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NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Not One of Them
Not One of Them DAVID CRAIG Steve plowed through the snow, past "Yeah. I want to hear 'em." the college, and up fraternity row, with a Steve put Bizet's Carmen Suite on the fiat, square package clutched under one Vic, sprawled out in a leather arm chair, arm. He was a big, blonde boy with a pink and lit a cigarette. He rubbed his hand face and a wash board wave, which made over a two day growth of blonde beard and him look as if he just had come out from tried to act relaxed. under the dryer. He walked briskly with Blackie tapped his foot to the opening his shoulders back and his stomach pulled strains of the Intermezzo and said, "What's in, until he came to the little incline in the that?" sidewalk where he always began to move "First part of Bizet," Steve said. "It's as if he had lead in his feet. At the top got a lot of feeling." of the incline he would turn right into the "That's beautiful," Blackie said. red brick fraternity house with the dirty "Yeah. I rather like it. I spent a hell cream pillars. of a long while picking the stuff out for It was mid-afternoon and he noted my collection." that Onnie's jallopy was not yet parked out "How many records have you got, in front. He assumed an elaborately casual Steve?" air as he climbed the steps, opened the Steve made a deprecating gesture with door softly, and stepped inside, listening as his hands. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Giovanna Ralli
VIALE PARIOLI, 72 – 00197 ROMA TEL. 0636002430 – FAX 0636002438 [email protected] www.carolleviandcompany.it GIOVANNA RALLI TEATRO 1997-1998 “È stata una festa bellissima 1977 “Fra un anno alla stessa ora” , regia di Garinei e Giovannini 1962 “Una giornata particolare” regia di E. Scola 1957 “Un paio d'ali” regia di Garinei e Giovannini CINEMA 2021 “Marcel!”, regia di Jasmine Trinca 2013 "Un ragazzo d'oro", regia di P.Avati "Mister Love", regia di B. Pontellini 2012 "Immaturi - Il viaggio", regia di P. Genovese 2011 "Immaturi", regia di P. Genovese 2008 “Il sangue dei vinti” regia di M.Soavi 2003 “Il pranzo della domenica regia di C.Vanzina 1995 "Tutti gli anni una volta l'anno” regia di G.Lazotti 1991 “Verso sera” regia di F.Archibugi 1981 “Manolesta” regia di P. F.Campanile 1980 “Arrivano i bersaglieri” regia di L.Magni 1977 “Pane, burro e marmellata” regia di G..Capitani 1976 “Languidi baci... perfide carezze” regia di A.Angeli "Chi dice donna dice donna”, regia di T.Cervi 1975 "40 gradi all'ombra del lenzuolo” regia di S.Martino “Colpita da improvviso benessere” regia di F.Giraldi “Di che segno sei?”regia di S,Corbucci 1974 “Per amare Ofelia” regia di di F. Mogherini "C'eravamo tanto amati” regia di E. Scola “La polizia chiede aiuto” regia di M. Dallamano 1971 “Gli occhi freddi della paura”regia di E.G. Castellari 1970 “Una prostituta al servizio del pubblico e in regola con le leggi dello stato” regia di di I.Zingarelli “4 per Cordob” regia di P.Wendkos 1969 “La donna invisibile”, regia di P.Spinola “Il mercenario” regia di di S.Corbucci 1966 "Papà, ma che cosa hai fatto in guerra?” regia di B. -
1397. Carmen (Habanera) Hintergründe Von S
1397. Carmen (Habanera) Hintergründe von S. Radic Amadeus - The beautiful Romanian electric quartet! Four girls with a daring outfit play electric instruments and combine pop dance rhythms with the virtuosity of classical instruments. They live through music, they are best friends since high school, and they have worked very hard to make their dream come true. This is Amadeus. The Electric String Quartet thrills audiences with a wide range of musical styles, from classical to James Bond Theme to I Love Rock 'N Roll. academically trained in classical music. They all started to learn instruments at the age of 6 at the Electric String Quartet "Amadeus" is an entertaining, best music schools in Romania - the "George highly qualified and versatile string quartet from Enesco" High School and afterwards at the National Romania with "electric violins" that can be hired for University of Music, Bucharest. company parties, balls, product launches, film premieres, anniversaries and weddings. In the year Habanera is the name of a famous aria from 2000 Amadeus managed to break through the proi- Carmen, an opera by Georges Bizet. The opera was music entry and develop into one of the most original premiered on 3 March 1875 at the Opéra-Comique bands in Europe. The fresh musical style, virtuosity in Paris, the libretto of the opera was written by Henri and energy on stage brought the band a rapidly Meilhac and Ludovic Halévy, with the text of the aria growing fan base, hundreds of concerts around the written by Bizet himself. The Habanera aria is based world and 6 albums of original music sold out in the on El Arreglito by Sebastián de Yradier and is also 15 years since the band's inception. -
Script Listening Program 3
Non-Directed Music Listening Program Series III Non-Directed Music Listening Program Script Series III Week 1 Composer: Ludwig von Beethoven (1770 – 1827) Composition: Minuet in G, No. 2 Performance: Philadelphia Orchestra, Eugene Ormandy Recording: CBS Masterworks Dinner Classics: The Viennese Album CBS MFK 45545 Day 1: This week’s listening selection is “Minuet in G, No. 2” by Ludwig von Beethoven. A minuet is a graceful dance. A man greets his partner with a bow then, hand-in- hand, leads her through a series of smooth and delicate movements. It is the small steps and gestures that give the dance its name – minuet which comes from a word that means small or minute. This is quite a contrast to the popular dances of today – such as Texas Line Dancing. Day 2: This week we are listening to Ludwig von Beethoven’s “Minuet in G, No. 2”. Between the 1600’s and the 1800’s, the minuet was the most popular dance in which ladies and gentlemen of the court gracefully moved through a series of small but intricate steps. You were not allowed membership in the king or queen’s court unless you had memorized the steps and patterns to the many different minuets. Today as you listen, think about all the dance moves you know. Would they fit with the music? Can you imagine how the men and women looked as they glided effortlessly across the polished floors? Day 3: This week’s listening excerpt is “Minuet in G, No. 2” written by the famous German composer, Ludwig von Beethoven. -
Carmen & Vivaldi
CARMEN & VIVALDI Zachary Schwartzman conductor Saturday, March 20, 2021 Performance # 164 Season 6, Concert 12 Livestreamed from the Fisher Center at Bard Sosnoff Theater SIGN UP FOR TŌN EMAIL by clicking here INSPIRE GREATNESS by making a donation at theorchestranow.org/support TABLE OF CONTENTS 4 CONCERT QUICK GUIDE 23 THE ADMINISTRATION 5 THE MUSIC 24 ABOUT BARD COLLEGE 6 ANTONIO VIVALDI CONCERTO FOR STRINGS IN G MINOR, RV 156 7 FRANK MARTIN PETITE SYMPHONIE CONCERTANTE 8 ARVO PÄRT CANTUS IN MEMORY OF BENJAMIN BRITTEN 9 RODION SHCHEDRIN CARMEN SUITE (AFTER BIZET’S OPERA) 10 THE ARTISTS 11 ZACHARY SCHWARTZMAN conductor 12 FRANK CORLISS piano 13 TAYLOR ANN FLESHMAN TŌN ’22 harp 14 RENÉE ANNE LOUPRETTE harpsichord 15 ARVO PÄRT composer 16 RODION SHCHEDRIN composer 17 THE ORCHESTRA NOW 19 SER KONVALIN horn 20 CHARLES GILLETTE percussion 21 SUPPORT TŌN Rehearsals and performances adhere to the strict guidelines set by the CDC, with daily health checks, the wearing of masks throughout, and musicians placed at a safe social 22 THE TŌN FUND DONORS distance. Musicians sharing a music stand also share a home. Concert Quick Guide The Music The Artists ™ Support TŌN CONCERT QUICK GUIDE The TŌN Fund Donors The Administration About Bard College ZACHARY SCHWARTZMAN conductor CONCERT TIMELINE 1 hour and 40 minutes Petite symphonie Concerto concertante Cantus Carmen Suite 6 min 21 min 6 min 42 min Brief remarks by Ser Konvalin horn ANTONIO VIVALDI Born 3/4/1678 in Venice, Italy Died 7/27 or 28/1741 at age 63 in Vienna CONCERTO FOR STRINGS IN G MINOR, -
Dali Newsletter 1992
This document is posted publicly for non-profit educational uses, excluding printed publication. To cite include the following: The Dali Museum. Collection of The Dali Museum Library and Archives. NEWSLETTER SALVADOR DALI NEWSLETTER SPRING/SUMMER 1492 VOL. 9 NO. 2 CARMEN EXHIBIT The Salvador Dali Museum tion premiered in 1875 at theOpera- celebrates the Museum's Tenth Comique. Carmen was not critically Anniversary by exhibiting the acclaimed in its first season. dramatic Carmen Suite. In 25 However its fame rapidly spread vibrantly colored illustrations, Dali within a few years. Bizet died just has captured the spirit of Georges three months after the first Bizet's most acclaimed opera, performance. Carmen. This lithographic collection Carmen is the tragic story of jeal- combines the unique talent and ousy and death. Don Jose, a soldier Spanish temperament of Salvador in the Spanish army, falls in love Dali to capture the essence and with the beautiful Gypsy Carmen. passion of this immortal love story He deserts the army to follow set in Seville, Spain. Carmen to her smuggler-compan- Georges Bizet, born in Paris in ions in the mountains and soon 1838, was taught music at an early discovers that Carmen has fallen in age by his parents. He entered the love with Escamillo, the bullfighter. Paris Conservatory at age nine and Jose, stunned by this revelation, fol- Don Jose's Final Appearance: The Bats won the Prix de Rome in 1857. A lows Carmen to Seville in an attempt Symbolizing Di'itth I Act IV) gifted pianist, his talents had to persuade her to start a new life manifest themselves by age 17 in with him. -
Here Is No Question That It Is Not Entirely Tent There and the Natives Usually Choose a More Lucrative Inclusive
Odyssey Prime A dual-stat d20 Modern/Unisystem game of exploration Requires the use of d20 Modern, published by Wizards of the Coast® CREDITS Mission Control (Publishers & Production): Eden Studios & Misfit Studios World information from the fol- Operations Coordinator (Game Concept, Design): Tony Lee lowing companies has been used Operations Engineer (d20 Modern Mechanics): Steven Trustrum with permission: Communications Director (Development, Design, Editing): Christina Stiles Atlas Games: Nyambe. Operations Technician (Additional Design): Jim Montgomery Chief of Operations (Development & Publication): M. Alexander Jurkat, Avalanche Press: Celtic Age, Viking Age. Steven Trustrum Battlefi eld Press: Luftwaffe 1946, Translation Engineers (Unisystem Conversion): Daniel R. Davis, Steven Cityscape, Fantastic World, Pulp Fantasy. Trustrum Blacksburg Tactical Research Center: Procedure Engineer (Unisystem Rules): C. J. Carella Colonies, Neo Terra, TimeLords, Ythrek. Chiefs of Optical Logistics (Layout, Graphics): George Vasilakos, Steven 1 Clockworks: Asylum, Trustrum Chosen, and Spookshow. Visual Profile Specialists (Illustrations): Dave Allsop, Gary Dupuis, Jon DaemonEye Publishing: Hodgson, Shawn Richter Lands of Molokai. Insignia Engineer (Cover): William McAusland Eden Studios: All Flesh Must Be Insignia Technician (Original Cover Design): David K. Wong Eaten, Armageddon, Conspiracy X, Terra Primate, WitchCraft. Odyssey Teams (Playtesting): Rich Arendt, Jimmy Ashley, Michael J. Brisbois, Flying Buffalo, Inc: Lejentia, Tunnels & Trolls. -
Requirements for Audition Sub-Principal Percussion
Requirements for Audition 1 Requirements for Audition Sub-Principal Percussion March 2019 The NZSO tunes at A440. Auditions must be unaccompanied. Solo 01 | BACH | LUTE SUITE IN E MINOR MVT. 6 – COMPLETE (NO REPEATS) 02 | DELÉCLUSE | ETUDE NO. 9 FROM DOUZE ETUDES - COMPLETE Excerpts BASS DRUM 7 03 | BRITTEN | YOUNG PERSON’S GUIDE TO THE ORCHESTRA .................................. 7 04 | MAHLER | SYMPHONY NO. 3 MVT. 1 ......................................................................... 8 05 | PROKOFIEV | SYMPHONY NO. 3 MVT. 4 .................................................................... 9 06 | SHOSTAKOVICH | SYMPHONY NO. 11 MVT. 1 .........................................................10 07 | STRAVINSKY | RITE OF SPRING ...............................................................................10 08 | TCHAIKOVSKY | SYMPHONY NO. 4 MVT. 4 ..............................................................12 BASS DRUM WITH CYMBAL ATTACHMENT 13 09 | STRAVINSKY | PETRUSHKA (1947) ...........................................................................13 New Zealand Symphony Orchestra | Sub-Principal Percussion | March 2019 2 Requirements for Audition CYMBALS 14 10 | DVOŘÁK | SCHERZO CAPRICCIOSO ........................................................................14 11 | MUSSORGSKY | NIGHT ON BALD MOUNTAIN .........................................................14 12 | RACHMANINOV | PIANO CONCERTO NO. 2 MVT. 3 ................................................15 13 | SIBELIUS | FINLANDIA ................................................................................................15 -
Council of Europe —~—— ---Conseil De L
COUNCIL OF EUROPE —~—— ---------------- CONSEIL DE L’EUROPE Strasbourg, 19th May 1967 DPC/CORC(66)5Final COE042297 SMALL COMMITTEE OF RESEARCH WORKERS "Influence of the cinema on juvenile delinquency" Film censorship codes in Europe by C. BREMOND The following notes does not purport to give an exhaustive picture of the film censorship codes in force in the member countries of the Council of Europe. Despite the wealth of valuable information assembled (l) our knowledge of such codes is still incomplete; for if we rely solely on official texts defining the principles which are to guide censorship decisions, these seem to us, as a rule, too broad to allow a research study to "bite"on. Moreover, we know from the replies themselves that there is frequently a considerable gap between the letter of such rules and the spirit in which they applied. On the other hand, if we attempt to deduce the practice of - censorship bodies by analysing the decisions reached in particular casus, we come up against the opposite difficulty and find that the considerations which dispose the (l) Cyclo-styled documents containing replies by member States to the Council of Europe Questionnaire. 6065 05.2/56.37 censors to leniency in one case and to severity in another are complex., so confused, often so largely intuitive as seemingly to defy analysis and hence any attempt to generalise the two types of difficulty are in fact inter-connected: the reason why official regulations are couched in general terms lies in the difficulty of generalising the grounds on which decisions are in fact taken. -
Ifc'pag. 8/^Spettacoli: ;
ifc ; 'PAG. 8/^spettacoli: - l'Unità /, domenica. 24 febbraio 1963 [I dott. Kildare di Ken Baia •».-••>• lE%iApiO&Bi.ftB Pi 34UE «dCB-. CERCATEVI UNAlTEo PER rVll764 1ettere al1 1 PUGMI. IOHOadF4BE,PeVOOU4- CICEU V06TB4 GaSdaW ' « Leonìdo » è morto I pensionati Tutto da vedere per il ministro Russo combattendo, : ricordano a f anfani • ' ULA niVOtUU OÉlLft CAMIU MI POUUT^ ma'gli altri ricordano ~ lèv beffa degli aumenti Non » quiil cr«l bM« eh,, a diiUra» di 20 ènnl <M« »w» di UbtrMtott. Il ministero dttl* f^M etbl* ritenuto tUMlclente « il Siberiano » Signor direttore, ulebrwe U Ioli* troie* e glorici! su popolo IttlUno — che c| permettala noi pensionati, • retlitul rin(fto*ndtni« • It'cumocrtiia el PMM — con un ula frenfiobollo e P" dKP'ù v»>'«''«>• Caro direttore, . , . ( di ricordare al governo Fan- Ttout* puMMl <)j«it* {""K'ck'éjtenl. chiediamo el governo nell'Unità di domenica 17 feb fànl, quale beffa esso ci ha di Osstra un progr»nryi cr>. -«I ijro di un inno (o el metflmo .di due ermi) comenuj di •• t*-*i?% degn«m«nte — ittrtverto lt braio, nella rubrica delle lette fatto con l'aumento delle pen •mintone di »erlt d> fwccJ»''- — I principe» ewenlrnentl eBV'd re, è stata pubblicata una let- ; sioni ai minimi di 12.000 e delle Rcttsterue, I tuoi col. 4n tele projrmmm, chltd ifr* th* vtnge prevlite le emi«- tera inviata da Zubrizkii Ana- 15.000 lire; tutti noi ci rendia (ione di fftncobolll che ricorew I, Quittro giorni!* di Nipoti toUc Ivanovic, il quale chiede mo conto che questi aumenti e le beiteglle di Porte Sen Pio'e e Borni;' I Ceduti degli eccidi sono da rapportarsi al costo ntzlitl delle Foli* A'dtitlna.