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Joker (2019 Film) - Wikipedia
Joker (2019 film) - Wikipedia https://en.wikipedia.org/wiki/Joker_(2019_film) Joker (2019 film) Joker is a 2019 American psychological thriller film directed by Todd Joker Phillips, who co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as the Joker. An origin story set in 1981, the film follows Arthur Fleck, a failed stand-up comedian who turns to a life of crime and chaos in Gotham City. Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Joker was produced by Warner Bros. Pictures, DC Films, and Joint Effort in association with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros. Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, who was initially attached to the project as a producer. The graphic novel Batman: The Killing Joke (1988) was the basis for the premise, but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Theatrical release poster Principal photography took place in New York City, Jersey City, and Newark, from September to December 2018. It is the first live-action Directed by Todd Phillips theatrical Batman film to receive an R-rating from the Motion Picture Produced by Todd Phillips Association of America, due to its violent and disturbing content. -
2012 Golden Globes Ballot
Golden Globes Ballot ........................................................... 2012 ........................................................... Best Motion Picture, Drama Best Actor, Comedy or Musical The Descendants Brendan Gleeson, The Guard Hooray, it’s Golden The Help Jean Dujardin, The Artist Globes time! Hugo Joseph Gordon-Levitt, 50/50 The Ides of March Owen Wilson, Midnight in Paris Fill out our annual ballot with Moneyball Ryan Gosling, Crazy, Stupid, Love your predictions on who will War Horse take home the statuettes. Best Actress, Comedy or Musical Best Motion Picture, Comedy Charlize Theron, Young Adult or Musical Jodie Foster, Carnage Throwing a Golden 50/50 Michelle Williams, My Week The Artist With Marilyn Globes bash? Bridesmaids Kate Winslet, Carnage Midnight in Paris Kristen Wiig, Bridesmaids Pass out the ballot to friends My Week With Marilyn and tune into PopSugar Best Supporting Actor Network on awards day to see Best Director Albert Brooks, Drive all the winners, Golden Globes Alexander Payne, The Descendants Christopher Plummer, Beginners fashion, and more. George Clooney, The Ides of March Jonah Hill, Moneyball Michel Hazanavicius, The Artist Kenneth Branagh, My Week Good Luck! Martin Scorsese, Hugo With Marilyn Woody Allen, Midnight in Paris Viggo Mortensen, A Dangerous Method Best Actor, Drama Brad Pitt, Moneyball Best Supporting Actress George Clooney, The Descendants Bérénice Bejo, The Artist Leonardo DiCaprio, J. Edgar Janet McTeer, Albert Nobbs Michael Fassbender, Shame Jessica Chastain, The Help Ryan -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Requiem for a Dream”
An Analysis of the Film “Requiem for a Dream” by Angela de Sousa (06th May 2014_Film Theory) Page 1 of 10 Film Analysis of “Requiem for a Dream” Director: Darren Aronofsky Writer: Hubert Selby Jr (based on his book / Screenplay) Darren Aronofsky (Screenplay) Release Date: October 2000 Genre: Drama Starring: Ellen Burnstyn.........................................................................Sara Goldfarb Jared Leto..............................................................................Harry Goldfarb Jennifer Connelly......................................................................Marion Silver Marlon Wayans.....................................................................Tyrone C. Love Christopher McDonald...........................................................Tappy Tibbons Keith David........................................................................................Big Tim Sean Gullette.....................................................................Arnold the Shrink An ancient Chinese proverb states that “one picture is worth ten thousand words” and in the film ‘Requiem for a Dream’ it is very true. The basic plot of the film is about addiction and the harsh reality of outcomes that it has upon its victims. The film focuses specifically on the lives of Sara and Harry Goldfarb (mother and son), Marion Silver (Harry’s girlfriend) and Tyrone C. Love (Harry’s best friend). The film takes place in Coney Island (Brooklyn, New York City, North America) and spans over a few months, from summer to winter in their lives -
Sir Alan Parker Donates Working Archives to Bfi
SIR ALAN PARKER DONATES WORKING ARCHIVES TO BFI l-r: Sir Alan Parker with Madonna on set of Evita; with Mickey Rourke on Angel Heart; directing an Oliver Twist commercial; demonstrating custard pie technique on Bugsy Malone. Credit: BFI National Archive Friday 24th July 2015, London. Sir Alan Parker, one of Britain’s most distinguished filmmakers has donated his entire working archive to the BFI National Archive. The collection covers over 45 years of filmmaking, from his early work as a commercials director for television, through to his career as an internationally renowned, award-winning director of some of the finest films of the period, from Bugsy Malone (1976) and Midnight Express (1978) to Mississippi Burning (1988) and Angela’s Ashes (1999) interspersed with a string of hugely popular musicals including Fame (1980), Pink Floyd - The Wall (1982), The Commitments (1991) and Evita (1996). To celebrate the donation, BFI Southbank will host a Focus On Sir Alan Parker from 24 September to 4 October, including a special on stage event, Sir Alan Parker and Lord Puttnam Unplugged, on 24 September, and an exhibition of his work. The Sir Alan Parker archive covers every period of his career, starting with his work as an advertising copywriter. All of his features are represented, with a wealth of scripts, production papers, promotional materials, posters and Parker’s own filmmaking diaries, offering a hugely important resource for students of film and television. The archive also includes a particularly rich collection of photographs and production stills, by photographers including Greg Williams, Mary Ellen Mark, Terry O'Neill and David Appleby, documenting his films to an exceptional degree. -
7 1Stephen A
SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Bachelor of Fine Arts in Film Production New York University 1985 Submitted to the Media Arts & Sciences Section, School of Architecture & Planning in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE at the Massachusetts Institute of Technology September, 1990 c Massachusetts Institute of Technology, 1990 All Rights Reserved I Signature of Author Media Arts & Sciences Section Certified by '4 A Professor Glorianna Davenport Assistant Professor of Media Technology, MIT Media Laboratory Thesis Supervisor Accepted by I~ I ~ - -- 7 1Stephen A. Benton Chairperso,'h t fCommittee on Graduate Students OCT 0 4 1990 LIBRARIES iznteh Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MITLibraries Email: [email protected] Document Services http://libraries.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Best copy available. SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Submitted to the Media Arts & Sciences Section, School of Architecture and Planning on August 10, 1990 in partial fulfillment of the requirements for the degree of Master of Science ABSTRACT Film Production has always been a complex and costly endeavour. Since the early days of cinema, methodologies for planning and tracking production information have been constantly evolving, yet no single system exists that integrates the many forms of production data. -
October 2019
FILMS RATED/CLASSIFIED From 01 Oct 2019 to 31 Oct 2019 Films and Trailers FILM TITLE DIRECTOR RUN TIME DATE APPROVED DESCRIPTION MEDIA NAME #AnneFrank. Parallel Stories Sabina Fedeli/Anna 2.07 22/10/2019 PG Trailer Migotto 1917 Sam Mendes 2.27 15/10/2019 M Trailer 3 From Hell Rob Zombie 115.49 18/10/2019 R18 Graphic violence, sexual violence, horror & offensive language Film - DCP Abominable Jill Culton, Todd 97 24/10/2019 G Film - DVD Wilderman Ad Astra James Gray 122.55 8/10/2019 M Violence, offensive language & content that may disturb Film - DVD Addams Family, The Greg Tiernan, 86.58 17/10/2019 PG Coarse language Film - DCP Conrad Vernon Aeronauts, The Tom Harper 100.23 8/10/2019 PG Film - DCP All at Sea Robert Young 88.2 10/10/2019 M Film - DCP Am Cu Ce Pride Hannah 19 25/10/2019 PG Offensive language Film - DCP Weissenborn André Rieu: 70 Years Young André Rieu and 1 15/10/2019 G Trailer Michael Wiseman Angel Has Fallen Ric Roman Waugh 121 7/10/2019 R16 Violence & offensive language Film - Harddrive Arctic Justice Aaron Woodley 92 24/10/2019 G Film - DCP Ardab Mutiyaran Manav Shah 139.3 15/10/2019 PG Violence & coarse language Film - DCP At Last Yiwei Liu 1.05 22/10/2019 M Trailer Badlands Terrence Malick 93.37 15/10/2019 M Violence Film - DCP Bala Amar Kaushik 2.47 22/10/2019 M Sexual references Trailer Barefoot Bandits, The: Behind the Voices Ryan Cooper, Alex 4.56 4/10/2019 G Film - DCP Leighton, Tim Evans Barefoot Bandits, The: Glow Your Own Way Comp Ryan Cooper, Alex 0.31 4/10/2019 G Film - DCP Leighton, Tim Evans For Further -
Word Search Bilquis (Yetide) Badaki Unite Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad April 28 - May 4, 2017 We’ve got you covered! waxahachietx.com The quest for the A L Y R E L J Q A R A B V A H 2 x 3" ad S A Q I S M A U M C S H A N E Your Key P U D Y H C E A W F E L B E W To Buying Triple Crown begins T R U K A R H A F I M K O N D M A P V E W A R W G E S D B A and Selling! 2 x 3.5" ad B R O W N I N G E A K A Y U H I D O L Z T W H W I T T G K S L P U G U A B E S M B Q U I Q Q E S N Q S E E D A W E A V I U B H X I W L T E N Q O R E P I K A U K T I K M B E L D Y E S A C D T V E T A W R S I S E A B E I A D V T D E R G D U M P E H A V K E S H A D O W A N T W A M C A I L A V Y H L X Y “American Gods” on Starz (Words in parentheses not in puzzle) Shadow (Moon) (Ricky) Whittle (Neil) Gaiman Place your classified Solution on page 13 (Mr.) Wednesday (Ian) McShane Bodyguard ad in the Waxahachie Daily 2 x 3" ad Laura (Moon) (Emily) Browning Believe Light, Midlothian1 xMirror 4" ad and Mad (Sweeney) (Pablo) Schreiber Power Ellis County Trading Post! Word Search Bilquis (Yetide) Badaki Unite Call (972) 937-3310 © Zap2it The 143rd Kentucky Derby airs Saturday on NBC. -
Ludacris Shows His Serious Side Alyse Knorr______His Current Lifestyle
The Pendulum ARTS & ENTERTAINMENT Thursday, December 7, 2006 • Page 23 Ludacris shows his serious side Alyse Knorr_______ his current lifestyle. jail is not a place you want to be,” Bridges said. Editor Money Maker,” the most successful If “Do Your Time” is the most political single off the album, feels like the Ludacris ly intense song on the album, then “Slap” is Southern rapper Chris “Ludacris” we know and love best- playful, catchy the most emotionally intense. Bridges sets Bridges released his fifth album, “Release lyrics with an easy beat to dance to. his audience on edge with his lyrics, and Therapy,” last September, marking his third Mouths to Feed” has powerful lyrics that the slow beat and electric guitar effects number one album in a row and one of his get political, expressing the pressure that intertwined throughout the song add an Host serious accomplishments as an artist. comes with having a family to support uneasy feeling. However, “Release Therapy” has been People can relate to that,” Bridges said. “‘Slap’ was getting my views in and iiuch more than just a hit seller for this 28- A lot of people have mouths to feed and being in certain situations when you get so year-old hip-hop artist. that’s their motivation.” angry you want to slap the hell out of “It’s my classic album,” Bridges said. “It’s Tell It Like It Is” sounds like the Bridges someone,” Bridges said, hinting at his per •he most honest album, and it’s very personal.” in Step Back ’- blunt and honest about his sonal problems with Bill O’Reilly as a Bridges hop)ed to show a more serious complaints with the music industry: “See, potential inspiration. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Our TIFF: Geoffrey Rush Smoking with the Riff-Raff 11-01-28 1:24 PM Our TIFF: Geoffrey Rush Smoking with the Riff-Raff
Our TIFF: Geoffrey Rush smoking with the riff-raff 11-01-28 1:24 PM Our TIFF: Geoffrey Rush smoking with the riff-raff TIFF most down-to-earth celebrity? Geoffrey Rush casually shared a smoke or two with regular folks on the sidewalk outside the It Might Get Loud party at the George Pimentel for National Post SoHo Metropolitan. National Post · Friday, Sept. 12, 2008 How the Post’s team of reporters saw this year’s film festival. By Nathalie Atkinson, Vanessa Farquharson, Shinan Govani, Ben Kaplan, Chris Knight, Adam McDowell, Katherine Monk, Jay Stone and Bob Thompson Best festival motto OK, there is only one: For the love of film. But it’s so flexible. Say it in a straight voice and it’s about how much you enjoy movies. Add a sarcastic tone and it doubles as an epithet for when you’ve just been turned away from a party, or had your cab snatched by Julianne Moore: “Oh, for the love of film!” C.K. Best star-sighting vantage point If you can, land this coveted spot: the corner table behind the mesh divider at the Hazelton’s lobby bar, which offers perfect sightlines to the hotel’s patio, restaurant, lobby, elevators and washroom corridor, so you don’t miss a single star. It’s celebrity central: Mickey Rourke, Marilyn Manson and Evan Rachel Wood, Adrian Brody, Mark Ruffalo, überpublicist Stephen Huvane and the last emperor himself, Valentino, all waltzed through. Within the same hour. (Bonus: Harvey Weinstein is often ensconced at a side table taking pitches, like an audience with the Pope.) N.A. -
SHAY CUNLIFFE Costume Designer
(4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE