Claude Bolling Suite for Cello & Jazz Piano Trio Mp3

Total Page：16

File Type：pdf, Size：1020Kb

Claude Bolling Suite For Cello & Jazz Piano Trio mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Classical Album: Suite For Cello & Jazz Piano Trio Country: US Released: 1984 Style: Contemporary Jazz MP3 version RAR size: 1479 mb FLAC version RAR size: 1578 mb WMA version RAR size: 1699 mb Rating: 4.1 Votes: 732 Other Formats: TTA VOX VOC ADX MP3 MIDI AHX Tracklist A1 Baroque In Rhythm 4:19 A2 Concertante 11:50 A3 Galop 6:42 B1 Ballade 9:30 B2 Romantique 8:29 B3 Cello Fan 6:45 Companies, etc. Manufactured By – CBS Records Manufactured By – CBS Inc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Credits Artwork [Cover Art] – Roger Huyssen Bass – Marc Michel Cello – Yo-Yo Ma Composed By – Bolling* Design [Cover Design] – John Berg Drums – Jean-Luc Dayan Engineer [Sound Engineer] – Claude Ermelin Piano – Claude Bolling Notes Includes two information sheets: one highlights Claude Bolling's releases as of 1984; the other is a short biographical write-up of Yo-Yo Ma in English, French, and German. Barcode and Other Identifiers Barcode: 0-7464-39059-1 Matrix / Runout (Side A): MAL 39059-1B P Matrix / Runout (Side B): MBL 39059-1B P Other versions Category Artist Title (Format) Label Category Country Year Claude Bolling, Yo-Yo Ma - Suite Claude Bolling, FM 39059 For Cello & Jazz Piano Trio (LP, CBS FM 39059 Canada 1984 Yo-Yo Ma Album) Claude Bolling & Yo-Yo Ma - Bolling Claude Bolling 1R1 7661 Suite For Cello & Jazz Piano Trio CBS 1R1 7661 US 1984 & Yo-Yo Ma (Reel, Club) Claude Bolling, Yo-Yo Ma - Suite Claude Bolling, FMT 39059 For Cello & Jazz Piano Trio (Cass, CBS FMT 39059 US 1984 Yo-Yo Ma Album) Claude Bolling, Yo-Yo Ma - Suite Claude Bolling, FM 39059 For Cello & Jazz Piano Trio (LP, CBS FM 39059 US 1984 Yo-Yo Ma Album) Claude Bolling, Yo-Yo Ma - Suite Claude Bolling, FMT 39059 For Cello & Jazz Piano Trio (Cass, CBS FMT 39059 Canada 1984 Yo-Yo Ma Album, Dol) Related Music albums to Suite For Cello & Jazz Piano Trio by Claude Bolling Jean-Pierre Rampal / Alexandre Lagoya / Claude Bolling - Picnic Suite Claude Bolling / Hubert Laws - California Suite Jean-Pierre Rampal, Claude Bolling - Suite For Flute And Jazz Piano Claude Bolling - Vivre La Nuit (Bande Originale Du Film) Jean-Pierre Rampal / Claude Bolling - Suite For Flute And Jazz Piano Claude Bolling Big Band - Stéphane Grappelli - First Class Claude Bolling - Rag Time Bolling Claude Lutter, Claude Bolling - Summer Flower Claude Bolling / Pinchas Zukerman - Suite For Violin And Jazz Piano Claude Bolling / Pinchas Zukerman - Suite For Violin And Jazz Piano Trio.

Copy Link

Recommended publications

French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
[Show full text]
Note Sulla Rappresentazione Musicale E Audiovisiva Di Marsiglia
04,2 I 2019 Archiv für Textmusikforschung Tra crimine e nostalgia: note sulla rappresentazione musicale e audiovisiva di Marsiglia Dario MARTINELLI (Kaunas)1 Summary Browsing through films and TV series located in Marseille, we notice how this city is often provided with recurrent topoi : the charming and nostalgic frontier/harbour city where an (often multi-ethnic) commu- nity of gangsters, sailors, adventurers and prostitutes comes and goes and engages in usually illegal activi- ties. Based on a sample of ca. 120 audiovisual texts, this article aims at emphasizing the consistency of significations conveyed by both visual and musical representations of the city of Marseille. As a case-study, the focus shall be the filmBorsalino , possibly the perfect synthesis of the above-mentioned topoi both on a visual-narrative and a musical level. Introduzione Geografia, storia, economia, performance, stile e retorica sono le sei principali contestualiz- zazioni del concetto di ‘autenticità’ che ho avuto modo di proporre in saggi come Martinelli 2010, 11-50 e 2016, 89-128. L’autenticazione di una data entità, ovvero, quel particolare processo che (a ragione o meno) ne assegna uno stato di autenticità combinando e sistema- tizzando caratteristiche e valori in maniera relativamente coerente (in altre parole: ideologiz- zando quell’entità), diventa particolarmente interessante quando quella entità è una città. Primo perché si tratta di un processo che coinvolge tutte e sei le contestualizzazioni, non solo quella geografica (che tuttavia, e ovviamente, rimane in primo piano), creando una ricca rete di relazioni tra i vari fattori coinvolti; secondo, perché i risultati di questo processo tendo- no a formare un gruppo di topoi culturali e mitici che spesso costituiscono la vera essenza dell’immagine pubblica e del soft power di quella città.
[Show full text]
2010 Competition Winners
April 2010 2010 COMPETITION WINNERS 1st Ilji Kim Born in 1985 in Seoul, Korea, Ilji Kim entered the Yewon Conservatory of Music at the age of 12, where she became a first-prize winner in numerous competitions. In 2008 she moved to the US and continued her studies with Fenwick Smith at New England Conservatory of Music, where she is pursuing a master’s degree in music. She has participated in masterclasses with Hyeri Yoon, Linda Chesis, John Heiss, and Ransom Wilson, and was a finalists in the 2010 Pappoutsakis Flute Competition. Ilji Kim enjoys playing chamber music, painting, and improvising popular music. 2nd Laura Kaufman Laura Kaufman, age 20, is a junior at the Eastman School of Music where she studies with Bonita Boyd and performs in the East- man Philharmonia and Eastman Wind Ensemble. Last summer she participated in a 2009 National Flute Association masterclass with Katherine Hoover and this summer she will participate in the National Repertory Orchestra. Previous teachers include Tadeu Coelho, Mary Ann Archer, and Soo Kyung Park. 3rd Thomas James Wible Thomas Wible, age 23, is a native of Pittsburgh. He received his bachelor of music degree from the New England Conservatory of Music, where he was a student of Renee Krimsier. He is now Laura Kaufman Ilji Kim studying for a master’s degree in music at the Boston Conservatory as a merit scholarship student of Geralyn Coticone. He is also principal flutist of the Boston-based Freisinger Chamber Orchestra and a substitute flutist with the Boston Philharmonic Orchestra. In Concert Winners of the 2010 Young Artist Competition Sunday, April 25, 2010, 5:30 pm Yamaha Piano Salon, 689 Fifth Avenue Thomas (entrance on 54th Street between Fifth and Madison Avenues) James Wible Thomas Wible, flute; Linda Mark, piano IN THIS ISSUE Poem Charles T.
[Show full text]
February 13, 2021
Romance February 13, 2021 Photo: Jeffery Noble Romance Saturday, February 13, 2021 • 7:30PM Peoria Civic Center Theater Peoria Symphony Orchestra George Stelluto · conductor The Romaniacs Masha Lakisova · violin Michelle Areyzaga · soprano Roma Fantasy Anton Bruckner (1824-1896) arr. G. Stelluto Zigeunerweisen, Op. 20 Pablo de Sarasate (1844-1908) Masha Lakisova • violin Djangology Django Reinhardt (1910-1953)/arr. P. Ekdahl The Romaniacs Drei Zigeuner Lieder Johannes Brahms (1833-1897) He, Zigeuner, greife in die Saiten (Op. 103, No. 1) Liebe Schwalbe, Kleine Schwalbe (Op. 112, No. 6) Röslein dreie in der Reihe (Op. 103, No. 7) Michelle Areyzaga • soprano Masha Lakisova • violin For Sephora Stochelo Rosenberg (b. 1968) arr. A.Girardo Nuages Django Reinhardt arr. P. Ekdahl The Romaniacs Tzigane Maurice Ravel (1875-1937) Masha Lakisova • violin INTERMISSION Manoir de mes rêves Django Reinhardt/arr. P. Ekdahl The Romaniacs Romancero Gitano, Op. 152 Mario Castelnuovo-Tedesco (1895-1968) arr. G. Stelluto The Romaniacs with Michelle Areyzaga • soprano Tears Django Reinhardt arr. P. Ekdahl Creve Coeur (world premiere) John Miller arr. G. Stelluto Bellville Django Reinhardt arr. P. Ekdahl The Romaniacs Concert Sponsors & Underwriters Carl W. Soderstrom, MD The Meredith Foundation This program is partially supported by a Conductor’s Circle grant from the Illinois Arts Council Agency. 57 The Romaniacs John Miller started playing at the age of nine. During the 1970s, John toured with Chicago crooner Jimmy Damon, and later toured with pop star Dobie Gray (“The In Crowd” and “Drift Away”). For years he was well-known in Peoria as a private lesson teacher and performer. His credits include performing in orchestral settings with Bob Hope, Tom Jones, Rich Little, and Cab Calloway.
[Show full text]
February 13, 2021
Romance February 13, 2021 Photo: Jeffery Noble Romance Saturday, February 13, 2021 • 8:00PM Broadcast on WTVP World 47.3 Peoria Symphony Orchestra George Stelluto · conductor The Romaniacs: John Miller · guitar, Joe Park · guitar, Larry Harms · clarinet and saxophone, Andy Crawford · bass Masha Lakisova · violin Michelle Areyzaga · soprano Zigeunerweisen, Op. 20 Pablo de Sarasate (1844-1908) Masha Lakisova • violin Hungaria The Romaniacs Djangology Django Reinhardt (1910-1953)/arr. P. Ekdahl Drei Zigeunerlieder Johannes Brahms (1833-1897) Brauner Bursche Führt zum Tanze (Op. 103, No. 5) Röslein dreie in der Reihe (Op. 103, No. 6) Kommt dir manchmal in den Sinn (Op. 103, No. 7) Michelle Areyzaga • soprano Pei-Yeh Tsai • piano For Sephora Stochelo Rosenberg (b. 1968) arr. A.Girardo Douce Ambience Django Reinhardt (1910-1953) arr. P. Ekdahl Nuages Django Reinhardt arr. P. Ekdahl Tzigane Maurice Ravel (1875-1937) Masha Lakisova • violin Canciones Espanolas Antiguas Federico Garcia Lorca (1898-1936) El Café de Chinitas, Nana de Sevilla, Zorongo, Los reyes de la baraja, La Tarara Michelle Areyzaga • soprano Angelo Favis • guitar Bossa Dorado Dorado Schmidt (b. 1957) Creve Coeur (world premiere) John Miller Manoir de mes rêves Django Reinhardt/arr. P. Ekdahl Minor Swing The Romaniacs Melodie au Crespescule The Romaniacs Tears Django Reinhardt arr. P. Ekdahl Belleville Django Reinhardt arr. P. Ekdahl Concert Sponsors & Underwriters Carl W. Soderstrom, MD The Meredith Foundation This program is partially supported by a grant from Conductor’s Circle the Illinois Arts Council Agency. 2 The Romaniacs John Miller started playing at the age of nine. During the 1970s, John toured with Chicago crooner Jimmy Damon, and later toured with pop star Dobie Gray (“The In Crowd” and “Drift Away”).
[Show full text]
The Value Shown Is for Tapes Shipped on METAL Reels. Subtract $25 PER
The Value shown is for tapes shipped on METAL reels. Subtract $25 PER REEL from the shown value for tapes shipped on HUBS only. Subtract $15 PER REEL for tapes shipped on PLASTIC reels. Tapes that occupy 1/2 of a reel will ship on 7" Plastic reels. # Artist Title Label Value Reels Adventures In Sound One World Jazz Phillips 1 200 Atlantic Family Atlantic Family Live At Montreaux Atlantic 4 750 Benny Goodman Benny Goodman Sextet (Mono) Columbia 1 200 Benny Goodman Benny Goodman Carnegie Hall (Mono) Columbia 1 200 Benny Goodman Live At Basin Street East 11-13-1959 - 1 200 Bert Kaempfert The Famous Seven Of Bert Kaempfert Olympic 2 350 Betty Carter Live With The Norman Simmons Trio - 1 200 Big Maybelle Smith 1958 Newport Jazz Festival - 7"Reel - 1/2 100 Bob James All Around The Town Columbia 4 750 The Genie: Themes & Variations From The TV Bob James Columbia 2 350 Series "Taxi" Bud Powell A Portrait Of Thelonious Columbia 2 450 Buddy Tate Trio When I'm Blue Black & Blue 2 350 GNP Challengers, The Light My Fire with Classical Gas 1 200 Crescendo Charlie Barnett Charlie Barnett (Mono) - 1 200 Charlie Rouse Unsung Hero Project 3 2 450 Claude Bolling Big Band - 2 350 Claude Bolling & Yo-Yo Ma Bolling: Suite For Cello & Jazz Piano Trio CBS 2 450 Claude Bolling Concerto For Classical Guitar And Jazz Piano Angel 2 350 Claude Bolling Live At The Meridian - Paris CBS 2 350 Claude Bolling Suite For Violin And Jazz Piano Columbia 2 350 Count Basie Basie In Sweden Roulette 1 350 Count Basie Basie Party - 2 500 Count Basie Count Basie and the Kansas
[Show full text]
Discography Compiled by Evert (Ted) Kaleveld and Lily Coleman
Discography Compiled by Evert (Ted) Kaleveld and Lily Coleman Abbreviations ts tenor saxophone arr arranger v vocal as alto saxophone vib vibraphone ~s baritone saxophone vn violin bs bass saxophone wb washboard bj banjo Country of record origin eel celesta (Where no country of origin is given, USA is cl clarinet understood.) d drums E England db double bass F France H flute I Italy flh Hugel hom N Netherlands g guitar Sz Switzerland ldr leader Record types org organ EP 45 rpm extended play p piano ss soprano saxophone (Issue numbers of78 rpm records are shown in roman t trumpet type; those oflong-playing records are shown in italic.) tb trombone 1929 57712-1 Springfield Stomp Victor V 38117 Sep 6 New York Luis Russell and his Orchestra 1931 Bill Coleman, Henry .. Red" Allen (t); J .C. Higgin Sep23 NewYork botham(tb, v); AlbertNicholas(cl, as); Charlie Holmes Don Redman and his Orchestra (as, ss); Teddy Hill (ts); Luis Russell (p, ldr); Walter Bill Coleman, Henry .. Reel" Allen, Leonard Davis (t); Johnson (llj); Pops Foster (db); Paul Barbarin ( d, vib) Claucle]ones, Fred Robinson, Benny Morton (tb); Ed 402938-c The New Call of the Freaks Okeh 8734 ward lnge, Rupert Cole (cl, as); Don Redman (as, v, 402939-c Feeling the Spirit GCH:v) Okeh 8766 ldr, arr); Robert Carroll (ts); Horace Henclerson (p, 402940-b Jersey Lightning Okeh 8734 arr); Talcott Reeves (llj, g); Bob Ysaguirre (db, tuba}; Manzie]ohnson(d, vib); Lois Deppe(v} 1929 E 37222-A I Heard Unissued Sep13 NewYork E 37223-A Trouble, why pick on me? Lou and his Ginger Snaps [ =
[Show full text]
Claude Bolling's Toot Suite for Trumpet And
CLAUDE BOLLING’S TOOT SUITE FOR TRUMPET AND JAZZ PIANO:A PERFORMANCE GUIDE Oscar O. Passley, B.A., M.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2012 APPROVED: John Holt, Major Professor Michael Steinel, Committee Member Thomas Sovik, Committee Member John Holt, Chair of the Division of Instrumental Studies Lynn Eustis, Director of Graduate Studies John Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Passley, Oscar O. Claude Bolling’s Toot Suite for Trumpet and Jazz Piano:A Performance Guide. Doctor of Musical Arts (Performance), August 2012, 38 pp., 6 tables, 6 illustrations, biography, 32 titles. Claude Bolling’s Toot Suite for Trumpet and Jazz Piano that was premiered by French virtuoso trumpeter Maurice Andre in 1980 is an important work in the trumpet repertoire. At present, there is limited research regarding Toot Suite. Almost all of the six movements within Toot Suite are performed on a different instrument: C trumpet for Allegre, Eb trumpet for Mystique, Bb cornet for Rag-Polka, Bb piccolo trumpet for Marche, Bb flugelhorn for Vesperale and Bb piccolo for Spirituelle. Chapter 1 examines the life and musical background of the composer. It also exposes the history surrounding the origin of Toot Suite. Chapter 2 discusses the musical influences of the composer that are found in Toot Suite. Chapter 3 provides an analysis of existing studio recordings. Chapter 4 offers specific suggestions regarding preparation and performance of Toot Suite. Chapters 5 and 6 conclude the guide with interviews with the composer and prominent trumpet performers and pedagogues that have recorded and/or have performed Toot Suite live.
[Show full text]
Instrumental:Layout 1 11/21/08 6:53 PM Page 741
47990 7 Instrumental:Layout 1 11/21/08 6:53 PM Page 741 INSTRUMENTAL 758 ABRSM Jazz Program 772 Instrumental Solo Folios 806 Accordion 760 Jazz Instruction 754 All About Series 765 Jazz Play-Along Series 802 Anglo Music 755 Julie Lyonn Lieberman 793 Artist Play-Along Collections 804 Master Solos 770 Artist Transcriptions 821 Oboe 817 Bass 795 Orchestra Musican’s 756 Berklee Practice Method CD-ROM Library 837 Brass 809 Orchestra Play-Along 805 Claude Bolling 746 Petersen Music Stands 804 Canadian Brass 753 Play Today Series 816 Cello 744 Pocket Dictionaries 821 Clarinet 832 Recorder 800 Curnow Original Music 823 Saxophone 797 De Haske Original Music 796 Schott Original Play-Alongs 757 Essential Elements for Jazz 809 Strings 747 Essential Elements 2000 745 Teacher Resources for Band 755 Tipbook Series 750 Essential Elements 2000 837 Transcribed Horns for Strings 844 Trombone 845 Euphonium 838 Trumpet 802 Fentone Music 845 Tuba 818 Flute 816 Viola 756 “Instant” Methods 809 Violin 794 Instrumental Duet Folios 812 Violin Play-Along 742 Instrumental Instruction 818 Woodwinds 47990 7 Instrumental:Layout 1 11/21/08 6:53 PM Page 742 742 INSTRUMENTAL INSTRUCTION BASIC RHYTHMIC BERKLEE THE CYCLE TRAINING MUSIC THEORY OF FIFTHS by Robert Starer – BOOK 1 ESSENTIAL EXERCISES FOR ALL This book pro vides a com - by Paul Schmeling JAZZ, TRADITIONAL AND pre hen sive under standing of Berklee Press CONTEMPORARY MUSICIANS basic rhythm and its com - This book features rigorous, by Emile and ponents: the beat, pulse, hands-on, “ears-on” prac - Laura De Cosmo time signatures, notes, rests, tice exercises that help you This updated and expanded syncopation.
[Show full text]
Audiovisuality and the City of Marseille, France: Creativity, Communication, Representation
Creativity studies ISSN 2345-0479 / eISSN 2345-0487 2019 Volume 12 Issue 1: 166–182 https://doi.org/10.3846/cs.2019.5440 AUDIOVISUALITY AND THE CITY OF MARSEILLE, FRANCE: CREATIVITY, COMMUNICATION, REPRESENTATION Dario MARTINELLI* Vilnius Gediminas Technical University, Faculty of Creative Industries, Department of Entertainment Industries, Trakų str. 1, LT-01132, Vilnius, Lithuania Received 11 September 2018; accepted 5 April 2019 Abstract. The Wicked City (director Peter Mak, 1992), House on the Waterfront (director Edmond T. Gréville, 1955), The French Connection (director William Friedkin, 1971), the obvious Borsalino (director Jacques Deray, 1970)… up to the recent Netflixseries Marseille (creator Dan Franck, 2016– 2018): when browsing the titles of the most important audiovisual representations of Marseille, one immediately notices how this city seems to (be made to) communicate a few recurrent topoi: the frontier city, site of mostly illegal activities and inhabited by a multi-ethnic (or rather stateless) com- munity of gangsters, sailors, adventurers and prostitutes – ingredients often mixed with an abundant amount of charm and nostalgic fascination. Mostly informed by the theories and methodologies of film studies, musicology, creativity studies and communication studies, the present article aims to emphasize the consistence of significations conveyed by both visual and musical sources. As a case-study, the article shall focus on Borsalino, possibly – at the same time – the most famous film placed in Marseille and the most famous soundtrack (by jazz composer Claude Bolling) – both, it is argued, perfect syntheses of the above-mentioned topoi. Keywords: audiovisual communication, Borsalino, Marseille, musicology, film music, film stud- ies, semiotics. Introduction As already suggested in recent studies (e.g., Martinelli, 2010, pp.
[Show full text]
Flutist Quarterly
VOLUMEXXXV , NO . 4 S UMMER 2 0 1 0 THE LUTI ST QUARTERLY Rudall, Rose & Carte: The art of the flute in Britain Claude Bolling at 80 The Flute Duets by W.F. Bach Illuminating Tradition: The 2010 NFA Convention THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC Dependability. Integrity. Innovation. You strive for perfection. So do we. Every Miyazawa is a fusion of time-tested traditional techniques and groundbreaking advancements, handcrafted to meet and exceed your highest expectations. Our exclusive Brögger System mechanism ensures ergonomic comfort and fast, balanced technique. Precision you can count on. Miyazawa. Your flute for life. “It is unusual to find an instrument with an extremely fast and reliable mechanism: one that holds its adjustments and that does not need constant care. My Miyazawa flute with Brögger System embodies these qualities. Whether down at sea level or up in the highest mountains, it always keeps up with me in the fastest technical passages, making it easier to play with its perfectly balanced key action. I know I can depend on it, and I do. I love my Miyazawa!” — Tadeu Coelho www.miyazawa.com 800.967.6733 [email protected] Table of CONTENTS THE FLUTIST QUARTERLY VOLUME XXXV, NO.4 SUMMER 2010 DEPARTMENTS 5 From the Chair 65 NFA News 7 From the Editor 71 Notes from Around the World 10 High Notes 74 New Products 14 Flute Shots 75 From the 2011 Convention Program Chair 39 Across the Miles 42 Illuminating Tradition: 38th Annual 76 Reviews NFA Convention in Anaheim 88 NFA Office, Coordinators, 60 Contributors Committee Chairs 18 62 Student Spotlight: Brook Ferguson 93 Index of Advertisers FEATURES 18 Rudall, Rose & Carte: The art of the flute in Britain by Robert Bigio “It would be a difficult task to name a professional flute player in Great Britain who does not play on one of our instruments,” says a Rudall Carte catalog of the 1930s.
[Show full text]
BAND Performance Music
instrumentalsolo instrumental halHAL LEONARD 2011 2 TABLE OF CONTENTS/SUBJECT INDEX TABLE OF CONTENTS METHODS & INSTRUCTION ...................................................... 3 BRASS .................................................................................... 181 JAZZ PUBLICATIONS .............................................................. 33 PERCUSSION ENSEMBLES .................................................... 203 INSTRUMENTAL SOLO FOLIOS .............................................. 53 FAKE BOOKS.......................................................................... 207 RUBANK ................................................................................. 103 INSTRUMENTAL ACCESSORIES ............................................ 241 STRINGS ................................................................................. 121 INDEX ..................................................................................... 244 WOODWINDS ........................................................................ 143 SUBJECT INDEX ABRSM JAZZ ProGram .............................................................................40 LEOPARD PERCUSSION ............................................................................206 ABSOLUTE BEGINNERS SERIES .................................................................26 JULIE LYONN LIEBERMAN ..........................................................................25 ALL ABOUT SERIES .......................................................................................24 MASTER
[Show full text]