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Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Documentary, Reality TV and 'Real Lives' - View Online P4041 - Lizzie Thynne [1] Nagib, Lu ́ cia and Mello, Ceci ́ lia, Realism and the Audiovisual Media. New York, N.Y.: Palgrave Macmillan, 2009 [Online]. Available: http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pa ckage_service_id=10396743000002461&institutionId=2461&customerId=2460 [2] Ward, Paul, Documentary: the Margins of Reality, vol. Short cuts. London: Wallflower, 2005. [3] Pennebaker, D. A., ‘Don’t Look Back.’ Sony BMG Music Entertainment, [U.K.], 2006. [4] ‘Chronique d’un été.’ 27AD [Online]. Available: https://www.youtube.com/watch?v=o6dHtOc8F9I [5] S. Bruzzi, New documentary: a critical introduction, 2nd ed. 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Eitzen, ‘When is a Documentary?: Documentary as a Mode of reception’, Cinema Journal , vol. 35, no. 1, pp. 81–102, 1995, doi: 1225809. 2/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University [13] David Bordwell and Noe ̈ l Carroll, Post-Theory: Reconstructing Film Studies. Madison: U. of Wisconsin P., 1996. [14] Lucia Ricciardelli, ‘“Documentary Filmmaking in the Postmodern Age: Errol Morris & The Fog of Truth”’, Studies in Documentary Film, vol. 4, no. 1, pp. 35–50, 2010 [Online]. Available: http://www.tandfonline.com/doi/pdf/10.1386/sdf.4.1.35_1 [15] Keith Beattie, Documentary Screens: Non-Fiction Film and Television. Basingstoke: Palgrave Macmillan, 2004. [16] Dave Saunders, Direct Cinema: Observational Documentary and the Politics of the Sixties, vol. Nonfictions. London: Wallflower, 2007. [17] Nichols, Bill, Representing Reality: Issues and Concepts in Documentary. Bloomington, Ind: Indiana University Press, 1991. [18] S. 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New York: O.U.P., 1988. [33] 5/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Alan Rosenthal and John Corner, New Challenges for Documentary, 2nd ed. Manchester: Manchester University Press, 2005. [34] Dovey, Jon, Freakshow: First Person Media and Factual Television. London: Pluto, 2000. [35] Rabinowitz, Paula, They Must Be Represented: The Politics of Documentary. London: Verso, 1994. [36] Benson, Thomas W. and Anderson, Carolyn, Reality Fictions: the Films of Frederick Wiseman, 2nd ed. Carbondale, Ill: Southern Illinois University Press, 2002. [37] B. Winston and British Film Institute, The documentary film book. [38] K. Longinotto, ‘Pink Saris.’ 2010. [39] Garnett, Tony, ‘Prostitute.’ BFI, 2011. [40] P. 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Available: http://suss.eblib.com/patron/FullRecord.aspx?p=361578 [46] Austin, Thomas and Jong, Wilma de, Rethinking Documentary: a Documentary Reader. Maidenhead: Open University Press, 2008. [47] Rabinowitz, Paula, They Must Be Represented: The Politics of Documentary. London: Verso, 1994. [48] 7/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Waldman, Diane and Walker, Janet, Feminism and Documentary, vol. Visible evidence. London: University of Minnesota Press, 1999. [49] Kuhn, Annette, Women’s Pictures: Feminism and Cinema, 2nd ed. London: Verso, 1994. [50] Kaplan, E. Ann, Women and Film: Both Sides of the Camera. London: Routledge, 1988. [51] Kaplan, E. Ann, Feminism and Film, vol. Oxford readings in feminism. Oxford: Oxford University Press, 2000. [52] ‘Global Feminism and the State of Feminist Film Theory’, Signs: A Journal of Women and Culture, vol. 30, no. 1, pp. 1236–1248, doi: 3488176. [53] A. Juhasz, ‘“They said we were trying to show reality - all I want to do is show my video”: the Politics of the Realist Feminist Documentary’, Screen, vol. 35, no. 2, pp. 171–190, 1994. [54] A. Juhasz, ‘No Woman Is an Object: Realizing the Feminist Collaborative Video’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 18, no. 3 54, pp. 71–97, Jan. 2003, doi: 10.1215/02705346-18-3_54-71. [55] julia erhart, ‘Performing memory: compensation and redress in contemporary feminist first-person documentary’, Screening the Past, vol. 13, pp. 1–18, 2001 [Online]. Available: 8/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University http://tlweb.latrobe.edu.au/humanities/screeningthepast/firstrelease/fr1201/jefr13a.htm [56] Foster, Gwendolyn Audrey, Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale, Ill: Southern Illinois U.P., 1997. 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