KELLEY R. SIMS Line Producer / Production Supervisor, DGA

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KELLEY R. SIMS Line Producer / Production Supervisor, DGA LINE PRODUCER/UPM DIRECTORS PRODUCERS/STUDIOS MAX 2: WHITE HOUSE HERO Brian Levant Matt Bierman, Karen Rosenfelt / MGM THE BOY DOWNSTAIRS Sophie Brooks David Brooks, Dan Clifton / Cliffbrook Films PRODUCTION SUPERVISOR GOING IN STYLE Zach Braff Jonathan McCoy, Donald De Line New Line Cinemas THE BELKO EXPERIMENT Greg McLean Dan Clifton, Peter Safran / MGM TABLE 19 Jeffrey Blitz P. Jennifer Dana, Mark Roberts 21 Laps Entertainment / Fox Searchlight MORTAL KOMBAT X: GENERATIONS Garrett Warren Warner Bros. EPISODES Season 4 (LA Unit) Various Directos Jonathan McCoy, David Crane / Showtime THE HOLLARS John Krasinski Tom Rice, Janice Williams Sycamore Pictures / Sony Pictures Classics MISSISSIPPI GRIND Anna Boden John Lesher, Lynette Howell, Randall Emmett & Ryan Fleck Sycamore Pictures A MERRY FRIGGIN’ CHRISTMAS Tristram Shapeero Michael Flynn, Anthony Russo, Joe Russo Sycamore Pictures PRODUCTION ACCOUNTANT MAX STEEL Stewart Hendler Hudson Hickman, Julia Pistor, Bill O’Dowd Dolphin Entertainment / Mattel THE VATICAN TAPES Mark Neveldine David Kern, Gary Lucchesi, Tom Rosenberg Lakeshore Entertainment DHOOM 3 Vijay Krishna Acharya Ilana Rossein, Aditya Chopra / Curbside Films ATLAS SHRUGGED II: THE STRIKE John Putch Deborah Cass / Atlas 2 Productions LAUREN Season 2 Various Directors Nicole Colombie, Effie Brown / Wisgco THUNDERSTRUCK John Whitesell Bill Johnson, Mike Karz / Warner Bros. SEEKING A FRIEND FOR THE Lorene Scafaria Patty Long, Kelli Konop END OF THE WORLD Mandate Pictures / Focus Features THE UNITED Amin Matalqa Rachel Gandin / Touchstone Pictures CHRISTMAS IN SOUTH AFRICA Neri Parenti Filmauro SCOOBY DOO! CURSE OF THE Brian Levant Tom Keniston, Brian Levant / Warner Bros. LAKE MONSTER CHRISTMAS IN BEVERLY HILLS Neri Parenti Filmauro Mr. Sims has worked in Colombia, Jordan, South Africa, Dominican Republic, Lithuania, and Canada. .

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REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey.
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