Makingmusic 2019/20 Concert Guide
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NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Not One of Them
Not One of Them DAVID CRAIG Steve plowed through the snow, past "Yeah. I want to hear 'em." the college, and up fraternity row, with a Steve put Bizet's Carmen Suite on the fiat, square package clutched under one Vic, sprawled out in a leather arm chair, arm. He was a big, blonde boy with a pink and lit a cigarette. He rubbed his hand face and a wash board wave, which made over a two day growth of blonde beard and him look as if he just had come out from tried to act relaxed. under the dryer. He walked briskly with Blackie tapped his foot to the opening his shoulders back and his stomach pulled strains of the Intermezzo and said, "What's in, until he came to the little incline in the that?" sidewalk where he always began to move "First part of Bizet," Steve said. "It's as if he had lead in his feet. At the top got a lot of feeling." of the incline he would turn right into the "That's beautiful," Blackie said. red brick fraternity house with the dirty "Yeah. I rather like it. I spent a hell cream pillars. of a long while picking the stuff out for It was mid-afternoon and he noted my collection." that Onnie's jallopy was not yet parked out "How many records have you got, in front. He assumed an elaborately casual Steve?" air as he climbed the steps, opened the Steve made a deprecating gesture with door softly, and stepped inside, listening as his hands. -
1397. Carmen (Habanera) Hintergründe Von S
1397. Carmen (Habanera) Hintergründe von S. Radic Amadeus - The beautiful Romanian electric quartet! Four girls with a daring outfit play electric instruments and combine pop dance rhythms with the virtuosity of classical instruments. They live through music, they are best friends since high school, and they have worked very hard to make their dream come true. This is Amadeus. The Electric String Quartet thrills audiences with a wide range of musical styles, from classical to James Bond Theme to I Love Rock 'N Roll. academically trained in classical music. They all started to learn instruments at the age of 6 at the Electric String Quartet "Amadeus" is an entertaining, best music schools in Romania - the "George highly qualified and versatile string quartet from Enesco" High School and afterwards at the National Romania with "electric violins" that can be hired for University of Music, Bucharest. company parties, balls, product launches, film premieres, anniversaries and weddings. In the year Habanera is the name of a famous aria from 2000 Amadeus managed to break through the proi- Carmen, an opera by Georges Bizet. The opera was music entry and develop into one of the most original premiered on 3 March 1875 at the Opéra-Comique bands in Europe. The fresh musical style, virtuosity in Paris, the libretto of the opera was written by Henri and energy on stage brought the band a rapidly Meilhac and Ludovic Halévy, with the text of the aria growing fan base, hundreds of concerts around the written by Bizet himself. The Habanera aria is based world and 6 albums of original music sold out in the on El Arreglito by Sebastián de Yradier and is also 15 years since the band's inception. -
San Francisco Symphony April–June 2020 Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 5, 2020 SAN FRANCISCO SYMPHONY APRIL–JUNE 2020 CONCERT CALENDAR PLEASE NOTE: Single tickets and subscription packages for the San Francisco Symphony’s 2019–20 season are available at https://www.sfsymphony.org/Calendar, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. MUSIC FOR FAMILIES: MEET THE ORCHESTRA Saturday, April 4, 2020 at 2 pm Daniel Stewart conductor Daniel Stewart viola Nigel Armstrong violin San Francisco Symphony Youth Orchestra TCHAIKOVSKY Russian Dance from Nutcracker Suite, Opus 71a John WILLIAMS Nimbus 2000 from Harry Potter and the Sorcerer’s Stone DUKAS Fanfare to La Péri Owen Clayton CONDON Fractalia MOZART Excerpts from Presto from Sinfonia concertante in E-flat major for Violin and Viola, K.364(320d) Nigel Armstrong violin Daniel Stewart viola SMETANA Excerpt from Vltava from Má Vlast BRITTEN The Young Person’s Guide to the Orchestra MICHAEL TILSON THOMAS, MUSIC DIRECTOR Do you ever wonder how a composer strings together so many different instruments to create one big symphonic sound? Or what a contrabassoon sounds like? Then get ready to meet your orchestra! You’ll get t know the different instruments, their roles, and how they join forces to make the symphony sound amazing! Want more to explore? Then join us early for a scavenger hunt adventure throughout Davies Symphony Hall and win a prize, play an instrument, and take part in more pre-concert fun! Let’s go! Tickets: $10–65. -
Script Listening Program 3
Non-Directed Music Listening Program Series III Non-Directed Music Listening Program Script Series III Week 1 Composer: Ludwig von Beethoven (1770 – 1827) Composition: Minuet in G, No. 2 Performance: Philadelphia Orchestra, Eugene Ormandy Recording: CBS Masterworks Dinner Classics: The Viennese Album CBS MFK 45545 Day 1: This week’s listening selection is “Minuet in G, No. 2” by Ludwig von Beethoven. A minuet is a graceful dance. A man greets his partner with a bow then, hand-in- hand, leads her through a series of smooth and delicate movements. It is the small steps and gestures that give the dance its name – minuet which comes from a word that means small or minute. This is quite a contrast to the popular dances of today – such as Texas Line Dancing. Day 2: This week we are listening to Ludwig von Beethoven’s “Minuet in G, No. 2”. Between the 1600’s and the 1800’s, the minuet was the most popular dance in which ladies and gentlemen of the court gracefully moved through a series of small but intricate steps. You were not allowed membership in the king or queen’s court unless you had memorized the steps and patterns to the many different minuets. Today as you listen, think about all the dance moves you know. Would they fit with the music? Can you imagine how the men and women looked as they glided effortlessly across the polished floors? Day 3: This week’s listening excerpt is “Minuet in G, No. 2” written by the famous German composer, Ludwig von Beethoven. -
Carmen & Vivaldi
CARMEN & VIVALDI Zachary Schwartzman conductor Saturday, March 20, 2021 Performance # 164 Season 6, Concert 12 Livestreamed from the Fisher Center at Bard Sosnoff Theater SIGN UP FOR TŌN EMAIL by clicking here INSPIRE GREATNESS by making a donation at theorchestranow.org/support TABLE OF CONTENTS 4 CONCERT QUICK GUIDE 23 THE ADMINISTRATION 5 THE MUSIC 24 ABOUT BARD COLLEGE 6 ANTONIO VIVALDI CONCERTO FOR STRINGS IN G MINOR, RV 156 7 FRANK MARTIN PETITE SYMPHONIE CONCERTANTE 8 ARVO PÄRT CANTUS IN MEMORY OF BENJAMIN BRITTEN 9 RODION SHCHEDRIN CARMEN SUITE (AFTER BIZET’S OPERA) 10 THE ARTISTS 11 ZACHARY SCHWARTZMAN conductor 12 FRANK CORLISS piano 13 TAYLOR ANN FLESHMAN TŌN ’22 harp 14 RENÉE ANNE LOUPRETTE harpsichord 15 ARVO PÄRT composer 16 RODION SHCHEDRIN composer 17 THE ORCHESTRA NOW 19 SER KONVALIN horn 20 CHARLES GILLETTE percussion 21 SUPPORT TŌN Rehearsals and performances adhere to the strict guidelines set by the CDC, with daily health checks, the wearing of masks throughout, and musicians placed at a safe social 22 THE TŌN FUND DONORS distance. Musicians sharing a music stand also share a home. Concert Quick Guide The Music The Artists ™ Support TŌN CONCERT QUICK GUIDE The TŌN Fund Donors The Administration About Bard College ZACHARY SCHWARTZMAN conductor CONCERT TIMELINE 1 hour and 40 minutes Petite symphonie Concerto concertante Cantus Carmen Suite 6 min 21 min 6 min 42 min Brief remarks by Ser Konvalin horn ANTONIO VIVALDI Born 3/4/1678 in Venice, Italy Died 7/27 or 28/1741 at age 63 in Vienna CONCERTO FOR STRINGS IN G MINOR, -
Dali Newsletter 1992
This document is posted publicly for non-profit educational uses, excluding printed publication. To cite include the following: The Dali Museum. Collection of The Dali Museum Library and Archives. NEWSLETTER SALVADOR DALI NEWSLETTER SPRING/SUMMER 1492 VOL. 9 NO. 2 CARMEN EXHIBIT The Salvador Dali Museum tion premiered in 1875 at theOpera- celebrates the Museum's Tenth Comique. Carmen was not critically Anniversary by exhibiting the acclaimed in its first season. dramatic Carmen Suite. In 25 However its fame rapidly spread vibrantly colored illustrations, Dali within a few years. Bizet died just has captured the spirit of Georges three months after the first Bizet's most acclaimed opera, performance. Carmen. This lithographic collection Carmen is the tragic story of jeal- combines the unique talent and ousy and death. Don Jose, a soldier Spanish temperament of Salvador in the Spanish army, falls in love Dali to capture the essence and with the beautiful Gypsy Carmen. passion of this immortal love story He deserts the army to follow set in Seville, Spain. Carmen to her smuggler-compan- Georges Bizet, born in Paris in ions in the mountains and soon 1838, was taught music at an early discovers that Carmen has fallen in age by his parents. He entered the love with Escamillo, the bullfighter. Paris Conservatory at age nine and Jose, stunned by this revelation, fol- Don Jose's Final Appearance: The Bats won the Prix de Rome in 1857. A lows Carmen to Seville in an attempt Symbolizing Di'itth I Act IV) gifted pianist, his talents had to persuade her to start a new life manifest themselves by age 17 in with him. -
Requirements for Audition Sub-Principal Percussion
Requirements for Audition 1 Requirements for Audition Sub-Principal Percussion March 2019 The NZSO tunes at A440. Auditions must be unaccompanied. Solo 01 | BACH | LUTE SUITE IN E MINOR MVT. 6 – COMPLETE (NO REPEATS) 02 | DELÉCLUSE | ETUDE NO. 9 FROM DOUZE ETUDES - COMPLETE Excerpts BASS DRUM 7 03 | BRITTEN | YOUNG PERSON’S GUIDE TO THE ORCHESTRA .................................. 7 04 | MAHLER | SYMPHONY NO. 3 MVT. 1 ......................................................................... 8 05 | PROKOFIEV | SYMPHONY NO. 3 MVT. 4 .................................................................... 9 06 | SHOSTAKOVICH | SYMPHONY NO. 11 MVT. 1 .........................................................10 07 | STRAVINSKY | RITE OF SPRING ...............................................................................10 08 | TCHAIKOVSKY | SYMPHONY NO. 4 MVT. 4 ..............................................................12 BASS DRUM WITH CYMBAL ATTACHMENT 13 09 | STRAVINSKY | PETRUSHKA (1947) ...........................................................................13 New Zealand Symphony Orchestra | Sub-Principal Percussion | March 2019 2 Requirements for Audition CYMBALS 14 10 | DVOŘÁK | SCHERZO CAPRICCIOSO ........................................................................14 11 | MUSSORGSKY | NIGHT ON BALD MOUNTAIN .........................................................14 12 | RACHMANINOV | PIANO CONCERTO NO. 2 MVT. 3 ................................................15 13 | SIBELIUS | FINLANDIA ................................................................................................15 -
Ténor Tenore ! Yinjia Gong
Cover image: Yinjia Gong as Rodolfo in the 2013 production of La bohème at NorrlandsOperan, Umeå, Sweden. Photo: © Mats Bäcker Ténor tenore ! FRENCH AND ITALIAN OPERA ARIAS Yinjia Gong LAHTI SYMPHONY ORCHESTRA MARKUS LEHTINEN BIS-2066 BIS-2066_f-b.indd 1 2015-02-16 15:41 PUCCINI, Giacomo (1858–1924) 1 E lucevan le stelle (Tosca, Act III) 3'19 DONIZETTI, Gaetano (1797–1848) 2 Ah ! mes amis (La Fille du régiment, Act I) 4'16 VERDI, Giuseppe (1813–1901) 3 La donna è mobile (Rigoletto, Act III) 2'14 4 La Traviata: Prelude to Act I (instrumental) 3'46 5 Forse la soglia attinse (Un ballo in maschera, Act III) 5'26 6 Celeste Aïda (Aïda, Act I) 4'36 ADAM, Adolphe (1803–56) 7 Mes amis, écoutez l’histoire 4'36 (Le Postillon de Lonjumeau, Act I) GOUNOD, Charles (1818–93) 8 Quel trouble inconnu… Salut ! demeure chaste et pure (Faust, Act III) 6'03 9 L’amour, l’amour… Ah ! lève-toi, soleil ! 4'44 (Roméo et Juliette, Act II) 2 BIZET, Georges (1838–75) 10 La fleur que tu m’avais jetée (Carmen, Act II) 4'28 11 Intermezzo from Carmen Suite No. 1 (instrumental) 3'11 MASSENET, Jules (1842–1912) 12 Pourquoi me réveiller (Werther, Act III) 3'26 13 Je suis seul… Ah ! fuyez, douce image (Manon, Act III) 4'58 DONIZETTI, Gaetano 14 Una furtiva lagrima (L’elisir d’amore, Act II) 4'38 PUCCINI, Giacomo 15 Recondita armonia (Tosca, Act I) 3'02 16 Manon Lescaut: Intermezzo from Act III (instrumental) 5'37 17 Che gelida manina! (La bohème, Act I) 4'39 18 Nessun dorma (Turandot, Act III) 3'09 TT: 77'49 Yinjia Gong tenor Lahti Symphony Orchestra (Sinfonia Lahti) Tero Latvala leader Markus Lehtinen conductor 3 or almost two centuries tenors have enjoyed an almost mythical reputation among music-lovers. -
Bizet, Carmen Suite
Georges BIZET Carmen Suites Georges Bizet (25 October 1838 – 3 June 1875), was a French, romantic era composer. Although his name is now popular in the opera world, Bizet achieved Few successes beFore his Final work, Carmen. He excelled as a student during his time at the Conservatoire de Paris, being recognized as an outstanding pianist and winning the prestigious Prix de Rome in 1857. Bizet chose not to pursue a career as a pianist, and was Faced with rejection as an opera composer, as the Parisian opera houses preFerred the classical repertoire over new works. During the 1860s, Bizet earned his living largely by arranging and transcribing the music oF others as his two operas which reached the stage during this time — Les pêcheurs de perles (1863) and La jolie fille de Perth (1867) —were both not immediately successFul. After serving in the National Guard during the Franco-Prussian War oF 1870–1871, Bizet had Finally Found some success through an orchestral suite derived From his incidental music to Alphonse Daudet's play L'Arlésienne (1872). Bizet’s Final opera, Carmen, premiered in 1875 after delayed production due to fears that its themes of betrayal and murder would ofFend audiences. Sadly, Bizet died oF a heart attack only three months later, convinced that the work was a Failure, and unable to witness his own rise to stardom as the work entered the operatic canon as an all-time Favourite among audiences worldwide. After a career cut short by an early death, Bizet’s contribution to music, other than his composition of Carmen, was neglected for years. -
Dedicated to Maya Plisetskaya RUSSIA's BALLET STARS
Dedicated to Maya Plisetskaya RUSSIA’S BALLET STARS DANCING IN CARMEN SUITE Carmen Suite, world-renowned ballet chef d’oeuvres, pieces from Maya Plisetskaya’s repertoire The Open Art production agency presents the first night of the legendary one-act ballet Carmen Suite involving stars of the Mariinsky Theatre, Saint Petersburg. By some happy coincidence of circumstances talents meet and do wonders. It was Maya Plisetskaya’s long-cherished dream that brought together and received support of composer Rodion Shchedrin, ballet master Alberto Alonso and conductor Gennady Rozhdestvensky. In 1967 they produced one of the most inspired ballets of the XX century – Carmen Suite. Facing considerable opposition, the talented work could have perished but for the uncompromising tenacity of Maya Plisetskaya and… time. Time is known to be the best art critic. Today Saint Petersburg’s brightest ballet stars pay tribute to the memory of the great ballerina by taking part in this performance. They are Sofia Gumerova, soloist of the Mariinsky Ballet, Merited Artist of Russia, and her partner Igor Kolb, principal dancer of the Mariinsky Ballet, Merited Artist of Russia. Once under the spell of Maya Plisetskaya’s repertoire, the artists decided to go beyond their triumph in the Northern Capital. So we can appreciate the unbelievable luck of being able to remember legendary Plisetskaya and at the same time to enjoy the supreme art of modern ballet dancers. The performance involves soloists of the Mikhailovsky Theatre, Saint Petersburg. Programme: Act I World-renowned ballet chef d’oeuvres Pieces from Maya Plisetskaya’s repertoire Act II Bizet- Shchedrin. -
16Th Annual Award Ceremony 2017
The Classical Recording Foundation SIXTEENTH ANNUAL AWARDS CEREMONY MONDAY, NOVEMER 13, 2017 NATIONAL SAWDUST IN WILLIAMSBURG NEW YORK CITY The Classical Recording Foundation SIXTEENTH ANNUAL AWARDS CEREMONY National Sawdust Brooklyn, New York Monday, November 13, 2017, 7:30 PM 2017 FOUNDATION AWARDS 2017 Composer of the Year Award Gregg Kallor 2017 Young Artist Award Emily Levin 2017 Samuel Sanders Collaborative Artist Award David Bowlin and Thomas Sauer 2017 Foundation Award Lara Downes Mission Statement To provide great performing artists and composers with an opportunity to record, release, and promote new classical recordings in a manner that captures ideal performances that define our era, by providing established artists with awards and new artists with grants. Please visit our website for Foundation news and events: www.ClassicalRecordingFoundation.org CONCERT AND PRESENTATION OF 2017 AWARD WINNERS Opening Remarks Elegy for Violin and Piano ............................... Peter Lieberson (1990) Adam Abeshouse, President of The Classical Recording Foundation David Bowlin, violin and Thomas Sauer, piano Presentation of the Samuel Sanders Collaborative Artist Award to David Bowlin and Thomas Sauer Undercurrent (3 movements) ........................................... Gregg Kallor Katherine Lieberson, eldest daughter of the composer Joshua Roman, cello and Gregg Kallor, piano Presentation of the Composer of the Year Award to Selections from The Bernstein Project ..................................... Various Gregg Kallor Joshua Roman, cellist Leonard Bernstein: Greeting Leonard Bernstein: Anniversaries for Lukas Foss Lukas Foss: For Lenny, Variation on New York, New York John Corigliano: Anniversary for Lenny Sonatine, Op 30 ........................................................... Marcel Tournier Michael Abels: Iconoclasm/for Lenny I. Allegrement Leonard Bernstein: Some Other Time (arr. Jed Distler) II. Calme et expressif III.