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Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M. -
United Negro College Fund Campaign of '6 Impressions of Clark
Vol. XXX. No. 3 CLARK COLLEGE - ATLANTA, GEORGIA January-February, 1968 UNITED NEGRO COLLEGE FUND CAMPAIGN OF '6 Start of Something Big Clark Gets 7 In Student Exchange Program by Jerry R. Allen by Jerry R. Allen of Indianapolis, Indiana, is a February 15th is the com The exchange program at sophomore with a major in Po mencement date of--the United Clark College has progressed litical Science. He is a member Negro College Fund Campaign. greatly since its beginning. This of Phi Gamma Delta Frater This year’s goal is to beat all nity known as “Fiji.” semester there are two students previous heighs which proves to leaving Clark on the exchange Western Maryland College be a tedious task. For, the latest has three students here on the program. While, at the same totals reveal that Clark College exchange — Charlene K. Wil time, there are seven exchange is ranked sixth nationally with liams, Stephen Earl Hiltner and a net sum of $6,100.00 and a students here at Clark. David Wilson Buller. Charlene per capita ratio of $6.79. Mary Alice Stevenson and Williams is a sophomore with Miss Omega Tucker, a soph- Maryjo Clark, Clark students, a major in German. Stephen more pharmacy major and Miss are attending Depauw Univer Hiltner, also a sophomore, has UNCF of Clark College for the sity in Greencastle, Indiana. a major in Sociology. And, Da year 1966-67, will attend the Mary Stevenson, a native of At vid Buller, a junior, has a major 22nd Annual United Negro Col lanta, Georgia, is a sophomore lege Fund Convention on Feb with a major in Elementary in Psychology. -
Intermixx Webzine Online Edition
by Noel Ramos I recently interviewed the lovely Quinn Lemley, a rather unique InterMixx mem- ber in that she performs a hybrid of jazz, cabaret and lounge music. INTERMIXX: Quinn, I am very pleased that you have joined InterMixx and are in- volved in our activities. Do you consider yourself an "indie" artist, and if so, how do you define indie? QUINN: Yes Noel, I am definitely an "Indie," so much of the jazz/cabaret/lounge community is these days with labels pulling back their support in our genre. The great thing about being an "Indie" is that I had the opportunity to create my own vision for each of my recordings. INTERMIXX: In your opinion, what are the main problems concerning indie musicians at this time? QUINN: Financing and Distribution. We are "the engine" for everything. INTERMIXX: Your style of music is still somewhat unique amongst our membership, and I commend you on your DIY attitude. Can you describe what you do for our readers? QUINN: Of course, I am a hybrid of lounge/jazz and caba- ret. Some of my music is a big band feel and others a small four piece combo, it's sultry, sexy, fun music. Sort of a cross between Keeley Smith, Ann-Margret and Julie London. INTERMIXX: Tell us more about your portrayal of Rita Hayworth, and how that came to happen. Was it largely because of your resemblance to the beauty queen? QUINN: You are a doll, yes, I was doing a musical off Broadway and a friend of mine, Preston Ridge saw it, and he said that I should do a musical about the life and music of Rita Hayworth because I resembled her. -
Music City Texas
# 8 9 JANUARY 1997 TOWNES IMN ZANDT The days up and down (hey come Like rain on a conga drum Forgetting most, remember some But don't turn none away Everything is not enough Nothing is too much to bear Where you've been is good and gone All you keep’s the getting there To live s to fly. lou; and high So shake the dust off of your wings And the sleep out of your eyes He changed my life MCT1996 POLL HONEST JOHN REVIEWS Russ Bartlett • Ray Campi v Professor Longhair • Michele Murphy j KEN SCHAFFER’S A EGGE • KIM MILLER • LINDA LOZANO SAFETY IN NUMBERS SHOWCASE at its new home in the highly acclaimed LA PALAPA Restaurant and Cantina 6640 HWY 290 EAST (east of Highland Mall) at 6:00PM, NO COVER ' ’+ o o * i > o ° <0 ¿F Í , í J . u N .»O' « a i Ken lays out the welcome mat to all comers TOGETHER seeking the quintessential Austin music moment, Sat, Jan 11th, Belton Acoustic Concert Series, 7pm (details 817/778-5440) because he”H bet they can find it here. Fri, Jan 24th, Waterloo Ice House, 6th & Lamar, 9pm Call 419-1781 for sign up and details Egge: Thu, Jan 30th, Artz Rib House, 7pm Miller: Rouse House Concert, with L J Booth, u THE BEST OF THE UP AND COMING’’ April 26th (837-2333) < J / l N U A R y n V oVonW r i / aUer'i' VÜRE f X W s B s n d Mondays at gabe's, 9pm V Tuesdays at *Jovita's, 8pm Saturday 4th, groken Spoke, 9pm Saturday 18th, Mucky Duck, Houston, 8pm <£ 10.30pm RETR9VOGU6 Jriday 24th, Cactus Cafe, 9pm, & RELICS with special guest Staid Cleaves 2024 South Lamar Boulevard • Phone No 442-4446 &K9Mg9Mg you t h e /j e s t 9 m eouM^ny m u s 9C 'EÜKSÍlH ^tryiIIiñJKS— i KUT MAKES MUSIC! 5 5 3 5 BURNET RD. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ ANT 1975-04-11 P-1 --------- 1975-04-11 / ANT CP020141 / XK19750411 Buckwheat Zydeco at Antone's - Austin, TX Venue: Antone's Items: Original poster ANT Edition 1 / CP020141 / XK19750411 ANT / NONE / XK1975041 Performers: 1975-04-11: Antone's Buckwheat Zydeco ------------------------------ ANT 1976-04- P-1 --------- 1976-04- / ANT CP008155 / CP03400 Muddy Waters Birthday Party at Antone's - Austin, TX Notes: NONE Private Notes: Antones * Venue: Antone's Items: Original poster ANT Edition 1 / CP008155 / CP03400 Performers: 1976-04-: Antone's Muddy Waters ------------------------------ ANT-Antones 1976-05-04 P-1 --------- 1976-05-04 / ANT Antones CP008163 / CP03408 Big Walter Horton at Antone's - Austin, TX Private Notes: Antones Venue: Antone's Items: Original poster ANT-Antones Edition 1 / CP008163 / CP03408 ANT-Antones / CP020153 / XK19760504 ANT-Antones / NONE / XK1976050 Performers: 1976-05-04: Antone's Big Walter Horton ------------------------------ ANT 1976-09-28 P-1 --------- 1976-09-28 / ANT CP020160 / XK19760928 John Lee Hooker at Antone's - Austin, TX Venue: Antone's Items: Original poster ANT Edition 1 / CP020160 / XK19760928 ANT / CP020866 / XM19760928 ANT / NONE / XM1976092 Performers: 1976-09-28: Antone's John Lee Hooker ------------------------------ ANT 1976-09-28 ® --------- 1976-09-28 / ANT John Lee Hooker at Antone's - Austin, TX Artist: Danny Garrett Venue: Antone's Items: ANT / Performers: 1976-09-28: Antone's John Lee Hooker ------------------------------ ANT 1976-11-16 P-1 --------- 1976-11-16 / ANT CP015123 / ME0270 B.B. -
(In)Attention, Listening to Noise
InVisible Culture Cultivating (In)attention, Listening to Noise Emily Bock Published on: Apr 25, 2021 DOI: 10.47761/494a02f6.eb27df12 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) InVisible Culture Cultivating (In)attention, Listening to Noise Featured image: Chantal Regnault, Legendary Voguer Willi Ninja wearing a Thierry Mugler body piece, 1989. Photo courtesy of the photographer. 2 InVisible Culture Cultivating (In)attention, Listening to Noise For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. — Jacques Attali, Noise: The Political Economy of Music You’ve been invited to a ball. A friend texted you the flier earlier in the day with the address and descriptions of the categories and promises they will be there “on time” (a promise you know they won’t keep). When you arrive, a little before Legends, Statements, and Stars, you meander around the room looking for your friends’ house table to put down the few things you’ve brought along with you to survive the long evening (wallet, keys, phone, lipstick) and talk to folks about things neither of you will remember tomorrow. You won’t remember, not because the conversation is lacking in wit and energy; the opposite really. Everyone around you is laughing loudly, slapping knees and hands together in exclamation. It seems as though the room is talking over each other with such speed and enthusiasm that you can barely focus on your own words as they spill out into the large room which only seems to get smaller as more and more people flood in from the outside. -
Destination Anywhere an Insider’S Tour of Hometown Music Scenes, Past and Present
by RichaRd SkanSe Destination anywhere An insider’s tour of hometown music scenes, past and present. Austin tLive Musicex Capital Aof the sWorLd deStination anywheRe auStin, texaS continued it’s A Lot to Live up to, that Texas-sized boast about being the “Live Music Capital of the world.” Austin adopted it as their official slogan in 1991, with no voting or formal competition for the title involved, of course, apart from the city council members who did have the modesty to rule out the slightly more inflated “Live Music Capital of the Universe.” As such, it’s a claim to fame as open for debate as any truck stop’s self-proclaimed “world’s Best Coffee” or w“ orld Famous Chicken-Fried Steak.” The appropriate response to any such pronouncements should always be a certain degree of skepticism: “Prove it.” The key word in this case is “live.” For district. And when visitors arrive at Austin- the better part of the last 40 years, the best Bergstrom International Airport, they’re in Texas—and a good many notables from immediately greeted by Texas music, be it beyond—have all found themselves drawn piped through the terminal sound system or to the center of the state and used the capital live onstage, right in the concourse, as part city’s many stages to launch, or even re-launch, of the “Music in the Air” concert series. their music careers. Austin is where Abbott, does all of that merit the “Live Music Texas native willie Nelson reinvented himself Capital of the world” title? Clearly, it as an “outlaw,” spearheading the progressive doesn’t hurt. -
FW May-June 03.Qxd
INTERVIEW MARK O’CONNOR • FESTIVALS • CAMPS • FREE CONCERTS • MANY FACES OF FOLK FREE Volume 3 Number 3 May-June 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Many“Don’t you know that Faces Folk Music is illegal in Los Angeles?” of— WARREN FolkC ASEYof the Wicked Tinkers BY JERRY BRESEE tart with Leadbelly. Draw checking out and is a good yard- a line over to Woody stick of their musical evolution. Guthrie. Drop straight The two bands coexisted for a down to Bob Dylan, and while with the Moonshiners play- again to Neil Young. ing 100% bluegrass and the Nitty Draw your line sideways Gritty Dirt Band being eclectic. to Tracy Chapman. Draw The McCabe’s Guitar Shop gang S a line from her back up to liked playing jug band music; Les both Leadbelly and Bob points to Jim Kweskin and the Jug Dylan. Link in B.B. King. Hook Band as an influence. With both Woody Guthrie up to Bob Wills and Bob Dylan and the Beatles hap- hook them both up to Dave Carter. pening at that time, the NGDB was Then write down Bill Monroe and pulled in many directions, and the Vassar Clements. Hook them Moonshiners soon merged into the together, and then hook them both to band. Their stage shows, which Dave Carter and Bob Wills. Add were being heard at The links to Nickel Creek, Allison Kraus, Troubadour, The Ice House, The and link them both to Bela Fleck. Mecca and The Ash Grove, were Keep adding names: Joni Mitchell, made up of a broad range of mate- Ladysmith Black Mombazo, Lila rial, drawing from all their many Downs, Los Lobos. -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
Clik-0701-Compressed.Pdf
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