Ss Schedule Debate Flares up Scheduling Reform
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Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
Anticommercialism in the Music and Teachings of Lennie Tristano
ANTICOMMERCIALISM IN THE MUSIC AND TEACHINGS OF LENNIE TRISTANO James Aldridge Department of Music Research, Musicology McGill University, Montreal July 2016 A thesis submitted to McGill University in partial fulfillment of the requirement of the degree of MASTER OF ARTS © James Aldridge 2016 i CONTENTS ABSTRACT . ii RÉSUMÉ . iii ACKNOWLEDGEMENTS . v PREFACE . vi INTRODUCTION . 1 LITERATURE REVIEW . 8 CHAPTER 1 Redefining Jam Session Etiquette: A Critical Look at Tristano’s 317 East 32nd Street Loft Sessions . 19 CHAPTER 2 The “Cool” and Critical Voice of Lennie Tristano . 44 CHAPTER 3 Anticommercialism in the Pedagogy of Lennie Tristano . 66 CONCLUSION . 86 BIBLIOGRAPHY . 91 ii Abstract This thesis examines the anticommercial ideology of Leonard Joseph (Lennie) Tristano (1919 – 1978) in an attempt to shed light on underexplored and misunderstood aspects of his musical career. Today, Tristano is known primarily for his contribution to jazz and jazz piano in the late 1940s and early 1950s. He is also recognized for his pedagogical success as one of jazz’s first formal teachers. Beyond that, however, Tristano remains a peripheral figure in much of jazz’s history. In this thesis, I argue that Tristano’s contributions are often overlooked because he approached jazz creation in a way that ignored unspoken commercially-oriented social expectations within the community. I also identify anticommercialism as the underlying theme that influenced the majority of his decisions ultimately contributing to his canonic marginalization. Each chapter looks at a prominent aspect of his career in an attempt to understand how anticommercialism affected his musical output. I begin by looking at Tristano’s early 1950s loft sessions and show how changes he made to standard jam session protocol during that time reflect the pursuit of artistic purity—an objective that forms the basis of his ideology. -
802.11Ac: a Survival Guide
802.11ac: A Survival Guide Matthew S. Gast 802.11ac: A Survival Guide by Matthew S. Gast Copyright © 2013 Matthew S. Gast. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://safaribooksonline.com). For more information, contact our corporate/ institutional sales department: 800-998-9938 or [email protected]. Editors: Mike Loukides and Meghan Blanchette Cover Designer: Karen Montgomery Production Editor: Kristen Borg Interior Designer: David Futato Proofreader: Rachel Head Illustrators: Robert Romano and Rebecca Demarest August 2013: First Edition Revision History for the First Edition: 2013-07-22: First release 2015-07-17: Second release See http://oreilly.com/catalog/errata.csp?isbn=9781449343149 for release details. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. 802.11ac: A Survival Guide, the image of a common European eel, and related trade dress are trademarks of O’Reilly Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O’Reilly Media, Inc., was aware of a trade‐ mark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
JREV3.6FULL.Pdf
KNO ED YOUNG FM98 MONDAY thru FRIDAY 11 am to 3 pm: CHARLES M. WEISENBERG SLEEPY I STEVENSON SUNDAY 8 to 9 pm: EVERYDAY 12 midnite to 2 am: STEIN MONDAY thru SATURDAY 7 to 11 pm: KNOBVT THE CENTER OF 'He THt fM DIAL FM 98 KNOB Los Angeles F as a composite contribution of Dom Cerulli, Jack Tynan and others. What LETTERS actually happened was that Jack Tracy, then editor of Down Beat, decided the magazine needed some humor and cre• ated Out of My Head by George Crater, which he wrote himself. After several issues, he welcomed contributions from the staff, and Don Gold and I began. to contribute regularly. After Jack left, I inherited Crater's column and wrote it, with occasional contributions from Don and Jack Tynan, until I found that the well was running dry. Don and I wrote it some more and then Crater sort of passed from the scene, much like last year's favorite soloist. One other thing: I think Bill Crow will be delighted to learn that the picture of Billie Holiday he so admired on the cover of the Decca Billie Holiday memo• rial album was taken by Tony Scott. Dom Cerulli New York City PRAISE FAMOUS MEN Orville K. "Bud" Jacobson died in West Palm Beach, Florida on April 12, 1960 of a heart attack. He had been there for his heart since 1956. It was Bud who gave Frank Teschemacher his first clarinet lessons, weaning him away from violin. He was directly responsible for the Okeh recording date of Louis' Hot 5. -
SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981)
Guide to Digitized Sal Mosca Audiovisual Recordings Compiled by Don Messina BOX 13 - SAL MOSCA - ARCHIVED VILLAGE VANGUARD PERFORMANCES WITH WARNE MARSH From SAL MOSCA's |PRIVATE COLLECTION (SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981) SM V000X– Sal Mosca-Warne Marsh Quartet at the Village Vanguard, 7th Avenue, NY, NY; SOURCE: C=CD; CAS=Cassette. Performers: SM=Sal Mosca (Piano); WM=Warne Marsh (Tenor); FC=Frank Canino (Bass); SS=Skip Scott (Drums). (ES=Earl Sauls (Bass), and TP=Tim Pleasant (Drums) may be part of part of the rhythm section on the excerpted solos CDs). ARCHIVED (A) Miscellaneous Info SM V# SOURCE SM V# DATE & Notes SM V0001a SM V0001 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 1 of 2 Love me or leave me Out of nowhere (317 East 32nd St.) Foolin myself Indiana (Back home) Ghost of a chance Crosscurrents # Cherokee # Marionette # Featherbed # You go to my head # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104 CD) ________________________________________________________________________ SM V0001b-2 SM V0001/SM V0002 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 2 of 2 SM V0001 Fishin' around Imagination SMV0002 8.11.1981 Two not one All the things you are Its you or no one (Duet SM+WM) Body and soul # Dreams # 1 Pennies in minor Sophisticated lady (incomplete) # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104CD) ________________________________________________________________________ SM V0003a SM V0003 (CAS) 8.12.1981 (SM,WM,FC,SS) CD 1 of 2 Its you or no one 317 East 32nd St. -
A Contraction Stress Model of Hypertrophic Cardiomyopathy Due to Sarcomere Mutations
The Jackson Laboratory The Mouseion at the JAXlibrary Faculty Research 2019 Faculty Research 1-8-2019 A Contraction Stress Model of Hypertrophic Cardiomyopathy due to Sarcomere Mutations. Rachel Cohn The Jackson Laboratory, [email protected] Ketan Thakar The Jackson Laboratory, [email protected] Andre Lowe Feria A Ladha The Jackson Laboratory, [email protected] Anthony M Pettinato The Jackson Laboratory, [email protected] See next page for additional authors Follow this and additional works at: https://mouseion.jax.org/stfb2019 Part of the Life Sciences Commons, and the Medicine and Health Sciences Commons Recommended Citation Cohn, Rachel; Thakar, Ketan; Lowe, Andre; Ladha, Feria A; Pettinato, Anthony M; Romano, Robert; Meredith, Emily; Chen, Yu- Sheng; Atamanuk, Katherine; Huey, Bryan D; and Hinson, J Travis, "A Contraction Stress Model of Hypertrophic Cardiomyopathy due to Sarcomere Mutations." (2019). Faculty Research 2019. 8. https://mouseion.jax.org/stfb2019/8 This Article is brought to you for free and open access by the Faculty Research at The ousM eion at the JAXlibrary. It has been accepted for inclusion in Faculty Research 2019 by an authorized administrator of The ousM eion at the JAXlibrary. For more information, please contact [email protected]. Authors Rachel Cohn, Ketan Thakar, Andre Lowe, Feria A Ladha, Anthony M Pettinato, Robert Romano, Emily Meredith, Yu-Sheng Chen, Katherine Atamanuk, Bryan D Huey, and J Travis Hinson This article is available at The ousM eion at the JAXlibrary: https://mouseion.jax.org/stfb2019/8 Stem Cell Reports Article A Contraction Stress Model of Hypertrophic Cardiomyopathy due to Sarcomere Mutations Rachel Cohn,1,5 Ketan Thakar,1,5 Andre Lowe,1 Feria A. -
'!2G00BJ-Hbfhdj! to a Superb Black Disc and a Cover with Lines Notes by the Famous Barry Ulanov
Atlantic 1217 Lee Konitz With Warne Marsh personnel Lee Konitz (as); Warne Marsh (ts); Ronnie Ball, Sal Mosca (p); Billy Bauer (g); Oscar Pettiford (b); Kenny Clarke (dr) tracks Topsy; There Will Never Be Another You; I Can’t Get Started; Donna Lee; Two Not One; Don’t Squawk; Ronnie’s Line; Background Music What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke – and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going. catalogue # In June 1955, in the Atlantic studio, standards provided the starting base for the long and 1217 wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that set contents time pupils of the great Chicago maestro. Although the numbers are declared as own com- 1 LP / standard sleeve positions, such as Background Music and Ronnie’s Line, they are actually none other than pricecode adaptations of All Of Me or That Old Feeling – but at the very highest level. Lee Konitz always SC01 called this “The Twelfth Step”. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. “Time-keeping” – a neologism of prime importance for jazz musi- release date November 2018 cians – is the most important element in Donna Lee and There Will Never Be Another You – and there is no better drummer for this music than Kenny “Klook” Clarke, who lived in those days barcode in the USA before moving to Paris in 1956 where there was no racial discrimination. -
Sal’S Studio by Don Messina and Kathy Mosca After Sal’S Death in July 2007 in Various Audio Formats
All the music listed below was discovered in Sal’s studio by Don Messina and Kathy Mosca after Sal’s death in July 2007 in various audio formats. It took seven years to label, document, and transfer all of it into digital format with multiple copies saved to hard drive and archival CDs. This entire collection of Sal’s music, along with documentation and source files was submitted to Rutgers University, Institute of Jazz Studies, Newark, NJ in October 2014 as part of the permanent Sal Mosca Archives. This collection was prepared by Kathy Mosca and Don Messina. SAL MOSCA - ARCHIVED MUSIC (1950 - 2007) (Compiled in Chronological Order from Sal's Personal Collection) Legend: SM S=Sessions; SM P=Performance U.S.; SM-PE=Performance Europe; SM-V=Village Vanguard with Warne Marsh; and SM-I= Interviews ! (Sal at Trumpets Jazz Cafe', Montclair, NJ - January 2006) SOURCE: D=Digital Audio Tape (DAT); CD=Compact Disc; HD=Hard Drive Recorder (Alesis Digital Recorder); CAS=Cassette; RtR=Reel-to-Reel PERFORMERS: SM=SAL MOSCA (Piano); WM=Warne Marsh (Tenor); JH=Jimmy Halperin (Tenor); TB=Ted Brown (Tenor); CK=Charles Krachy (Tenor); CF=Charlie Flynn (Tenor); LK=Lee Konitz (Alto); JR=Joris Roelofs (Alto); CA=Chris Aiello (Alto); RT=Richard Tabnik (Alto); LP=Lenny Popkin (Alto); JLP=John LaPorta (Clarinet); BA=Bob Arthurs (Trumpet); DF-Don Ferrara (Trumpet); Simon Wettenhall (Trumpet); LT=Lennie Tristano (Piano); GS=George Shearing (Piano); JE=Jon Easton (Piano); MD=Mark Diorio (Piano); CS=Charles Sibirsky (Piano); CC=Connie Crothers (Piano); AL=Arthur Luckower -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
Representations of Biomedicine, Medical Research and Bioethics In
REPRESENTATIONS OF BIOMEDICINE, MEDICAL RESEARCH AND BIOETHICS IN MEDICAL DRAMAS By Eszter Nádasi Submitted to Central European University Department of Gender Studies In partial fulfillment for the degree of Master of Arts in Gender Studies. Supervisor: Professor Allaine Cerwonka Budapest, Hungary CEU eTD Collection 2014 ABSTRACT This thesis explains certain approaches that circulate in the scholarly and popular cultural discourses about the transformation of the human body. By focusing on those theories which claim that the transition and the new form of embodiment come into existence by the application and innovation of modern medical technologies, I describe the debates and controversies around the new stage called posthumanity. The review part introduces several theories of posthuman embodiment, like the hybridity and robotization of the human body, boundary crossings between human, animal, and machines and presents that the process of posthumanization entails ambiguities, excitement, and anxieties within the scholarly fields, for instance because transplantation, prosthetization, assistive reproduction and genetic research change general ideas about human embodiment. These technologies raise bioethical concerns and have individual and social impacts, thus I argue that people have to be informed about the advances of medical technologies. Beyond the traditional ways of scientific communication it is necessary to examine how the issues described above are presented in the field of popular culture. This thesis examines a genre called medical drama series and argues that these series have the potential to represent posthumanist issues and challenges. Medical dramas are useful sources in the debates about posthumanism and invite the audience to think about the presented issues, and provide platforms for further discussions. -