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KHAZAR UNIVERSITY Faculty
KHAZAR UNIVERSITY Faculty: Education Major: General and Applied Linguistics Topic: “May your young people cast off the stone of singleness:” Azerbaijani “alqış phrases” (blessing formulas) and their American English equivalents, or what is revealed by the lack thereof Master student: Martha Lawry Scientific Advisor: Professor Hamlet Isaxanli Submitted January 2012 1 Summary This thesis by Martha Lawry is entitled “„may your young people cast off the stone of singleness:‟ Azerbaijani „alqış phrases‟ (blessing formulas) and their American English equivalents, or what is revealed by the lack thereof.” The objective of the research is to define the alqış phrases which are frequently used in modern spoken Azerbaijani, determine how best to define them in English, determine their linguistic functions in Azerbaijani, and compare them to the phrases that most closely fulfill the same functions in American English. Ethnographic and comparative research methods were used, including reviewing secondary sources (literature reviews) and qualitative research in the form of both semi- structured interviews conducted with native Azerbaijani speakers of varying ages and social strata living in the Azerbaijan Republic and open-ended structured interviews conducted via an online questionnaire with native English speakers living in the United States. The research led to the conclusion that alqış phrases should be defined as ―blessing formulas‖ in English. Most alqış phrases were determined to be grammatically distinguished by second or third person verbs in optative or imperative mood. They can have the expressive functions of being bono-recognitive, bono-petitive, malo-recognitive or malo-fugitive, although the most common are bono-petitive and malo-fugitive. Alqış phrases were also shown to be politeness strategies according to Levinson and Brown‘s politeness theory (used to protect the speaker‘s positive face or to protect the listener‘s negative face). -
Ali Pirzadeh Exploring the Historical Roots of Culture, Economics, And
Arts, Research, Innovation and Society Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Arts, Research, Innovation and Society Series Editors Gerald Bast, University of Applied Arts, Vienna, Austria Elias G. Carayannis, George Washington University, Washington, DC, USA David F.J. Campbell, University of Applied Arts, Vienna, Austria Editors-in-Chief Gerald Bast and Elias G. Carayannis Chief Associate Editor David F.J. Campbell More information about this series at http://www.springer.com/series/11902 Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Ali Pirzadeh Washington , DC , USA Arts, Research, Innovation and Society ISBN 978-3-319-30483-0 ISBN 978-3-319-30485-4 (eBook) DOI 10.1007/978-3-319-30485-4 Library of Congress Control Number: 2016935406 © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. -
Destination: Kazakhstan
DESTINATION: KAZAKHSTAN LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES GENERAL DESCRIPTION The 9th largest country in the world, with everything from mountains as high as seven thousands meters to lakes as large as the sea and vast steppes in between, has many amazing wonders, admirable places and good traditions that will make you love Kazakhstan and never forget it. This land has fascinating (at times sad) history that is shared by a hundred of ethnic groups and which has created a strong nation with unique culture and friendship that bounds people of this country and leads them together into the future. Due to the large area of the country, climate can vary a lot. Every season in this country shows its full extent, whether summer, winter, autumn or spring. For someone who loves changes in weather, it is a perfect place. No matter if your visit to Kazakhstan will be long or short, you should learn about the country before coming here to fully enjoy your stay and understand people around you. Population of country 15,340,000 people Area of Kazakhstan 2,717,300 sq. kilometers Located on the continent Asia (AS) Capital Astana Currency Tenge (KZT) LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES ARRIVAL/DEPARTURE Almaty The airport was founded in 1935. Up to 1990 it was the part of Kazakh Department of Civil Aviation. On April 26, 1991, the airport was re-organized into Alma-Ata Airport, and since 1993 it runs as an independent business unit. -
Ethnolinguistic Description of Horse Culture in Eurasia
1 Ethnolinguistic Description of Horse Culture in Eurasia MIKES INTERNATIONAL Dr. Guldana Sarbassova The Hague, Holland The University of Amsterdam & L.N.Gumilyov Eurasian National University 2013 05.12.2013 2 Publisher Foundation 'Stichting MIKES INTERNATIONAL', established in The Hague, Holland. Account: Postbank rek.nr. 7528240 Registered: Stichtingenregister: S 41158447 Kamer van Koophandel en Fabrieken Den Haag Distribution The book can be downloaded from the following Internet-address: http://www.federatio.org/mikes_bibl.html If you wish to subscribe to the email mailing list, you can do it by sending an email to the following address: [email protected] The publisher has no financial sources. It is supported by many in the form of voluntary work and gifts. We kindly appreciate your gifts. Address The Editors and the Publisher can be contacted at the following addresses: Email: [email protected] Postal address: P.O. Box 10249, 2501 HE, Den Haag, Holland _____________________________________ ISSN 1570-0070 ISBN 90-8501-147-7 NUR 616 © Mikes International, 2001-2013, Guldana Sarbassova, All Rights Reserved 3 Ethnolinguistic description of horse culture in Eurasia Post-doctoral research scholar: Dr. Guldana Sarbassova 4 To my father, Aktai Sarbassov 5 CONTENT Introduction……………………………………………………………………………………….6 Ethnolinguistic Description of Kazakh Horse Culture…………………………………………...8 Culture Concerned with the Horse as a “Prism” of the Kazakhs’ National Heritage……………23 History and Myths in Traditional Kazakh Horse Culture………………………………………..30 Language and Identity in Kazakh Horse Culture………………………………………………...40 6 INTRODUCTION For a long centuries Kazakh nation eat the horse meat and drink horse milk called Kymyz, so they saying that «Kazakh nation has a temper of horse». -
20 291 Oversikt
Tel : +47 22413030 | Epost :[email protected]| Web :www.reisebazaar.no Karl Johans gt. 23, 0159 Oslo, Norway Highlights of Azerbaijan & Georgia Turkode Destinasjoner Turen starter KFSB Azerbaijan - Georgia Baku Turen destinasjon Reisen er levert av 10 dager Tbilisi Fra : NOK 20 291 Oversikt Spend 10-days in Azerbaijan and Georgia, where historical old towns and monasteries sit comfortably alongside towering skyscrapers. Discover warmth and pride among the ostensible austerity of Azerbaijan culture, then cross into Georgia to devour medieval ruins and traditional wines alike. Visit one of Europe's largest open-air rock museums, warm your hands against a mountain that is forever on fire, walk through the gardens of a local Kakheti family and then chat to them about provincial life over a hearty lunch. From cities to mountains, this trip guarantees encounters that will stay with you forever. Reiserute Baku Welcome to Azerbaijan! Your adventure begins with a welcome meeting at 1 pm. After the formalities are out of the way, head out on a walking tour of Baku with your leader. Take a wander through the Old City, entering through the Shemakha Gate and heading to the cylindrical Maiden Tower and the Palace of the Shirvanshahs, an impressive complex made even more spectacular by the fact that it’s framed by a modern skyline. Finish in the Old Market Square. Enjoy a free evening to do as you please. If you’re searching for somewhere to eat, ask your leader to point you in the direction of Nizami Street, where local restaurants line this busy boulevard. -
A Film Watcher's Guide to Multicultural Films
(Year) The year stated follows the TPL catalogue, based on when the film was released in DVD format. DRAMA CONTINUED Young and Beautiful (2014) [French] La Donation (The Legacy) (2010) [French] Yureru (Sway) (2006) [Japanese] Eccentricities of a Blonde-Haired Girl (2010) FAMILY [Portuguese] Amazonia (2014) [no dialogue] Ekstra (2014) [Tagalog] Antboy (2014) [English] Everyday (2014) [English] A Film Watcher’s The Book of Life (2014) [English/Spanish/French] Force Majeure (2014) [Swedish/English/French] Jack and the Cuckoo-Clock Heart (2013) Gerontophilia (2014) [French/English] Guide To Gett: The Trial of Viviane Amsalem (2015) [English/French] Khumba (2013) [English] [French/Hebrew/Arabic] Song of the Sea (2015) [English/French] Girlhood (2015) [French] Happy-Go-Lucky (2009) [English] HORROR The hundred year-old man who climbed out of a (*includes graphic scenes/violence) window and disappeared (2015) [Swedish/English] Berberian Sound Studio (2012) [English] The Hunt (2013) [Danish] *Borgman (2013) [Dutch/English] I am Yours (2013) [Norwegian/Urdu/Swedish] *Kill List (2011) [English] Ida (2014) [Polish] The Loved Ones (2012) [English] In a Better World (2011) [Danish/French] The Wild Hunt (2010) [English/French] The Last Sentence (2012) [Swedish] Les Neiges du Kilimanjaro (The Snows of ROMANCE Kilimanjaro) (2012) [French] All about Love (2006) [Cantonese/Mandarin] Leviathan (2015) [Russian/English/French] Amour (2013) [French] Like Father, Like Son (2014) [Japanese] Cairo Time (2010) [English/French] Goodbye First Love (2011) [French] -
How Many of These 50 Spiritual Movies Have You Seen? Did Any of Your Favorites Make the List?
50 Spiritual Movies Fresh Reviews | Exotic Spiritual Movies | Mystery Movie? Healing Movies | Sports Movies| Free Success Ebooks Spiritual Cinema | Transformational Books How Many of These 50 Spiritual Movies Have You Seen? Did Any of Your Favorites Make The List? This Book is Brought to You Courtesy of: new age spirituality Please visit: new age spirituality Warm welcome to 50 spiritual movies. Not only will you find some of the best spiritual cinema reviewed here but interspersed throughout you'll also find links to some of the best charities around. (In order to use the links make sure you are connected to the internet.) The charities chosen have been independently reviewed and found to have the highest percentage of donations going to the recipients. If you can't donate to one of these top charities then by passing this ebook on to others you will still be making a big difference as others who receive it may be able to give generously. And, of course, hopefully both you and those you pass this book on to will find and enjoy some wonderful inspirational and motivational movies. As a result, not only do you have full rights to give this ebook away but it likely will be a great blessing for a number of people if you do! Just think, contained within are not only motivational and inspirational movies that should have a positive impact on those you give it to − but if they or anyone else that they distribute it to are able to make a donation to any of the worthy charities featured within then you are spreading ripples of positivity and charity. -
The New Iranian Film: Central Themes Within a Framework of Values in Third Phase Post-Revolutionary Iranian Film By: Nicole E
The New Iranian Film: Central Themes within a Framework of Values in Third Phase Post-Revolutionary Iranian Film by: Nicole E. Cathcart zolm be’l-saviyeh adl ast (Oppression equally applied is justice) Persian proverb We have art so that we do not perish from truth. Nietzsche Much attention has been paid to the history and theory of European and American cinema as it has evolved over the last century, but there is comparatively little scholarship of films from the Middle East, an area that has been long misunderstood by the Western world. However, in recent years, the blossoming film industry of Iran and its many awards have begun to awaken the world to a brilliant new film tradition. Since the 1979 Iranian Revolution, a new generation of filmmakers has emerged, and through a variety of subjects, they provide an authentic perspective of modern Iranian culture. The post- Revolutionary film tradition of Iran has gained respect and admiration globally for its subtle exploration of social issues while avoiding superficiality. International film festivals have awarded Iranian films in recent years for their simple, yet profound messages. In the 20th and 21st century, this relatively new medium of film has become the most accessible art form to populations around the world, and it has become the most vivid way to experience another country’s culture. The history of film in Iran since the Revolution is that of an evolving relationship—both the filmmaker’s and the Revolutionary generation’s relationship to the government. Understanding the relationship between film and politics is the first step in understanding the films themselves. -
Turkish Language in Iran (From the Ghaznavid Empire to the End of the Safavid Dynasty)
42 Khazar Journal of Humanities and Social Sciences Turkish Language in Iran (from the Ghaznavid Empire to the end of the Safavid Dynasty) Zivar Huseynova Khazar University The history of Turks in Iran goes back to very ancient times, and there are differences of opinion among historians about the Turks‟ ruling of Iranian lands. However, all historians accept the rulers of the Turkish territories since the Ghaznavid Empire. In that era, Turks took over the rule of Iran and took the first steps toward broadening the empire. The Ghaznavi Turks, continuing to rule according to the local government system in Iran, expanded their territories as far as India. The warmongering Turks, making up the majority of the army, spread their own language among the army and even in the regions they occupied. Even if they did not make a strong influence in many cultural spheres, they did propagate their languages in comparison to Persian. Thus, we come across many Turkish words in Persian written texts of that period. This can be seen using the example of the word “amirakhurbashi” or “mirakhurbashı” which is composed of Arabic elements.1 The first word inside this compound word is the Arabic “amir” (command), but the second and third words composing it are Turkish. Amirakhurbashi was the name of a high government officer rank. Aside from this example, the Turkish words “çomaq”(“chomak”) and “qalachur”(“kalachur”) or “qarachur” (“karachur”) are used as names for military ammunition. 2 It is likely that the word karachur, which means a long and curved weapon, was taken from the word qılınc (“kilinj,” sword) and is even noted as a Turkish word in many dictionaries. -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL No. XXVIII July, 1966 Including the Report of the EXECUTIVE BOARD for the period July 1, 1964 to June 30, 1965 INTERNATIONAL FOLK MUSIC COUNCIL 21 BEDFORD SQUARE, LONDON, W.C.l ANNOUNCEMENTS CONTENTS APOLOGIES PAGE The Executive Secretary apologizes for the great delay in publi cation of this Bulletin. A nnouncements : The Journal of the IFMC for 1966 has also been delayed in A p o l o g i e s ..............................................................................1 publication, for reasons beyond our control. We are sorry for the Address C h a n g e ....................................................................1 inconvenience this may have caused to our members and subscribers. Executive Board M e e t i n g .................................................1 NEW ADDRESS OF THE IFMC HEADQUARTERS Eighteenth C onference .......................................................... 1 On May 1, 1966, the IFMC moved its headquarters to the building Financial C r i s i s ....................................................................1 of the Royal Anthropological Institute, at 21 Bedford Square, London, W.C.l, England. The telephone number is MUSeum 2980. This is expected to be the permanent address of the Council. R e p o r t o f th e E xecutiv e Board July 1, 1964-Ju n e 30, 1965- 2 EXECUTIVE BOARD MEETING S ta tem ent of A c c o u n t s .....................................................................6 The Executive Board of the IFMC held its thirty-third meeting in Berlin on July 14 to 17, 1965, by invitation of the International Institute for Comparative Music Studies and Documentation, N a tio n a l C ontributions .....................................................................7 directed by M.