE PRESENCE OF HORROR GENRE genre at the Singapore International Film Festival 1996 inspired these recollections: John Carpenter’s remake of the seminal Village of the Damned featured in this year’s Singapore Festival of Arts All-Night Horrorthon, is a chilling account of what happens when a small community of sinister children, endowed with telepathic and destructive powers, gradually unfolds evil plans for world domination. In this current age of contemporary film-making technology, the film’s sound and special effects are superb, but that isn’t what makes the film frightening. It is the notion of innocent, ”helpless” children, rising above the domination that parents, teachers and adults at large have traditionally exerted over them, turning on the conventional authority figures, threatening them, violating them, and ultimately triumphing over them. This is the theme of the enfant diabolique, or diabolical child, which has found expression and gained favour in numerous films made all over the world. It is a sub-category of the horror genre, and its lasting appeallies in this massaging of a basic fear -- just like the fear of animals going berserk and turning on their masters, which was the platform for the Jaws-inspired disaster epics of the seventies. This article presents and compares various films in which the theme of the ”enfant diabolique” hasbeen explored. One of the best-known titles in this category must surely be The Omen (together with the three sequels that it spawned). The purest exemplar of the diabolical kid is the devil child -- Satan incarnate, coming into the mortal world to conquer good and take over humanity. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Bamcinématek Presents Vengeance Is Hers, a 20-Film Showcase of Some of Cinema’S Most Unforgettable Heroines and Anti-Heroines, Feb 7—18
BAMcinématek presents Vengeance is Hers, a 20-film showcase of some of cinema’s most unforgettable heroines and anti-heroines, Feb 7—18 Includes BAMcinématek’s ninth annual Valentine’s Day Dinner & a Movie, with a screening of The Lady Eve and dinner at BAMcafé The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Jan 10, 2014—From Friday, February 7 through Tuesday, February 18, BAMcinématek presents Vengeance is Hers. From screwball proto-feminism to witchy gothic horror to cerebral auteurist classics, this 20-film series gathers some of cinema’s most unforgettable heroines and anti-heroines as they seize control and take no prisoners. Seen through the eyes of some of the world’s greatest directors, including female filmmakers such as Chantal Akerman and Kathryn Bigelow, these films explore the full gamut of cinematic retribution in all its thrilling, unnerving dimensions. Vengeance is Hers is curated by Nellie Killian of BAMcinématek and Thomas Beard of Light Industry. Opening the series on Friday, February 7 is Pier Paolo Pasolini’s Medea (1969), a film adaptation of the Euripides tragedy which follows the eponymous sorceress on a vicious crusade for revenge. Starring legendary opera singer Maria Callas in her first and only film role, Medea marks the final entry in Pasolini’s “Mythical Cycle” which also includes Oedipus Rex (1967), Teorema (1968), and Porcile (1969). “Brilliant and brutal” (Vincent Canby, The New York Times), Medea kicks off this series showcasing international films from a variety of genres and creating an alternate history to the clichéd images of avenging women. -
The Final Girl in 1980’S Slasher Films and Halloween (2018) As a Representation of Ideals and Social Issues in 1980S’ America As Well As Contemporary America
Lindved 1 Martin Lindved Anne Bettina Pedersen Engelsk Almen 1 June 2020 Could it be that One Monster has created Another? –The Final Girl in 1980’s Slasher Films and Halloween (2018) as a Representation of Ideals and Social Issues in 1980s’ America as well as Contemporary America. Table of Contents INTRODUCTION .................................................................................................................2 The Reagan Era in Films of the 1980s ..................................................................................5 The Origin and History of the Slasher Film ........................................................................9 The Making of Halloween ...................................................................................................12 Definition of the Slasher Film .............................................................................................13 The Final Girl as a Male Surrogate ....................................................................................18 The Final Girl as a Feminist Icon .......................................................................................20 ANALYSIS ............................................................................................................................24 The Final Girls of the 1980s’ Slasher Films .................................................24 Final Girls from Halloween ...........................................................................25 Laurie .........................................................................................26 -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.