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John Hughes' Family Films and Seriality
Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two. -
6769 Shary & Smith.Indd
ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. -
Where Everyone Will Start in the Bass Pro Shops Night Race
NASCAR Cup Series 60th Annual Bass Pro Shops Night Race Starting Line-Up Bristol Motor Speedway Track Size: .533 miles - 500 laps Race Date: September 19, 2020 Pos. No. Driver Sponsor Make 1 2 Brad Keselowski (P) Discount Tire Ford 2 22 Joey Logano (P) Shell Pennzoil Ford 3 19 Martin Truex, Jr. (P) Bass Pro Shops Toyota 4 4 Kevin Harvick (P) Busch Light Ford 5 3 Austin Dillon (P) Bass Pro Shops/Tracker Offroad Chevy 6 9 Chase Ellliott (P) NAPA Auto Parts Chevy 7 11 Denny Hamlin (P) FedEx Freight Toyota 8 88 Alex Bowman (P) Axalta Chevy 9 18 Kyle Busch (P) Skittles Toyota 10 10 Aric Almirola (P) Smithfield Ford 11 14 Clint Bowyer (P) Rush Truck Centers/Cummins Ford 12 41 Cole Custer (P) HaasTooling.com/Autodesk Ford 13 1 Kurt Busch (P) Monster Energy Chevy 14 12 Ryan Blaney (P) Advance Auto Parts Ford 15 24 William Byron (P) Liberty University Chevy 16 21 Matt DiBenedetto (P) Menards/Dutch Boy Ford 17 8 Tyler Reddick Childress Vineyards Chevy 18 95 Christopher Bell # Rheem Toyota 19 42 Matt Kenseth Credit One Bank Chevy 20 20 Erik Jones Auto-Owners Insurance Toyota 21 47 Ricky Stenhouse, Jr. Kroger Chevy 22 37 Ryan Preece Bush's Beans Chevy 23 17 Chris Buescher Fastenal Ford 24 48 Jimmie Johnson Ally Chevy 25 6 Ryan Newman Guaranteed Rate Ford 26 34 Michael McDowell Love's Travel Stops Ford 27 43 Bubba Wallace Cash App Chevy 28 13 Ty Dillon GEICO Chevy 29 96 * Daniel Suarez Genuine Parts & Service Toyota 30 32 Corey LaJoie Schluter Systems Ford 31 38 John Hunter Nemechek # Mystik Michigan Ford 32 15 Brennan Poole Chevy 33 00 Quin Houff # Boss Hoss Cycles Chevy 34 77 Reed Sorenson Betterforyourhealth.com Chevy 35 53 James Davison Racing for Heroes Ford 36 51 Joey Gase(i) Bare Arms Ford 37 27 Gray Gaulding(i) Panini America Ford 38 66 * Timmy Hill(i) RoofClaim.com Toyota 39 7 * Josh Bilicki(i) Insurance King Chevy 40 78 * Garrett Smithley(i) Chevy. -
NASCAR Cup Series - Darlington Raceway - 9/05/21 Last Update: 08/30/2021 9:51 AM
72nd Annual Cook Out Southern "500" - NASCAR Cup Series - Darlington Raceway - 9/05/21 Last Update: 08/30/2021 9:51 AM Race Eligible Vehicle Entry List Entry Veh # Driver Organization Crew Chief Veh Mfg Sponsor 1 00 Quin Houff StarCom Racing George Church Chevrolet UNITS 2 1 Kurt Busch Chip Ganassi Racing Matt Mccall Chevrolet Monster Energy 3 2 Brad Keselowski Team Penske Jeremy Bullins Ford Discount Tire 4 3 Austin Dillon Richard Childress Racing Justin Alexander Chevrolet Bass Pro Shops/Tracker Off Road 5 4 Kevin Harvick Stewart Haas Racing Rodney Childers Ford Busch Light Fan Design 6 5 Kyle Larson Hendrick Motorsports Cliff Daniels Chevrolet HendrickCars.com 7 6 Ryan Newman Roush Fenway Racing Scott Graves Ford Oscar Mayer Bologna 8 7 Corey Lajoie Spire Motorsports Ryan Sparks Chevrolet Schluter Systems 9 8 Tyler Reddick Richard Childress Racing Rburnett Burnett Chevrolet 10 9 Chase Elliott Hendrick Motorsports Alan Gustafson Chevrolet NAPA/Children's 11 10 Aric Almirola Stewart Haas Racing Mike Bugarewicz Ford Smithfield 12 11 Denny Hamlin Joe Gibbs Racing Chris Gabehart Toyota Offerpad 13 12 Ryan Blaney Team Penske Todd Gordon Ford Menards\Richmond 14 14 Chase Briscoe Stewart Haas Racing John Klausmeier Ford HighPoint.com / Founders 15 15 Joey Gase (i) Rick Ware Racing Ken Evans Chevrolet RWR 16 17 Chris Buescher Roush Fenway Racing Luke Lambert Ford Roush Performance 17 18 Kyle Busch Joe Gibbs Racing Ben Beshore Toyota 18 19 Martin Truex Jr Joe Gibbs Racing James Small Toyota Bass Pro 19 20 Christopher Bell Joe Gibbs Racing Adam -
Box Score Bristol Motor Speedway Bass Pro Shops NRA Night Race
Box Score Bristol Motor Speedway Bass Pro Shops NRA Night Race Provided by NASCAR Statistics at 8/19/2017 11:08:30 PM Green Flag Passes For Lead:29 Car Driver Start Mid Closer Finish High Low Avg Pass Green Green Quality % Quality # Fastest Laps in % Laps in Laps % Laps Total Driver Pts Pos Race Pos Pos Pos Pos Pos Diff Pass Passed Passes Passes Laps Top 15 Top 15 Led Led Laps Rating 18 Kyle Busch 18 8 1 1 1 18 3.2 21 61 40 60 98.36 86 499 99.8 156 31.2 500 133.2 53 77 Erik Jones 1 5 3 2 1 10 1.9 -1 27 28 27 100 59 500 100.0 260 52.0 500 139.3 50 11 Denny Hamlin 7 7 5 3 2 14 6.2 1 61 60 60 98.36 22 500 100.0 0 0.0 500 113.2 43 20 Matt Kenseth 5 1 2 4 1 21 6.6 12 54 42 42 77.78 28 462 92.4 11 2.2 500 108.6 49 41 Kurt Busch 25 12 4 5 4 25 14.3 21 146 125 76 52.05 7 299 59.8 0 0.0 500 83.4 32 31 Ryan Newman 13 4 7 6 1 19 11.8 7 82 75 77 93.9 6 442 88.4 1 0.2 500 91.2 38 6 Trevor Bayne 20 17 8 7 6 21 14.1 5 116 111 78 67.24 8 288 57.6 0 0.0 500 83.0 30 4 Kevin Harvick 29 3 11 8 2 29 9.5 30 82 52 53 64.63 27 420 84.0 0 0.0 500 99.2 37 42 Kyle Larson 2 6 10 9 1 13 4.5 1 80 79 80 100 48 500 100.0 70 14.0 500 116.0 41 21 Ryan Blaney 10 13 9 10 2 14 8.5 -6 66 72 66 100 5 500 100.0 0 0.0 500 96.5 31 48 Jimmie Johnson 21 2 6 11 2 21 10.0 19 89 70 76 85.39 16 483 96.6 0 0.0 500 92.8 36 1 Jamie McMurray 11 15 14 12 4 20 11.8 -17 76 93 70 92.11 1 421 84.2 0 0.0 500 86.7 25 22 Joey Logano 8 18 13 13 1 20 12.4 -12 56 68 39 69.64 1 351 70.2 0 0.0 500 84.2 27 17 Ricky Stenhouse Jr 14 21 18 14 7 24 13.7 21 113 92 71 62.83 17 339 67.8 0 0.0 500 82.7 23 19 -
2018 Television Report
2018 Television Report PHOTO: HBO / Insecure 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Adrian McDonald Corina Sandru Philip Sokoloski filmla.com Graphic Design: Shane Hirschman @FilmLA FilmLA Photography: Shutterstock FilmLAinc HBO ABC FOX TABLE OF CONTENTS INTRODUCTION 2 PRODUCTION OF LIVE-ACTION SCRIPTED SERIES 3 THE INFLUENCE OF DIGITAL STREAMING SERVICES 4 THE IMPACT OF CORD-CUTTING CONSUMERS 4 THE REALITY OF RISING PRODUCTION COSTS 5 NEW PROJECTS: PILOTS VS. STRAIGHT-TO-SERIES ORDERS 6 REMAKES, REBOOTS, REVIVALS—THE RIP VAN WINKLE EFFECT 8 SERIES PRODUCTION BY LOCATION 10 SERIES PRODUCTION BY EPISODE COUNT 10 FOCUS ON CALIFORNIA 11 NEW PROJECTS BY LOCATION 13 NEW PROJECTS BY DURATION 14 CONCLUSION 14 ABOUT THIS REPORT 15 INTRODUCTION It is rare to find someone who does not claim to have a favorite TV show. Whether one is a devotee of a long-running, time-tested procedural on basic cable, or a binge-watching cord-cutter glued to Hulu© on Sunday afternoons, for many of us, our television viewing habits are a part of who we are. But outside the industry where new television content is conceived and created, it is rare to pause and consider how television series are made, much less where this work is performed, and why, and by whom, and how much money is spent along the way. In this study we explore notable developments impacting the television industry and how those changes affect production levels in California and competing jurisdictions. Some of the trends we consider are: growth in the number of live-action scripted series in production, the influence of digital streaming services on this number, increasing production costs and a turn toward remakes and reboots and away from traditional pilot production. -
Motorsports (Appendix 6)
MOTORSPORTS {Appendix 6, to Sports Facility Reports, Volume 20} Research completed as of July 10, 2019 Facility Name: Atlanta Motor Speedway Location: Hampton, GA Facility Description: 1.54-mile quad-oval, .25 mile legends track, 1-mile road course, and a 2.5 mile road course. Events: Atlanta 250 and Georgia 200 Doubleheader (NASCAR Xfinity and Gander Outdoor Truck Series); Folds of Honor QuikTrip 500 (Monster Energy NASCAR Cup Series); SCCA Autocross; Rinnai 250 (NASCAR Xfinity Series); Monster Energy NASCAR Cup Series Qualifying Day, Ultimate Tailgating 200 (NASCAR Gander Outdoors Truck Series) , Atlanta Air Show; Vintage Market Days; Buck Baker’s Seat Time Racing School. Principal Owner: Speedway Motorsports, Inc. Date Built: 1960; Renovations in 2006 Facility Cost ($/Mil): $1.8; $23 in renovations Facility Financing: Privately financed by Dr. Warren Gremmel, Bill Boyd, Jack Black, Art Lester, and Garland Bagley. Facility Website Twitter: @amsupdates UPDATE: N/A NAMING RIGHTS: Bruton Smith purchased Atlanta International Raceway in 1990, and he renamed the facility. Facility Name: Auto Club Speedway Location: Fontana, CA Facility Description: 2.0-mile D-shaped oval Events: Auto Club 400 (Monster Energy NASCAR Cup Series); Production Alliance Group 300 (NASCAR Xfinity Series); Suzuki Superbike Challenge (AMA Superbike); The Leukemia and Lymphoma Society’s Light the Night. © Copyright 2019, National Sports Law Institute of Marquette University Law School Page 1 Principal Owner: International Speedway Corp. Date Built: 1997 Facility Cost ($/Mil): $100 Facility Financing: Privately funded through a joint venture by Penske Speedways, Inc. and Kaiser Ventures Inc. Facility Website Twitter: @ACSupdates UPDATE: N/A NAMING RIGHTS: The Auto Club of Southern California has a ten-year naming rights deal with California Speedway, which was signed in 2008. -
Spring 2008-09
Zeta Lambda Chapter of Delta Sigma Phi at Rose - H u l m a n Spring 2009 New Officers Sergeant at Arms: Lucas Weir Dear readers, Hello my name is Jake and I the new Alumni Director. I [email protected] am a freshman ME. I am from the fall 2008 pledge class President: Cody Fogwell Pledge: Kyle Clark and I have been given the nickname Uncle Buck. [email protected] [email protected] YITBOS Vice President: Aaron Vaslow Athletics: Craig Schlachter Jacob Warmoth [email protected] PR: James Wojan [email protected] Secretary: Esteban Carrasco Alumni: Jacob Warmoth ELD: Rick Hering [email protected] Alumni Earns Recognition [email protected] Editor: Ben Sollman Recently, Andy Williams, class of 88’, was presented TAP: Joel Strayer Historian: Adam Churchill with the Career Achievement Award. Mr. Williams is the TAR: Mathew Gilbert Tech/Web: Matt Moore senior vice president of the Automotive and Power Regu- Steward: Landry Carbo [email protected] lation Group of ON Semiconductor and SCI LLC. I hope Social: Stu Falco Song Leader: Nick Till you all join me in congratulating him on his success. Rush: Sam Wilson IFC Reps: Parker Lee/ Kyle Clark YITBOS House: Keith McCrorey Activities: Ryan Schulten Jacob Warmoth Chaplin: Mike Rooney Co-Rush: Chad Wine Alumni Director Graduating Seniors Last First Company/School City State Email Barton John Rockwell Collins Cedar Springs IA [email protected] Butler Kevin Toyota Erlanger KY [email protected] Cornelius Kyle Undetermined N/A N/A N/A Cramer Michael -
Home and the Superego: the Risky Business of Being Home Alone
A.M. Gordon & H. Vera / PsyArt 20 (2016) 124–139 Home and the Superego: The Risky Business of Being Home Alone Andrew M. Gordon & Hernán Vera Abstract Risky Business (1983) and Home Alone (1990) are strikingly similar popular American films, family comedies. In both, the family conveniently vanishes and the son is left home alone, presented with the temptations of a newfound freedom which he promptly abuses, and then with seemingly overwhelming problems which he solves through ingenuity and risk-taking. Both are fantasies of the wise child in which adults are unsympathetic (Risky Business) or incompetent (Home Alone) and the child becomes the real adult. If we consider the superego as the internalized voice of the parents and of the culture, then both young protagonists are in revolt against the superego. In both films, we see the paradox of the child hero trashing his home in order to defend it. The two films present a rebellion against superego, home, and family not as an assault but as a defense of superego, home, and family. Both films represent the divided societal superego of America in the 1980s. Keywords Film, Risky Business, Home Alone, superego, 1980s America, home To cite as Gorden, A.M., and Vera, H., 2016, ‘Home and the Superego: The Risky Business of Being Home Alone’, PsyArt 20, pp. 124–139. "The more we reflect on the tyranny of the home, the less surprising it is that the young wish to be free of its scrutiny and control." Mary Douglas, "The Idea of a Home," 283 Risky Business (1983) and Home Alone (1990) are strikingly similar popular films, family comedies about the tribulations created by the fulfillment of a child's wish to eliminate the family. -
2018 Silent Auction Die-Cast Items October 20, 2018 Silent Auctions Open at 10:30 A.M
2018 Silent Auction Die-Cast Items October 20, 2018 Silent Auctions Open at 10:30 a.m. - Will close at 1:15 & 1:30 p.m. Items listed are not in their final order Clearance!!! Bargain Die-Cast Boxes Individual & Bundled 1/64 Scale Die-Casts JUST $3.00 Each or 2 for $5.00 BUY-IT-NOW - Cash-n-Carry Values Up To $30.00 Donated by (See Individual Bid Cards) SUNOCO Inaugural Year "Official Fuel of NASCAR" 2004 SUNOCO Race Car Hauler Sides open to display inside of Trailer; Lights & Sound Operated (Battery not included) Includes Race Car & Pit Wagon w/ Flag Stands & Gas Cans (Serial No. 027214) In original sealed clear plastic Donated by The Collection of Sharon Palatas NASCAR – Die Cast SET "The LEGENDARY Earnhardt Racing Family" 1:64 Scale 3 Car Set Collectable Tin Includes: 1) Ralph Earnhardt #8 - 1969 Chevrolet Camaro, 2) Dale Earnhardt #3 - GM Goodwrench Service Plus / Talladega Win 2000 Monte Carlo (H/O) 3) Dale Earnhardt Jr. #8 - Budweiser / Texas Victory 2000 Monte Carlo (H/O & Display Base). (with Certificate of Authenticity) Donated by The Collection of Sharon Palatas NASCAR Cup Series – Die-Cast Ken Schrader #49 1:24 Scale Die-Cast 2004 Ken Schrader #49 Schwan's Home Delivery DODGE Intrepid by Racing Champions LIMITED EDITION Donated by The Collection of Sharon Palatas Page 1 of 9 NASCAR Cup Series – Die Cast Dale Earnhardt Inc. DEI #3, #1, #8 Pit Stop Practice Car 2000 Chevrolet Monte Carlo LIMITED EDITION 1:24 Scale Die Cast (1 of 2,508) Donated by The Collection of Sharon Palatas NASCAR Cup Series – Die Cast Robby Gordon 2004 Robby -
Daniel Suarez
DANIEL SUÁREZ It’s Good To Be Genuine Toyota Camry Team Report Round 9 of 36 – Supermarket Heroes 500 – Bristol Car No.: 96 – It’s Good To Be Genuine Toyota Camry PR Contact: Laz Denes, True Speed Communication (704) 875-3388 ext. 806 or [email protected]) Primary Team Members: Driver: Daniel Suárez Crew Chief: Dave Winston Hometown: Monterrey, Mexico Hometown: Miami, Florida Technical Director: Nick Ollila Car Chief: Mark Hillman Hometown: Warren, Michigan Hometown: Lockport, New York Engine Builder: Toyota Racing Development Engine Specialist: Kirk Butterfield Headquarters: Costa Mesa, California Hometown: Carrollton, Ohio Spotter: Steve Barkdoll Hometown: Garrison, Iowa Over-The-Wall Crew Members: Gas Man: Cory White Front Tire Changer: Mike Mead Hometown: Vinson, Iowa Hometown: Sherrills Ford, North Carolina Jackman: Joel Bouagnon Rear Tire Changer: Brandon Traino Hometown: St. Charles, Illinois Hometown: Cherry Hill, New Jersey Windshield: Mark Hillman Tire Carrier: Mason Harris Hometown: Lockport, New York Hometown: Fort Oglethorpe, Georgia Supermarket Heroes 500 Notes of Interest: After piloting the No. 19 NASCAR Cup Series Toyota for Joe Gibbs Racing in 2017 and 2018, then the No. 41 Cup Series entry for Stewart-Haas Racing in 2019, Suárez joined the single-car No. 96 Toyota Camry effort for Gaunt Brothers Racing (GBR) for the full 2020 season. Suárez will be making his 116th career NASCAR Cup Series start in Sunday’s Supermarket Heroes 500 at Bristol (Tenn.) Motor Speedway. He has career totals of eight top-five finishes, 32 top-10s and 241 laps led, with an average start of 16.2 and an average finish of 17.6. -
“The Creative Producer”: John Hughes, Synergy and Late 1980S Hollywood
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX MAY 2014 2 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 3 UNIVERSITY OF SUSSEX HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA SUMMARY My thesis explores debates on the commercial and textual priorities of New Hollywood cinema through examination of the career of John Hughes. I argue that scrutiny of Hughes’ career and the products associated with him expose the inadequacy of established approaches to cinematic authorship and New Hollywood cinema. By mounting a historically grounded investigation of Hughes’ career, his status within the cinema industry, and his work as a commercially successful and agenda-setting filmmaker, I aim to reevaluate existing perspectives on post-1970s mainstream popular U.S.