DOCSLIB.ORG

Waldorf Nw1 Reference Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Waldorf Nw1 Reference Manual WALDORF NW1 REFERENCE MANUAL Waldorf Music GmbH, rev1.0 September 23, 2015 1 • Introduction • Product development team Thank you for purchasing the NW1 wavetable module. NW1 team : Like any Waldorf product, this NW1 has been developed and produced with • Development: Oliver Rockstedt, Fred´ eric´ Meslin, Isabelle Kernhof love in Germany, for the most demanding musicians. We sincerly hope it will bring you fun and musical inspiration. Stefan Stenzel, Frank Schneider • Design: Stefan Stenzel, Axel Hartmann Reading this user manual, you will discover all the device features, learn its basic use and benefits from tips & tricks we gathered during product de- • Testers: Dirk Krause, Juergen Driessen, Rolf Woehrman velopment. Tom Wies Your Waldorf-team http://www.waldorfmusic.de • Manual: Fred´ eric´ Meslin, Stefan Stenzel Revision: 1.0, September 2015 • Disclaimer We would like to thank : Waldorf Music GmbH is not liable for any erroneous information contained in this manual. The contents of this manual may be updated at any time Joachim Flor, Willie Eckl, Michael von Garnier, Christian Bacaj, Karsten without prior notice. We made every effort to ensure the information herein Dubsch, Daniel Krawietz, Kurt ”Lu” Wangard, Echo Wu, Miroslaw ”Mirek” is accurate and that the manual contains no contradictory information. Wal- Pindus, Erik Norlander, Stephan Gries dorf Music GmbH extends no liabilities in regard to this manual other than those required by local law. This manual or any portion of it may not be reproduced in any form without the manufacturer’s written consent. Waldorf Music GmbH, Lilienthal Strasse 7, D-53424 Remagen, Germany For additionnal information / sound demos / software downloads, please visit our website : http://www.waldorfmusic.de/nw1-overview.html 2 3 CONTENTS CONTENTS CONTENTS CONTENTS Contents 10 Updating firmware 40 10.1 With the wavetable Editor . 40 1 General safety guidelines 8 10.2 With a System Exclusive File player . 40 2 Device maintenance 8 11 Technical specifications 42 3 Package contents 10 A Wavetable list 44 4 Device overview 10 4.1 Front panel . 10 4.2 Back panel . 14 5 Device connection 16 5.1 Power connection . 16 5.2 Audio connection . 16 6 Playing back wavetables 18 6.1 Wavetables basics . 18 6.2 Choosing a wavetable . 20 6.3 Scanning wavetables . 22 6.4 Tuning the oscillator . 24 6.5 Transforming the sound . 26 6.6 Modulating the sound . 30 7 Recording wavetables 32 7.1 Recording basics . 32 7.2 Recording setup . 32 7.3 Recording a wavetable . 32 7.3.1 Choosing a slot . 32 7.3.2 Audio source and gain . 34 7.3.3 Prepare recording . 34 7.3.4 Arming the recorder . 34 7.3.5 Recording . 34 7.4 Advanced options . 36 7.4.1 Compression level . 36 7.4.2 Playback quality . 36 8 Transferring wavetables 38 9 Speech wavetables 38 4 5 1 GENERAL SAFETY GUIDELINES 2 DEVICE MAINTENANCE 1 General safety guidelines 2 Device maintenance Please read the following safety guidelines carefully! • Do not try to open the device or detach the frontpanel. They include precautions you should always observe when dealing with electronic equipment. • Refer all service and repair tasks to qualified personnel. • There are no user serviceable parts inside the chassis. • Use the device indoors only, in a dry atmosphere. • Use only a soft cloth or brush to clean the device surface. • Never use the device under too damp conditions such as in bathrooms or near swimming pools. • Never use cleaning chemicals as they will damage the device sur- face. • Do not use the device in extremely dusty or dirty environments in order to preserve the device’s surface finish. • Make sure that adequate ventilation is available for the device to cool down. Do not place the device near heat sources such as radiators. • Do not expose the device to extreme vibrations. • Unplug the device when you are not using it for longer periods. • Never place objects containing liquids on top or near the device. • Make sure no foreign objects find their way into the unit. If this occurs, switch the power off, unplug the device and consult a qualified repair center. This device, used with amplifiers, speakers or headphones, can generate volume levels that may result in irreparable damage to human hearing. For this reason, volume should be kept at moderate levels at all times. This device is designed exclusively to generate low frequency audio signals for sound generation. Any other use is prohibited and voids the warranty extended by Waldorf Music GmbH. Damages due to incorrect use are not the responsability of Waldorf Music GmbH. 6 7 3 PACKAGE CONTENTS 4 DEVICE OVERVIEW 3 Package contents 4 Device overview NW1 package comes complete with the following material: 4.1 Front panel • NW1 wavetable module • 1 x 16-way 20cm ribbon cable • 4 x M2.5 x 6 screws • 4 x M3 washers • 2 x jumpers (already attached on board) • A quick start poster • German protective atmosphere Only a Phillips head screwdriver #0 is needed to mount the module into the rack frame. No additional tools are needed. Figure 1: Frontpanel of module Id Description 1 Gate Input Used for gated wavetable travel and start wavetable recording. 2 Pitch CV input Set the pitch. Signal should be 1V / octave, from 0V to 5V (5 octaves). 8 9 4.1 Front panel 4 DEVICE OVERVIEW 4.1 Front panel 4 DEVICE OVERVIEW Id Description Id Description 3, 4, 5 Modulation CV inputs 19 Travel mode Modulate selected destination. Controls the wavetable scanning: The modulated destination is chosen using the Destination Gated: switches (11, 12, 13). Travel the wavetable from start position when gate is asserted, The amplitude of modulation is set using the Gain poten- stop at current position when gate is deasserted. tiometers (8, 9, 10). Step: Advance the wavetable position on each gate pulse. 6 Oscillator output Free: Audio output. Cycle through the wavetable according to Travel. Signal can be up to 16V peak-to-peak. 7 USB interface 20 Travel speed Load and save wavetable data with computer or update In playback mode: firmware. Set the wavetable playback speed. 8, 9, 10 Modulation gains Speed ranges from -120 RPM to +120 RPM (rotation per minute). Controls depth of each modulation. In recording mode: Set the recorded wavetable playback quality. 11, 12, 13 Modulation destinations Select the destination for each modulation input. 21 Wavetable position In playback mode: 14 Pitch CV trimmer Set the wavetable playback start position. Fine-tune the scaling for the pitch CV input. Position ranges from 0◦to 360◦. 15 Spectrum control In recording mode: Transpose spectral envelope of the tone. Set the recording compression ratio. Transposition range is from -64 to +64 semitones. 22 Tune range 16 Brilliance control Select the octave. Sharpen or flatten the spectral envelope peaks of the tone. Octave can be set from -4 (C-4, 16.35Hz) to -2 (C-2, 65.41Hz). 17 Keytrack 23 Tune pitch Set wave playback pitch relative to pitch. Adjust pitch. Adjustment range covers 12 semitones. 18 Noisiness ”Noisy” control Adjust wavetable rendering from periodic to noisy. 24 Wavetable dial In playback mode: Select wavetable. In recording mode: Set the recording threshold level or gate triggering. 10 11 4.1 Front panel 4 DEVICE OVERVIEW 4.2 Back panel 4 DEVICE OVERVIEW Id Description 4.2 Back panel 25 Display In playback mode: Shows the wavetable in use. In recording mode: Show the input signal level and the recording state. 26 Operating mode Select the operating mode: Record: Record user wavetable using Modulation CV input 1 (3) as audio source. User: Play wavetables recorded or transferred using the Editor (U0 to U9). ROM / TTS: Play factory ROM wavetables (00 to 80) or Text-To-Speech (A0 to E9) wavetables. Figure 2: Backpanel of module 27 Recording / gate LED In playback mode: Id Description Shows the gate signal level. In recording mode: 28 Eurorack bus connector Shows trigger state for recording. Bus connector providing power and bus CV / Gate signals to the oscillator module. Regulated +12v and -12v power rails must be supplied for the module to work. 29 Bus CV jumper Use CV signal from the Eurorack bus when no jack is inserted in Pitch CV input. To disable bus CV usage, the jumper must be detached. 30 Bus Gate jumper Use Gate signal from the Eurorack bus when no jack is inserted in Gate input. To disable bus Gate usage, the jumper must be detached. 12 13 5 DEVICE CONNECTION 5.2 Audio connection 5 DEVICE CONNECTION 5 Device connection The module can now be installed in the rack using the provided screws, washers and a Phillips head screwdriver #0. With the module installed, You now own a fantastic wavetable / speech oscillator. It is time to integrate switch the system power supply on. The module Display (25) will show a it in your modular system. short animation followed by the selected wavetable number. If the Display (25) stays dark when powered on, please switch it off 5.1 Power connection immediately. The cable has probably been attached incorrectly, it is The first step is to provide your module with power. The module only re- possible nothing has been damaged. quires stabilized +12v & -12v voltages. These voltage should already be provided by your modular system power supply. 5.2 Audio connection Before connecting any module to the Eurorack bus, it is mandatory to The second step is connecting the audio output of the module so you can switch the modular system power off. Otherwise you may severely dam- hear the sound. A mixing desk or an audio amplifier system should be at- age your module or put yourself at risk.
Load more

Recommended publications
  • USER MANUAL Table of Contents
    USER MANUAL Table Of Contents Table Of Contents Foreword ........................................................................... 3 Parts and Multis ............................................................. 78 Control Features & Connections ..................................... 6 System Configuration .................................................... 85 Front Panel ............................................................................................... 6 Kyra Sound Programming ........................................... 95 Rear Panel Connections ...................................................................... 7 Troubleshooting ........................................................... 125 Specifications .................................................................... 8 Kyra USB Interface ...................................................... 130 Introduction ..................................................................... 10 Kyra Firmware Update ................................................ 130 Setup and Connections .................................................. 13 Technical Data .............................................................. 135 System Overview ............................................................ 18 Glossary ........................................................................ 136 Basic Controls ................................................................. 20 Product Support ........................................................... 154 The Control Panel Sections ..........................................
    [Show full text]
  • Sound Parameter
    Foreword Foreword Hint Waldorf Music is not liable for any erroneous information Thank you for purchasing the Waldorf Quantum. You now contained in this manual. The contents of this manual may own a high-class hybrid synthesizer featuring a wide range be updated at any time without prior notice. We made of unique sounds with approved Waldorf quality – made in every effort to ensure the information herein is accurate Germany! and that the manual contains no contradictory informati- on. Waldorf Music extends no liabilities in regard to this What to read? manual other than those required by local law. The biggest problem with any manual is to find a way to This manual or any portion of it may not be reproduced in address the needs of absolute beginners and experts alike. any form without the manufacturer's written consent. Some people read a manual cover to cover while others Waldorf Music GmbH, Lilienthalstraße 7, don’t even touch it. Opting for the latter is a poor choice, D-53424 Remagen, Germany especially when the manual describes a Waldorf instru- ment. Anyone reading the following manual is in for a lot of fun while learning about and working with the Waldorf Quan- tum. Your Waldorf Team 2 Quantum Manual Foreword Quantum Development Team We would like to thank Software: Rolf Wöhrmann Thomas Brenner, Karsten Dubsch, Willie Eckl, Joachim Flor, Roger Keller, Jonathan Miller, Pierre Nozet, Miroslav Hardware/Housing: Oliver Rockstedt, Frank Pindus, Lukas Schütte, Stefan Stenzel, Michael von Garnier, Schneider, Rolf Wöhrmann Kurt ‘Lu’ Wangard, Haibin Wu and anyone we have forgot- Design: Axel Hartmann ten.
    [Show full text]
  • 11C Software 1034-1187
    Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185
    [Show full text]
  • Waldorf Iridium Quickstart Manual
    Quickstart Manual Für deutsche Version bitte umdrehen! Content Content Foreword .................................................................................................................... 4 A Short Overview ...................................................................................................... 22 Control Features & Connections ................................................................................ 5 Oscillator Section ................................................................................................ 23 Front Panel .............................................................................................................. 5 Loading & Editing Samples ............................................................................ 27 Rear Panel Connections ..................................................................................... 6 Oscillator Mixer (OSC MIX) Section ............................................................ 28 Dual Filter Section .............................................................................................. 28 General Safety Guidelines ......................................................................................... 7 Digital Former Section ..................................................................................... 28 Setup and Connections .............................................................................................. 9 Envelopes Section .............................................................................................
    [Show full text]
  • PPG Wave 3.V
    PRESS RELEASE • FOR IMMEDIATE RELEASE • 02/12/10 CONTACT For review samples please e-mail: [email protected] For Waldorf Music info contact: [email protected] PPG Wave 3.V Waldorf releases new soft synth plug-in Waldorf, GERMANY: Waldorf Music is proud to announce availability of its new PPG Wave 3.V soft synth plug-in as of December 2, 2010… The PPG Wave 3.V is a virtual recreation of the legendary PPG Wave series, arguably amongst the most coveted high-end synthesizers of the Eighties. Originally developed by Wolfgang Palm — famed for inventing wavetable synthesis (whereby groups of short, single-cycle waves can be swept digitally from one to the next — a wavetable in PPG-speak), their unique, groundbreaking sounds graced countless hit records that have since inspired a whole generation of producers, composers, and listeners alike. While a full-blown PPG Music Computer System originally cost somewhere in the region of a classy, luxury car — affordable only to a few top musicians and producers, now anyone can enjoy these still-unique sounds in their favourite VST or AU host DAW at a fraction of that price! In 1981, the PPG Wave 2 was the first digital wavetable synthesizer — an eight-voice, one-oscillator- per-voice affair — with analogue filters and VCAs; upping the ante to two oscillators per voice, the eight-voice PPG Wave 2.2 made history a year later with hitherto-unheard sensational sound patterns, thanks to its 32 wavetables with 64 waveforms in each wavetable, as well as awesome analogue sounds, brilliant bells, cathedral-like choirs, and other digital delights.
    [Show full text]
  • M3 External Setup List
    M3 External Setups 1 : These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous controlMidi file. 2 : When the MIDI channel settings of the host application and the plug-in software are the same, proper control may Switches Sliders Pads not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application's manual for the correct setting. Product Scene Manufacturers 12345678 1234567812345678 HINT Name Variation Name Free Free Free Free Free Free Free Free OSC BAL RESO CUTOFF EG INT ATTACk DECAY RELEASE IFX BAL Note Note Note Note Note Note Note Note Click the "KORG" logo. Select "Load Controller Map..." from the displayed KORG logo menu. Load the controller 0 KLC M1 Ch Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G Ch:01G settings file "M1.cmap" from the "Presets" folder inside the folder where the KORG Legacy Collection is installed. CC#/ Off Off Off Off Off Off Off Off CC#8 CC#71 CC#74 CC#79 CC#73 CC#75 CC#72 CC#91 C4 D4 E4 F4 G4 A4 B4 C5 Note Name Free Free Free Free Free Free Free Free OSC BAL Free CUTOFF EG INT ATTACK DECAY RELEASE Volume Note Note Note Note Note Note Note Note Click the "KORG" logo.
    [Show full text]
  • Nástroj Pro Pořizování Dat Pro Wave Table Syntézu Wave Table
    ČESKÉ VYSOKÉ UČENÍ TECHNICKÉ V PRAZE Fakulta elektrotechnická Katedra radioelektroniky Nástroj pro pořizování dat pro wave table syntézu Wave Table Synthesis Data Acquisition Tool Bakalářská práce Studijní program: Komunikace, Multimédia a Elektronika Studijní obor: Multimediální technika Vedoucí práce: doc. Ing. Sporka Adam Ph.D. Aleksandr Kartavykh Praha 2018 2 Čestné prohlášení Prohlašuji, že jsem předloženou práci vypracoval samostatně, a že jsem uvedl veškeré použité informační zdroje v souladu s Metodickým pokynem o dodržování etických principů při přípravě vysokoškolských závěrečných prací. Dne 25.5.2018 v Praze ……………………………….. Podpis studenta 3 Abstrakt Tato práce se zabývá pořizováním dat pro wavetable syntézu. Je zde popsána základní problematika a aplikované principy. Práce zkoumá techniky digitální syntézy zvukových signálů v kontextu hudební produkce. Na základě výsledků byl vytvořen experimentální systém v prostředí Matlab pro pořizování a testování dat pro wavetable syntézu. Výstupem systému jsou vzorky hudebních tónů o různé výšce, barvě nebo délce. Výsledné zvukové vzorky byly použity v prostředí Native Instruments Kontakt pracujícím na principu wavetable syntézy pro tvorbu multiparametrické banky zvukových vzorků, která byla následně upravena a otestována. Klíčová slova: wavetable syntéza, hudba, zvuková banka, Matlab, Native Instruments Kontakt Abstract This thesis focuses on data acquisition for wavetable synthesis. It describes basic problematics and applied principles. The thesis concentrates on techniques of digital synthesis of audio signals in the context of musical production. Based on the results, an experimental system was created in the Matlab environment for the acquisition and testing of data for wavetable synthesis. Output of this system are samples of musical tones of different pitch, timbre or length. The resulting sound samples were used in Native Instruments Contact environment which uses the wavetable synthesis principle to create a multiparametric sound bank that was subsequently modified and tested.
    [Show full text]
  • The Nave Controls
    Content The Filter & Drive Section .............................................. 26! Content The LFO Section ............................................................ 30! Foreword ................................................................................. 3! The Detail Sections ........................................................ 31! About this Manual .................................................................. 5! The Envelope Detail Section (Env) .................................. 31! The Arpeggiator Detail Section ...................................... 33! Installation .............................................................................. 6! The Effect Detail Section (FX1 & FX2) ............................ 37! System Requirements for Windows ................................. 6! The Wave Detail Section ............................................... 43! Installation under Windows ............................................. 6! The Matrix Detail Section .............................................. 47! System Requirements for Mac OS X ................................ 7! The Control Detail Section ............................................. 48! Installation under OS X ................................................... 7! Sound Synthesis Basics ..................................................... 53 Activation of Nave .......................................................... 8! ! Wavetable Synthesis in Nave ......................................... 53! Basic Operation ..................................................................
    [Show full text]
  • Waldorf-Quantum-Manual.Pdf
    Foreword Foreword Hint Waldorf Music is not liable for any erroneous information Thank you for purchasing the Waldorf Quantum. You now contained in this manual. The contents of this manual may own a high-class hybrid synthesizer featuring a wide range be updated at any time without prior notice. We made of unique sounds with approved Waldorf quality – made in every effort to ensure the information herein is accurate Germany! and that the manual contains no contradictory informati- on. Waldorf Music extends no liabilities in regard to this What to read? manual other than those required by local law. The biggest problem with any manual is to find a way to This manual or any portion of it may not be reproduced in address the needs of absolute beginners and experts alike. any form without the manufacturer's written consent. Some people read a manual cover to cover while others Waldorf Music GmbH, Lilienthalstraße 7, don’t even touch it. Opting for the latter is a poor choice, D-53424 Remagen, Germany especially when the manual describes a Waldorf instru- ment. Anyone reading the following manual is in for a lot of fun while learning about and working with the Waldorf Quan- tum. Your Waldorf Team 2 Quantum Manual Foreword Quantum Development Team We would like to thank Software: Rolf Wöhrmann Thomas Brenner, Karsten Dubsch, Willie Eckl, Joachim Flor, Roger Keller, Jonathan Miller, Pierre Nozet, Miroslav Hardware/Housing: Oliver Rockstedt, Frank Pindus, Lukas Schütte, Stefan Stenzel, Michael von Garnier, Schneider, Rolf Wöhrmann Kurt ‘Lu’ Wangard, Haibin Wu and anyone we have forgot- Design: Axel Hartmann ten.
    [Show full text]
  • User Manual 10.7 MB
    User Manual Content Content Foreword .................................................................................................................... 4 Sound Parameter ...................................................................................................... 26 Control Features & Connections ................................................................................ 6 Overview oF Functions ..................................................................................... 26 Front Panel .............................................................................................................. 6 Oscillator Section ................................................................................................ 27 Rear Panel Connections ..................................................................................... 7 The Wavetable Oscillator ................................................................................ 28 Introduction ................................................................................................................ 8 The WaveForm Oscillator ................................................................................ 42 Setup and Connections ............................................................................................ 11 The Particle Generator ..................................................................................... 48 The Resonator ...................................................................................................... 58 Setup .......................................................................................................................
    [Show full text]
  • Nave-Manual.Pdf
    Content Content Foreword ................................................................................ 3 The Oscillator Module ................................................... 20 Hint ................................................................................ 3 Filter and Envelope Menu Page (Filter & Env) ................. 24 Nave Development Team ................................................ 4 Modulation and Keyboard Menu Page (Mod & Keys) ..... 30 We would like to thank ................................................... 4 Effect and Arpeggiator Menu Page (FX & Arp) ................ 38 Tape and System Menu Page (Tape & Sys) ..................... 47 Introduction ............................................................................ 5 About this Manual ........................................................... 5 Sound Synthesis Basics ..................................................... 54 Symbols .......................................................................... 5 Wavetable Synthesis in Nave ......................................... 54 Highlighted Control Features and Parameters .................. 5 Oscillators Introduction ................................................. 55 Basic Operation ..................................................................... 6 Filter Introduction .......................................................... 59 Audio Output .................................................................. 6 Appendix .............................................................................
    [Show full text]
  • Sound Synthesis and Sampling, Third Edition (Music Technology)
    Sound Synthesis and Sampling This page intentionally left blank Sound Synthesis and Sampling Third Edition Martin Russ AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK OXFORD • PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First edition 1996 Reprinted 1998, 1999, 2000 (twice), 2002 (twice) Second edition 2004 Reprinted 2005, 2006 Third edition 2009 Copyright © 1996, 2004, 2009 Martin Russ. Published by Elsevier Ltd. All rights reserved The right of Martin Russ to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) (0) 1865 843830; fax: (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier website at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Control Number: 2008936153 ISBN: 978-0-240-52105-3 For information on all Focal Press publications visit our website at www.focalpress.com Typeset by Charon Tec Ltd., A Macmillan Company.
    [Show full text]