DOCSLIB.ORG

COLLEGE of DESIGN, FINE ARTS & MUSIC Conservatorium of Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
COLLEGE of DESIGN, FINE ARTS & MUSIC Conservatorium of Music COLLEGE OF DESIGN, FINE ARTS & MUSIC Conservatorium of Music 1. Refereed Journal Paper Maurice, D. (2001, December). Michael Balling, 1866-1925: Pioneer solo violist with a Nelson interlude. Australian and New Zealand Viola Society Journal, 14, 11-20. Maurice, D. (2001, December). Supervision in the performing arts at Massey University. HERDSA News, 23(3), 22-23. Tipping, S. (2001). Behind the scenes: Governance and management in the development of the Tower New Zealand Youth Choir. International Choral Bulletin, 20(3), 15-26. 3. Book Edited by Staff Member Maurice, D. (Ed.). (2001). XXIXth International Viola Congress: 2001 viola odyssey, Wellington, New Zealand, April 8-12, 2001. Wellington, NZ: Massey University, College of Design, Fine Arts and Music. 5. Refereed Paper in Conference Proceedings Meehan, N. (2001). Paul Bley: Building on the innovations of Ornette Coleman. In L. Fisher (Ed.), Jazz Research Proceedings Yearbook: A compilation of research papers presented at the annual international conference (pp. 67-73). January 10-13, New York, NY. Manhatten, KS: IAJE Publications. 6. Non-refereed Journal Paper Maurice, D. (2001, October). History of string playing in New Zealand. Soundpost, 4, 17-18. Maurice, D. (2001, October). Wellington Branch: Csaba Erdélyi's visit. Soundpost, 4, 38-39. Tipping, S. (2001, October). Governance and the management of a New Zealand choir. Cantando Gaudeamus, 49, 3-5. Tipping, S. (2001). Profile of a music educator: I am always looking ahead. Sound Ideas: Canterbury Studies in Music Education, 4(2), 33-44. Tipping, S. (2001). Tradition and change in church music. Stimulus: The New Zealand Journal of Christian Thought and Practice, 9(4), 21-26. 9. Other Research/Technical Publications Maurice, D. (2001, July). The limitations of equal temperament in the string trio performance: A report on the Massey piano quartet. Wellington, NZ: Massey University, Conservatorium of Music. 10. Creative Works Brown, B. (2001). I believe it [Vocal and instrumental composition]. 11. Performance Coulson, J. (Pianist & lecturer). (2001, October 6) 3 seascapes by Douglas Lilburn [Music lecture]. Christchurch Arts Centre, Christchurch, NZ. Coulson, J. (Pianist). (2001, November 16) Songs from a cold climate: Works by Schumann and Britten [Musical performance]. Mahara Gallery, Waikanae, NZ. Coulson, J. (Pianist). (2001, November 18) Songs from a cold climate: Works by Schumann, Britten and Duparc [Musical performance]. St Andrews on The Terrace, Wellington, NZ. Mapp, R., Maurice, D., Gezentsvey, Y., & Chickering, D. (Musicians). (2001, July 1-15) Massey Piano Quartet North Island tour [Musical performances]. Waikanae, Taupo, Gisborne, Whangarei, Tauranga, Te Awamutu, Wanganui, & Wellington, NZ: Massey University, Conservatorium of Music. Maurice, D. (Musician). (2001, March 17) Tribute to Jack Speirs [Musical recording]. Conservatorium of Music, Massey University, Wellington, NZ: Massey Chamber Orchestra. van Dijk, N. (Musician). (2001, May 18) 9 original jazz compositions [Musical recording]. Conservatorium of Music, Massey University, Wellington, NZ. 14. Addresses to Professional Bodies Coulson, J. (2001). Debussy's poets. Massey University, October 2, Massey University, Wellington, NZ. Coulson, J. (2001). Motivation: Igniting inner fires. Institute of Registered Music Teachers of New Zealand, May 11, Massey University, Wellington, NZ. Coulson, J. (2001). The world of Debussy's poets. Massey University, September, 9, Massey University, Wellington, NZ. Edwards, F. (2001). Adjudication, the judge and the performer. New Zealand Association of Teachers of Singing, July 12, Wellington, NZ. Edwards, F. (2001). Second thoughts: Purposeful reflection as a learning tool. New Zealand Association of Teachers of Singing, July 13, Wellington, NZ. Hoskins, R. (2001). John Cousins. Massey University, September 12, Massey University, Palmerston North, NZ. Hoskins, R. (2001). Lilburn and landscape. Massey University, August 21, Massey University, Wellington, NZ. Maurice, D. (2001). The influence of indian scales on selected western composers. Massey University, August 21, Massey University, Wellington, NZ. Maurice, D. (2001). Pioneer violist with a Nelson interlude. Nelson School of Music, September 4, Nelson, NZ. Maurice, D. (2001). Who was Michael Balling? Massey University, August 28, Massey University, Wellington, NZ. Sayers, E. C (2001). Some thoughts on pedalling techniques. Wellington Branch, Institute of Registered Music Teachers of New Zealand, March 11, Massey University, Wellington, NZ. 15. Extension Activity Brown, B. (2001). (Workshop). Massey university jazz clinic. Christchurch Boys High School, September 7, Music Department, Christchurch Boys High School, Christchurch, NZ. Coulson, J. (2001). (Workshop). Chamber music day. Wellington Branch, Institute of Registered Music Teachers of New Zealand, May 6, Massey University Conservatorium of Music, Wellington, NZ. Coulson, J. (2001). (Dance coach). Susuki String Summer School, January 22-26, Masterton, NZ. Dyne, P. (2001). (Workshop). Bass masterclass. Nelson School of Music, July 20, Nelson, NZ. Hoskins, R. (2001). (Presentation). A dark pastoral: Shostakovitch's Third Quartet. Chamber Music New Zealand, July 30, Palmerston North, NZ. Mapp, R. (2001). (Workshop). Chamber music day. Institute of Registered Music Teachers of New Zealand, May 6, Massey University Conservatorium of Music, Wellington, NZ. Mapp, R. (2001). (Masterclass). Palmerston North Branch, Institute of Registered Music Teachers of New Zealand, May 19, Palmerston North, NZ. Maurice, D. (2001). (Workshop). Chamber music day. Institute of Registered Music Teachers of New Zealand, May 6, Massey University Conservatorium of Music, Wellington, NZ. Maurice, D. (2001). (Workshop). Chamber music workshops. Burnside High School, July 28, Christchurch, NZ. Maurice, D. (2001). (Workshop). Orchestral workshop for strings. Wellington Chamber Orchestra, July 22, Wellington, NZ. Tipping, S. (2001). (Seminar). Conducting and musical leadership. Middle Districts Music Education Society, April 28-29, Massey University, Palmerston North, NZ. 16. Professional Practice in Arts and Design Brown, B. (Leader). (2001, March 8). Bay of Islands Jazz Festival [Musical performance]. Keri Keri, NZ: Bruce Brown Trio. Brown, B. (Leader). (2001, April 28). Bruce Brown CD launch concert [Musical performance]. Wellington Public Library, Wellington, NZ: Bruce Brown Duo. Brown, B. (Leader). (2001, May 29). Bruce Brown in concert [Musical performance]. Globe Theatre, Palmerston North, NZ: Bruce Brown Trio and the Manawatu Jazz Festival. Brown, B. (Leader). (2001, December 5). Bruce Brown third year jazz recital [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ: Bruce Brown Quartet. Brown, B. (Musician). (2001, November 4). Bruce Brown Trio in concert [Musical performance]. Wanganui Jazz Club, Wanganui, NZ: Wanganui Jazz Festival. Brown, B. (Musician). (2001, May 31). Carl Allen in concert [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ: Carl Allen Group. Brown, B. (Leader & musician). (2001, August 21). Claire MacFarlane fund raiser concert [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ: Bruce Brown Quartet. Brown, B. (Musician). (2001, September 6). Massey University Jazz Lecturers Group concert [Musical performance]. Aranui High School, Christchurch, NZ: Telstra-Saturn Tour. Brown, B. (Musician). (2001, September 6). Massey University Jazz Lecturers Group concert [Musical performance]. Christchurch Arts Centre, Christchurch, NZ: Telstra-Saturn Tour. Brown, B. (Musician). (2001, September 7). Massey University Jazz Lecturers Group concert [Musical performance]. Christchurch Arts Centre, Christchurch, NZ: Telstra-Saturn Tour. Brown, B. (Musician). (2001, July 28). Masters and their music, [Musical performance and masterclass clinic]. Massey University, Auckland, NZ: Massey University, Conservatorium of Music. Brown, B. (Musician). (2001, May 18). Nick van Dijk Group (Conservatorium of Music Lunchtime Concert Series) [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ: Massey University, Conservatorium of Music. Brown, B. (2001, August 8). St Andrews Concert [Musical performance]. St Andrews on The Terrace, Wellington, NZ: Coulson, J. (Harpsichordist). (2001, March 16). Renaissance women [Musical performance]. Erskine Chapel, Wellington, NZ: Tudor Consort. Coulson, J. (Pianist). (2001, April 19). Carmontel [Musical performance]. James Cook Hotel Grand Chancellor, Wellington, NZ. Coulson, J. (Pianist). (2001, April 8). Concert with Csaba Erdélyi and Helen Callus: Works by Bartok and Bridge [Musical performance]. Museum Building Theatrette, Massey University, Wellington, NZ: International Viola Congress. Coulson, J. (Pianist). (2001, April 20). Concert with Raynard Blampied: Works by Lilburn, Brahms, Schumann, Massenet and Gounod [Musical performance]. St Andrews on The Terrace, Wellington, NZ. Coulson, J. (Pianist). (2001, February 28). The death of Venus [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ: Massey University, Conservatorium of Music. Dyne, P. (Musician). (2001, November 21). Anita van Dijk lecture recital [Musical performance]. Conservatorium of Music, Massey University, Wellington, NZ. Massey University, Conservatorium of Music. Dyne, P. (Musician). (2001, June 14). Azure McCall and Tennyson Stevens in concert [Musical performance]. National Library Auditorium,
Load more

Recommended publications
  • Ascent03opt.Pdf
    1.1.. :1... l...\0..!ll1¢. TJJILI. VOL 1 NO 3 THE CAXTON PRESS APRIL 1909 ONE DOLLAR FIFTY CENTS Ascent A JOURNAL OF THE ARTS IN NEW ZEALAND The Caxton Press CHRISTCHURCH NEW ZEALAND EDITED BY LEO BENSEM.AN.N AND BARBARA BROOKE 3 w-r‘ 1 Published and printed by the Caxton Press 113 Victoria Street Christchurch New Zealand : April 1969 Ascent. G O N T E N TS PAUL BEADLE: SCULPTOR Gil Docking LOVE PLUS ZEROINO LIMIT Mark Young 15 AFTER THE GALLERY Mark Young 21- THE GROUP SHOW, 1968 THE PERFORMING ARTS IN NEW ZEALAND: AN EXPLOSIVE KIND OF FASHION Mervyn Cull GOVERNMENT AND THE ARTS: THE NEXT TEN YEARS AND BEYOND Fred Turnovsky 34 MUSIC AND THE FUTURE P. Plat: 42 OLIVIA SPENCER BOWER 47 JOHN PANTING 56 MULTIPLE PRINTS RITA ANGUS 61 REVIEWS THE AUCKLAND SCENE Gordon H. Brown THE WELLINGTON SCENE Robyn Ormerod THE CHRISTCHURCH SCENE Peter Young G. T. Mofi'itt THE DUNEDIN SCENE M. G. Hire-hinge NEW ZEALAND ART Charles Breech AUGUSTUS EARLE IN NEW ZEALAND Don and Judith Binney REESE-“£32 REPRODUCTIONS Paul Beadle, 5-14: Ralph Hotere, 15-21: Ian Hutson, 22, 29: W. A. Sutton, 23: G. T. Mofiifi. 23, 29: John Coley, 24: Patrick Hanly, 25, 60: R. Gopas, 26: Richard Killeen, 26: Tom Taylor, 27: Ria Bancroft, 27: Quentin MacFarlane, 28: Olivia Spencer Bower, 29, 46-55: John Panting, 56: Robert Ellis, 57: Don Binney, 58: Gordon Walters, 59: Rita Angus, 61-63: Leo Narby, 65: Graham Brett, 66: John Ritchie, 68: David Armitage. 69: Michael Smither, 70: Robert Ellis, 71: Colin MoCahon, 72: Bronwyn Taylor, 77.: Derek Mitchell, 78: Rodney Newton-Broad, ‘78: Colin Loose, ‘79: Juliet Peter, 81: Ann Verdoourt, 81: James Greig, 82: Martin Beck, 82.
    [Show full text]
  • Craft New Zealand 45 Spring 1993
    CONTENTS A MESSAGE TO READERS 2 LETTERS Graphics / Illustration In the fifteen months since Craft Photography 2 EDITORIAL NeWZea/andwas purchased from the Crafts Council of New Zealand, sales Jewellery 3 SPEAKING IN STONE have doubled and advertising is up. Unfortunately, the magazine still does Ceramics Wendy Laurenson spoke to Paul Ma— son about his development as an artist, not make a profit and the sharehold— Film / \fideo designer and maker. ers capital is exhausted. The immedi— CRAFTNew Zealand 6 SELF CONTAINED ate response of the directors of Craft Textiles Print Limited is to produce this ab- Issue 45, Spring I993 An emerging talent in the Hawkes Bay Print Joumalism breviated version. We hope to com- ISSN II70-9995 is jeweller/silversmith Tanya Zoe Robin- pensate subscribers for this by pro— Public Relations son. Roxanne Fea discusses her work. ducing a larger Yearbook issue in Publisher: December. This issue will focus on Advertising Craft Print Ltd, P O Box 1110 Nelson. Ph 03 548 3018, fax 03 548 8602. venues where fine craft and visual arts Television Broadcast Editor: may be seen or purchased. Peter Gibbs. Radio Broadcast The directors and shareholders are Editorial assistant committed to maintaining a magazine Media Management Julie Warren for craft. It may take a different form; Advertising sales: it must pay its way With your patience Performing Arts Peter Gibbs, ph 03 548 3018, fax 03 548 and support we'll continue the im— 8602. provements made so far. Rock Music Judy Wilson, ph 09 5766 340, fax 09 5347 526. Peter Gibbs, Editor Layout and art direction: Peter Gibbs.
    [Show full text]
  • MUSIC for the SILENT ONE: an Interview with Composer Jenny Mcleod
    Screen Sound n1, 2010 ! MUSIC FOR THE SILENT ONE: An Interview with Composer Jenny McLeod Riette Ferreira Abstract The Silent One is a significant film in the context of New Zealand (NZ) cinema for several reasons. It was the first New Zealand drama feature film directed by a woman and the first using a Dolby stereo soundtrack. Its incorporation of underwater film sequences played a vital part in portraying the world of the film’s central character, Jonasi, a deaf-mute. Jonasi’s vocal inability allows for other sound elements to play an important role in the narrative and emotional content. One such element is the music score provided by Jenny McLeod who discusses her work on the film in the following interview. Keywords The Silent One, Jenny McLeod, film score, New Zealand film Introduction: New Zealand Cinema Context A baby boy in a small canoe washes up on the shore of a beautiful Pacific Island. What will the local tribe make of him? (Promotional tagline, The Silent One, 1984) The Silent One was produced and released at a transitional moment for New Zealand cinema. As Roger Horrocks argues, around 1984 there were “profound changes… in government, in popular culture and the arts” (1999: 130) that were tied into debates about New Zealand cinematic ‘identity’. Roger Donaldson’s highly acclaimed Sleeping Dogs (1977) is generally regarded as the start of contemporary cinema in New Zealand. The success of this film, and initiatives of Donaldson and his contemporaries, led to the establishment of the New Zealand Film Commission in 1978 by an Act of Parliament that aimed “to encourage and also participate and assist in the making, promoting, distribution, and exhibition of films” (Dennis and Bieringa, 1996: 214).
    [Show full text]
  • Sound Tracks the Place
    6&5((16281' *'7564#.#5+#01740#.1(170&64#%-67&+'5 Screen Sound: The Australasian Journal of Soundtrack Studies Number 1, 2010 Screen Sound is a peer-refereed research journal facilitated by Dr Rebecca Coyle (Southern Cross University, Australia), Editorial Assistant Natalie Lewandowski (Macquarie University, Sydney) and designer Alex Mesker. ISSN 1838–3343 (Print) ISSN 1838–3351 (Online) e-correspondence address: [email protected] The opinions expressed in articles in this journal are those of the authors alone. Copyright for articles published in this journal is held jointly by the authors and Screen Sound and no reproduction of material is allowed without permission. Cover image: Still featuring ‘Art’ (Richard Roxburgh) from East Of Everything ABC television series, courtesy of Kristine Way, Australian Broadcasting Corporation. Screen Sound: The Australasian Journal of Soundtrack Studies Number 1, 2010 Sound Tracks the Place Contents Editorial 5-8 Sound Tracks the Place: Australasian Soundtrack Studies Rebecca Coyle Features Undead and Its ‘Undecidable’ Soundtrack 9-20 James Wierzbicki Numinous Ambience: Spirituality, Dreamtimes and Fantastic Aboriginality 21-34 Philip Hayward More Than Noise: The Integrated Sound Track of Noise 35-46 Nick Hadland Sounding East Of Everything: Australian Television, Music and Place 47-58 Liz Giuffre Shorts and Trailers The Brian May Collection: Two Decades of Screen Composition 59-66 Michael Hannan Documenting Sound: An Interview with Screen Composer Trevor Coleman 67-77 Henry Johnson Music for The Silent One: An Interview with Composer Jenny McLeod 79-91 Riette Ferreira Contributor Profiles 92-93 This page is intentionally left blank Screen Sound n1, 2010 EDITORIAL Sound Tracks The Place: Australasian Soundtrack Studies Rebecca Coyle Abstract This is the inaugural issue of a new open access journal of screen sound studies.
    [Show full text]
  • DOWNLOAD NZSO ANNUAL REPORT 2011 Annual Report
    Annual Report 2011 FOR THE YEAR ENDED 30 JUNE 2011 nzso.co.nz 1 Experience with the NZSO 2 Annual Report 2011 The Board have pleasure in presenting the Annual Report for the New Zealand Symphony Orchestra for the year ended 30 June 2011. Donald Best Roger Taylor Board Chair Board Member, 26 August 2011 Chair of Audit Committee 26 August 2011 Contents 5 The Vision, The Mission, We Value 6 Chair’s Preface 8 Chief Executive’s Overview 11 Performance Reporting Framework 12 Governance Statement Experience 13 Personnel & Equal Opportunity Policy 13 NZSO Organisation 14 Financial Statements Image: 15 Audit Report EXPERIENCE GLORY WITH THE NZSO 33 Statement of Objectives and Service Performance with the NZSO Malcolm Struthers (bass) & Robert Orr (oboe) enact 39 Performance Reporting: Impacts & Outcomes Beethoven’s glory of war: 40 NZSO Education Programmes EROICA, while the angelic Bridget Douglas (flute) 44 Sponsors and Funding Agencies illustrates Mahler’s imagined 45 NZSO Supporters glory of heaven for the APOTHEOSIS tour. 46 Directory nzso.co.nz 3 Experience with the NZSO 4 The Vision An NZSO proudly supported by New Zealanders as a world class symphony orchestra – the flag-bearer of New Zealand’s musical life, nationally and internationally. The Mission To enrich the lives of New Zealanders through artistically excellent performances, presented nationally and abroad, by a full-time, full- strength, professional symphony orchestra of international standing. We Value EXCELLENCE in artistry operations all aspects of management ENRICHMENT through
    [Show full text]
  • The Boulder and the Bugler: the Battle of Boulcott's Farm in Public
    The Boulder and the Bugler: The Battle of Boulcott’s Farm in Public Memory EWAN MORRIS Abstract The Battle of Boulcott’s Farm, in which a Māori war party attacked the garrison of a British military outpost in the Hutt Valley, took place over several hours on 16 May 1846. Since then, the public memory of this relatively minor incident has been remarkably persistent. The story of the battle has been told in poetry and prose; in print, on stage and on screen; and in memorials and museums. As the story has evolved over time, it has focused on different themes: British military heroism; civic progress; and Māori resistance to colonial injustice. On the corner of High Street and Military Road in Lower Hutt stands a memorial which the novelist Lloyd Jones describes as “a huge smooth boulder shaped like an egg dragged out of the river and placed there to commemorate the Battle of Boulcott’s Farm.”1 A plaque on the memorial dedicates it “To the glory of God and in memory of men of the Imperial and Colonial Forces who fell in the Hutt Valley during the Maori War – 1846”. Another plaque explains: This stone marks the site of the Boulcott’s Farm stockade, the most advanced post of the regular troops in 1846. Here 200 Natives on the 16th May under Rangihaeata’s orders and led by Te Karamu of the Ngati-Haua-Te-Rangi Upper Wanganui were repulsed by a garrison of 50 men of the 58th Regiment. The bodies of six Imperial men who fell, rest nearby.
    [Show full text]
  • Staff & Student Research 03 Tb
    Staff and Student Research 2003 - Staff Staff and Student Research Victoria University of W Victoria 2003 2003 ellington Published by the Research Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X Staff and Student Research reports on a range of outcomes from staff research activities including academic publications and the relevant outputs from creative and professional disciplines within the University. It also lists theses presented for Masters and PhD degrees. Victoria University usually lists its staff research outputs with the VUW author first. Where this practice infringes disciplinary norms authors’ names are listed according to the conventions applying to the discipline and VUW authors are indicated by an asterisk placed immediately after their names. TABLE OF CONTENTS FACULTY OF ARCHITECTURE AND DESIGN 2 Architecture 2 Design 7 FACULTY OF COMMERCE AND ADMINISTRATION 11 Accounting and Commercial Law 11 Economics and Finance 15 Government 19 Information Management 23 Management 32 Marketing and International Business 39 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 43 Art History, Classics and Religious Studies 43 Asian and European Languages and Cultures 48 Education (including Women’s Studies) 53 English, Film and Theatre 63 History, Philosophy, Political Science and International Relations 69 Leisure and Heritage Studies 75 Linguistics and Applied Language Studies 75 Maori, Pacific and Samoan Studies (Te Kawa a Maui) 83 Music 84 Nursing and Midwifery 89 Social and Cultural Studies 95 FACULTY
    [Show full text]